Par BRUCH MAX. Aside from his popular Violin Concerto no. 1, “ Kol Nidrei ” numbers among Max Bruch ’s most famous compositions. The melancholy “Adagio after Hebrew melodies” was written in 1880 for the cellist Robert Hausmann. It treats two old Jewish songs whose extraordinary beauty proved deeply moving to the Protestant Bruch, by his own admission. The tenor Cello sound is the ideal medium for the voice of a Jewish cantor, and thus to this day “ Kol Nidrei ” offers every cellist a wonderful opportunity to make the instrument “sing”. In this text, based on the first edition of 1881, “ Kol Nidrei ” appears for the first time in an Urtextedition substantiated by scholarly research, for which not just the musical sources, but also numerous letters and documents from the Max Bruch Archive were consulted. Christian Poltéra was able to be procured for the markings in the solo part. / Oppermann, Annette / Répertoire / Violoncelle et Piano

Par REINECKE CARL HEINRICH CARSTEN. Le présent volume contient une sélection d'oeuvres pour piano, avec des pièces pour enfants et des sonates modérément difficiles. Le style de Reinecke, qui d'un point de vue esthétique se classe dans le conservatisme, s'inspire des modèles classiques viennois, comme Haydn et Mozart. Parmi ses élèves, on compte Max Bruch, Edvard Grieg et Leoš Janácek. Malgré ses succès en tant que pianiste, compositeur et pédagogue, Carl Reinecke a subi le destin de nombreux grands musiciens et est aujourd'hui en grande partie tombé dans l'oubli. Afin de changer cela, ce volume a pour objectif de présenter un échantillon significatif des compositions pour piano d'un grand romantique allemand. / Niveau : Moyen à Avancé / Répertoire / Piano

Par BRUCH MAX. Thanks to the premiere performance by Joseph Joachim and to the release of the printed edition in 1868, Max Bruch's Violin Concerto #1 zipped onto the road to success and has never left it since. Yet from the preface of the 'BreitkopfUrtext' edition,one can infer how things looked like behind the dazzling facade. After the world premiere, the composer struggled for the definitive form. He wrote '3, 4 development sections in the finale,' and sought the advice of celebrated virtuosi such as Joseph Joachim and Ferdinand David to revise the solo part. And after all this was done (see above), Bruch suffered under the work's popularity: 'Have I written nothing but this one concerto?' The new Urtext edition is based primarily on the first edition. Next to the main source and the autograph, what is supremely interesting is a solo part with entries by Joachim and Bruch. It confirms how intensively the two men collaborated on honing the final form of the work./ Répertoire / Violon 2 (Partie Séparée)

Deux des compositions les plus durables de Bruch, révélant le romantisme du compositeur allemand, la notation couramment, orchestrations colorées, et la mélodie exubérante. Le Premier Concerto pour violon en sol mineur se présente comme l'un des concertos les plus jouées et enregistrées dans le répertoire pour violon tandis Fantaisie écossaise reflète son intérêt tout au long de la musique folklorique.Réimpression de concert, op.26, CFW Siegel Musikalienhandlung, Leipzig, sd, et Fantasie, Op.46, N. Simrock, Berlin, 1880. / Violon Et Orchestre

The Easy to Play series has been so stupendouly successful and we are delighted to present another book in the series!Max Bruch's Violin Concerto No. 1 in G minor Op. 26 is one of the most popular Violinconcertos in the repertoire. It continues to be performed and recorded by many violinists and is Bruch's most famous composition. Adagio the slow second movement often admired for its melody and generallyconsidered to be the heart of the concerto is arranged here for easy to play Grade 3-4 solo Piano.

