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Wieniawski H. - 2eme Polonaise Brillante Op. 21 - Violon Et Piano
21.10
Wieniawski H. - 2eme Polonaise Brillante Op. 21 - Violon Et Piano
Violon et Piano
PWM (Polskie Wydawnictwo Muzyczne)
2me Polonaise brillante pour violon avec acompagnement de piano op.21Henryk Wien...
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2me Polonaise brillante pour violon avec acompagnement de piano op.21Henryk Wieniawski wrote only two polonaises. The first one, op. 4 in D minor, is one of his youthful works; the other, op. 21 in A major, is one of the last works he composed. Moreover, H. Wieniawski is the co-author of another polonaise, op. 8, for violin and piano, which he wrote with his brother Józef Wieniawski, a pianist. The latter polonaise, like the Polonaise in D minor op. 4, is also a youthful composition (1852). The polonaise as a genre, therefore, does not occupy much space in Wieniawskis heritage. Nonetheless, both polonaises, in D minor and A major, constitute an essential part of his artistic inheritance. Likewise, both polonaises had been composed in two versions: for violin and orchestra, and for violin and piano. The Polonaise in A major was completed in 1870. It is not known precisely which of the versions, the one with the piano, or the one with the orchestra first came into being. It was the version with orchestra that the composer performed for the first time on 17 March 1870, in the Grand Theatre in St. Petersburg. But merely two months later he performed the Polonaise in Warsaw, accompanied by his brother Józef at the piano. It is quite possible that Wieniawski had already performed this version of the Polonaise. It is certain, nonetheless, that both versions either appeared simultaneously, or one was composed shortly after the other. From its first public performance until the end of his concert career, Wieniawski often included this Polonaise in his concert repertoire, playing one version or another, the choice depending on the needs and circumstances. Just to mention one occasion, he played the orchestral version during a concert tour of Sweden in 1870, when he dedicated and presented a manuscript of this piece to King Charles XV of Sweden. The dedication, however, was changed in print, and both versions were eventually dedicated to François van Hal. Both versions were published simultaneously, by Schott Publishers in Mainz, with the same plate number, though the orchestral version appeared only in parts, which was a common practice in those days. The piece was most probably not published earlier than 18751. The Polonaise was praised by the critics. The reviews reported that it was a magnificent piece2, and this opinion was shared by later critical reviews, both Russian and West European. The Polonaise remained popular after the composer had died, which is evident from the number of later editions of the piece (more than ten) issued by different publishers, mostly German, and prepared by different editors. In Poland, the Polonaise was published twice after the Second World War. All the editions introduced some more or less significant changes into the text, mostly concerning performance indications, but in a sense blurring the composers intentions. All those changes were pertinent to the violin and piano version, and it was mostly in this form that the piece appeared in concert and teaching repertoires. The performances with an orchestra were much more seldom which was, among other factors, due to limited availability of the orchestral version, as it had never been published again after the first edition, until now. The Polonaise in A major was composed approximately at the same time as the Violin Concerto No. 2 in D minor3. This convergence in time had influenced a certain similarity with regard to both composition and technical means, and also to the themes. In particular, the similarity becomes quite obvious in the second theme of the Allegro in the Concerto, and in the theme of the Polonaise. The Polonaise in A major is also in a certain way similar to the first Polonaise (in D minor), the motifs of the themes in both polonaises are alike. However, both pieces differ in style. The Polonaise in D minor shows the composers fascination with technical writing. Wieniawski makes the most of double-stops, chords, and all other sophisticated virtuoso techniques. The Polonaise in A major, written 18 years later, is much more mature. Although it is a virtuosic piece as well, the techniques used are somewhat more limited and subordinated to the expression. The virtuoso character of this piece is more fragile, much closer to the brillant style. At the same time, the Polonaise is typical of Wieniawskis violin playing technique. Here the composer uses the means regarded by his contemporaries to be typical of him, e.g., long staccato fragments played with one bow. The Polonaise is a concert piece in one movement extended form with a considerably abbreviated return of the first section at the end. The middle section is contrasting in character, due to the modulation to F major, change of tempo (meno mosso) and the reduction in the number of instruments (in the orchestral version). All the sections show thematic similarity. The first section, too, consists of three subsections, including a contrasting middle subsection (in E major). Zofia Chechli?ska Footnotes 1. See The Critical Commentary, p. ' and onward. 2. See V. Grigoriev, Henryk Wieniawski. ?ycie i twórczo??. [Life and Work] Warszawa - Pozna? 1986, p. 184. 3. The first version of the Concerto No. 2 in D minor was completed in 1862, but in 1870, i.e., not until the Polonaise in A major was completed, Wieniawski had been working on the Concerto and implemented quite a few changes.Publisher: PWM/Towarzystwo Muzyczne im. Henryka Wieniawskiego w PoznaniuSeries: Henryk Wieniawski - Complete WorksCover: softbackNr ISMN: 979-0-2740-0753-9Number of pages: 34 8Format: N4 stoj. 235x305Language version of text: pol., Eng.
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Apple Records was a noble experiment created in the spirit of the 1960s by four ...
