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The Library Of Modern Piano Music
32.04
The Library Of Modern Piano Music
Piano seul
[Partition]
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Intermédiaire/avancé
Amsco Wise Publications
Some of the most beautiful and diverse pieces by some of the finest composers in...
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Some of the most beautiful and diverse pieces by some of the finest composers in recent history are included in this enormous Library Of Modern Piano Music. Such a comprehensive collection of brilliant works for solo Piano belies the rich quality and sheer amount of music being composed that just begs to be learned. Over 100 fantastic pieces are guaranteed to keep you learning from this truly classic selection until the next century!The Library Of Modern Piano Music boasts an unprecedented volume and variety of amazing compositions, some well-known, some more unfamiliar, some composed as standalone pieces and others as film scores, but the one thing uniting them all is their impeccable musicality and how enjoyable they are to play. Featuring the biggest names in contemporary classical music, composers like Einaudi lend their wonderful compositions (Primavera, Una Mattina), and all-round geniuses like Philip Glass are represented with a generous selection of their finest work (Metamorphosis Five, Opening Piece From Glassworks and more).The varied progression of Piano music through the 20th century to the present day has given rise to an exceptionally vast and diverse repertoire. The unbelievable depth of the composers included here means you'll rarely be stuck for something to play. Kaija Saariaho, Stravinsky, Francis Poulenc, Dustin O'Halloran, Nico Muhly and Witold Lutoslawski are genuinely just a fraction of the composers featured in The Library Of Modern Piano Music. Some great standalone compositions like Samuel Barber's incomparable Adagio For Strings sit aside excerpts from longer works like a portion of Edward Gregson's An Album For My Friends or Joby Talbot's Once Around The Sun.If you happen to be a fan of film and television scores, a taste of Michael Nyman's distinguished score for The Piano is included, a section from Crouching Tiger, Hidden Dragon, as well as parts of Richard Rodney Bennett's score for the now rarely-seen but superb 1980s miniseries of Tender Is The Night. Many established composers are included in this collection who are widely-recognised as masters. However, The Library Of Modern Piano Music also includes many young virtuosos who have not yet achieved that status but are certainly well on their way.These original compositions span standalone pieces, albums, suites and arrangements from diverse talents, making The Library Of Modern Piano Music a collection that is certain to be seen by future generations as a perfect collection of the best of contemporary classical music. / Piano
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John McCabe: Pilgrim Sextet For Strings (Parts): String Ensemble: Instrumental
24.99
John McCabe: Pilgrim Sextet For Strings (Parts): String Ensemble: Instrumental
Orchestre à Cordes
[Partition]
Novello & Co Ltd.
The composer writes:Pilgrim was inspired it will be no surprise to learn by re...
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The composer writes:Pilgrim was inspired it will be no surprise to learn by reading Bunyan's Pilgrim's Progress - Vaughan Williams's great opera on the subject had fascinated me from its first performance yet it was a long time before I caught up with this essential item in any well-stocked library of English classics. It made a great impression not least because of its theme of a journey of self-discovery and a rediscovery or renewal of faith. These are ideas which have a strong interest for me not in religious terms but in their application to every aspect of human life (including great journeys) and this piece reflects my response in musical terms to this concern. The tempo of the whole piece which lasts about 18 minutes is basically slow. There are two quick episodes but these act somewhat like the trio sections of a classical scherzo save that the tempo relationships are inverted (the classical trios would have been slower not quicker) and the canvas is much larger being that of a single substantial slow movement. The form of the whole is perhaps fantasia-like rather than having any relationship to classical forms such as sonata or rondo - some motifs and themes are varied as the work develops and the opening chords are of primary importance throughout the work. There has been no attempt to convey any pictorial elements deriving from Bunyan's great book. There is however one feature which upon completion of the score struck me with some force which is that almost all the thematic material is essentially striving upwards - there is a constant upward movement (sometimes over a lengthy period) throughout the work. Pilgrim was commissioned by the Luton Music Club for the Raphael Ensemble with funds provided by the Eastern Arts Board and Bedfordshire County Council and is dedicated to the Luton Music Club. The first performance was given in Luton on February 10th 1997 and followed as part of a joint scheme by performances in the same week at the Music Clubs of Bedford and Leighton Buzzard.
