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String quartet no. 1 (2015) (FREEMAN ALEX)
51.20
String quartet no. 1 (2015) (FREEMAN ALEX)
Quatuor à cordes: 2 violons, alto, violoncelle
Fennica Gehrman
Par FREEMAN ALEX. Alex Freeman found initial inspiration for his string quartet ...
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Par FREEMAN ALEX. Alex Freeman found initial inspiration for his string quartet (2015) in a series of photographs a geologist friend showed him of en échelon veins in rock formations. The open strings punctuated with pizzicato unisons that begin the single-movement work call to mind something crystalline and shimmering, which is immediately infused with tumbling lyrical lines in something of a rapid caccia technique throughout. The middle of the work becomes more suspended in slower material loosely based on a technique of prolation canon, comprises layers of free, expressive, lyrical, and even elegiac music moving at different speeds. As the work concludes, the materials converge in a rhythmically pulsating stasis and an almost chorale-like statement. Duration: c. 13' This product includes the score and the parts (A4 sized). American-Finnish composer Alex Freeman (b.1972) has established himself among the foremost composers of choral music in Finland. A dedicated citizen of his musical community, a teacher, and a choral singer himself, he composes music that reflects an appreciation for a wide range of aesthetics and a passion for communicating with listeners and performers. In his choral works, in particular, we find music that aims to be sonorous, melodic, and resonant, but is always crafted to carefully avoid the cliches that can burden conventional tonality. His instrumental works run the gamut: a cantata with orchestra based on poetry of Whitman; a significant body of solo piano works that reveal deep roots in everything from austere absolute music to soaring elegaic rhetoric (see Albany Records, Inner Voice); his chamber work Blueshift (Navona Records), which is a kind of paean to Reich and Adams in miniature; open-ended modular works, like various iterations of his Slow All Clocks for electronic media, solo clarinet, and mixed choirs of kanteles; and, recently, some new directions in microtonal music. / Date parution : 2022-05-31/ Répertoire / Quatuor à Cordes
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Hans Abrahamsen: Schnee - Ten Canons For Nine Instruments: Ensemble: Score
106.99
Hans Abrahamsen: Schnee - Ten Canons For Nine Instruments: Ensemble: Score
VLN/VLA/VLC/PFA/PERC/PFA/FLT/CORA/BASS CLT/CLT::Violin/Viola/Cello/Piano Accompaniment/Percussion/Piano Accompaniment/Flute/Cor Anglais/Bass Clarinet/Clarinet
[Partition]
Wilhelm Hansen
Schnee - Ten Canons For Nine Instruments was composed by Hans Abrahamsen in 2006...
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Schnee - Ten Canons For Nine Instruments was composed by Hans Abrahamsen in 2006-08. Commissioned by Westdeutscher Rundfunk for 'Wittener Tage für Neue Kammermusik 2008' with support from Ernst von Siemens Musikstiftung and The Danish Arts Council. Dedicated to Harry Vogt and Ensemble Recherche. Programme Note: In the beginning of the 90s I arranged some of J.S. Bach’s canons for ensemble – in total seven single standing works from his entire life span. I became totally absorbed into this music and arranged them with the intention of the music being repeated many many times as a kind of minimal music. Obviously I didn’t know which durations Bach had in mind but by listening to his canons in this way a profound new moving world of circular time was opened to me.Depending on the perspective on these canons the music and its time can stand still or move either backwards or forwards.In my own work an ongoing idea has persisted of at some point writing a work consisting of a number of canonical movements that would explore this universe of time. And when I was offered the commission for Ensemble Recherche and Wittener Tage it felt as the right time to do this.In Schnee a few simple and fundamental musical questions are explored. What is a Vorsatz? And what is a Nachsatz? Can a phrase be answering? Or questioning?The guideline or rule for the canons is very simple: We start out with an answering Vorsatz followed by a questioning Nachsatz. Throughout the time of the piece these two are intertwined more and more as more and more dicht geführt canons until at the end they are interchanged. Now the question and then the answer. The two canons are identical like a painting in two versions but with different colors. And where the first one does not include the space the second one does as well as containing more
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Michael Hurd: King And Conscience: Voice: Classroom Musical
4.99
Michael Hurd: King And Conscience: Voice: Classroom Musical
Chorale Unison
Unison/2-parties, Piano
[Partition]
Novello & Co Ltd.
