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Laverne A. - Chords In Motion - Piano
24.60
Laverne A. - Chords In Motion - Piano
Piano seul
Jamey Aebersold Jazz
Noted jazz pianist, composer, recording artist and educator Andy LaVerne has dra...
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Noted jazz pianist, composer, recording artist and educator Andy LaVerne has drawn from his decades of experience playing with master musicians from Getz to Lovano to create this comprehensive compendium of contemporary moving voicings. Quartal, quintal, drop 2, dominant 7b9/diminished, triadic, whole tone and chromatic performance proven voicings pioneered by McCoy Tyner, Chick Corea, Herbie Hancock, and Andy himself are presented and fleshed out in all twelve keys. This book picks up where others leave off, enabling you to replace static chords with voicings that move melodically, dramatically, and gracefully over the entire range of the keyboard. Firmly rooted in contemporary jazz theory, the emphasis is on practical performance applications. Andy ties it all together with illustrations of comping choruses for five standard jazz tunes. Chords in Motion satisfies a long awaited need in actual comping situations, and shows you how to move chords through varying harmonic rhythms. FINALLY ' a book that gives you moving voicings, and sets them in motion in all twelve keys. Chords in Motion is a valuable resource for all keyboardists, arrangers, and instrumentalists. Activate, animate, and energize your comping with this encyclopedic volume. 156 pages, spiral bound for easy opening. Andy carries the flame of jazz piano tradition and just great music. He always inspires me. Chick Corea This is a great book! I am going to sit down and play through this!! I am always telling my non-piano playing students how important it is to work with (and internalize) the sounds that we live with all our lives as Jazz musicians. Coltrane spent years sitting at the piano and so should all of us!!! John Patitucci Berklee College of Music One thing about Andy'he is complete as can be and has been consistently so for years in both his teaching materials and playing. He is completely knowledgeable in such a way that when I play with him, I know he KNOWS!! Plus he is one of the smoothest and polished of players around. Great book'encyclopedic in content. Dave Liebman Founder, Artistic Director, International Association of Schools of Jazz (IASJ) I've played and recorded with Andy LaVerne many times over the years and in many different settings and he's always come up with the hippest, most interesting chords in the most musical way! His way of playing and looking at chords inspires me as a drummer and his rhythm section partner to play things that are in turn inspiring to the rest of the band. This book, helps musicians, understand, in a clear thoughtful presentation, how to go about getting this together. Billy Drummond Jazz Drummer, Educator, Juilliard, NYU Chords in Motion is an outstanding and comprehensive guide by Andy LaVerne, whose encyclopedic knowledge, decades of experience and brilliance as a performer and educator make this an invaluable handbook of modern jazz piano harmony. Its user-friendly, intelligent design enables musicians to expand their harmonic palette and potentially transform their playing, writing and arranging. Chords in Motion is an invaluable contribution to jazz musicians! Lynne Arriale Jazz Pianist, Composer, Educator, Associate Professor of Jazz Piano, Director of Small Ensembles, University of North Florida Chords in Motion is exactly the book I'd expect from Andy LaVerne. It's clear, openhearted and inspiring, as has been every conversation I've had with Andy over the years. Long a fan of his playing, I have enjoyed this look behind the curtain at how Andy LaVerne formulated his signature style. One other thing -- any pianist, no matter his/her approach, will gain insight into what will surely be new and exciting musical directions. Pete Malinverni Jazz Pianist, Educator, Director of Jazz Studies, SUNY Purchase College Conservatory of Music What a great resource for expanding the harmonic palette! Chords in Motion is a must have for the aspiring young jazz pianist as well as the seasoned veteran. Another winner from Andy! Paul Schmeling Jazz Pianist, Educator, Chair Emeritus, Piano Department, Berklee College of Music In Chords in Motion, I recognize chords and sounds that have inspired me to compose and play: harmony from the music of Chick Corea, Herbie Hancock and McCoy Tyner. This book is well organized, and from the beginning gets you playing. Each chord structure is explained and developed. There is plenty to practice. I especially like the exercises using contrary motion, arpeggiation and pivot, and the application to tunes. The reader will be tempted to stop on every page and compose. I found the Lost