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Apple Records was a noble experiment created in the spirit of the 1960s by four musicians who came to represent everything that was best about those tumultuous, experimental, and liberating times. The Beatles started out with the greatest of intentions, but reality soon got in the way. Much has been written about this period in the history of The Beatles' evolution and dissolution---some of it true, some of it wildly exaggerated, but not much of it first-hand. The Longest Cocktail Party is a rare exception. Written by Richard DiLello, who served as Apple Record's 'House Hippie' from 1968 to 1970, this unusual first-hand glimpse into The Beatles' empire humorously chronicles the stranger-than-life stories that were to become legendary, including visits by the Hell's Angels and endless tales of celebrity antics. Alfred Music is proud to offer this latest edition, which features a new and insightful foreword by the author. Originally published by Playboy Press in 1972, The Longest Cocktail Party has proven itself a timeless chronicle of this most colorful period in pop history. / Divers
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101 Hits For Ukulele - Blue Book
25.63
101 Hits For Ukulele - Blue Book
Ukulele
-
Facile
Amsco Wise Publications
101 Hits For Ukulele is a bumper collection of 101 easy-to-play songs that will ...
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101 Hits For Ukulele is a bumper collection of 101 easy-to-play songs that will get you strumming and singing along to the best old and new tunes.Each song included in this compendium features full lyrics, chord symbols and the melody line - everything you need to sound exactly like the record. With such a fantastic selection of songs, there is something from every era, to suit every taste. Classic songs like Hey Joe by Jimi Hendrix, Stand By Me by Ben E. King and Dusty Springfield's Son Of A Preacher Man are included to satisfy the '60s-lover in you. On the other hand, contemporary Ukulele classics like I'm Yours by Jason Mraz and Hey, Soul Sister by Train were basically made to be played on a summer's evening among friends. To see the entire list of songs included, please see below.The beauty of the Ukulele is that its recent resurgence in popularity has meant that more and more popular songs are including the instrument, while basically any song from the past sounds great on one. With the sheet music in this songbook, you will never be stuck for tunes to pick up and play, and with the most accurate transcriptions of the best songs from today and yesterday, you and your Uke can put a fun and bright spin on all of these familiar hits.The book is sturdy and folds flat so is as easy as possible to use, and the range of genres and styles covered makes the 101 Hits For Ukulele an essential addition to any serious or casual Uke player's repertoire. / Ukulélé
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Nocturne in E flat major, Op. 9 No. 2 (CHOPIN FREDERIC)
10.50
Nocturne in E flat major, Op. 9 No. 2 (CHOPIN FREDERIC)
Piano seul
[Partition]
Peters
Par CHOPIN FREDERIC. The Complete Chopin ? A New Critical Edition from Edition P...
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Par CHOPIN FREDERIC. The Complete Chopin ? A New Critical Edition from Edition Peters is firmly established as the most important ongoing scholarly edition of Chopin\'s music and is a must for any discerning pianist. The world?s foremost Chopin editors, under Editor-in-chief John Rink, bring their unrivalled collective knowledge to imbue the project with unique authority, drawing upon the latest international scholarship. The Complete Chopin prioritizes the needs of the practical pianist and provides a beautifully presented performing text of each work based on a single principal source together with important variants, along with thorough critical commentaries and illuminating prefatory essays in English, French and German. Chopin\'s early Nocturne in E-flat major is one of his most popular works. First published in 1832, it has a charming, vocally-inspired melody in the treble with a serenade-like accompaniment in the left hand. Edited by leading Chopin scholar, Christophe Grabowksi, this volume presents two versions of the Nocturne: one based on the most definitive impression of the French first edition released during Chopin?s lifetime, the second a pioneering compilation of all the variants to have flowed from Chopin?s pen after the work was first completed. This second text allows pianists to create their own versions of the Nocturne by combining variants as they wish, thereby drawing inspiration directly from Chopin\'s boundless imagination. Edited by leading Chopin scholar, Christophe Grabowksi, as part of the Edition Peters series The Complete Chopin (series editors: John Rink, Jean-Jacques Eigeldinger, Jim Samson, Christophe Grabowski). Ground-breaking format, presenting both an Urtext reading and a version with all variants attributable to Chopin, allowing pianists to create their own version. / Date parution : 2022-07-28/ Répertoire / Piano
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The Grammy Awards Record Of The Year 1958-2011 - Easy Piano
19.78
The Grammy Awards Record Of The Year 1958-2011 - Easy Piano
Piano, Voix et Guitare
-
Facile
Hal Leonard
The Grammy Award® is undoubtedly one of the world's most prestigious accolades ...
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The Grammy Award® is undoubtedly one of the world's most prestigious accolades for recorded music.Established in 1958, the Grammy® Awards Record Of The Year has been awarded to many of the greatest artists of our time - from Michael Jackson and Frank Sinatra to Amy Winehouse and U2.This collection for easy Piano contains all 54 songs that have received the honor, providing a unique snapshot of the changing times in popular music.The Grammy Awards® Record Of The Year 1958-2011 includes the hits Bette Davis Eyes, Clocks, Hotel California, Tears In Heaven, Rolling In The Deep and more. / Piano
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Maggie's Big Book Of Celtic Tunes (SANSONE MAGGIE)
31.54
Maggie's Big Book Of Celtic Tunes (SANSONE MAGGIE)
Dulcimer
Mel Bay
For Hammered Dulcimer And Other Melody Instruments. Par SANSONE MAGGIE. This mus...
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For Hammered Dulcimer And Other Melody Instruments. Par SANSONE MAGGIE. This music book is a collection of 124 tunes arranged for the Hammered Dulcimer and other 'C' melody instruments (recorder, pennywhistle, fiddle, mandolin, guitar). Chords are included. The Music is transcribed from the playing of Maggie Sansone, America's premier hammered dulcimer player and teacher specializing in Celtic music, from six of her most popular recordings: Traditions, Mist and Stone, Dance Upon the Shore, A Traveler's Dream, Mystic Dance and Merrily Greet the Time. The music is in standard notation. All tunes and arrangements can be played easily on 12/11 as well as the larger extended range hammered dulcimer models. The music and arrangements cover a wide range of levels from experienced-beginner to advanced as many of the tunes are presented as a simple melody line with chords and others are transcribed with fuller arrangements and optional variations. This stunning collection of music will thrill both students of the hammered dulcimer and Celtic music lovers, as well as offer invaluable insight into Maggie Sansone's playing and arranging style. / Niveau : Débutant à Intermédiaire / Celtic/Irish - Solos / Recueil / Dulcimer (Cordes frappées)
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Salsa Afro Cuban Montunos
32.98
Salsa Afro Cuban Montunos
Guitare
[Partition + CD]
ADG Productions
Salsa has become quite a dance craze. Its popularity has grown from the Cuban an...