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Thea Musgrave: Green for twelve strings (Full Score): String Ensemble: Score
15.99
Thea Musgrave: Green for twelve strings (Full Score): String Ensemble: Score
Orchestre à Cordes
[Partition]
Novello & Co Ltd.
Commissioned by the Scottish Ensemble first performed on 15th December 2008 at Q...
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Commissioned by the Scottish Ensemble first performed on 15th December 2008 at Queen’s Cross Church Aberdeen. Programme note 'This short work is about conflict – expressed here by the clash of opposing musical forces. One ‘force’ an ‘arioso’ is based around the harmonic field of E and is melodic tonal straightforward and at times emotional. It is mainly led by the first violin. The other ‘force’ led by the double bass is strongly discordant [at first a single note F latergradually growing to a giant cluster]. It is essentially chordal [non-melodic] static suffocating inexorable and impersonal. Its only contrast is getting louder or getting softer getting denser or less dense. The interruption of the opening ‘arioso’ by a single note F on the double bass is at first not very threatening and the reaction to it is one of surprise. Later as the threat increases so the reaction becomes stronger; at first one of irritation then anger. A passionate outburst on the violins follows which falls on deaf ears. Then a solo violin solo viola and solo cello all appeal in turn: still no response. Finally only fragments of the original ‘arioso’ are heard before dying away. Whereas near the
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Simple Songs
17.73
Simple Songs
Hautbois
[Partition + Accès audio]
-
Facile
Hal Leonard
Solo arrangements of 14 well-known melodies are featured in this collection for ...
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Solo arrangements of 14 well-known melodies are featured in this collection for beginning instrumentalists. It features online access to audio demonstration tracks for download or streaming to help you hear how the song should sound and so you can sound great while playing along with the backing tracks! Songs include: All of Me - Evermore - Hallelujah - Happy - I Gotta Feeling - I'm Yours - Lava - Rolling in the Deep - Viva la Vida - You Raise Me Up - and more. The audio is accessed online using the unique code inside each book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right. / Hautbois
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Simple Songs
17.73
Simple Songs
Marimba
[Partition + Accès audio]
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Facile
Hal Leonard
Solo arrangements of 14 well-known melodies are featured in this collection for ...
(+)
Solo arrangements of 14 well-known melodies are featured in this collection for beginning instrumentalists. It features online access to audio demonstration tracks for download or streaming to help you hear how the song should sound and so you can sound great while playing along with the backing tracks! Songs include: All of Me - Evermore - Hallelujah - Happy - I Gotta Feeling - I'm Yours - Lava - Rolling in the Deep - Viva la Vida - You Raise Me Up - and more. The audio is accessed online using the unique code inside each book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right. / Percussions A Claviers
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John McCabe: Pilgrim String Sextet: String Ensemble: Score
19.99
John McCabe: Pilgrim String Sextet: String Ensemble: Score
Orchestre à Cordes
[Partition]
Novello & Co Ltd.
The composer writes:Pilgrim was inspired it will be no surprise to learn by re...
(+)
The composer writes:Pilgrim was inspired it will be no surprise to learn by reading Bunyan's Pilgrim's Progress - Vaughan Williams's great opera on the subject had fascinated me from its first performance yet it was a long time before I caught up with this essential item in any well-stocked library of English classics. It made a great impression not least because of its theme of a journey of self-discovery and a rediscovery or renewal of faith. These are ideas which have a strong interest for me not in religious terms but in their application to every aspect of human life (including great journeys) and this piece reflects my response in musical terms to this concern. The tempo of the whole piece which lasts about 18 minutes is basically slow. There are two quick episodes but these act somewhat like the trio sections of a classical scherzo save that the tempo relationships are inverted (the classical trios would have been slower not quicker) and the canvas is much larger being that of a single substantial slow movement. The form of the whole is perhaps fantasia-like rather than having any relationship to classical forms such as sonata or rondo - some motifs and themes are varied as the work develops and the opening chords are of primary importance throughout the work. There has been no attempt to convey any pictorial elements deriving from Bunyan's great book. There is however one feature which upon completion of the score struck me with some force which is that almost all the thematic material is essentially striving upwards - there is a constant upward movement (sometimes over a lengthy period) throughout the work. Pilgrim was commissioned by the Luton Music Club for the Raphael Ensemble with funds provided by the Eastern Arts Board and Bedfordshire County Council and is dedicated to the Luton Music Club. The first performance was given in Luton on February 10th 1997 and followed as part of a joint scheme by performances in the same week at the Music Clubs of Bedford and Leighton Buzzard.