Chord, but won't tell you the page number. Bert Ligon Jazz Pianist/Guitarist, Composer, Arranger, Educator, Director of Jazz Studies, University of South Carolina Ever wonder how to move harmony around instead of repeating the same chord voicing over and over' Then Chords in Motion is a must have book for you! Andy has included a ton of information that will open up your comping and should keep you busy with new ideas for a long time! I highly recommend it! Dan Haerle Jazz Pianist, Composer, Author, Educator, Professor Emeritus, University of North Texas Chords in Motion is an essential guide to expanding one's conception of modern Jazz Piano Harmony. Andy LaVerne has managed to outline in a very practical and concise way, modern principles of piano chord voicings, as they pertain to the Jazz Pianist's primary group function of comping. David Hazeltine Jazz Pianist, Composer, Educator, SUNY Purchase College Conservatory of Music Chords in Motion should be fun to take into the practice room to explore new ways of sustaining harmonies over the entire register of the piano. It is encyclopedic and thorough in its content. No stone is left unturned! Stephany Tiernan Pianist, Composer, Educator, Chair, Piano Department, Berklee College Of Music Chords In Motion is an excellent practicing resource that provides a garden of harmonic sonorities for a musician to choose and explore at the piano. I like the way that Andy has made the information accessible to any level of student. I look forward to discovering some different sounds with this book. Phil DeGreg Jazz Pianist, Author, Educator, University of Cincinnati College Conservatory of Music I am delighted to recommend Andy LaVerne's Chords In Motion to aspiring jazz pianists! Andy is a superb pianist, very capable of addressing this topic. Prior to pianists like McCoy Tyner, Herbie Hancock, Bill Evans, and others, most pianists were content to have acquired a small handful of chord voicings, generally with the chord roots on the bottom of the voicings. Though 'rootless voicings' were adopted in later years, they were primarily for the left hand and generally only used the 3rd or 7th on the bottom. But now the serious jazz pianist needs to be able to move his or her voicings in a more diatonic manner, as shown in Andy's book. Jerry Coker Jazz Saxophonist, Author, Educator Andy LaVerne's Chords in Motion is a study of encyclopedic scope on the use of harmonies based on fourth intervals in the context of jazz harmony. There is a wealth of information in terms of voicings, voice leading and chord/scale relationships and their application to common harmonic formulae (ii-V, etc.) and the chord progressions used in blues and common standard tunes. Jazz musicians interested in this vocabulary should find this book to be a useful launching pad for exploring this important corner of the world of jazz harmony. Bill Dobbins Jazz Pianist, Composer, Arranger, Author, Educator, Professor of Jazz Studies, Conductor, Coordinator Jazz Composition and Arranging, Eastman School of Music Chords in Motion is a highly detailed, informative and filling-in-the-gap text. It's an important and welcome addition to the jazz piano literature, which can be applied to any level of proficiency. Stefan Karlsson Jazz Pianist, Educator, Professor/Jazz Studies Division, University of North Texas Fantastic pianist Andy LaVerne has put together an amazing, detailed, and incredibly comprehensive guide for effectively implementing quartal and related voicings. He has honed in on the 'secret' to using these structures musically and creatively: moving the voicings through changes in logical and interesting ways. Clearly presented, extremely thorough, and loaded with information, Chords in Motion is a must-have for any pianist! Martin Bejerano Jazz Pianist, Composer, Educator, Assistant Professor, Jazz Piano, Frost School of Music University of Miami Chords in Motion is an in-depth look at fourth and related voicings that give an atmosphere that you want to improvise on. We play over the voicing, not the chord symbol. Chords in Motion targets that modal atmosphere that horn players love playing over. Love this book - can't wait to start practicing it! Jerry Bergonzi Jazz Saxophonist, Composer, Author, Educator, New England Conservatory I was thrilled when Jazz Piano Great Mulgrew Miller agreed to write a quote for this book. I was deeply saddened to hear of Mulgrew's passing just days before publication. All who loved Mulgrew and his music will sorely miss him, and are grateful for the rich musical legacy he left us. Rest easy, Mulgrew. Andy LaVerne
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ROLLING STONES COMPLETE - MELODY LINE, LYRICS AND CHORDS
54.99
ROLLING STONES COMPLETE - MELODY LINE, LYRICS AND CHORDS
Paroles et Accords
MUSIC SALES
Description
The melody line and lyrics to all the Stones' songs comp...