Michael Hurd. The ill-fated friendship between Henry Plantagenet and Thomas Beck...
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Michael Hurd. The ill-fated friendship between Henry Plantagenet and Thomas Beckett forms the basis of this ballad cantata on one of the momentous clashes between church and state in English history. With his customary melodic skill and literary clarity Hurd provides a very direct and immediately appealing account of the events which is designed to provide a starting point for further creativity in primary and middle schools.Performable as a concert or stage piece the cantata can provide the basis for original work in art design dance drama history environmental and English literary studies.Duration: 21 minutes. Scored for narrator unison voices and piano for performance as either concert or stage piece. Woodwind and String parts on hire.
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John Jacobson Mac Huff: Dear Santa: Children's Choir: Classroom Musical
174.99
John Jacobson Mac Huff: Dear Santa: Children's Choir: Classroom Musical
Formation musicale - Solfège
Hal Leonard
A Musical Tweet for Christmas-Email' Text' Post' Tweet' Skype' Christmas is almo...
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A Musical Tweet for Christmas-Email' Text' Post' Tweet' Skype' Christmas is almost here and the entire family is frantic about getting their lists to Santa in time. Exhausted super Mom is ready for an island vacation choked-up Dad doesn't need any moreridiculous ties big brother Axel is on the move and needs some wheels little brother Joey wants a puppy and Grandma and Grandpa want to try out their new matching sweat suits with one of those fancy dance revolution machines.But see how little sister Molly's handwritten letter reminds everyone of the true meaning of the season ? sincerely! Join the holiday hi-tech fun with clever songs hilarious antics and a full evening of entertainment thatwill leave your audience in stitches! This musical ?tweet? is designed for performers in upper elementary and middle school and features 7 original songs and a script with 18 main speaking parts. The Teacher Editionis filled with quality performance material including piano/vocal song arrangements with choreography script helpful production guide and teaching objectives linked to the National Standards for each song. For added value theready-to-use student books include songs and script and will enhance the musical experience for your young aspiring actors/singers! Available separately: Teacher Singer 5-Pak Preview CD Preview Pak Performance/AccompanimentCD and Performance Kit/PACD. Duration: ca. 40 minutes. Suggested for grades 4-8.
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Tarik O'Regan: Tarik O'Regan: Acallam na Senórach: SATB: Vocal Score
19.99
Tarik O'Regan: Tarik O'Regan: Acallam na Senórach: SATB: Vocal Score
Chorale SATB
[Vocal Score]
-
Intermédiaire/avancé
Novello & Co Ltd.
Acallam na Senórach by Tarik O'Regan was co-commissioned by the National Ch...