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Dance On Deep Waters.
20.90
Dance On Deep Waters.
Piano seul
Barenreiter
Edgar Knecht is a jazz pianist who has created his own unique style. His début ...
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Edgar Knecht is a jazz pianist who has created his own unique style. His début CD, 'Good Morning Lilofee? (with four-piece combo), conquered the clubs and earned him invitations to international festivals. His treatment of the original melodies is refreshingly different from standard jazz arrangements: It is characterized by a free perception of the tunes, varied rhythms as well as unconventional harmonies. The same recipe for success underlies his second CD, 'Dance On Deep Waters?, with which the Edgar Knecht Quartet is again going on tour, with many gigs lined up for spring and summer.All eight of the songs in our edition offer agreeable and stimulating literature outside the classical and jazz pigeonholes for pianists everywhere, whether or not they dig German folksongs. Familiar tunes such as 'Es freit der wilde Wassermann? or 'Die Gedanken sind frei? gain a wholly new quality and pizzazz in his arrangements. Though based on the original songs, the pieces go far beyond them in form, harmony and rhythm, thereby turning the originals into top-quality jazz ballads. All the pieces have suggestions for improvised passages, usually with chords and written-out ostinato bass lines.All the pieces are recorded on the like-named CD with Edgar Knecht at the piano, accompanied by his trio of bass, drums and percussion.- Eight songs for piano- Appealing literature- Ad lib improvised partsContentsLilofee, Gedankenfreiheit (Freedom of Thought), Tiefe Wasser (Deep Waters), Nachttraum (Dream at Night), Fenjas Lullaby, Schwesterlein (Little Sister), Frühling (Spring), Wiegenlied (Cradle Song)The AuthorEdgar Knecht lives in Kassel (Germany), where he heads a piano school and tours with his combo. Since the age of 14 he has held concerts with his own piano pieces and written many theatre, film and TV scores. With his Edgar Knecht Trio he transforms German folksongs into fascinating jazz ballads with which he fills his programmes and venues. / Piano
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Judith Weir: I Give You The End Of A Golden String: String Orchestra: Study
20.99
Judith Weir: I Give You The End Of A Golden String: String Orchestra: Study
Orchestre à Cordes
Chester
I Give You The End Of A Golden String was commissioned in 2013 by the Royal Phi...
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I Give You The End Of A Golden String was commissioned in 2013 by the Royal Philharmonic Society/Britten-Pears Foundation to celebrate the centenary of the birth of Benjamin Brittenand the bicentenary of thefoundation of the Royal Philharmonic Society.The piece was first performed on 8th June 2013 by the Britten Sinfonia conducted by Ryan Wigglesworth.'My aim when I began this piece was to create a long length ofstring music out of a single strand of melody.While experimenting at the beginning shaping and extending a melody in many possible directions I cameacross William Blake???s lines???I give you the end of a goldenstring;Only wind it into a ball It will lead you in at Heaven???s gate Built in Jerusalem???s wall???and this became my working method winding a single tune around itself so that it gradually formed itselfinto amuch richer more complex texture. The process happens three times producing the equivalent of acontinuous three-movement concerto.The ???first movement??? is engendered by two solo violas (the melody at the beginning alreadyentwined witha slightly alternative version of itself). The ???slow movement??? (a more extended more decorated developmentof the opening tune) is introduced by a solo cello (soon winding itself into a quartet of celli). The fast???finale??? led by two solo violins focuses on decorations within the melody rolling out ribbons of (Britten-like') thirds.' - Judith WeirSuggested minimum strings: 8.6.4.4.2 players
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The Girona Suite - Eight Evocations
Piano seul
-
Intermédiaire/avancé
Pianissimo Publishing
June Armstrong's songbook The Girona Suite - Eight Evocations For Piano features...