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Salsa has become quite a dance craze. Its popularity has grown from the Cuban and Puerto Rican community to include most of the Americas, Europe, and even Japan. New Salsa bands are forming everywhere from New York to Los Angeles, from Tokyo to Paris. But despite its increasing popularity, many musicians find that Salsa and the other genres of Afro Cuban Music are still very difficult to feel and play in an authentic relaxed way. This type of music with its unique concept of the Clave presents quite a challenge for the aspiring young performer. In the past, the only way to learn how to play Salsa was to live in an area where Salsa was already very popular so that one might connect with as many authentic musicians as possible; learning one pattern here, another there, via a very slow learning process that could take years if not decades to accomplish. Even though the process of immersing oneself fully and experientially in the music style of our choosing is absolutely necessary for our musical growth, the need for concise, well written, and organized materials, written by someone who knows and lives this type of music is also essential. We at ADG, believe that Mr. Campos' books are doing exactly that. We believe that he has done a great service by writing his first two books titled 'Salsa: Afro-Cuban Montunos for Piano' and 'Salsa: Further Adventures in Afro-Cuban Music', and now with his latest book 'Salsa: Afro-Cuban Montunos for Guitar'. Mr. Campos is helping to expand the area of Salsa studies to include all guitar players and students. Salsa & Afro Cuban Montunos for Guitar by Carlos Campos. Finally the first instructional book showing guitarists how to play Salsa styles. Following on from his highly successful Salsa piano/keyboard instructional books Carlos Campos has created a book for guitarists with over 400 examples (60 examples recorded) with each example for 2-3 and 3-2 clave. There is both written music and tablature These Salsa patterns can be used for Jazz, Latin Jazz and Flamenco musical styles. Salsa has become quite a dance craze. Its popularity has grown from the Cuban and Puerto Rican community to include most of the Americas, Europe, and even Japan. New Salsa bands are forming everywhere from New York to Los Angeles, from Tokyo to Paris. But despite its increasing popularity, many musicians find that Salsa and the other genres of Afro Cuban Music are still very difficult to feel and play in an authentic relaxed way. This type of music with its unique concept of the Clave presents quite a challenge for the aspiring young performer. In the past, the only way to learn how to play Salsa was to live in an area where Salsa was already very popular so that one mightconnect with as many authentic musicians as possible; learning one pattern here, another there, via a very slow learning process that could take years if not decades to accomplish. Even though the process of immersing oneself fully and experientially in the music style of our choosing is absolutely necessary for our musical growth, the need for concise, well written, and organized materials, written by someone who knows and lives this type of music is also essential. Mr. Campos' books are doing exactly that. ADG believe that he has done a great service by writing his first two books titled 'Salsa: Afro-Cuban Montunos for Piano' and 'Salsa: Further Adventures in Afro-Cuban Music', and now with his latest book 'Salsa: Afro-Cuban Montunos for Guitar'. Mr. Campos is helping to expand the area of Salsa studies to include all guitar players and students. Salsa & Afro Cuban Montunos for Guitar by Carlos Campos. Finally the first instructional book showing guitarists how to play Salsa styles. Following on from his highly successful Salsa piano/keyboard instructional books Carlos Campos has created a book for guitarists with over 400 examples (60 audio examples recorded) with each example for 2-3 and 3-2 clave. There is both written music and tablature These Salsa patterns can be used for Jazz, Latin Jazz and Flamenco musical styles./ Recueil / Guitare
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Muriel Herbert: The Lake Isle Of Innisfree: 2-Part Choir: Vocal Score
3.25
Muriel Herbert: The Lake Isle Of Innisfree: 2-Part Choir: Vocal Score
Chorale 2 parties
[ ]
Novello & Co Ltd.
Muriel Herbert (1897-1984) was a British composer pianist and singer. She studi...
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Muriel Herbert (1897-1984) was a British composer pianist and singer. She studied at the Royal College of Music where she met Charles Stanford and Roger Quilter. She wrote many songs for Voice and Piano in her early life as well as some instrumental and orchestral works but stopped composing after her husband left her in 1939. Her works were largely unappreciated until twenty years after her death but they have now quite rightly become the subject of a keen and enthusiastic revival with a growing fan base. The Lake Of Innisfree was one of her most popular works. It is a setting of a poem by the Irish poet W. B. Yates (1865-1939).
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Songs Of The Piano Stars
25.63
Songs Of The Piano Stars
Piano, Voix
Amsco Wise Publications
The Piano is unquestionably a timeless instrument that has never, and will never...