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Acallam na Senórach by Tarik O'Regan was co-commissioned by the National Chamber Choir of Ireland The DeBartolo Performing Arts Center at University of Notre Dame Indiana and Peak Performances at Montclair State University Montclair New Jersey.First performed on 25 November 2010 at St Ann’s Church Dublin by the National Chamber Choir of Irelandwith Stewart French (Guitar) directed by Paul Hillier.The Guitar part was edited by Stewart French.Tarik O'Regan on the music:In writing this musical setting of Acallam na Senórach I was drawn to the evenness of the dialogue. Instead of St Patricksimply converting the pagan warriors he is encouraged to listen to Ca lte’s stories and poems of an earlier time in which the saint delights.This secular/sacred osmosis is maintained unwaveringly throughout the entire text. By the end of the narrative one has witnessed not only the arrival of a new religion in Ireland but also a richly-recounted secular narrative map of the entire island: the peaceful and enriching shaking of two great hands.In preparing the libretto (the sung text) I have focused on only a few of the shorter constituent tales. This decision was born of the practical constraints of duration. I have however kept the skeleton albeit smaller of the overall frame in place. Finally for the sake of simplicity Ois n is removed from the primary narrative.The characters are not assigned specific voices. The narrative as a whole is carried by a persistently changing combination of voices and guitar. The one exception is Cas Corach the musician of the s d (underworld) who is most closely embodied throughout this setting in the solo interludes for guitar.The music itself is not ethnographically inclined; that is I have not attempted to reconstruct theories on Irish music of the period from which Acallam stems. However the score generally and especially in the guitar writing is imbued with an air
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Three Carols For Christ's Nativity: Unison Voices: Vocal Score
3.99
Three Carols For Christ's Nativity: Unison Voices: Vocal Score
Chorale Unison
Unison/2-parties, Piano
[Partition]
Edwin Ashdown
Unison Songs No.87. Words and music by F Roy Bennett. Duration c. 5 mins.
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Tarik O'Regan: Tarik O'Regan: Acallam na Senórach: Guitar: Part
13.99
Tarik O'Regan: Tarik O'Regan: Acallam na Senórach: Guitar: Part
Guitare
[Partitions]
-
Intermédiaire/avancé
Novello & Co Ltd.
(Part - Guitar)-Acallam na Senórach by Tarik O'Regan was co-commissioned by...
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(Part - Guitar)-Acallam na Senórach by Tarik O'Regan was co-commissioned by the National Chamber Choir of Ireland The DeBartolo Performing Arts Center at University of Notre Dame Indiana and Peak Performances at Montclair State University Montclair New Jersey.First performed on 25 November 2010 at St Ann’s Church Dublin by the National Chamber Choir of Irelandwith Stewart French (Guitar) directed by Paul Hillier.The Guitar part was edited by Stewart French.Tarik O'Regan on the music:In writing this musical setting of Acallam na Senórach I was drawn to the evenness of the dialogue. Instead of St Patricksimply converting the pagan warriors he is encouraged to listen to Ca lte’s stories and poems of an earlier time in which the saint delights.This secular/sacred osmosis is maintained unwaveringly throughout the entire text. By the end of the narrative one has witnessed not only the arrival of a new religion in Ireland but also a richly-recounted secular narrative map of the entire island: the peaceful and enriching shaking of two great hands.In preparing the libretto (the sung text) I have focused on only a few of the shorter constituent tales. This decision was born of the practical constraints of duration. I have however kept the skeleton albeit smaller of the overall frame in place. Finally for the sake of simplicity Ois n is removed from the primary narrative.The characters are not assigned specific voices. The narrative as a whole is carried by a persistently changing combination of voices and guitar. The one exception is Cas Corach the musician of the s d (underworld) who is most closely embodied throughout this setting in the solo interludes for guitar.The music itself is not ethnographically inclined; that is I have not attempted to reconstruct theories on Irish music of the period from which Acallam stems. However the score generally and especially in the guitar writing is imbued with an air
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Seven Cat Songs for baritone (... a He Cat) and piano (RECHBERGER HERMAN)
19.90
Seven Cat Songs for baritone (... a He Cat) and piano (RECHBERGER HERMAN)
Voix Baryton, Piano
Fennica Gehrman
Par RECHBERGER HERMAN. Herman Rechberger (1947?2022) composed the song cycle Sev...