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June Armstrong's songbook The Girona Suite - Eight Evocations For Piano features eight original and challenging compositions for grades five to seven standard, all inspired by the shipwreck of the Spanish galleas, the Girona.The pieces included in this songbook were all composed specifically for this collection by revered pianist and teacher June Armstrong. Her many years of experience in teaching have allowed her to craft compositions both subtle and powerful that stretch the ability of students while giving them an engaging story on which to base their expression and feeling when playing. Armstrong is an advocate of focusing learning on atmosphere and tonal awareness, which, when combined with the necessary techniques and theory, makes this songbook a learning tool that is theoretically sound and musically enticing.From the first page, the composer has shown her commitment to creating pieces specifically for students learning the Piano, as she writes of how many people, including former students, have inspired her. She then writes in detail about the historical context of the theme of the work, before giving more practical advice on the music itself and how to go about playing it. The friendly and warm approach that Armstrong brings to presenting her suite makes it more than a simple songbook, it becomes a personal journey, where the composer herself guides you through the characters and settings that the music has been composed to evoke. As well as presenting challenging and entertaining pieces, Armstrong's work serves as a fantastic introduction into how major and minor keys can be manipulated to different ends, and how motifs can be used together with a theme. Armstrong writes:?The final piece, Sarabande for the Lost Souls returns to the desolation of Eb minor, closing with a final statement of the No Tengo theme.?The songs in The Girona Suite are designed to cultivate a student's ability to play in keys containing more than three flats or sharps, as well as a number of different time signatures and with varying degrees of expression. This songbook would be ideal for a student of any age who is unafraid to experiment with evoking feeling and emotion in their playing, while also learning and practicing numerous techniques in an appealing and informative context. If you would like to listen to any of the songs that are listed below, these can be heard free of charge on the composer's website. / Piano
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John McCabe: String Quartet No.7 - Summer Eves: String Quartet: Score
24.99
John McCabe: String Quartet No.7 - Summer Eves: String Quartet: Score
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Novello & Co Ltd.
Commissioned by the Presteigne Festival of Music and the Arts Limited with fund...
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Commissioned by the Presteigne Festival of Music and the Arts Limited with funds provided by the Arts Council of Wales for premiere in August 2012 by the Carducci String Quartet in St. Andrew?s Church Presteigne.Composer's Note'Some years ago I noted down the opening theme of what I anticipated would be a relatively Classical string quartet ?Classical? in the sense of the forms adopted plus perhaps a predominantly lyrical tone of voice. The commission for this work from the Presteigne Festival for their 30th anniversary in 2012 gave me the opportunity of putting into practice this long-held idea. It isdedicated to the Festival and to the Carducci Quartet whose career as much-admired friends and colleagues I have greatly enjoyed.The only break with ?classical? tradition is that there are five movements instead of four with two Scherzi as the second and third though both these are very short and contrasting. I found myself listening to Haydn?s string quartets a lot before and during the composition of this work and I hope the spirit of his delight in writing for this medium is echoed in my own music. The opening movement is in sonata form unusually for me and lyricism is I hope the basis of it though there is a good deal of activity at times. The Scherzo light and marked by frequently-changing rhythms is followed by an equally short but ferocious Perpetuum mobile marked Wild und rasch (one of my favourite German tempo markings). The fourth movement is an intense Adagio in which a single phrase uttered strongly in unison is gradually transformed into gentle diatonic chords before the close intermingled with cadenzas for cello for viola and for the two violins together. The finale (a Rondo) resumes the classical tone of the first movement but apart from one dance-like episode it builds up a fair head of steam towards a final Presto which however ascends slows and quietens towards a gentle summer sky at dusk.'
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John McCabe: String Quartet No.7 - Summer Eves (Parts): String Quartet: Parts
29.99
John McCabe: String Quartet No.7 - Summer Eves (Parts): String Quartet: Parts
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Novello & Co Ltd.
Commissioned by the Presteigne Festival of Music and the Arts Limited with fund...
