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Streichquartett Nr. 5 (BARTOK BELA)
37.20
Streichquartett Nr. 5 (BARTOK BELA)
Quatuor à cordes: 2 violons, alto, violoncelle
Universal Edition
Par BARTOK BELA. Bartok's 'String Quartet No. 5' was commissioned by the formida...
(+)
Par BARTOK BELA. Bartok's 'String Quartet No. 5' was commissioned by the formidable Elizabeth Sprague Coolidge, leading patron of chamber music in the U.S. in the first half of the 20th century. Bartok is alleged to have composed the work in a one-month span of isolation in 1934, and it received its premiere in Washington, D.C. by the Kolisch Quartet in 1935. The String Quartet No. 5 was published shortly thereafter by Universal Edition, who now incorporates the score into their UE Study Score Series in a handsome new publication./ Répertoire / Quatuor à Cordes
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Modern Course : Classical Piano Solos - First Grade
10.90
Modern Course : Classical Piano Solos - First Grade
Piano seul
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This first volume in the Classical Piano Solos series features 20 original piece...
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This first volume in the Classical Piano Solos series features 20 original pieces from the masters, suitable for pianists at a Grade 1 standard.This series was compiled to correlate loosely with the Modern Course method and can be used to supplement any teaching method or situation. This volume features a mix of well-known pieces, including several from Bartok's method (co-authored in 1913 with Reschofsky) and Burgmüller's 'Arabesque,? as well as lesser-known gems by composers like Melanie Bonis, Vincent d'Indy and Daniel Turk. Also includes two bonus pieces - by Gurlitt and Schmitt respectively - that have been adapted so that the beginning student can immediately start playing the classical repertoire. / Piano
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Selected Piano Pieces (BARTOK BELA)
16.20
Selected Piano Pieces (BARTOK BELA)
Piano seul
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The Bartók Performing Editions-Instruktive Ausgaben von Béla Bártok. Par BART...
(+)
The Bartók Performing Editions-Instruktive Ausgaben von Béla Bártok. Par BARTOK BELA. Bartók probably first played pieces by Domenico Scarlatti in public in 1911. During the next two decades he featured them in his piano recitals more than 60 times. His dedication to Italian and French Baroque music is also illustrated by the fact that in 1920, he signed a contract with the Budapest publisher Rozsnyai to edit seven volumes of Baroque keyboard music. His plan was to select compositions by Couperin and Rameau in addition to pieces by Scarlatti, but during the 1920s it ended up being only two volumes of Couperin and another two comprising ten compositions by Scarlatti. In editing these masterpieces, Bartók's aim was primarily to counterbalance or even overshadow the works by the 'Mendelssohn-Schumann epigones' used in primary and secondary musical education. The present single-volume collection comprises Bartók's two Scarlatti volumes, complete with an editorial preface, his detailed performing instructions, and his commentary. The editor recommends these compositions for pianists with at least five years' experience, and give practical recommendations for the grouping of individual items to form charming 'sonatina-like' sets of pieces./ Répertoire / Piano
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FOR CHILDREN VOL. 2 (BARTOK BELA)
17.40
FOR CHILDREN VOL. 2 (BARTOK BELA)
Piano seul
[Partition]
EMB (Editio Musica Budapest)
Par BARTOK BELA. Bartók composed his first pedagogical collection For Children ...