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The Piano is unquestionably a timeless instrument that has never, and will never go out of fashion in popular music. The beauty of the keys, when married with the right singer or songwriter, has the power to create truly momentous music, and Songs Of The Piano Stars, with its 24 hit songs from the past and present, will let you learn to play a selection of perfect Piano-led tunes.Drawing from the wealth of popular tunes from the past sixty years that have included a pretty Piano part or two, Songs Of The Piano Stars presents a massive range of artists and their songs that are well-loved and will remain so for years to come. From The Beatles and Carole King to Alicia Keys and the Ben Folds Five, the variety on offer here is testament to the persistence of the Piano in popular music. From beautiful ballads like All Of Me by John Legend, Don't Explain by Nina Simone and Imagine by John Lennon to huge pop hits like Carly Simon's You're So Vain and Elton John's classic Tiny Dancer, these songs, arranged for Piano and Voice with full lyrics and Guitar chord boxes, will allow you to learn and perform them accurately and beautifully. There are some old classics included, such as the legendary Tom Waits' Come On Up To The House and Randy Newman's I Love To See You Smile, and these are put alongside newer tunes like Brave by Sara Bareilles and Vanessa Carlton's A Thousand Miles.These songs have been expertly-selected and engraved to reflect the most-requested songs by Piano singer-songwriters from over the years. With the success of the electric Guitar and the advent of rock music, the Piano-led performer faded away somewhat, but the underlying love of composers and songwriters of creating music at the Piano never subsided. This Piano sheet music songbook features the greatest songwriters who have always championed the indomitable ivories throughout the changing musical landscape. Whether they sculpted a career out of their Piano songwriting skills in the '60s or '70s, or they continue to integrate the Piano into their modern pop songs, Songs Of The Piano Stars is full of fantastic Piano tunes that will sound really great as part of your repertoire or in a performance. Music history has shown us that the Piano is here to stay, so open this songbook to your favourite song and play! / Voix Et Piano
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Traditional And Popular Weddding Music Collection
25.30
Traditional And Popular Weddding Music Collection
Piano, Voix et Guitare
[Partition]
-
Intermédiaire
Amsco Wise Publications
A collection of the most popular songs and traditional music celebrating love an...
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A collection of the most popular songs and traditional music celebrating love and marriage, arranged for piano, voice and guitar, complete with chord symbols and full lyrics where appropriate. Suitable for intermediate standard pianists. Includes Wagner's Bridal March , Schubert's Ave Maria , A Whiter Shade Of Pale by Procol Harum and The Power Of Love by Jennifer Rush. / Piano/Vocal/Guitare (PVG)
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The Wizard Of Oz (Le magicien d'oz)
17.73
The Wizard Of Oz (Le magicien d'oz)
Ukulele
-
Intermédiaire
Amsco Wise Publications
As one of Hollywood's most enduring films, and perhaps the greatest screen adapt...
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As one of Hollywood's most enduring films, and perhaps the greatest screen adaptation of a novel ever, the 1939 Wizard Of Oz brought the words and story to music, entrenching the songs in popular culture and ensuring their timelessness. With this Ukulele sheet music book, you can learn every song from the hit movie, as well as the bonus hit arrangement of Over The Rainbow/What A Wonderful World by Israel Kamakawiwo'ole.There were other film adaptations of L. Frank Baum's book before and after it, but the 1939 version, starring Judy Garland, remains the one where visual imagination and unforgettable songs gave us a definitive version. What 'Yip' Harburg and Harold Arlen created was a film bursting with unforgettable musical sequences, putting their talented songwriting brains together to produce this most famous of musicals. Obviously, a song like Over The Rainbow needs no introduction, winning an Academy Award for resonating with our desire for something better, and becoming especially prescient given the world war about to erupt.The rest of Harburg and Arlen's songs for the film are just as evocative, instantly conjuring Dorothy's legendary journey from Kansas to Oz and back. An absolute pleasure to perform, these songs belie their 75-year vintage and sound as fresh today as they did when audiences were first thrilled to hear them in the cinema, especially when given a fun new sound when played on a Ukulele. In this Wizard Of Oz sheet music song book, every song from the film is included, Ding Dong The Witch Is Dead, We're Off To See The Wizard, Follow The Yellow Brick Road, If I Only Had A Brain and If I Only Had A Heart, plus the special arrangement of Over The Rainbow/What A Wonderful World by Israel Kamakawiwo'ole.Arranged for Ukulele and Voice, each fantastic song includes melody in standard notation, chord boxes and full lyrics. It really is everything you need to invigorate the songs from the film version with a fresh new sound that the Ukulele can provide. You are guaranteed to enjoy performing the famous songs, and you'll love discovering the more unfamiliar ones if you don't already know them by heart! Because of the nature of these songs, they'll never go out of fashion, so these songs reinterpreted for the Uke is guaranteed to always be a crowd-pleaser.If you've ever wanted to learn Over The Rainbow note for note, or play an inspired take on the ensemble song We're Off To See The Wizard, look no further than this Wizard Of Oz sheet music song book, arranged for Ukulele. / Ukulélé
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Michael Daugherty: Rio Grande: Concert Band: Score
44.99
Michael Daugherty: Rio Grande: Concert Band: Score
Orchestre d'harmonie
Michael Daugherty Music
for Symphonic Band-Rio Grande (2015) for symphonic band is Grammy award winning ...
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for Symphonic Band-Rio Grande (2015) for symphonic band is Grammy award winning composer Michael Daughertys follow-up to his iconic Niagara Falls (1997). The title refers to the legendary 1 250-mile river that flows from the mountains of southern Colorado to the Gulfof Mexico near Brownsville Texas. In Rio Grande the composer has created a powerful musical landscape that is magical and majestic. The percussion section comprised of timpani bongos woodblocks tom toms and bass drums creates a rhythmicundercurrent to an angular motif that is first heard in the woodwinds emerging high above the musical precipice. This jagged motif is passed on to individual instruments such as the tuba and eventually in various colorful guises to the entiresymphonic band. Reminding us of the long cultural history associated with the great river we also hear ghostly Mexican mariachi music echoing faraway through the canyons. In the coda all the musical material is combined to create a grandiose endingto our journey down the timeless Rio Grande. A resounding success at the world premiere given by the North Texas Wind Symphony (Eugene Migliaro Corporon conductor) Rio Grande should prove to be one of Daughertys most popular and performed bandworks for years to come.