Compilations regroupant les plus grands titres d'un genre musical spécialement regravées en piano, voix et diagrammes d'accord guitare ou en piano solo en format A4 spiralé afin qu'il reste 'plat' sur le support du piano.Titres : Miserere mei, Deus [Allegri] - Sarabande [Arnold, Malcolm] - Aria from Goldberg Variations [Bach, J.S.] - Badinerie (from Orchestral Suite #2 in B Minor) [Bach, J.S.] - Prelude #11 in F Major (from The Well-Tempered Clavier) [Bach, J.S.] - Solfeggietto in C Minor [Bach, C.P.E.] - Symphony #7 - II. Allegretto [Beethoven] - Two Turtle Doves (from Partridge Pie) [Bennett, R.R.] - Prelude #6 (from Six Preludes) [Berkeley, Lennox] - Prelude from L'Arlésienne [Bizet] - Polovtsian Dances (from Prince Igor) [Borodin] - Wiegenlied (Lullaby) [Brahms] - Violin Concerto #1 - II. Adagio [Bruch] - Piano Concerto #1 - II. Larghetto (Romance) [Chopin] - Prelude in C Minor, Op.28 #20 [Chopin] - Waltz in A-flat Major, Op.69 #1 [Chopin] - Les Baricades Mistérieuses [Couperin] - The Little Shepherd (from Children's Corner) [Debussy] - Sarabande [Einaudi, Ludovico] - Snow Prelude #2 [Einaudi, Ludovico] - Nimrod (Var IX from 'Enigma' Variations) [Elgar] - Homenaje (Le Tombeau de Claude Debussy) [de Falla] - Agnus Dei (from Requiem in D Minor, Op.48) [Fauré] - Sicilienne, Op.78 [Fauré] - The North Pole (from Frozen Planet) [Fenton, George] - Prelude #1 (from Three Preludes For Piano) [Gershwin, George] - Metamorphosis Five [Glass, Philip] - Opening Piece from Glassworks [Glass, Philip] - Piano Concerto, Op.16 - I. Allegro Moderato (opening) [Grieg] - Hornpipe (Alla Danza) (from Water Music) [Handel] - Symphony #94 'The Surprise' - II. Andante [Haydn] - Consolation #5 [Liszt] - Paganini Variations (excerpts) [Lutoslawski, Witold] - Hebrides Overture ('Fingal's Cave') [Mendelssohn] - Overture to The Marriage of Figaro [Mozart] - Piano Concerto #21 in C Major - II. Andante [Mozart] - Promenade (From Pictures At An Exhibition) [Mussorgsky] - Big My Secret (from The Piano) [Nyman, Michael] - Jerusalem [Parry] - Sonata For Flute - 2nd Movement [Poulenc] - Mouvements Perpétuels - #1 [Poulenc] - Nessun Dorma (from Turandot) [Puccini] - Rondeau (from Abdelazer) [Purcell] - Piano Concerto #2 - II. Adagio Sostenuto [Rachmaninoff] - Rhapsody on a Theme of Paganini - Var XI and XVIII [Rachmaninoff] - Vocalise (No.14 from Fourteen Songs, Op.34) [Rachmaninoff] - Pavane (from Mother Goose) [Ravel] - Written On The Sky [Richter, Max] - The Elephant (from The Carnival Of The Animals) [Saint-Saëns] - Sonata in E Major, L.23 K.380 [Scarlatti, Domenico] - Unfinished' Symphony - I. Allegro Moderato [Schubert] - Sicilienne (from Album For The Young) [Schumann] - Prelude, Op.11 #15 [D-flat major] [Scriabin] - Romance in D-flat (No.9 from 10 Pieces for Piano, Op.24) [Sibelius] - The Firebird Suite - Finale [Stravinsky, Igor] - The Lamb [Tavener, John] - 1812 Overture [Tchaikovsky] - Dance of the Sugar Plum Fairy (from The Nutcracker Suite) [Tchaikovsky] - Dies Irae (from Requiem) [Verdi] - Autumn (1st movt) (from The Four Seasons) [Vivaldi] - Ride of the Valkyries [Wagner] - Vltava (The Moldau) (from Má Vlast) [Smetena] / Piano/Vocal/Guitare (PVG)

Performed by Geoffrey Applegate violin Accompaniment: Stuttgart Symphony Orchestra Conductor: Emil Kahn Max Bruch's sumptuous Romantic masterpiece has remained an audience favorite since it was published in 1868. Its dedicatee the great violinist Joseph Joachim had considerable input and as in the Brahms concerto his contributions add to its unstoppable lustre. In typical three-movement form it is a spectacularly lush concerto of the highest order and its intoxicating spell usually takes a firm grip on even the most jaded cynics. Guaranteed to please both player and audience! Contains a printed score and a compact disc featuring the concerto in split-channel stereo withthe violinist on the right channel; then again in a stereo accompaniment version minus the solo violin part.

Professionnel ou amateur de Classique vous apprécierez cette partition de musique. Composée par Bruch Max et éditée par Henle cette partition est idéale pour les joueurs de Alto. Si l'instrumentation Alto Et Piano correspond à ce que vous cherchez, vous en ferez alors un très bon usage. / Alto Et Piano / Chanson En Séparée

Poema Sinfonico per Orchestra. Par RESPIGHI OTTORINO. D’abord élève du Liceo Musicale de Bologne, le compositeur et violoniste italien Ottorino Respighi (1879-1936) suit l’enseignement de Rimski-Korsakov à Saint-Pétersbourg, où il fut quelque temps alto solo de l'Orchestre de l'Opéra. En 1908, alors qu’il séjourne à Berlin, il reçoit les conseils de Max Bruch. De retour en Italie, il entreprend une carrière de violoniste et d'altiste avant d’être nommé professeur de composition au Conservatoire Sainte-Cécile de Rome dont il deviendra directeur en 1924. Deux ans plus tard, Respighi démissionne de ce poste afin de pouvoir se consacrer pleinement à la composition. Ottorino Respighi est considéré comme l'un des plus grandscompositeurs italiens du début du XXe siècle. Auteur de plusieurs opéras, de ballets, de quelques cantates et oeuvres de musique de chambre, de mélodies pour orgue et piano, Respighi s’est acquis la notoriété mondiale notamment par le triptyque symphonique Fontane di Roma (Les Fontaines de Rome), Pini di Roma (Les Pins de Rome) et Feste Romane (Fêtes romaines). Son style unique a été profondément influencé par les impressionnistes français, par Rimski-Korsakov et Richard Strauss. Le compositeur-arrangeur japonais Yoshihiro Kimura a réalisé une superbe adaptation pour Orchestre d’Harmonie du poème symphonique Les Fontaines de Rome d'Ottorino Respighi. / Niveau : 6 / Transcription / Répertoire / Concert Band