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Commissioned by the Presteigne Festival of Music and the Arts Limited with funds provided by the Arts Council of Wales for premiere in August 2012 by the Carducci String Quartet in St. Andrew?s Church Presteigne.Composer's Note.'Some years ago I noted down the opening theme of what I anticipated would be a relatively Classical string quartet ?Classical? in the sense of the forms adopted plus perhaps a predominantly lyrical tone of voice. The commission for this work from the Presteigne Festival for their 30th anniversary in 2012 gave me the opportunity of putting into practice this long-held idea. It isdedicated to the Festival and to the Carducci Quartet whose career as much-admired friends and colleagues I have greatly enjoyed.The only break with ?classical? tradition is that there are five movements instead of four with two Scherzi as the second and third though both these are very short and contrasting. I found myself listening to Haydn?s string quartets a lot before and during the composition of this work and I hope the spirit of his delight in writing for this medium is echoed in my own music. The opening movement is in sonata form unusually for me and lyricism is I hope the basis of it though there is a good deal of activity at times. The Scherzo light and marked by frequently-changing rhythms is followed by an equally short but ferocious Perpetuum mobile marked Wild und rasch (one of my favourite German tempo markings). The fourth movement is an intense Adagio in which a single phrase uttered strongly in unison is gradually transformed into gentle diatonic chords before the close intermingled with cadenzas for cello for viola and for the two violins together. The finale (a Rondo) resumes the classical tone of the first movement but apart from one dance-like episode it builds up a fair head of steam towards a final Presto which however ascends slows and quietens towards a gentle summer sky at dusk.'
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Toy Box - Very First Pieces
Piano seul
-
Facile
Pianissimo Publishing
Toy Box - Very First Pieces For Piano contains 26 simple yet impressive Piano so...
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Toy Box - Very First Pieces For Piano contains 26 simple yet impressive Piano songs composed by experienced teacher June Armstrong. This book is ideal for a beginner to put theory into practice with a wide variety of pieces in a number of styles.Each title in this songbook is evocative of the way the piece is meant to be played, with songs like Ballerina, Hula Hoop and Kaleidoscope suiting the instructions that Armstrong has provided like ?Daintily? and ?Steadily?. Unique touches like this make Toy Box perfect for a young child who is working their way towards grade one standard, as the composer has skilfully attempted to represent the nature of various toys through the medium of music. This will help a young musician to learn the basic concepts of musical theory in a fun and familiar context, with songs like Jumbo and Slinky sure to entertain all who are within earshot through humour and musicality. If you would like to listen to audio recordings of all the songs included in Toy Box, they are all available to download free of charge from the author's website.What sets this songbook apart from other beginner books is the personality and dedication that June Armstrong brings to her compositions, noting that her pieces are all inspired by her own Piano students and giving detailed and informative notes for each song at the beginning of the book. For the song Dinosaur, Armstrong writes that ?You will want to create a very scary atmosphere?The right hand note heads are strange bird calls in the forest. The left hand Ds, Es and Fs are the dinosaur??. The care that has been put into creating this sheet music shows that Armstrong is acutely aware of the best way for students to learn, and that she truly wants students to learn effectively, but in a fun and light-hearted way.Each song in Toy Box occupies a single page making it easy for a player to track their progress and learning, while there are additional helpful bits of information peppered throughout to clarify anything that may be unfamiliar to the student. Armstrong is keen on developing a student's ear for tone and atmosphere, so these extra notes not only reinforce how to play the piece physically, but also how to include emotion and feeling in music, for example how to conjure imagery like that of Blowing Bubbles. The songbook will be perfect for a child who already understands basic musical terms, will be able to play in a few keys other than C Major and is able to play in simple time signatures. As a first step into new compositions, Toy Box will introduce new concepts as well as reinforce what a student is already accustomed to, nevertheless, Armstrong's message is clear - ?Have fun!?. / Piano
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Degg: Songs For Claire: Soprano Saxophone: Instrumental Album
10.50
Degg: Songs For Claire: Soprano Saxophone: Instrumental Album
Saxophone Tenor et Piano
[Partition + CD]
-
Intermédiaire/avancé
Spartan Press
Also available for Alto (SP827). Songs for Claire is intended to portray a life ...