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Really Easy Piano : The Big One Direction Songbook (ONE DIRECTION)
21.70
Really Easy Piano : The Big One Direction Songbook (ONE DIRECTION)
Piano Facile
[Partition]
-
Facile
Amsco Wise Publications
Par ONE DIRECTION. This edition of the Really Easy Piano series is a bumper coll...
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Par ONE DIRECTION. This edition of the Really Easy Piano series is a bumper collection of 37 of the best One Direction songs from their massive career to date. All arranged for Easy Piano with simplified fingerings, each song also comes with some interesting background information and performance hints and tips for perfect Piano playing. Featuring all of the band's best tunes, The Big One Direction Songbook includes songs like Best Song Ever, Fireproof, Live While We're Young, Midnight Memories and Story Of My Life. Spanning their entire career to date, these songs represent the development of possibly the world's biggest pop band. Their earlier upbeat tunes are included here, as well as their more intimate, personal and reflective songs from their more recent albums. This is the perfect One Direction sheet music songbook for any beginning pianist who loves the sounds of Harry, Zayn, Louis, Liam and Niall. Every one of these 37 songs is accurately and lovingly transcribed for Easy Piano, with simplified arrangements that retain the heart and power of each song. Simple guides to fingering are included, helping you to get those fingers into place, while there are also chord symbols and full lyrics, letting you play along exactly to how the song sounds. Not only this, but some fascinating background information on the songs is included, as well as really useful performance tips to help you hit those right notes first time. Taking songs from their first four albums, this songbook is a huge collection of the best and most popular One Direction songs on the airwaves right now. Since bursting onto the scene after an untimely exit from the X Factor, the five lads from humble backgrounds have become one of the biggest and most popular bands ever, breaking all kinds of records. Their success is here to stay, and this edition of Really Easy Piano allows pianists of all abilities to learn and play a massive 37 of their biggest hits so far. If you're a serious One Directioner or you just have a leaning towards simply great pop music, this Big One Direction Songbook is definitely for you. With 37 songs arranged for Easy Piano, you'll be playing all of their ridiculously catchy tunes in absolutely no time at all. / Niveau : Facile / Recueil / Piano
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The Joy Of Sibelius
17.73
The Joy Of Sibelius
Piano seul
-
Intermédiaire
Amsco Wise Publications
This collection of sheet music by the great Finnish composer Jean Sibelius featu...
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This collection of sheet music by the great Finnish composer Jean Sibelius features 24 of his most enjoyable and influential pieces, all newly-arranged especially for this volume. The tonal innovations and idiosyncratic compositional style of this hugely prolific composer truly does illustrate the genuine Joy Of Sibelius.The pieces by Sibelius included in this collection exhibit the influences that he absorbed as well as his own stylistic developments. Sibelius' music was highly individual, finding influence in nature and poetry, as well as other composers such as Wagner, Bruckner and Tchaikovsky. Many of his most famous works are included here, featuring Danse Elégiaque, the 5 Morceaux Romantiques, Op.101 and the finale of his Symphony #5, Op.82.Other pieces like selections from the 13 Morceaux, Impromptu, Op.78 #1, Romance, Op.78 #2, Suite Caractèristique, Op.100 and The Fiddler brilliantly encapsulate what makes Sibelius' compositions so wonderful. His tone poems, ideas about the thematic nature of symphonies and his musical contributions to the Finnish national identity have made him one of the most popular 20th century composers, with time and retrospect dismissing some contemporary critics' opinions of him. With 2015 coinciding with Sibelius' 150th birthday, now is the perfect time to discover one of the giants of symphonic music, or to rediscover a favourite of many pianists.The Joy Of... series is a constantly growing collection of musical editions that is now recognised and loved throughout the world. Originally compiled by the editorial hand of renowned teacher, arranger and musicologist Denes Agay, the series continues to reflect his influence and covers a wide variety of musical genres including the classics, folk, jazz, blues, ragtime and children's music. New titles are constantly being added to an already extensive range, ensuring that The Joy Of... series continues to be a vital growing treasury of the world's best music.If you're a fan of the genius that is Jean Sibelius and his perfectly-formed works, you are guaranteed to love the 24 pieces included in The Joy Of Sibelius. Equally, if you just want a wonderful collection of solo Piano sheet music, this fantastic book will suit you perfectly. / Piano
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Herbert Howells: Magnificat & Nunc Dimittis - Gloucester: SATB: Vocal Score
4.50
Herbert Howells: Magnificat & Nunc Dimittis - Gloucester: SATB: Vocal Score
Chorale SATB
SATB, Orgue
[Vocal Score]
Novello & Co Ltd.
Herbert Howells's Magnificat & Nunc Dimittis for the Gloucester service is one o...
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Herbert Howells's Magnificat & Nunc Dimittis for the Gloucester service is one of his most popular choral settings. This sheet music is arranged for SATB Choir and Organ. Herbert Howells was a renowned English composer of church music in the Anglican evensong tradition best known for his 'Hymnus Paradisi' and as a teacher at the Royal College of Music. His lesser-known evening canticles include this piece: with its famoustreble duet opening the work it calmly progresses to an affirmation of the glory of heaven through distinctive Lydian harmony and soaring highs. Each individual voice has its own part to play in this piece with melodies that rise to uplifting highs and fall to booming lows the combination of voices blends and binds to create a gliding and soaring unity of harmony. This Magnificat & Nunc Dimittis sheet music is the most accurate transcription available of an awe-inspiring piece that is acclaimed by fans of choral music for its beautiful composition and wondrous voicing.