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Par RECHBERGER HERMAN. Herman Rechberger (1947?2022) composed the song cycle Seven Cat Songs between Christmas eve 2007 and the 4th of January 2008. They were inspired by his ?lovely hairy companions Tosca and Carmen?. The songs exist in two versions, one for soprano (...a SHE cat) and one for baritone (...a He Cat). Have a look inside by clicking ?sample?. Duration: c. 20 minutes Contents: I A cat's self portrait (Herman Rechberger) II Cats can sleep anywhere (Eleanor Farjeon) III A cat's memory (Jane Webb) IV A cat's evening prayer (anon.) V A song about two cats (anon.) VI A black-cat luck (anon.) VII All kinds of cats (BJ Boskitt) / Date parution : 2022-05-31/ Recueil / Baryton et Piano
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Seven Cat Songs for soprano (... a she Cat) and piano (RECHBERGER HERMAN)
19.90
Seven Cat Songs for soprano (... a she Cat) and piano (RECHBERGER HERMAN)
Voix Soprano, Piano
Fennica Gehrman
Par RECHBERGER HERMAN. Herman Rechberger (1947?2022) composed the song cycle Sev...
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Par RECHBERGER HERMAN. Herman Rechberger (1947?2022) composed the song cycle Seven Cat Songs between Christmas eve 2007 and the 4th of January 2008. They were inspired by his ?lovely hairy companions Tosca and Carmen?. The songs exist in two versions, one for soprano (...a SHE cat) and one for baritone (...a He Cat). Have a look inside by clicking ?sample?. Duration: c. 20 minutes Contents: I A cat's self portrait (Herman Rechberger) II Cats can sleep anywhere (Eleanor Farjeon) III A cat's memory (Jane Webb) IV A cat's evening prayer (anon.) V A song about two cats (anon.) VI A black-cat luck (anon.) VII All kinds of cats (BJ Boskitt) / Date parution : 2022-05-31/ Recueil / Soprano et Piano
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Douglas Wootton: Honey!: Unison Voices: Classroom Musical
16.99
Douglas Wootton: Honey!: Unison Voices: Classroom Musical
Chorale Unison
Unison, Piano
[Partition]
-
Facile
Golden Apple Productions
Eight great new songs with a play taking a fun look at the real workings of a h...
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Eight great new songs with a play taking a fun look at the real workings of a honey bee hive. Suitable for 5-9 year olds this is ideal for topic work and other areas of the curriculum and also for an end-of-term presentationfor family and friends. CD includes full performances and backing tracks. Duration 35 minutes. Script available in student book.You will require a license to perform this work at your school/youth theatre; pleaseclick here for more information and our application form.
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Joseph M. Martin: A Celebration of Carols: SATB: Vocal Score
9.99
Joseph M. Martin: A Celebration of Carols: SATB: Vocal Score
Chorale SATB
[Vocal Score]
Shawnee Press
Uses: Advent ChristmasScripture: Luke 2From the composer of Tapestry of Light a...
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Uses: Advent ChristmasScripture: Luke 2From the composer of Tapestry of Light and The Winter Rose comes a new major work that is based on the traditional “Lessons andCarols” service. Filled to overflowing with beloved carols and original seasonal songs this cantata tells the story of Christ's birth adorned with beautiful arrangements and meaningful Scriptures. The work includes optionalmoments for congregational participation handbell ringers and children's choir if desired. Stunning orchestrations and a full line of support products are available to support your presentation. Titles include: A ChristmasOverture; O Come All Ye Faithful; A Prayer for Advent; People of Promise Arise!; Song of Hope and Joy; O Little Town of Bethlehem; My Soul Doth Magnify the Lord; Lullabies of Bethlehem; Angels We Have Heard on High; Carols forSeekers; Let Christmas Begin; A Christmas Trilogy. Available separately: SATB SAB iPrint Full Orch CD-rom Printed Orchestration iPrint Consort Orch CD-rom iPrint Handbells CD-rom StudioTrax CD Listening CD 1-PackListening CD Preview Pack RehearsalTrax CD Digital Resource Kit. Duration: ca. 59:21 (including opt. congregational songs) or ca: 48:37 (w/o opt. congregational anthems).
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Piano quartet (1925-26, rev. 1935) (LEIVISKA HELVI)
64.00
Piano quartet (1925-26, rev. 1935) (LEIVISKA HELVI)
Piano Quatuor: piano, violon, alto, violoncelle
Fennica Gehrman
Par LEIVISKA HELVI. Finnish composer Helvi Leiviskä (1902-1982) created a broad...