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Description
The melody line and lyrics to all the Stones' songs composed from 1963-1981. Easy-to-read melody line, lyrics and chord arrangements. Separate lyric section and discography, with photos throughout.
Songlist
100 Years Ago
19th Nervous Breakdown
2000 Light Years From Home
2000 Man
2120 South Michigan Avenue
All About You
All Down The Line
All Sold Out
Angie
As Tears Go By
Back Street Girl
Beasts Of Burden
Before They Make Me Run
Bitch
Black Limousine
Blue Turns To Grey
Brown Sugar
Can You Hear The Music
Can't You Hear Me Knocking
Casino Boogie
Child Of The Moon
Citadel
Cocksucker Blues
Coming Down Again
Complicated
Congratulations
Connection
Cool Calm And Collected
Country Honk
Crazy Mama
Dance
Dance Little Sister
Dancing With Mr D
Dandelion
Dead Flowers
Dear Doctor
Don'cha Bother Me
Don't Lie To Me
Doo Doo Doo Doo Heartbreaker
Down In The Hole
Downtown Suzie
Each And Every Day Of The Year
Emotional Rescue
Empty Heart
Everything Is Turning To Gold
Factory Girl
Family
Faraway Eyes
Finger Print File
Flight 505
Fool To Cry
Get Off My Cloud
Get Off Of My Cloud
Gimme Shelter
Goin' Home
Gomper
Good Time Bad Time
Gotta Get Away
Grown Up Wrong
Hand Of Fate
Hang Fire
Happy
Have You Seen Your Mother Baby
Heart Of Stone
Heaven
Hey Negrita
Hide Your Love
High And Dry
Honky Tonk Woman
Hot Stuff
I Am Waiting
I Can't Get No Satisfaction
I Got The Blues
If I Were A Dancer (Dance Part 2)
If You Can't Rock Me
If You Let Me
If You Really Want To Be My Friend
I'm All Right
I'm Free
I'm Going Down
In Another Land
Indian Girl
It's Not Easy
It's Only Rock 'N' Roll
Jigsaw Puzzle
Jivin' Sister Fanny
Jumpin' Jack Flash
Just Want To See His Face
Lady Jane
Lantern
Let It Bleed
Let It Loose
Let Me Go
Lets Spend The Night Together
Lies
Little By Little
Little T Anda
Live With Me
Long Long While
Love In Vain
Loving Cup
Luxury
Melody
Memo From Turner
Memory Motel
Midnight Rambler
Miss Amanda Jones
Miss You
Monkey Man
Moonlight Mile
Mothers Little Helper
My Obsession
Neighbours
No Expectations
No Use In Crying
Now I've Got A Witness
Off The Hook
On With The Show
One More Try
Out Of Time
Paint It Black
Parachute Woman
Play With Fire
Please Go Home
Repectable
Ride On Baby
Rip This Joint
Rocks Off
Ruby Tuesday
Sad Day
Salt Of The Earth
Send It To Me
Shattered
She Smiled Sweetly
She's A Rainbow
She's So Cold
Shine A Light
Short And Curlies
Silver Train
Sing This Altogether (See What Happens)
Singer Not The Song
Sister Morphine
Sittin' On A Fence
Slave
Some Girls
Some Things Just Stick In Your Mind
Something Happened To Me Yesterday
Soul Survivor
Spider And The Fly
Star Star
Start Me Up
Stoned
Stop Breaking Down
Stray Cat Blues
Street Fighting Man
Stupid Girl
Summer Romance
Sway
Sweet Black Angel
Sweet Virginia
Sympathy For The Devil
Take It Or Leave It
Tell Me (You're Coming Back)
The Last Time
Think
Through The Lonely Nights
Till The Next Goodbye
Time Waits For No One
Tops
Torn And Frayed
Try A Little Harder
Tumbling Dice
Turd On The Run
Under Assistant West Coast Promotion Man
Under My Thumb
Ventilator Blues
Waiting On A Friend
Walking Thru The Sleepy City
We Love You
We're Wasting Time
What A Shame
What To Do
When The Whip Comes Down
Where The Boys Go
Who's Been Sleeping Here
Who's Driving Your Plane
Wild Horses
Winter
Worried About You
Yesterday's Papers
You Can't Always Get What You Want
You Got The Silver
You Gotta Move
You'd Be Surprised / Partitions variété - pop - rock / Variété internationale / Paroles&accords / MUSIC SALES
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La Muette
71.50
La Muette
Jobert
Make the silence talk'La Muette knew how to make the silence talk like no one', ...