(+)
Par BARTOK BELA. Bartók composed his first pedagogical collection For Children between 1908 and 1911. The first edition was issued between 1909 and 1911 in four volumes, comprising two of Hungarian and two of Slovak folk song arrangements. After moving to America, Bartók considered it important to produce new editions of his earlier works. Thus in autumn 1943, together with his new publisher Boosey & Hawkes, he planned a new edition of For Children, and to this end completely revised the collection. Although Bartók had already completed his revision by the end of 1943, the revised edition was only issued in 1946. The pieces were published without titles in the first edition, but the folksong lyrics were included. These lyrics, deemed unnecessary for the non-Hungarian audiences, were not taken over to the American revised edition however, a significant number of pieces were provided with a title conveying their mood and their background in folk music and folk life. The American edition omitted the folk songs lyrics that seemed unnecessary to the audience there, but the titles of the first edition were replaced with English titles (some with the same meaning and some with modified interpretations) conveying each song's mood and background in folk music and folk life.The present edition - which contains the same scores as those in Volume 37 of the Béla Bartók Complete Critical Edition (Z. 15037) - is based on the revised version that the composer made in 1943 for the new edition, to which he also referred to as ''corrected''. We have added Hungarian translations to the English titles but we have also restored the original collection of folk song texts with parallel English translations. The pieces discarded from the revised version, as well as early versions that are significantly different from the revised version, are included in the Appendix. This publication contains a preface and editorial comments in both Hungarian and English./ Recueil / Piano
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Für Kinder (BARTOK BELA)
23.90
Für Kinder (BARTOK BELA)
2 Guitares (duo)
Guitare classique
Universal Edition
Par BARTOK BELA. Béla Bartók’s “For Children” is one of the best known p...
(+)
Par BARTOK BELA. Béla Bartók’s “For Children” is one of the best known pedagogical works for piano teachers of the twentieth century, second only perhaps to the same composer’s “Mikrokosmos”. It was based firmly on the huge number of folk songs he collected, recorded and studied with his colleague Zoltán Kodály. At the time, Bartók was offering something very new to piano teachers and their students. Siegfried Steinkogler became acquainted with “For Children” at the beginning of his guitar studies and, from them, learnt a great deal about melody and harmonisation. He has chosen 38 of the original 79 pieces to offer in arrangements for the guitar. They are presented with helpful fingerings, technical solutions and aids to familiarize the younger students with common notations. For beginners, ten of the pieces are played exclusively in the first position before a gently increasing level of difficulty helps the player broaden their skills. In these arrangements, Bartók’s ingenious teaching pieces will be as invaluable to guitarists as they have been to your pianists for over one hundred years./ Répertoire / 2 Guitares
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Concerto For Orchestra (BARTOK BELA)
26.70
Concerto For Orchestra (BARTOK BELA)
Orchestre
[Conducteur]
G. Henle
Par BARTOK BELA. With the “ Concerto for Orchestra , ” Henle inaugurates a s...
(+)
Par BARTOK BELA. With the “ Concerto for Orchestra , ” Henle inaugurates a series of affordable study scores based on the text of the Bartók Complete Edition. When Bartók received the commission to compose this piece from Serge Koussevitsky in May 1943, it meant not only financial support, but also an important creative impetus for the gravely ill composer. By October, the five-movement concerto, which Koussevitsky enthusiastically dubbed “the best orchestral work of the last 25 years, ” was already complete. The first performances in the winter of 1944–45 were also very successful. Nevertheless, Bartók was moved to set down an alternate ending, which thecomposer, who passed away in September 1945, would never be destined to hear. Bartók specialist Klára Móricz includes both versions in her edition and summarises the history and transmission of the “Concerto for Orchestra” in a fascinating foreword. A brief commentary section provides information about the principles underlying the edition. / Móricz, Klára / Répertoire / Orchestre
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STRING QUARTET NO. 2 OP. 17 (BARTOK BELA) (BARTOK BELA)
29.10
STRING QUARTET NO. 2 OP. 17 (BARTOK BELA) (BARTOK BELA)
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
G. Henle
Par BARTOK BELA. Bartók?s Second String Quartet was composed ? with several lon...