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Also available for Alto (SP827). Songs for Claire is intended to portray a life journey with all the joys and trials that may be encountered. From a personal point of view it was written in memory of my childhood best friend Claire who sadly died of cancer aged 10. I think most people will be able to relate to the moods of the three movements and draw from their ownlife experiences in order to create the expression desired.Living Life begins with a pure and innocent piano introduction where life twinkles into being. The performers should aim for a sweetness and pure innocence. At this stage there have been no challenges and trials. Try to see this through theeyes of a child. At bar 71 we should be able to soar with the sheer exuberance and joy of life. Themood begins to take a downward turn via the piano there after bar 91. This is where situations begin to take a turn for the worse with much more agitation and a darker emotion takes over.Troubled Times now takes us onto a road that we would prefer not to be on everything should be quite agitated and restless. I had a strong feeling in this movement that it should show a battle of wills within; trying to stay positive (the sweeter timbral trills) and trying to fight the ever nagging negative thoughts. Performers should feel able to release fully where the score is marked 'desperately' because these are the cries of one who is struggling to keep fighting. At letter E the pianist should play almost with anger with strong stress to accented notes. At letter H the timbral trills stop abruptly and this indicates that the struggle is over if you imagine a heart monitoring machine that suddenly gives out is length monotone indicating the end of life. The rest of the movement relaxesinto the peace of the final movement.Flying Free is similar in feel to Living Life. You will see that the initial theme is reversed. In the first movement we see the theme very introverted probably as we often look inwards in life. In
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String quartet no. 1 (2015) (FREEMAN ALEX)
47.52
String quartet no. 1 (2015) (FREEMAN ALEX)
Quatuor à cordes: 2 violons, alto, violoncelle
Fennica Gehrman
Par FREEMAN ALEX. Alex Freeman found initial inspiration for his string quartet ...
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Par FREEMAN ALEX. Alex Freeman found initial inspiration for his string quartet (2015) in a series of photographs a geologist friend showed him of en échelon veins in rock formations. The open strings punctuated with pizzicato unisons that begin the single-movement work call to mind something crystalline and shimmering, which is immediately infused with tumbling lyrical lines in something of a rapid caccia technique throughout. The middle of the work becomes more suspended in slower material loosely based on a technique of prolation canon, comprises layers of free, expressive, lyrical, and even elegiac music moving at different speeds. As the work concludes, the materials converge in a rhythmically pulsating stasis and an almost chorale-like statement. Duration: c. 13' This product includes the score and the parts (A4 sized). American-Finnish composer Alex Freeman (b.1972) has established himself among the foremost composers of choral music in Finland. A dedicated citizen of his musical community, a teacher, and a choral singer himself, he composes music that reflects an appreciation for a wide range of aesthetics and a passion for communicating with listeners and performers. In his choral works, in particular, we find music that aims to be sonorous, melodic, and resonant, but is always crafted to carefully avoid the cliches that can burden conventional tonality. His instrumental works run the gamut: a cantata with orchestra based on poetry of Whitman; a significant body of solo piano works that reveal deep roots in everything from austere absolute music to soaring elegaic rhetoric (see Albany Records, Inner Voice); his chamber work Blueshift (Navona Records), which is a kind of paean to Reich and Adams in miniature; open-ended modular works, like various iterations of his Slow All Clocks for electronic media, solo clarinet, and mixed choirs of kanteles; and, recently, some new directions in microtonal music. / Date parution : 2022-05-31/ Répertoire / Quatuor à Cordes
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Sondheim For Singers
36.98
Sondheim For Singers
Voix Mezzo-Soprano, Piano
Hal Leonard
The Sondheim For Singers series is the most comprehensive multi-volume collectio...
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The Sondheim For Singers series is the most comprehensive multi-volume collection of Sondheim songs ever published.Each volume has a different contents list and includes songs in original keys, as well as appropriate transpositions. An extensive introductory section, featuring plot synopses and comments from Sondheim about his music and shows, is also included.This volume is for Belter/Mezzo-Soprano singers and contains 45 songs, including Can That Boy Foxtrot!, Sooner Or Later (I Always Get My Man), Do I Hear A Waltz? and Anyone Can Whistle. / Mezzo-Soprano Et Piano
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Sondheim For Singers
36.98
Sondheim For Singers
Voix Tenor, Piano
Hal Leonard
The Sondheim For Singers series is the most comprehensive multi-volume collectio...