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Par LEIVISKA HELVI. Finnish composer Helvi Leiviskä (1902-1982) created a broad-based output of orchestral works, solo songs and chamber music. Her style could be described as moderate modernism, deriving influences from multiple sources such as late Romanticism, Symbolism, Expressionism, Existentialism and Neo-Classicism. Leiviskä's output is characterised by philosophical and religious themes, images of nature and narrative structures. Many of her works focus on human existential angst and spiritual searching and growth. Helvi Leiviskä originally completed her Piano Quartet in A major op. 1 in 1926 but revised it a decade later, in 1935. Written for the traditional piano quartet lineup (violin, viola, cello and piano), the work is in three movements and has a duration of about 25 minutes. It features religious and ecstatic imagery such as may be found in French, German or Russian neo-Romantic styles. Leiviskä's Piano Quartet is considered one of the cornerstones of her chamber music output. Its early version was premiered in two parts at student recitals of the Helsinki Music Institute (the 1st movement in 1925 and the 2nd and 3rd movements in 1926). The revised version was performed in full by Timo Mikkilä (piano), Sulo Aro (violin), Ilmo Ranta (viola) and Pentti Rautawaara (cello) on Finnish radio in 1939. The work was also on the programme of Leiviskä's second composition concert in 1945, being performed on that occasion by Jussi Jalas (piano), Erik Cronvall (violin), Erik Karma (viola) and Yrjö Selin (cello). Two commercial recordings have been released (Finlandia Classics 2012 and Telos Music 2016). It is published for the first time 2022 with an extensive foreword by Susanna Välimäki. The product includes the full score (piano part) and a set of string parts. Duration: c. 25'. Have a look inside by clicking 'sample'. / Date parution : 2022-05-31/ Répertoire / Quatuor avec Piano
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Joseph M. Martin: A Celebration of Carols: Mixed Choir
Shawnee Press
Uses: Advent ChristmasScripture: Luke 2From the composer of Tapestry of Light a...
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Uses: Advent ChristmasScripture: Luke 2From the composer of Tapestry of Light and The Winter Rose comes a new major work that is based on the traditional “Lesson and Carols”service. Filled to overflowing with beloved carols and original seasonal songs this cantata tells the story of Christ's birth adorned with beautiful arrangements and meaningful Scriptures. The work includes optional moments forcongregational participation handbell ringers and children's choir if desired. Stunning orchestrations and a full line of support products are available to support your presentation. Titles include: A Christmas Overture; OCome All Ye Faithful; A Prayer for Advent; People of Promise Arise!; Song of Hope and Joy; O Little Town of Bethlehem; My Soul Doth Magnify the Lord; Lullabies of Bethlehem; Angels We Have Heard on High; Carols for Seekers; LetChristmas Begin; A Christmas Trilogy. Available separately: SATB SAB iPrint Orch CD-rom Printed Orchestration iPrint Consort Orch CD-rom iPrint Handbells CD-rom StudioTrax CD Listening CD 10-Pack Listening CDs PreviewPack RehearsalTrax CDs Digital Resource Kit. Duration: ca. 59:21 (full performance) and ca. 48:37 (w/o opt. congregational anthems).
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Joseph M. Martin: A Celebration of Carols: Orchestra: Parts
324.99
Joseph M. Martin: A Celebration of Carols: Orchestra: Parts
Orchestre
Shawnee Press
Uses: Advent ChristmasScripture: Luke 2From the composer of Tapestry of Light a...