(+)
Par BARTOK BELA. Bartók?s Second String Quartet was composed ? with several long interruptions ? between 1915 and 1918, after he had spent several years almost solely devoted to collecting folk music. The melody and rhythms of the riotous middle movement ?Allegro, molto capriccioso? provide impressive testimony of how his research trips had taken him as far as North Africa. The first edition of this quartet, published in Vienna in 1920, contains a conspicuous number of errors that were only partially corrected in a later revision undertaken by Bartók. As late as the 1940s he noted changes in his personal copy of the score that have never previously appeared in print. These late changes by Bartók are taken into account in this definitive edition of the string quartets supervised by Bartók scholar László Somfai, with problematic passages in the sources carefully documented. It is the first-ever Urtext edition of this work. Sensible page turns and cue notes in the parts mean that this edition is ideal for exploring Bartók?s sound world in performance. / Date parution : 2023-05-06/ Répertoire / Quatuor à Cordes
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STRING QUARTET NO. 2 OP. 17 (BARTOK BELA) (BARTOK BELA)
17.00
STRING QUARTET NO. 2 OP. 17 (BARTOK BELA) (BARTOK BELA)
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
G. Henle
Par BARTOK BELA. Bartók?s Second String Quartet was composed ? with several lon...
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Par BARTOK BELA. Bartók?s Second String Quartet was composed ? with several long interruptions ? between 1915 and 1918, after he had spent several years almost solely devoted to collecting folk music. The melody and rhythms of the riotous middle movement ?Allegro, molto capriccioso? provide impressive testimony of how his research trips had taken him as far as North Africa. The first edition of this quartet, published in Vienna in 1920, contains a conspicuous number of errors that were only partially corrected in a later revision undertaken by Bartók. As late as the 1940s he noted changes in his personal copy of the score that have never previously appeared in print. These late changes by Bartók are taken into account in this definitive edition of the string quartets supervised by Bartók scholar László Somfai, with problematic passages in the sources carefully documented. It is the first-ever Urtext edition of this work. Sensible page turns and cue notes in the parts mean that this edition is ideal for exploring Bartók?s sound world in performance. / Date parution : 2023-05-06/ Répertoire / Quatuor à Cordes
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Concerto For Orchestra (BARTOK BELA)
417.50
Concerto For Orchestra (BARTOK BELA)
Orchestre
G. Henle
With Critical Report. Par BARTOK BELA. The Béla Bartók Complete Critical Editi...
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With Critical Report. Par BARTOK BELA. The Béla Bartók Complete Critical Edition is a joint project of G. Henle Publishers, Munich and Edition Musica Budapest. The volume at hand was edited by Klára Móricz. By publishing Concerto for Orchestra the score for one of Bartók’s truly importantorchestra works is now available. The well readable introduction describes the genesis of this work that Bartók wrote during the last part of his life under special circumstances. The critical commentary contains documents the process of compositionin detail, and also transcriptions of the extensive sketches. / Móricz, Klára / Répertoire / Orchestre
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Sonate (BARTOK BELA)
26.40
Sonate (BARTOK BELA)
Guitare
Guitare classique
Universal Edition
Par BARTOK BELA. Like so many famous virtuosic works, Bartók’s Sonata for Sol...
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Par BARTOK BELA. Like so many famous virtuosic works, Bartók’s Sonata for Solo Violin was said, by its commissioner, Yehudi Menuhin, at first sight, to be unplayable! Of course, Menuhin soon changed his opinion, later describing the work as the most important composition for solo violin since Bach. The original work used the full array of violin techniques such as stopped harmonics, left-hand pizzicato and quarter tones. These demands gave arranger, Christophe Dejour, much pause for thought when preparing this arrangement, not least in how to produce quarter tones on the guitar! Fortunately, both Bartók and Menuhin came to his rescue here. Menuhin had had problems playing these at speed and Bartók agreed that they were only for “colour” and accepted an alternative version Menuhin presented to him. The Sonata also contains several compositional techniques that are highly appropriate for the guitar such as chord progressions, contrapuntal motion and rhythmic sharpness, allowing Dejour to produce an arrangement that requires great skill to play, just as the original violin version demanded of Yehudi Menuhin./ Répertoire / Guitare
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Allegro Barbaro Bb 63 (Sz. 49) (BARTOK BELA)
18.90
Allegro Barbaro Bb 63 (Sz. 49) (BARTOK BELA)
Universal Edition
Par BARTOK BELA. This version of Béla Bartók’s “Allegro Barbaro” is the ...
