31 pieces selected form 60 years of ABRSM Pianoforte exams. Includes works by W.H. Harris Thomas Dunhill and George Dyson.

This Saraband Processional reflects the renewed interest in the sarabande among composers of that time among them Britten Vaughan Williams and Howells. It is a majestic entrance piece.Twentieth century English composer conductor chorister and Organist William H Harris was Organist at St George’s Chapel at Windsor Castle and was conductor for the coronations of Queen Elizabeth II and her father King George VI. His work was performed at the Three Choirs Festival and the Proms though he was best known as a choir trainer.

The Sonata in A Minor is in classic three movement form moderato con moto adagio espressivo and maestoso.Twentieth century English composer conductor chorister and Organist William H Harris was Organist at St George’s Chapel at Windsor Castle and was conductor for the coronations of Queen Elizabeth II and her father King George VI. His work was performed at the Three Choirs Festival and the Proms though he was best known as a choir trainer.

Par SUZUKI SHINICHI. Suzuki Piano School Volumes 1 and 2 CD performed by William Aide. / Niveau : Débutant / Accessoire / Piano

More Than Hymns is a new two-volume collection of anthems for mixed voice choirs featuring extended arrangements of existing hymn tunes, together with original anthem-style settings of the texts of several well known hymns. Of the sixteen works in this first volume, six are published here for the first time, including new arrangements by composers of today: Malcolm Archer, Rogers Covey-Crump, John Joubert, Barry Rose and Gavin Williams. The texts cover many seasons of the church's year - Advent, Epiphany, Passiontide, Easter, Ascension, as well as celebratory occasions such as festival services and weddings. / Chant Et Piano

Par SWERTS PIET. Diese Overtüre für Blasorchester wurde im Januar 2002, zum 150. Jahrestag der Pferdemesse von Vilvoorde, komponiert. Willam Tyndale war ein englischer Theologe und Bibelübersetzer, den man als Ketzer im 16. Jahrhundert in Filfurdo lebendig begrub. Während einer Passage in diesem Stück (Takte 78-94) werden Fragmente einer Motette von William Byrd, eines Zeitgenossen von Tyndale, zitiert. Die Motette basiert auf Psalm 81, dessen Text lautet: 'Jubelt Gott zu, unserer Stärke; jauchzt dem Gott Jakobs'. Dies war eine der beliebtesten Motetten jener Zeit. Die Ouvertüre spielt indirekt auf Tyndales Zeit an, dann nimmt das Stück eine Kurze dramatische Wende, der Höhepunkt handelt von derHinrichtung Tyndales. Dies gehört nun jedoch alles der Vergangenheit an und so endet das Sück mit optimistischen Klängen. Die William Tyndale Overture enthält mehrere Anspielungen auf den Stadtrat von Vilvoorde. Das Hauptthema und die Motive basieren auf den Namen Jean-Luc Dehaene, dem Bürgermeister von Vilvoorde. Hieraus lässt sich a-h-d-e (a-b-d-e) ableiten: Einen Halbtonschritt höher transponiert, ist dies das Hauptthema des Stückes. Während der Passage, welche auf William Byrds Motette verweist, wird es häufig wiederholt. Das Stück endet glanzvoll und feierlich. / Niveau : 4 / Pièce de concert / Répertoire / Concert Band ou Harmonie

Par BYRD WILLIAM. William Byrd's Sing Joyfully is a deligtful setting of the Psalm LXXXI 1-4 for SSAATB Choir, as edited by E. H. Fellowes./ Répertoire / SSA ATB a Cappella

Margery is a work by composer William Lloyd Webber for unaccompanied SATB chorus featuring words by W.H. Davies.

Sweet Content by William Busch for Medium Voice with Piano accompaniment. Words by W.H. Davies.

Par BYRD WILLIAM. SATB unaccompanied Latin and English texts Edited by E H Fellowes/ Répertoire / SATB a Cappella

The profound text of this anthem makes you think. The text by H. N. Fifer was ripe for interpretation and William Malpede has stretched it just right. The chords he uses pulls at the text and your heart in all the right places. The questions asked are poised in harmonic colors that move you to the core. Medium in difficulty.