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Magnificat And Nunc Dimittis - Gloucester (SATB/Organ)
6.77
Magnificat And Nunc Dimittis - Gloucester (SATB/Organ)
Chorale SATB
SATB, Orgue
Novello & Co Ltd.
Herbert Howells's Magnificat and Nunc Dimittis for the Gloucester service is one...
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Herbert Howells's Magnificat and Nunc Dimittis for the Gloucester service is one of his most popular choral settings. This sheet music is arranged for SATB Choir and Organ.Herbert Howells was a renowned English composer of church music in the Anglican evensong tradition, best known for his 'Hymnus Paradisi' and as a teacher at the Royal College of Music. His lesser-known evening canticles include this piece: with its famous treble duet opening the work, it calmly progresses to an affirmation of the glory of heaven through distinctive Lydian harmony and soaring highs. Each individual voice has its own part to play in this piece, with melodies that rise to uplifting highs and fall to booming lows, the combination of voices blends and binds to create a gliding and soaring unity of harmony. This Magnificat and Nunc Dimittis sheet music is the most accurate transcription available of an awe-inspiring piece that is acclaimed by fans of choral music for its beautiful composition and wondrous voicing. / Choeur Mixte (SATB) Et Orgue
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Dragonetti / Nanny - Concerto A Major (solo Tuning) - Contrebasse and Piano
16.30
Dragonetti / Nanny - Concerto A Major (solo Tuning) - Contrebasse and Piano
Contrebasse, Piano (duo)
Recital Music
SOLO TUNING See RM722 for Orchestral Tuning The 'Dragonetti Concerto' was first...
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SOLO TUNING See RM722 for Orchestral Tuning The 'Dragonetti Concerto' was first published in 1925 by Alphonse Leduc in Paris as No.23 of Edouard Nanny's 'Les Classiques de la Contrebasse'. For many years no one questioned its authenticity, but as more research into Dragonetti's original works for double bass was made, concerns began to arise. Many of Dragonetti manuscripts survive in the British Library, thanks to Vincent Novello who donated them in 1849, three years after Dragonetti's death and on Novello's retirement to Italy, but there is no original manuscript for this work. As bassists began to edit and perform a wide range of Dragonetti's works it became clear that this concerto bore little resemblance to any of his other pieces. The work does, however, have many similarities to Nanny's Concerto for double bass, also to his other solo works and even studies from his Method. Eventually most people came to the conclusion that this work is not an original work by the great Venetian bassist but is by Edouard Nanny, and in the style of the late 18th-century. Having said that, this is still a charming and evocative work which has much player and audience appeal and is very easy on the ears. Many of the challenges for the soloist are technical and, almost a century after its first publication, it is still as popular as ever. Published in 1925, the first movement was performed at London's Wigmore Hall on 15 April the following year by Victor Watson (double bass) and Sidney Crooke (piano), and was described a 'Contrabass Concerto by Dragonetti-Nanny. ERRATA: Piano part: page 8 (1st movement), bar 87 - final chord of bar in right hand should be D/E/G# - a dominant 7th chord in A major Edouard Nanny was an important French double bassist and teacher, also composing and transcribing many works for double bass. He was born in Saint-Germain-en-Laye on 24 March 1872 and he studied at the Paris Conservatoire with Professor Verrimst, also teaching there from 1920-1940. He performed often as a soloist, also working as an orchestral bassist with many orchestras such as the Paris Symphony Orchestra, Concerts Lamoureux and the Orchestra de l'Opera Comique, and in 1901 he founded the Henry Casadeus Society of Old Instruments, chaired by Camille Saint-Saens, and intended to revive the works from the past centuries. Nanny's Method for double bass is still in print, over 90 years since its first publication and both volumes contain a wealth of excellent technical studies and exercises which are as relevant today as they were in the 1920s. His other volumes of studies are mostly out of print and Recital Music plan to reprint some of his orginal works for double bass, transcriptions and educational music to keep alive the name of Edouard Nanny into the 21st-century. Edouard Nanny died in Paris in 1942.
16.30 EUR - vendu par Woodbrass
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Alla Turca Jazz op. 5b (SAY FAZIL / CETINER YUDUM (Arr)
11.10
Alla Turca Jazz op. 5b (SAY FAZIL / CETINER YUDUM (Arr)
2 Pianos, 4 mains
[Partition]
Schott
Fantasie über das Rondo aus der Klaviersonate in A-Dur KV 331 von Wolfgang Amad...
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Fantasie über das Rondo aus der Klaviersonate in A-Dur KV 331 von Wolfgang Amadeus Mozart. Par SAY FAZIL / CETINER YUDUM (Arr.). The final movement of the Sonata in A major KV 331 by Wolfgang Amadeus Mozart, the Rondo Alla Turca, is one of the most famous piano pieces of all time. Once only familiar to musical experts, later a universal piece for all piano pupils, its opening melody is now even omnipresent as an alienated sinus tone-like mobile phone ring tone. Fazil Say's arrangement, originally created as an effective encore, follows on from this popularity. After the first eight bars have been presented in original form, typical elements of jazz superimposed on the still recognisable classical foundations can be discovered, such as syncopation of the top notes and ornamentation through chromatic blue notes, embedded in the at times frenzied chains of semiquavers. In the spirit of the work's improvisatory character, Say likes to perfom his Alla Turca Jazz in different combinations, for example accompanied by jazz singers of with orchestra. It may appear strange that Fazil Say, who was born in Turkey and - when not on tour - is still resident in that country, does not bring back Mozart's interpretation of genuine Turkish music closer to its own roots, particularly as many of his compositions such as Black Earth or the Violin Sonata are characterised by a subtle amalgamation of the Classical-Romantic tradition, Turkish folk music and elements of jazz. In a further Mozart arrangement, the ballet music Patara premiered in Vienna in 2006, composed on the basis of the Rococo-like theme from the first movement of the same A-major Sonata (wich enjoys almost as great popularity as the Alla Turca theme), Say utilised the connection which was absent in Alla Turca, albeit in the opposite direction. In the ballet music, the piano symbolises Western culture and the Ney flute Oriental culture, communcated atmosperically by austere percussion instrumentation and soprano vocalisation. / Date parution : 2021-12-09/ Répertoire / 2 Pianos
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Suzuki Violin School 3 + Cd (Revised)
26.59
Suzuki Violin School 3 + Cd (Revised)
Violon
[Partition + CD]
Alfred Publishing
International edition. Par SUZUKI SHINICHI. Teach violin with the popular Suzuki...
