Bilingual foreword (Ger/Eng).Original German as well as English text.Includes a Piano reduction by the composer.The setting of Psalm No.42 Op.42 Wie der Hirsch schreit nach frischem Wasser (As the hart pants after the waterbrooks) for Soloists mixed Choir and full Orchestra dates back to 1837. The well-known Mendelssohn specialist John Michael Cooper has evaluated the first printed edition of the score prepared by the composer himself as well as taking all other important sources into account. This Urtext edition is rounded off by a detailed critical commentary (Ger/Eng). The Piano reduction is by Mendelssohn and is anauthentic part of this edition.

An extensive volume filled with fugues from the last 350 years! Beginning with works by Frescobaldi Scarlatti Giambattista and Handel this collection features several compositions by the fugue's most famous expositor Johann Sebastian Bach including many pieces from the Well-Tempered Clavier. Contributions from latter-day composers include works by Mozart Beethoven Mendelssohn Robert and Clara Schumann Brahms and Saint-Saëns.

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. Also contains an arrangement for organ. In 1840 Schumann remarked: 'The small piece deserves to be world famous and will become so in the future; the Madonnas of Raphael and Murillo cannot remain hidden for long. ' Together with the orchestral version an version for choir and organ is available./ Répertoire / Choeur SATB, 2 Flûtes Traversières, 2 Clarinettes,

60 Works From Bach To Debussy-Unique and comprehensive this fantastic collection features a tremendous variety of slow movements for keyboard players. Highlights of these evocative selections come from masterpieces including sonatas of Haydn and Mozart Chopin preludes and classics such as the opening movement of Beethoven's 'Moonlight' Sonata Bach's Sinfonia in F Minor and Debussy's Clair De Lune.

The motets have both German and English texts and are adapted for an 8-part choir. Mendelssohn composed these motets during the mid-1840's for the Cathedral Choir of Berlin. The text of each was chosen with a particular church season or holy day in mind but most are suitable for more general use. They are meant to be sung unaccompanied. The editorial keyboard reduction printed below the vocal parts is intended only as a rehearsal aid although it will serve as a basis for a suitable organ accompaniment if needed.

La suite du livre de jeu populaire et réussie à nouveau pour le clavier contient 100 grandes mélodies du classique, chansons du monde entier, conifères, tubes pop, musique du bar, musique de film et de comédies musicales. Qui sait le premier groupe seront ravis par cette sélection.Mélodies du monde célèbre jeu sur le clavier pour être en mesure d', est le désir de nombreux claviers.Gerhard Koelbl et Stefan Thurner, dans leur manière unique, toutes les chansons arrangées aussi simplement que possible, de sorte qu'ils sont légers et faciles à jouer et encore grand bruit. Idéal pour les débutants et ceux qui retournent dans les leCons du clavier ou d'autoformation. / Clavier / Partition

Published within the ‘Signature’ Series a series of authoritative performing editions of standard Keyboard works prepared from original sources by leading scholars including informative introductions and performance notes.

Now available in one volume! Five of the most popular choral masterworks from the Schirmer classic choral library. An excellent value for schools colleges community choirs and churches. Also available: Keyboardaccompaniment and flexible mix and match instrumental accompaniment parts. Includes: Handel's “Hallelujah Chorus” from Messiah Beethoven's “Hallelujah” from The Mount of Olives Handel's“Hallelujah Amen” from Judas Maccabaeus Mendelssohn's “He Is Watching Over Israel” from Elijah Haydn's “The Heavens Are Telling” from The Creation. Available for SATB.Instrumental books include Keyboard Accompaniment Flute/Oboe Clarinet Trumpet I/II Horn in F Alto Sax Trombone Violin I/II Viola Cello Bass.

The Bartók Performing Editions-Instruktive Ausgaben von Béla Bártok. Par BARTOK BELA. Bartók probably first played pieces by Domenico Scarlatti in public in 1911. During the next two decades he featured them in his piano recitals more than 60 times. His dedication to Italian and French Baroque music is also illustrated by the fact that in 1920, he signed a contract with the Budapest publisher Rozsnyai to edit seven volumes of Baroque keyboard music. His plan was to select compositions by Couperin and Rameau in addition to pieces by Scarlatti, but during the 1920s it ended up being only two volumes of Couperin and another two comprising ten compositions by Scarlatti. In editing these masterpieces, Bartók's aim was primarily to counterbalance or even overshadow the works by the 'Mendelssohn-Schumann epigones' used in primary and secondary musical education. The present single-volume collection comprises Bartók's two Scarlatti volumes, complete with an editorial preface, his detailed performing instructions, and his commentary. The editor recommends these compositions for pianists with at least five years' experience, and give practical recommendations for the grouping of individual items to form charming 'sonatina-like' sets of pieces./ Répertoire / Piano

E-Z Play Today Volume 28-Fifty classical themes all in simple arrangements suitable for piano organ or electronic keyboard. Includes the music of Beethoven Mussorgsky Tchaikovsky Mozart Mendelssohn and many other great classical composers.

Now Thank We All Our God was a hymn first written by the German priest Martin Rinkart in the 1630s. It has been adapted many times over the years most famously by Mendelssohn as a hymn tune. The version here was created as the third movement of Bach's Cantata BWV 79 (The Lord is a Sun and Shield) written for Reformation Day in 1725. It has been arranged for SATB choir with keyboard accompaniment presented here with the popular English text.J. S. Bach (1685-1750) was a German Baroque composer who is revered for the originality and skill of his contrapuntal and harmonic techniques. He spent most of his life working as an organistand choirmaster and wrote many ecclesiastical works.