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Uses: Advent ChristmasScripture: Luke 2From the composer of Tapestry of Light and The Winter Rose comes a new major work that is based on the traditional “Lesson and Carols”service. Filled to overflowing with beloved carols and original seasonal songs this cantata tells the story of Christ's birth adorned with beautiful arrangements and meaningful Scriptures. The work includes optional moments forcongregational participation handbell ringers and children's choir if desired. Stunning orchestrations and a full line of support products are available to support your presentation. Titles include: A Christmas Overture; OCome All Ye Faithful; A Prayer for Advent; People of Promise Arise!; Song of Hope and Joy; O Little Town of Bethlehem; My Soul Doth Magnify the Lord; Lullabies of Bethlehem; Angels We Have Heard on High; Carols for Seekers; LetChristmas Begin; A Christmas Trilogy. Available separately: SATB SAB iPrint Orch CD-rom Printed Orchestration (Score & parts for Flute 1&2 Oboe Clarinet 1&2 Bassoon Horn 1&2 Trumpet 1 2&3 Trombone 1&2 BassTrombone/Tuba Timpani Perc 1&2 Harp Piano Violin 1&2 Viola Cello Double Bass) iPrint Consort CD-rom iPrint Handbells CD-rom StudioTrax CD Listening CD 10-Pack Listening CDs Preview Pack RehearsalTrax CDs DigitalResource Kit. Duration: ca. 59:21 (full performance) ca. 48:37 (w/o opt. congregational anthems).
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Bach J.s. - Now My Soul Exalts The Lord Bwv 10 - Vocal Score
9.50
Bach J.s. - Now My Soul Exalts The Lord Bwv 10 - Vocal Score
Chorale SATB
[Partition]
Barenreiter
Bach, Johann Sebastian Now my soul exalts the Lord BWV 10 Cantata for the Feast ...
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Bach, Johann Sebastian Now my soul exalts the Lord BWV 10 Cantata for the Feast of Visitation B. V. M. With his cantata 'Meine Seel erhebt den Herren' which Bach composed for the Visitation of Mary (2 July), he created a Magnificat setting of a different kind: The German text source is a combination of biblical text and a free interpretation, the basis being the Marian hymn of praise from the Gospel according to Luke. The 9th psalm tone acts as the chorale melody and becomes a recurring musical theme. With a small scoring of one trumpet (which if need be can be omitted), two oboes, strings and basso continuo along with four soloists and choir, Bach succeeds in writing a festive music of 20-25 minutes. This performing edition is based on the Urtext of the 'New Bach Edition'. - Festive cantata based on the Urtext of the 'New Bach Edition' - With a duration of 20-25 minutes Edition no.: BA 10010-90 ISMN: 9790006561520 Editor: Wolf, Uwe Arranger: Grünert, Matthias Language(s) of work: German, English Language(s) of text: English, German Product format: Piano reduction, Urtext edition Binding: Stapled Pages / Format: IV, 33 S. - 27,0 x 19,0 cm
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Brad Nix: See the Lilies: Unison Voices: Vocal Score
11.25
Brad Nix: See the Lilies: Unison Voices: Vocal Score
Chorale Unison
[Vocal Score]
Shawnee Press
Based on Luke 12:24-31 this anthem reminds us that just as God cares for the li...
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Based on Luke 12:24-31 this anthem reminds us that just as God cares for the lilies of the field and the birds of the air so too will God care for His children. Crafted in a calypso feel the simple melody and gentle syncopations are tastefully accompanied by piano optional flute and optional egg shakers. Available separately: Unison CelebrationTrax CD. Duration: ca. 2:57 ScorePlay - click to view score with recording.
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Joseph M. Martin: A Celebration of Carols: SAB: Vocal Score
9.99
Joseph M. Martin: A Celebration of Carols: SAB: Vocal Score
Chorale 3 parties
SAB
[Vocal Score]
Shawnee Press
Uses: Advent ChristmasScripture: Luke 2From the composer of Tapestry of Light a...