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Make the silence talk'La Muette knew how to make the silence talk like no one', writes Djavann in his book (La Muette, © Flammarion 2008). Those words deeply touched me for they express one of the most beautiful metaphors in music. Through the lines of discourse, beyond words, I was listening to the silence of 'La Muette'. A rare and intense listening which joins the same internal listening I use when I'm writing my score. I was listening to La Muette, I decided to write a new piece to make the silent voice of La Muette told by Chahdortt Djavann sound through music. Choosing the extracts The text put in music is composed of short extracts from Djavann's story. I focused on this woman's portrait, who conquers her freedom through silence in which she forms a strong love relationship with her niece Fatemeh on the one hand, and the Uncle on the other hand. 'She had made her silence become her art of living, her freedom' writes Djavann. The extremely dramatic tension, the flow of the singing in Persian language, and the oppression in relation to the Iranian context are trying to underline the independent beauty of that woman who resists and exists without a voice. Story A young 15 years old Iranian girl named Fatemeh is in jail. Waiting for her death sentence, she writes the story of her aunt on a small notebook, 'so that someone remembers La Muette and myself'. The young teenager was raised by her aunt who becomes mute because she decided to stop talking on a dark day of her own childhood when she was interrogated, never to tell THE truth. An aunt whose silence makes even more fascinating, haughty, with an insolent look, cigarette at her lips, bare-footed and without any scarf on her head. 'La Muette' had made her silence become her art of living, her freedom. Around her, women start to talk, even considering her mad, for only a mad person could act this way. Fatemeh loves her mute aunt unconditionally, that is how she wants to become a woman, by being like her, fascinated by her silence and her excesses. La Muette embodies a figure of Freedom and makes us remember that in some countries, the woman who won't be submissive risks capital punishment. She will be hung. Following this beautiful text by Chahdortt Djavann, 'La Muette', a powerful text, stiff, tensed, without any lyricism nor compromises, which takes place in Iran under the Mollahs' regime. Persian: Phonological material / Compositional material Djavann's story is written in French. I asked Baharé Khadjé-Nouri to translate the text into Persian, and worked with her on pronunciation, accentuation, metric and the structure of the language, and I thank her again for that. I spent a long time having some people reading me the text in Persian and through listening I immersed myself in that sound universe. From this linguistic material, the beginning of the piece starts with the constitution of a tank of sound objects which will constitute parts of the compositional material. To compose the phonological tank, I worked on writing the pronunciation that lies at the origin of every possible vocal composition, writing the tone as well as the 'percussive - resounding' aspects of phonemes, multiple uses of fricative consonants or sibilants. Finally I used the vocal treatment of the phoneme through modes of play in relation to sprechsang: sing -inspire, or -expire, -blow, -chanting, -whispering, -spitting, -speaking. But a purely phonetic analysis of the vocal structures composing the sung part would reduce the word to its mere phonetic entity. The phonological material then constituted a compositional material by giving to the sung word its semantic entity. Form of the piece To strip the drama off every narrative element, at least of the discursive and linear character of the story, I first re-organized parts of the text extracted from the whole book in an order fitting the form I wanted to give to the piece (except for the beginning and ending which are kept in their linear forms). I imagined Fatemeh in jail, whose memories bounced between the four walls of her cell: recurring musical material, re-injected in an obsessive way, disjointed and contrasted, continuously modified each time, bouncing from one sequence to the next in another state. The piece is divided into 5 sequences, between each of them is an instrumental interlude with a voice-off, the voice of the present in the cell that contrasts with the singing voice of the sequence, evocation of memories of La Muette (sequence 1: preamble, sequence 2: portrait of La Muette, sequence 3: La Muette and Fatemeh, sequence 4: La Muette and the Uncle, sequence 5: epilogue). Electroacoustic setupFor this piece, I wrote the electroacoustic parts myself at the same time I was writing the instrumental parts. The electroacoustic setup is here considered as a whole instrument, an instrument added to the 12 others electroacoustic instruments and to Donatienne's voice. The electroacoustic sounds are divided into three types: - Samples from the singer's voice and instruments of the TM+ ensemble transformed - The narrator's voice Baharé Khadjé-Nouri in Persian, original version or transformed - Extra-musical sounds As for the synchronization between the acoustic and the electroacoustic scores, we will use for the first time an innovative application developed by Frédéric Bevilacqua and Bruno Zamborlin, not to follow the moves as we did it in StreicherKreis (my string quartet created in November 2008), but to follow the voice and orchestra. Thus, we will be using an 'audio-following', which constituted a first. This setup of recognition and following will allow the synchronization between instrumental and electroacoustic scores in a musical and precise way. Concerning the interactivity between performers and device, it will all be in real-time. Characteristics of the musicians' sound will 'interpret' what comes out of the speakers. The musicians will define the settings of the sound transformations, in terms of space, transposition, tone or length. This new piece expresses a message through the choice of subject that goes beyond strictly music. For me, it is important that both the composer and writer can invest their work into problematics which they're confronted to because they are immediate witnesses. / Soprano Et Percussions
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Supercanzoniere
23.20
Supercanzoniere
Paroles et Accords
[Partition]
Hal Leonard
Par . A collection of 350 Italian and International songs in lyrics and chords f...