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The Sondheim For Singers series is the most comprehensive multi-volume collection of Sondheim songs ever published.Each volume has a different contents list and includes songs in original keys, as well as appropriate transpositions. An extensive introductory section, featuring plot synopses and comments from Sondheim about his music and shows, is also included.This volume is for Tenor singers and contains 39 songs, including Beautiful Girls, Pretty Women, Send In The Clowns and Anyone Can Whistle. / Tenor Et Piano
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24 Contemporary Pieces
28.20
24 Contemporary Pieces
Piano seul
[Partition]
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Intermédiaire
Chester
Twenty-Four Contemporary Pieces For Solo Piano includes a diverse selection of w...
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Twenty-Four Contemporary Pieces For Solo Piano includes a diverse selection of works from 16 of the world's leading composers. The 24 pieces featured in this collection represent the best of contemporary classical Piano music being composed today. As well as being a compilation of fantastically enjoyable compositions, the book also features interesting notes by each composer to accompany their music.These Contemporary Pieces For Solo Piano are at once accessible and musically inspiring, featuring some of the most talented and respected composers and their most definitive contributions to Piano music. Perhaps the biggest name included here is that of Ludovico Einaudi, whose wide reputation is a result of his masterful ability to pull at heartstrings, exemplified in his works Berlin Song, The Earth Prelude and Waterways, all of which are included here. Other giants of contemporary classical music are included in the collection, names like Philip Glass (Etude #11), Max Richter (Horizon Variations and Vladimir's Blues) and Hauschka, whose Can You Dance For Me, Early In The Park and Until It's Dawn perfectly encapsulate the emotive characteristics of all the pieces in this book. Composers like Nils Frahm, Ólafur Arnalds, Dustin O'Halloran and Jóhann Jóhannsson evolved from a similar school that favours building atmosphere with hypnotic arpeggiation in composition, explaining why these composers are often used to great effect in film soundtracks.Other inclusions in Twenty-Four Contemporary Pieces For Solo Piano are simply too important to have left out, namely Nico Muhly's Hudson Cycle, two pieces by Joby Talbot as well as Tarik O'Regan's Lines Of Desire. The beauty of the songs here speak for themselves, but the composers have also written brief notes that preface each of the pieces, giving fascinating insight into either the composition itself or particular playing notes. Featuring some of the best compositions by the most respected and creative musicians writing today, the Twenty-Four Contemporary Pieces For Solo Piano within this collection are an exciting prospect for any pianist looking for some wonderfully inspiring music to learn and play. / Piano
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Sondheim For Singers
36.98
Sondheim For Singers
Voix Baryton, Piano
Hal Leonard
The Sondheim For Singers series is the most comprehensive multi-volume collectio...
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The Sondheim For Singers series is the most comprehensive multi-volume collection of Sondheim songs ever published.Each volume has a different contents list and includes songs in original keys, as well as appropriate transpositions. An extensive introductory section, featuring plot synopses and comments from Sondheim about his music and shows, is also included.This volume is for Baritone/Bass singers and contains 40 songs, including Children Will Listen, Pretty Women, Send In The Clowns and Anyone Can Whistle. / Baryton Et Piano
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The Nine Glens Of Antrim - Nine Easy Pieces
14.73
The Nine Glens Of Antrim - Nine Easy Pieces
Piano seul
-
Intermédiaire
Pianissimo Publishing
The Nine Glens Of Antrim - Nine Easy Pieces For Piano is a songbook featuring ni...