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International edition. Par SUZUKI SHINICHI. Teach violin with the popular Suzuki Violin School. The Suzuki Method® of Talent Education is based on Shinichi Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Shinichi Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the 'mother-tongue' approach. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school, such as the Suzuki Violin School. Suzuki lessons are generally given in a privatestudio setting with additional group lessons. The student listens to the recordings and works with their Suzuki violin teacher to develop their potential as a musician and as a person. This Suzuki Book and CD is integral for Suzuki violin lessons. This revised edition of the Suzuki Violin School, Volume 3 features: - Revised editing of pieces, including bowings and fingerings - Additional exercises, some from Shinichi Suzuki, plus additional insight and suggestions for teachers - Text in English, French, Spanish, and German. - Musical notation guide - Fingerboard position - CD with recordings by William Preucil Jr., accompanied by Linda Perry, as well as piano accompaniments recorded alone. Titles: Study Points - Tonalization - Vibrato Exercises - Gavotte (Martini) - Minuet (Bach) - Gavotte in G Minor (Bach) - Humoresque (Dvorák) - Gavotte (Becker) - Gavotte in D Major (Bach) - Bourrée (Bach). For a complete list of the most recent printings by AMPV number, go to alfred.com/suzuki. This title is available in SmartMusic. Teach violin with the popular Suzuki Violin School. The Suzuki Method® of Talent Education is based on Shinichi Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Shinichi Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the 'mother-tongue' approach. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school, such as the Suzuki Violin School. Suzuki lessons are generally given in aprivate studio setting with additional group lessons. The student listens to the recordings and works with their Suzuki violin teacher to develop their potential as a musician and as a person. This Suzuki Book and CD is integral for Suzuki violin lessons. This revised edition of the Suzuki Violin School, Volume 3 features: Revised editing of pieces, including bowings and fingerings Additional exercises, some from Shinichi Suzuki, plus additional insight and suggestions for teachers Text in English, French, Spanish, and German. Musical notation guide Fingerboard position CD with recordings by William Preucil Jr., accompanied by Linda Perry, as well as piano accompaniments recorded alone. Titles: Study Points * Tonalization * Vibrato Exercises * Gavotte (Martini) * Minuet (Bach) * Gavotte in G Minor (Bach) * Humoresque (Dvorák) * Gavotte (Becker) * Gavotte in D Major (Bach) * Bourrée (Bach). / Pédagogie / Méthode / Violon
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Rebeca Mauleon-santana - 101 Montunos
40.50
Rebeca Mauleon-santana - 101 Montunos
Sher Music Company
Rebeca Mauleón-Santana, author of the critically-acclaimed Salsa Guidebook for ...
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Rebeca Mauleón-Santana, author of the critically-acclaimed Salsa Guidebook for Piano and Ensemble and co-editor of The Latin Real Book, creates the ultimate resource for the aspiring as well as the seasoned Afro-Caribbean pianist with her newest book, 101 Montunos. Tracing over one hundred years of development, Mauleón explores the range and variety of the piano's role in popular Afro-Caribbean music, from its early beginnings to the latest in contemporary styles. 101 Montunos is a journey through dozens of styles which form the basis of modern-day Salsa and Latin Jazz, from the Cuban danzón and songo to the Puerto Rican bomba and Dominican merengue. This guide gives detailed examples of the most popular rhythms in Afro-Caribbean music, and includes recorded performances on CDs by the author herself. With a bi-lingual (English/Spanish) text, 101 Montunos gives the reader a glimpse into the intricate and syncopated world of Latin piano-playing, featuring well over one hundred montuno patterns and variations-most including bass lines-as well as several solo fragments by some of the most renowned pianists in the field. This book and two CD package is a must for any pianist or keyboardist wishing to explore the detailed history and technique of this marvelous art form.
40.50 EUR - vendu par Woodbrass
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Love in a Village (BICKERSTAFF ISAAC (Arr)
486.04
Love in a Village (BICKERSTAFF ISAAC (Arr)
Voix et Orchestre
[Partition]
Barenreiter
A Comic Opera. Par BICKERSTAFF ISAAC (Arr. TOMS EDWARD). 'Love in a Village' was...