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Par BARTOK BELA. This version of Béla Bartók’s “Allegro Barbaro” is the latest of several challenging arrangements for guitar of twentieth century masterpieces. The piece was written by Bartók as a reply to a critic who had accused him of “musical barbarity” and it pulls no punches in its opposition to the late romantic musical styles of the time (1911). Huge technical and musical challenges have been answered by Siegfried Steinkogler in this arrangement, which he recommends as an effective encore piece./ Répertoire / Guitare
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Romanian Folk Dances (BARTOK BELA)
21.40
Romanian Folk Dances (BARTOK BELA)
Alto, Piano
[Partition]
Universal Edition
Par BARTOK BELA. The ?Romanian Folk Dances? are undoubtedly among the most popul...
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Par BARTOK BELA. The ?Romanian Folk Dances? are undoubtedly among the most popular works of Bartók. The earliest version is for piano (1915) and was published by Universal Edition in 1918; arrangements for many other instruments followed. Now the internationally successful violist Kim Kashkashian presents her arrangement for viola and piano. Proof that Bartók?s dances are also perfectly accentuated by the warm sound of the viola. (After the transcription for violin and piano by Zoltán Székely, UE 8474)/ Répertoire / Alto et Piano
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6 Dances In Bulgarian Rhythm From Mikrokosmos (BARTOK BELA)
9.70
6 Dances In Bulgarian Rhythm From Mikrokosmos (BARTOK BELA)
Piano seul
[Partition]
G. Henle
Par BARTOK BELA. These six dances form the final culmination of Bartók ’s “...
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Par BARTOK BELA. These six dances form the final culmination of Bartók ’s “Mikrokosmos” (HN 1408-1410), that work of the century comprising over 150 pieces. He dedicated this grouping, collected under its own title, to the famous English pianist Harriet Cohen. Inspired, this specialist for contemporary music found in them “a whole world of music” and championed the pieces. Bartók himself added the dances to his concert repertory early on, though initially in a reduced form that omitted the fifth dance, which was not composed until the end of 1939 as one of the last works of the collection. Our practical, standalone Urtext edition of these six dances also featuresan early version of the concluding piece and supplies interesting background details about Bartók ’s own recital practice. This edition’s musical text is based on that of the Bartók Complete Edition. / Nakahara, Yusuke / Répertoire / Piano
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Improvisations On Hungarian Peasant Songs Op. 20 (BARTOK BELA)
15.80
Improvisations On Hungarian Peasant Songs Op. 20 (BARTOK BELA)
Piano seul
[Partition]
G. Henle
Op. 20. Par BARTOK BELA. After his 15 Hungarian peasant songs (HN 1404), these I...
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Op. 20. Par BARTOK BELA. After his 15 Hungarian peasant songs (HN 1404), these Improvisations on Hungarian peasant songs are the second of Bartók' s works to feature the words ' Hungarian peasant songs” in their title. The manner in which he confronts folk melodies with subtle, avant-garde sounds here was later described by Bartók himself as venturing to ' the outermost limits”. He also breaks up the song structures so radically into their constituent motives that the title ' improvisations” best conveys his approach to this folk music. The musical text of this Urtext edition, edited by Bartók expert László Somfai, is taken from the relevant volume of the Bartók Complete Edition. Comments at the close of this edition offer important hints on performance practice./ Répertoire / Piano
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Bartók: Selections from For Children, Vol (BARTOK BELA)
9.50
Bartók: Selections from For Children, Vol (BARTOK BELA)
Piano seul
[Partition]
Kjos Music Company
Par BARTOK BELA. The editor has selected seventeen of the the forty-two pieces i...
