Petit Hommage A Gabriel Faure is a miniature for solo Organ composed in the style of Gabriel Faure by Peter Aston. Suitable for the elementary to intermediate player.

Par FAURE GABRIEL. A superb collection of 30 songs by Gabriel Faure, arranged here for Low Voice with Piano accompaniment, as edited and fingered by Sergius Kagen. / Niveau : 6,7,8 / Répertoire d'Examen / Répertoire / Basse et Piano

Par FAURE GABRIEL. SATB chorus and piano (or orchestra) / Mottet / Répertoire / 4 Voix Mixtes Sans Accompagnement

Over 60 of the most famous pieces in classical music specially arranged for Easy Piano. This superb collection covers a wide range of composers and musical periods from Bach, Mozart and Handel through to Chopin, Elgar, Debussy and Mahler. This book is perfect for any Grade 1 - 2 pianist to explore a wonderful variety of well-known masterpieces. / Piano

Par FAURE GABRIEL. This edition of Salve Regina by Gabriel Faure is a version of this Marian hymn for a SABT accompanied by the Piano or the Organ, arranged by Henri Busser. This features lyrics in Latin, and can be sung by two or four voices also accompanied by Violin or Cello ad libitum. This lyrical piece is quite slow (tempo 66) and the Organ score does not feature any pedals: the difficulty could meet the skills of upper intermediate level players. Five verses can be distinguished in the whole piece and its polytonal aspects make it sound really rich and harmonious. Gabriel Faure (1845-1924) was a French composer, organist, pianist and teacher. He was one of the greatest composers among his peers and strongly influenced all the following generations of composers. One of his best-known compositions is the famous 'Requiem'./ Répertoire / 2 ou 4 Voix Mixtes et Piano (ou Orgue)

Par FAURE GABRIEL. Part of the series ; Les Soirees Intimes for Violin or Cello with Piano accompaniment, Pavane, Op. 50 is a piece written by Gabriel Faure. It was transcribed by Henri Busser and requires an upper-intermediate / advanced technique to be played perfectly. Really lyrical, this work starts with an Introduction on an ; Andante molto moderato tempo. It is followed by alternating of pizzicato sections and bow sections. The piece also finishes on some notes in pizzicato. This fantastic work is perfect as part of a concert and will amaze the audience. Gabriel Faure was aFrench Composer, Organist, Pianist and teacher. He is one of the most important composers of his generation, with pieces such as 'Pavane' or 'Requiem'. / Répertoire d'Examen / Répertoire / Violoncelle ou Alto et Piano

Par FAURE GABRIEL. Being a significant contributor to French romantic music, Faure 's Tantum Ergo, Op. 65, No. 2, is essential to all female choirs. Containing a variety of characteristics, this work contains many aspects of the romantic era. Known predominantly for his contributions to vocal repertoire, Gabriel Faure (1845-1924) is often regarded as the master of the French art song, frequently choosing to compose his songs to the writings of Victor Hugo and other prominent poets of the time. However, his religious works also remain popular, such as Tantum Ergo for three voice female choir. Containing manycharacteristics of French romantic music, this Faure work cannot be missed by aspiring female choirs./ Répertoire / Soprano Solo/2 Soprani/Contralto et Orgue

Par FAURE GABRIEL / MESSAGER. Andre Messager (1853-1929) was a composition and Piano pupil of Gabriel Faure (1845-1924). They collaborated during the summer of 1881 to compose Messe Des Pêcheurs De Villerville and the first performance was in aid of the fisherman's charitable association. The Mass comprises five movements; 1) Kyrie, 2) Gloria Benedictus, 3) Sanctus, 4) O Salutaris, and 5) Agnus Dei. Messe Des Pêcheurs De Villerville is a Missa Brevis for female choir accompanied by chamber orchestra. Given its specific arrangement for female voices, Faure and Messager 's Messe Des Pêcheurs De Villerville is an ideal and alternative performance work. / Musique religieuse / Répertoire / Choeur de Femmes et Orchestre/Choeur Accolade

Par FAURE GABRIEL. A splendiferous and beautiful song for Soprano Voice and Piano accompaniment by post-romantic French composer Gabriel Faure. In French with English and Italian translations, this is a sensitive and moving song with an elegant melody typical of the composer's refined style./ Répertoire / Soprano ou Ténor et Piano

Contient les Mélodies Dites De Venise. Voix Haute. Par FAURE GABRIEL. Le troisième volume des Melodies de Gabriel Faure (1845-1924) pour soprano contient les oeuvres suivantes : 'Larmes', 'Au Cimetière', 'Spleen', 'La Rose', 'Chanson de Shylock', 'Madrigal', 'Mandoline', 'En sourdine', 'Green', 'A Clymène', 'C'est l'Extase', 'Le Parfum imperissable', 'Arpège', 'Prison', 'Soir', 'Le plus doux chemin', 'Le Ramier', 'Dans la forêt de Septembre', 'La fleur qui va sur l'Eau' et 'Accompagnement'. / Répertoire d'Examen / Répertoire / Chant

