Par DOWNLAND JOHN. For years, classical guitarists have enjoyed playing the lute music of the English composer, John Dowland (1563-1626). Forty of his beautiful compositions are included in this volume. The book is intended for the guitarist with intermediate to advanced fingerstyle technique, and can be played on both nylon and steel string instruments. In order to help capture the unique character of Dowland\'s music, renaissance lute tuning (capo on the third fret with the G string tuned to F sharp) is used throughout. The pieces progress more or less in order of increasing difficulty, and special care has been taken to be sure any group of consecutive pieces can be played with satisfyingresults. Standard notation only. Includes access to online audio. For years, classical guitarists have enjoyed playing the lute music of the English composer, John Dowland (1563-1626). Forty of his beautiful compositions are included in this volume. The book is intended for the guitarist withintermediate to advanced fingerstyle technique, and can be played on both nylon and steel string instruments. In order to help capture the unique character of Dowland\'s music, renaissance lute tuning (capo on the third fret withthe G string tuned to F sharp) is used throughout. The pieces progress more or less in order of increasing difficulty, and special care has been taken to be sure any group of consecutive pieces can be played with satisfyingresults. Standard notation only. Includes access to online audio. / Niveau : 4 / Classique / Répertoire / Guitare Classique

Ces réalisations pour guitare de pièces de luth de John Dowland sont aussi authentiques que possible, avec doigté claire et de la notation. Ainsi, cette sélection de contrastées des pièces provenant de l'Angleterre plus hautement considéré compositeurs, rend un plus fine de la nouvelle série. / Guitare

The first in this book-and-CD anthology of solos, duets and songs covering four centuries of composers for the Guitar and Lute family. Taken from original sources, and carefully fingered for the modern player, the transcriptions are as faithful as possible to the original while at the same time offering a practical performing score. / Niveau : Intermédiaire / Rép International / Recueil / Guitare

Les racines de la guitare classique sont trouvent dans les instruments à cordes au début de la Renaissance, et cette collection spéciale comporte 50 solos arrangés pour guitare solo avec tablature. L'ensemble des pièces comprend la musique de Thomas Campian, Francis Cutting, John Dowland, Orlando Gibbons, Michael Praetorius et autres, avec chaque arrangement présenté en notation standard et onglet. Un CD est également inclus, avec démonstrations soigneusement enregistrées qui vous aideront à capturer un aithentic style afin de refléter le caractère unique de musique de la Renaissance de jeu. / Guitare

/ 5 Cordes Ou 5 Flûtes A Bec (SATTB) Et Basse Continue (Luth, Notes Et TAB Clavecin Et Orgue)

/ 5 Cordes Ou 5 Flûtes A Bec (SATTB) Et Basse Continue (Luth, Notes Et TAB Clavecin Et Orgue)

/ 5 Cordes Ou 5 Flûtes A Bec (SATTB) Et Basse Continue (Luth, Notes Et TAB Clavecin Et Orgue)

/ 5 Cordes Ou 5 Flûtes A Bec (SATTB) Et Basse Continue (Luth, Clavecin Et Orgue)

/ 5 Cordes Ou 5 Flûtes A Bec (SATTB) Et Basse Continue (Luth, Notes Et TAB Clavecin Et Orgue)

/ 5 Cordes Ou 5 Flûtes A Bec (SATTB) Et Basse Continue (Luth, Notes Et TAB Clavecin Et Orgue)

The Original First and Second Books including Dowland's Original Lute Tablature. Par DOWLAND JOHN. Considered the greatest lute virtuoso and composer of the English school in the early 17th Century, John Dowland (1563-1626) composed over 80 pieces of solo lute music. His peerless skills as an instrumentalist were hailed by poet Richard Barnfield, who referred to Dowland as one '. . . whose heav'nly touch upon the lute doth ravish human sense. ' As a composer, Dowland displayed a versatility of mood, with works ranging from the lighthearted to the deeply serious, exquisitely melancholic vein in which he excelled. Considered the greatest lute virtuoso and composer of the English school in the early 17th Century, John Dowland (1563-1626) composed over 80 pieces of solo lute music. His peerless skills as an instrumentalist were hailed by poet Richard Barnfield, who referred to Dowland as one '. . . whose heav'nly touch upon the lute doth ravish human sense. ' As a composer, Dowland displayed a versatility of mood, with works ranging from the lighthearted to the deeply serious, exquisitely melancholic vein in which he excelled./ Répertoire / Voix et Guitare