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Par BARTOK BELA. The editor has selected seventeen of the the forty-two pieces in the 1909 version of Béla Bartók?s seminal work, For Children, Volume One. These selections were chosen as a result of the editor?s teaching experiences with this music: pieces that are both pedagogically advantageous for the teacher, and the most enjoyed by students. Although Bartók?s intention was to write a set of pieces for young people, the charm and depth of these masterful works makes them equally appealing to students of all ages and levels. For Children has been played in concert and recorded by great pianists such as György Sándor, Zoltán Kocsis, Géza Anda, Menahem Pressler, and June de Toth. There is also a recording available on YouTube of Béla Bartók himself playing a selection of pieces from For Children in a 1945 radio broadcast. / Date parution : 2022-11-08/ Recueil / Piano
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44 Duos (BARTOK BELA)
32.20
44 Duos (BARTOK BELA)
2 Violoncelles (duo)
[Conducteur]
Universal Edition
Aus Den 44 Duos Für Zwei Violinen. Par BARTOK BELA. 44 Duos' by Béla Bartók -...
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Aus Den 44 Duos Für Zwei Violinen. Par BARTOK BELA. 44 Duos' by Béla Bartók - the complete collection available for the first time in one edition for two celli. The '44 Duos' by Béla Bartók were written in 1931 and were originally included in a tutor for the violin, written by the teacher Erich Doflein (1900-1977). Since then they have become an indispensable key to the understanding of twentieth century music. Until now a version for two celli was limited to 18 selected duos. The present edition for two celli is the first to include them all. The arrangements are based either on the possibility of a downwards transposition by an octave, or, where the original makes use of the violin's open E string, downwards by a twelfth. • Introduction to Béla Bartók‘s musical world and to the most important elements of the folk music of Hungary and the neigbouring regions • All of the Duos are available for the first time in one edition arranged for two celli by Hans Erik Deckert • Provides aspiring cellists the chance to experience the musical partnership required by chamber music/ Répertoire / 2 Violoncelles
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Per Nørgård: Tributes - Album For Strings: Orchestra: Score
42.50
Per Nørgård: Tributes - Album For Strings: Orchestra: Score
Orchestre
[Partition]
Wilhelm Hansen
Tributes - Album For Strings (1994-95) by Per Nørgård. Parts are available on ...
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Tributes - Album For Strings (1994-95) by Per Nørgård. Parts are available on hire: hire@ewh.dk I: FOUR OBSERVATIONS – FROM AN INFINTE RAPPORT – hommage a Bartok (1995) II: OUT OF THIS WORLD – hommage a Lutoslawski (1994) III: VOYAGE INTO THE BROKEN SCREEN - hommage a Sibelius (1995). Programme note “TRIBUTES – album for strings” (1994-95) includes three hommages which might also be performed separately.The shared point of departure was the hommage to three major composers of the 20th century – Bartok Lutoslawski and Sibelius.In FOUR OBSERVATIONS the hommage is to Bartok (on the occasion of the 50th anniversary of his death 1995). Hungarian Radio asked me to write a piece in his honor but apart from the very last unison string figure which is - I think - very Bartokian the work in no way intends to evoke even less to imitate the musical style of the great Hungarian master. This would be an act of impudence against a composer who was such an exceptionally integrated personality and who has himself shown (in 'Mikrokosmos') the worthy way to pay a personal tribute to highly respected colleagues: In 'Hommage á J.S.B.' and 'Hommage à R. Sch.' Bela Bartok composes in his own manner but lets the music reflect some qualities of the said composers as perceived in Bartok's mind. In a similar way my 'Observations from an infinite Rapport' reflects as well the timeless proportions of the 'golden section' - which seem to have inspired Bartok so much - in his great respect for perceptive structural patterns. 'OUT OF THIS WORLD' was composed at the request of a group of Lutoslawski's friends as a symbol of parting to a great composer and a noble man. The title quotes a poem by Yunus Emre the Turkish 14th century poet. The opening line of the poem 'Biz dünyadan' reads as follows in English translation: 'We are on the way out of this world we
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Modern Course : Classical Piano Solos - Second Grade
12.00
Modern Course : Classical Piano Solos - Second Grade
Piano seul
[Partition]
-
Intermédiaire
Hal Leonard
This second volume in the Classical Piano Solos series features 22 original piec...