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The Nine Glens Of Antrim - Nine Easy Pieces For Piano is a songbook featuring nine distinctly Irish-themed original compositions by renowned composer and teacher June Armstrong for grades two to four standard, designed to teach and reinforce technique and stylistic interpretation.Composer June Armstrong has taken the glens of County Antrim in Ireland as the inspiration for nine new Piano pieces that attempt to capture the atmosphere of the varied landscape. From the astonishing monuments of caves and valleys to calmer, more tranquil waterfalls and rivers, Armstrong has successfully composed pieces to help a student imagine and evoke the natural beauty of a landscape through the musical medium. The concept that Armstrong has tried to incorporate is that the expressiveness of the Piano as an instrument is something that students should be familiar with, and so this book will teach you how to create atmosphere while using the musical theory you are familiar with.One of the most impressive things about The Nine Glens Of Antrim is the hard work that the composer has put into creating these pieces as well as incorporating Irish music and the Irish landscape. At the beginning of the songbook Armstrong goes into great detail about what each piece symbolises, as well as a small amount of Irish history and legend. She intertwines this with detailed playing instructions, making learning entertaining and informative as well as inspiring. In the notes for the piece titled ?Layd Church?, the student is told that?A small stream runs along the side of the church, the sound of which, together with birdsong, is the only music you will hear there now. If you wish to play this successfully, you will need to listen to birds singing!?It is this personality and friendly tone that makes learning from The Nine Glens Of Antrim a joy.The songs themselves are subtle, pretty and precisely composed, perfect for a student who already has a good grasp of playing in a variety of keys, at different tempos and in alternative time signatures. Armstrong also leaves certain expressive elements up to the performer, so the flexibility would suit a student who is keen to bring some character and feeling to the piece. Each song represents a different challenge, and attempts to introduce a novel style and technique, so the use of the natural beauty of a landscape provides an anchor for students to connect the theory with the practice. To hear a recording of each track free of charge, just head to the composer's own website, where you can also view photographs symbolising each song to inspire you to begin your learning of The Nine Glens of Antrim today. / Piano
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Eric Whitacre: A Boy And A Girl for String Orchestra (Full Score): String
5.50
Eric Whitacre: A Boy And A Girl for String Orchestra (Full Score): String
Orchestre à Cordes
[Partition]
Chester
Written based on a poem of the same title by Octavio Paz A Boy and a Girl is Wh...
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Written based on a poem of the same title by Octavio Paz A Boy and a Girl is Whitacre at his finest with the composer himself describing four measures as 'the truest notes I've ever written'.Stretched out on the grassa boy and agirl.Savoring their oranges giving their kisses like waves exchanging foam.Stretched out on the beach a boy and a girl.Savoring their limes giving their kisses like clouds exchangingfoam.Stretched out underground a boy and a girl.Saying nothing never kissing giving silence for silence. Octavio Paz 1914-1998
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Kevin Volans: String Quartet No.9 - Shiva Dances (Parts): String Quartet: Parts
24.99
Kevin Volans: String Quartet No.9 - Shiva Dances (Parts): String Quartet: Parts
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Chester
Kevin Volans' String Quartet No. 9: Shiva Dances was commissioned by BBC Radio 3...
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Kevin Volans' String Quartet No. 9: Shiva Dances was commissioned by BBC Radio 3 and first performed by the Smith Quartet at the 2004 Huddersfield Contemporary Music Festival.Kevin Volans (the composer) notes on the piece:In the past I have been interested in trying to go beyond historicism (1970s) beyond style(1980s) and beyond form (1990s) in my work. Looking back over the music of the twentiethcentury I was struck by the fact the nearlyall of it is extremely 'busy' almost cluttered. Italmost seemed that composers felt compelled to look industrious. In the new millennium Ithought it would be interesting to try and eliminate content. I also aspired to movingfrommusic (sound as art) to art (art as sound). This of course has already been done by a numberof composers (many from New York Phil Niblock and La Monte Young to name but two) butit was something I had never tried.AlthoughI found it annoying that the label 'minimalist' was given to my African-based work and fearing this would make the label stick I set out to write a piece which reflected my loveof minimal painting and architecture. The Japanesehave a term 'wabi' meaning 'voluntarypoverty' or 'emptiness' to describe their restrained minimal aesthetic an aesthetic which however pays greatest attention to the quality of material and fine detail. I like to think thatthelack of excessive pitch material in this piece reflects a kind of voluntary poverty.When Shiva is portrayed dancing (as Nataraj) He is depicted in a circle of flames crushing asmall figure the ego underfoot.You get theimpression He dances on the spot not movingaround at all. I like that.The piece is dedicated to Pablo Pascual Cilleruelo.
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