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Uses: Advent ChristmasScripture: Luke 2From the composer of Tapestry of Light and The Winter Rose comes a new major work that is based on the traditional “Lesson and Carols”service. Filled to overflowing with beloved carols and original seasonal songs this cantata tells the story of Christ's birth adorned with beautiful arrangements and meaningful Scriptures. The work includes optional moments forcongregational participation handbell ringers and children's choir if desired. Stunning orchestrations and a full line of support products are available to support your presentation. Titles include: A Christmas Overture; OCome All Ye Faithful; A Prayer for Advent; People of Promise Arise!; Song of Hope and Joy; O Little Town of Bethlehem; My Soul Doth Magnify the Lord; Lullabies of Bethlehem; Angels We Have Heard on High; Carols for Seekers; LetChristmas Begin; A Christmas Trilogy. Available separately: SATB SAB iPrint Full Orch CD-rom Printed Orchestration iPrint Consort Orch CD-rom iPrint Handbells CD-rom StudioTrax CD Listening CD 10-Pack Listening CDs Preview Pack RehearsalTrax CD Digital Resource Kit. Duration: 59:21 (with opt. congregational anthems) ca. 48:37 (w/o opt. congregational anthems).
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Concerto for flute and orchestra (1985)
42.20
Concerto for flute and orchestra (1985)
Flûte traversière et Piano
[Partition]
Fennica Gehrman
Huilukonsertto. Par ENGLUND EINAR. Einar Englund?s (1916-1999) Flute Concerto (1...
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Huilukonsertto. Par ENGLUND EINAR. Einar Englund?s (1916-1999) Flute Concerto (1985) is beyond dispute one of his greatest works. Its finest attributes are its rich melodic invention, colourful instrumentation and immediate message. Add to these its rewarding solo part, and the result is truly one of his best concertos ? and works. He himself did not hesitate to regard it as such. It was premiered in Helsinki on September 16, 1985, having been completed at Ljugarn on the Swedish island of Gotland at the end of June. The Finnish Radio Symphony Orchestra was conducted by Leif Segerstam, and the soloist was the concerto?s dedicatee, Mikael Helasvuo. The Flute Concerto opens with a Ritornello in which the flute's playful, dance-like passages make sharp contrast with the orchestra's heroic stance. In the mellow Canzona which follows, the flute plays rhapsodically over repetitive orchestral figures. The work's 'action-packed' finale hints at parody in its military march-like opening, but also gives rein to the lyricism already familiar from the second movement. This product includes the solo flute part and the piano reduction. The orchestral study score (composer?s manuscript) is available for sale (product number 9790550117471). The performance material is available for hire from the publisher. Duration: c. 23? Instrumentation of the orchestra: 3(III=picc)222?4330?14?harpsichord( celesta)?hp?str / Date parution : 2022-05-31/ Répertoire / Flûte Traversière et Piano
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Robert Saxton: Hortus Musicae: Piano: Instrumental Work
10.95
Robert Saxton: Hortus Musicae: Piano: Instrumental Work
Piano seul
University Of York Music Press
Robert Saxton's Hortus Musicae Book 1 was commissioned by Ian Richie for the 20...
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Robert Saxton's Hortus Musicae Book 1 was commissioned by Ian Richie for the 2013 City of London Festival with funds provided by the John S. Cohen Foundation. The first performance was given by Clare Hammond on June 24th 2013 at the church of St Mary Le Bow. The title less 'literal' in Latin than in the vernacular refers to the idea of an allegorical/metaphysical garden (reference to a 'real' or existing garden might be implied by Hortus Musicus) with various facets. The titles of the individual pieces/movements with their respective garden image are as follows: 1) Hortus Somniorum: afleeting vision of a 'magical' garden 2) Hortus Temporis: a reflection of/on the floral clock described by Andrew Marvell (1621-1678) in his [metaphysical] poem The Garden: How well the skilful gardener drewOf flowers and herbs this dial newWhere from above the milder sunDoes through a fragrant zodiac run;And as it works the industrious beeComputes its time as well as we.How could such sweet and wholesome hoursBe reckoned but with herbs and flowers! 3) Hortus Cantus: A garden in which nature 'sings' (praises) in the manner of a 'chorale prelude' and ending with the cantus firmus transformed into bells. 4) Hortus Infinitatis: A meditative/formal garden representing Time suspended in the form of a palindromic prolation canon combined with a harmonic ground (chaconne). 5) Saltatio Hortensis: A (summer) garden of dancing celebratory nature. Its essence (and that of the entire cycle both metaphorically and structurally/formally) is summed up in words spoken by Miranda in WH Auden's 1944 Tempest [Shakespeare]-inspired poem The Sea And The Mirror;So to remember our changing garden weAre linked as children in a circle dancing. Duration: 15
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Infant Holy Infant Lowly: Unison Voices: Vocal Score
2.30
Infant Holy Infant Lowly: Unison Voices: Vocal Score
Chorale Unison
[Vocal Score]
Walton Music
A simple delicate treatment of this traditional Polish carol that works well fo...