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A Comic Opera. Par BICKERSTAFF ISAAC (Arr. TOMS EDWARD). 'Love in a Village' was first performed on 8 December 1762 at the Covent Garden Theatre (London). It was to become one of the most popular British musical stage works of the century, and by 1791 it had also gained international acclaim. The question of why this pastiche comic opera was able to develop this special attraction can be described in terms of fashion and tradition. By bringing stylistically sophisticated compositions by various well-known composers such as George Frideric Handel, Thomas Augustine Arne und Francesco Geminiani into the traditional 'Ballad Opera', the theatre makers succeeded in renewing traditional ways of producing and performing playhouse entertainment. The music of 'Love in a Village' stems from four sources: Vocal music from the amusement gardens, Italian opera arias from the 1750s and 1760s, theatrical or occasional music and folk melodies. Love in a Village' thus further developed the methods first used by 'Ballad Opera' to create a comic opera from a sentimental plot and pre-existent vocal compositions. The fourth volume in our OPERA series consists of a linen-bound volume and an Edirom file stored on a USB card in credit-card format. The number of simultaneous users of the edition's digital component is unlimited./ Répertoire / Chant et Orchestre
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Giuseppe Verdi: Aïda: Opera: Libretto
Schirmer
With its famous arias and ensembles Aida has become one of the most popular ope...
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With its famous arias and ensembles Aida has become one of the most popular operas ever written. The libretto was prepared by Antonio Ghislanzoni based on a text by French author Camille du Locle. and the plot is asfollows: At the court of the Pharaoh a captain of the guard Radames is in love with the slave-girl Aida. Her mistress is the Pharaoh’s daughter Amneris who covets Radames for herself. Unbeknownst to all Aida isactually an Ethiopian princess daughter of Egypt’s worst enemy King Amonasro. When Ethiopia declares war on the Nile Radames is delighted to be made Commander of the Egyptian army whereas Aida is torn between her love forRadamès and for her native land. The Egyptians are victorious and all go to the city gates where a celebration is taking place as captured Ethiopians follow the victors into the city. Among them is Amonasro Aida's father whosignals her not to betray his identity. At a plea from Radamès he is not executed but is taken into custody and the King offers Radames Amneris' hand in marriage.Amonasro finding Aida homesick and lovelorn forces hisdaughter to agree to ask Radamès where the Egyptian army plans to enter Ethiopia. This she does and just as he reveals the secret Amonasro steps out of hiding and Ramfis and Amneris come forth from the temple. While Aidaescapes with her father Radamès surrenders to the priests and is condemned as a traitor. He is sealed in a tomb to die but Aida has waited for him there and they die together.This is the Schirmer edition of the Libretto in the original Italian with an English translation by Walter Ducloux.
7.99 GBP - vendu par Musicroom GB
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The Wizard Of Oz - Easy Piano (Le magicien d'oz)
21.68
The Wizard Of Oz - Easy Piano (Le magicien d'oz)
Piano, Voix et Guitare
-
Intermédiaire
Amsco Wise Publications
As one of Hollywood's most memorable films, and perhaps the greatest screen adap...
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As one of Hollywood's most memorable films, and perhaps the greatest screen adaptation of a novel ever, the 1939 Wizard Of Oz brought the words to music, entrenching the songs in popular culture and ensuring their timelessness. With this Piano, Vocal and Guitar book, you can learn every song from the hit movie.There were other film adaptations of L. Frank Baum's book before and after it, but the 1939 version, starring Judy Garland, remains the one where visual imagination and unforgettable songs gave us a definitive version. What 'Yip' Harburg and Harold Arlen created was a film bursting with unforgettable musical sequences, putting their talented songwriting brains together to produce this most famous of musicals. Obviously, a song like Over The Rainbow needs no introduction, winning an Academy Award for resonating with our desire for something better, and becoming especially prescient given the world war about to erupt.The rest of Harburg and Arlen's songs for the film are just as evocative, instantly conjuring Dorothy's legendary journey from Kansas to Oz and back. An absolute pleasure to perform, these songs belie their 75-year vintage and sound as fresh today as they did when audiences were first thrilled to hear them in the cinema. In this Wizard Of Oz sheet music song book, every song from the film is included, Ding Dong The Witch Is Dead, We're Off To See The Wizard, Follow The Yellow Brick Road, If I Only Had A Brain and If I Only Had A Heart, plus more.Arranged for Piano, Vocal and Guitar, each fantastic song includes vocal melody, Piano parts, Guitar chord boxes and symbols and full lyrics. It really is everything you need to learn the songs exactly as they were played and sung in the film version. You are guaranteed to enjoy performing the famous songs, and you'll love discovering the more unfamiliar ones if you don't already know them by heart! Because of the nature of these songs, they'll never go out of fashion, so you'll always have something great to perform.If you've ever wanted to learn Over The Rainbow note for note, or how exactly the ensemble sang We're Off To See The Wizard, look no further than this Wizard Of Oz sheet music song book, arranged for Piano, Vocal and Guitar. / Piano/Vocal/Guitare (PVG)
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Step It Up! (with CD) (CHAMBERLAIN LOUISE)
10.37
Step It Up! (with CD) (CHAMBERLAIN LOUISE)
Violon et Piano
[Partition + CD]
Alfred Publishing
Par CHAMBERLAIN LOUISE. Step It Up! is the fun way to move your playing onwards ...
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Par CHAMBERLAIN LOUISE. Step It Up! is the fun way to move your playing onwards and upwards. Packed full of original jazzy pieces by Louise Chamberlain - with imaginative arrangements of well-known tunes, unaccompanied pieces and duets too - this carefully graded volume for violin also includes a CD of groovy backing tracks. So whether practising at home or performing to your friends, take your playing to another level with Step It Up! - and prepare to step up a grade at the same time! Pamela Wedgwood writes as Louise Chamberlain for the Step It Up! series. She is recognised around the world as one of the UK's most prolific and successful composers of popular repertoire for young instrumentalists. **ABRSM selected piece (Violin 2008-2011): Be thou my vision (Anon.) / Instrumental Music / Etude / Violon et Piano
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