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This second volume in the Classical Piano Solos series features 22 original pieces from the masters, suitable for pianists at a Grade 2 standard.This series was compiled to correlate loosely with the Modern Course method and can be used to supplement any teaching method or situation. This volume features a mix of well-known pieces such as Petzold's 'Minuet in G Major? from the Anna Magdelena Notebook, Schumann's 'Soldier's March,? and Beethoven's 'Ecossaise in G Major? as well as lesser-known gems like d'Indy's modern 'Three-Finger Partita? and Rebikov's ominous 'Limping Witch Lurking in the Woods.? / Piano
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Learn As You Play - English Edition
20.60
Learn As You Play - English Edition
Clarinette
[Partition]
Boosey and Hawkes
Apprendre que vous jouez, c'est la série gagnante du prix des livres de tuteur ...
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Apprendre que vous jouez, c'est la série gagnante du prix des livres de tuteur pour cordes et cuivres Boosey et Hawkes. Ecrit par Peter Wastall, un enseignant largement respecté et expérimenté, chaque livre prend l'étudiant de la d bon début / Clarinette / Partition
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For Children Complet (Vol.1 + Vol.2)
25.50
For Children Complet (Vol.1 + Vol.2)
Piano seul
-
Facile
Boosey and Hawkes
Béla Bartók's series of piano pieces For Children, based on folk melodies, was...
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Béla Bartók's series of piano pieces For Children, based on folk melodies, was written around the end of the first decade of the 20th century. The pieces were published shortly afterwards by the Hungarian publisher Károly Rozsnyai. That first publication was in four volumes, the first two containing a total of 42 pieces based on Hungarian folk tunes, the third and fourth containing 43 pieces based on Slovakian folk tunes.In 1943, whilst in the United States, Bartók prepared a revised version of the collection for the publishers Boosey and Hawkes. The revisions were minimal: two Hungarian and four Slovakian songs were eliminated, there were a few minor alterations incorporating new ideas, some of the pieces previously written with accidentals had key signatures added, a few pieces were rewritten with changed meters - some fingerings were added or changed.The composer prepared the revised 1943 edition by using copies of the first edition on which he marked minor changes - where the changes were more extensive, fresh manuscript was written and a new version engraved. However, much of the engraving of the first edition was preserved in the 1943 edition. Publication took place in 1946, after the composer's death - it is not known if he saw final proofs prior to printing.The revised edition was published in two volumes, which now have been published together as one volume for the first time. / Piano
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Romanian Folk Dances (Piano Solo)
15.30
Romanian Folk Dances (Piano Solo)
Piano seul
[Partition]
-
Intermédiaire
Chester
This is a new edition of Béla Bartók's popular Romanian Folk Dances in its ori...
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This is a new edition of Béla Bartók's popular Romanian Folk Dances in its original scoring for Solo Piano. With fascinating background notes and unique imagery, this publication is essential for pianists interested in the work of the Hungarian composer.When Bartók was just 23 years old, he visited the Transylvanian town of Gerlicepuszta. Overhearing a lullaby sung by a teenage servant girl named Lidi Dósa, he quizzed her about it and noted it down. This was the beginning of a passion for folk music that would go on to change the course of the composer's life and work.Romanian Folk Dances remains one of Bartók's most popular and enduring works, evoking the folk melodies combined with his own idiosyncratic harmonies and textures. Each of the six short pieces here is based on a traditional melody which Bartók penned during his travels. Including newly engraved masterpieces Stick Dance, Waistband Dance, In One Spot, Dance From Butschum, Romanian Polka and Fast Dance, this sheet music collection features editorial revisions guided by recordings of Bartók's own performance. The notation also includes fingering guidance throughout.Romanian Folk Dances also features a specially-written introduction as well as some fantastic photographs that both tell the story of the young composer and the intriguing backstory of this work. One of the most important 20th century composers and, along with Liszt, one of Hungary's finest musical minds, Bartók held a strong fascination for folk music. Through his studies, recordings and arrangements, he composed some incredible music like these Romanian Folk Dances, while simultaneously initiating the field of ethnomusicology. / Piano
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