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A simple delicate treatment of this traditional Polish carol that works well for either youth or adult treble choirs. Suitable for Christmas concerts and services with unique but easy accompaniment for flute and hand chimes. In English. Duration: approx. 2:10
2.30 GBP - vendu par Musicroom GB
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Claude Debussy: Sonate Pour Flute Alto Et Harpe: Chamber Ensemble: Score
Flûte, alto et harpe
[Partition]
Carl Fischer
Original Manuscript Edition-Almost 100 years after the first publication of Debu...
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Original Manuscript Edition-Almost 100 years after the first publication of Debussy's Sonate Pour Flute Alto Et Harpe by Durand et Cie this seminal work in the chamber music literature has been meticulously compared contrasted and corrected against Debussy's handwritten and autographed 1915 manuscript. Using photographs provided by the National Library of France harpist Carl Swanson has documented and corrected nearly 300 discrepancies between the composer's intent and the Durand 1916 edition.The corrections made in this edition consist of musical indications being omitted misplaced or inverted; dynamic markings that are in the manuscriptbut not the printed version have been added wrong and misaligned notes have been corrected musical indications previously omitted in individual parts have been added and intended durations of dynamic and tempo changes have been corrected.Debussy was one of the first composers to make extensive use of musical indications and was extremely meticulous in his scores. To read a score of his with missing misplaced or wrong directions is a significant as reading a score with missing or incorrect notes. Now for the first time in history Debussy's Sonate Pour Flute Alto Et Harpe has been printed exactly as the composer intended.
50.95 GBP - vendu par Musicroom GB
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Couverture
Hugh S. Roberton: All In The April Evening: SAB: Vocal Score
2.00
Hugh S. Roberton: All In The April Evening: SAB: Vocal Score
Chorale 3 parties
SAB
[Vocal Score]
Goodmusic Publishing
Born in Glasgow Hugh Roberton became a funeral director apart from being a cond...
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Born in Glasgow Hugh Roberton became a funeral director apart from being a conductor and composer. A highly motivated and self-taught choir-master he founded the Toynbee Musical Association in 1901 and five years later this became the Glasgow Orpheus Choir which gained a world-wide reputation and went on to perform under Roberton's direction for some 45 years. He composed much for his choir with perhaps his most famous pieces being 'All In The April Evening' and the 'Mingulay Boat Song'. He had a reputation for getting the very best from his singers who held him in such great esteem that when he resigned as their leader shortly beforehis death the choir agreed that they must disband. However the Orpheus rose again when many of its members re-formed as the Glasgow Phoenix Choir which continues to perform and tour to this day. Hugh Roberton was knighted in 1931. This version of 'All In The April Evening' originally published under the catalogue number 61427 for unaccompanied mixed voice Choir of Sopranos Altos and men is now in a clearer newly typeset edition. Other versions are available for solo voice unison voices female voice choir male voice choir full mixed voice choir (SATB) with Welsh words and also in an arrangement for string Orchestra and a 'meditation' for Organ. Duration: nearly 3 minutes.
2.00 GBP - vendu par Musicroom GB
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