Vol.1 Premières Mélodies. Par FAURE GABRIEL. Gabriel FAURE est né à Pamiers (Ariège), le 12 mai 1845. Ses dons précoces pour la musique lui permirent d'entrer dès l'âge de neuf ans à la célèbre Ecole Niedermeyer fondée à Paris pour former les organistes et les maîtres de chapelle : durant une dizaine d'années, il y reçut un enseignement de grande qualité, axé principalement sur l'étude de la musique sacrée et des grands chefs-d'oeuvre classiques, auxquels l'initia notamment Camille Saint-Saëns, son professeur de piano. Dès sa sortie de l'Ecole, Fauré entama une brillante carrière d'organiste. En 1896, il succéda à Théodore Dubois à l'orgue de la Madeleine et fut nommé professeur de composition au Conservatoire : il y eut pour élèves Ravel, Koechlin, Enesco, Schmitt. Entre-temps, il avait rencontré Liszt à Weimar et s'était initié à l'art de Wagner dont il ne subit pas véritablement l'influence. Appelé en 1905 à la direction du Conservatoire de Paris, après la démission de Théodore Dubois, membre de l'Institut, critique musical, Fauré vécut ses dernières années dans l'isolement, frappé par une irréversible surdité qui le contraignit à démissionner du Conservatoire en 1920. Il est mort à Paris, le 4 novembre 1924. La musique de ce compositeur quelquefois incompris et qui toucha à presque tous les genres (hormis l'orgue), se révèle d'une grande subtilité. Ennemi de l'emphase, Fauré a mis un contrepoint élégant, une écriture harmonique très personnelle, des inflexions imprévues et le secret de sa sensibilité musicale peu commune au service d'une oeuvre variée et d'une extrême qualité./ Répertoire / Chant et Piano

Par FAURE GABRIEL. Le troisième volume des Melodies de Gabriel Faure (1845-1924) pour soprano contient les oeuvres suivantes : 'Larmes', 'Au Cimetière', 'Spleen', 'La Rose', 'Chanson de Shylock', 'Madrigal', 'Mandoline', 'En sourdine', 'Green', 'A Clymène', 'C'est l'Extase', 'Le Parfum imperissable', 'Arpège', 'Prison', 'Soir', 'Le plus doux chemin', 'Le Ramier', 'Dans la forêt de Septembre', 'La fleur qui va sur l'Eau' et 'Accompagnement'. / Répertoire d'Examen / Répertoire / Chant

from the collection of Anabel Hulme Brieff-Composed on Bastille Day 14 of July 1898 Morceau De Concours is a work for Flute and Piano with simplicity of phrasing style and rhythm by French composer Gabriel Faure. This first publication is arranged and edited by scholar and Faure collector Anabel Hulme Brieff. Previous to the composition of Morceau De Concours the required repertory of pieces for the flute competition at Paris Conservatoire were principally chosen for virtuosic content. Faure who was professor of composition and in 1905 became Director of the Conservatoire wrote this little gem to provide a good test of musicianship.

Par FAURE GABRIEL. The Dolly suite, a collection of six piano duets (for one piano, four hands), shows Faure's wittier side while portraying the many scenes and moods of childhood. This suite got its name from its dedicatee, a friend's little girl who was so tiny at birth that she was nicknamed Dolly. This teaching/performance edition contains the suite is in its entirety and is based on the first edition published by Hamelle in 1897. Editors Gayle Kowalchyk and E. L. Lancaster have included expert fingering suggestions and hand redistributions for technical ease, and have realized essential ornamentation in footnotes. The primo and secondo parts are on separate pages with measure numbers in both parts for easy reference. Although featuring childhood themes, the piece is at the late intermediate to early advanced level. / Ensemble Music, Miscellaneous, Piano Music, Scores / Répertoire / Piano 4 Mains

Le ce?le?bre Requiem de Gabriel Faure? se pre?te naturellement a? une transcription pour l'orgue seul, Christina Harmon a re?alise? une version re?a- liste qui fait particulie?rement bien sonner l'instrument pour lequel Faure? a improvise? de nombreuses heures durant son titulariat a? l'orgue de la Madeleine (1896-1905), De difficulte? moyenne, cette transcription pourra rendre un grand service aux orga- nistes liturgiques, - Introitus and Kyrie : 5 :20- Offertorium : 7 :20- Sanctus : 3 :20- Pie Jesu : 3 :20- Agnus Dei : 5 :15- Libera me : 4 :50- In Paradisum : 3 :10 / Orgue