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Par . A collection of 350 Italian and International songs in lyrics and chords format. The tracklist includes evergreens by the most important artists who have made the history of pop world music and the most famous songs by contemporary artists. / Date parution : 2022-07-20/ Recueil / Paroles et Accords
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Coffret Scores (BEATLES THE)
153.10
Coffret Scores (BEATLES THE)
Conducteur
[Partition]
-
Intermédiaire
Novello & Co Ltd.
Par BEATLES THE. In over one thousand pages, the complete music and lyrics, in f...
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Par BEATLES THE. In over one thousand pages, the complete music and lyrics, in full 'rock score' transcriptions, of all the 203 songs they wrote and recorded as The Beatles, plus nine by others which they covered on their early albums. All transcribed with separate staves for vocals, each guitar (in tab and standard notation) and all other instruments...the essential Beatles collection. / Niveau : Intermédiaire / Rép International / Recueil / Conducteur
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Noël! 2 - Carols And Anthems For Advent, Christmas And Epiphany
28.20
Noël! 2 - Carols And Anthems For Advent, Christmas And Epiphany
Chorale SATB
SATB, Orgue
Novello & Co Ltd.
Noël 2 is an exciting collection of Advent, Christmas and Epiphany music for mi...
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Noël 2 is an exciting collection of Advent, Christmas and Epiphany music for mixed voice choirs, which follows on from the highly acclaimed Noël! Volume 1 (Catalogue No. NOV310800). The contents range from the Renaissance to the present: from Byrd and Sweelinck, via Bach, familiar settings of traditional and lesser known carols through the ages to Howells and Leighton, and work by today's composers including Richard Rodney Bennett, Eric Whitacre, John Tavener Tarik O'Regan and Richard Allain. Mixed voice choirs of all levels will find here new arrangements of favourite carols as well as stimulating works for the Christmas season, from the easy to learn to the more challenging and unconventional. Selected and edited by David Hill, Choral Advisor to Novello, Chief Conductor of the BBC singers, Musical Director of The Bach Choir, Chief Conductor of The Southern Sinfonia and Music Director of Leeds Philharmonic Society. He was awarded an honorary Doctorate by the University of Southampton in 2002 in recognition of his Services to Music. 'Noël was a welcome addition to the Christmas list for decent standard choirs - Noël 2 adds even more to the repertoire in a handy volume... The main enticements are some fantastic new arrangements of old favourites, a number of works previously only available in single sheets (Whitacre's Lux Arumque among others) and some fantastic new surprises. Adrian Peacock's Venite, Gaudete is a wonderfully original and vibrant setting, Richard Rodney Bennet's I Wonder as I Wander is both reflective and effective, and there are plenty more. Some of the pieces here will challenge your choir, but there's a vast amount to get the Christmas inspiration flowing. ' - Jonathan Wikeley, Music Teacher November 2009 '?an outstanding resource for Advent, Christmas and Epiphany ' Andrew Stewart, Choir and amp - Organ November/December 2010 Noel! 2 Interview With David Hill by Musicroom / Choeur SATB Et Orgue (Ou Piano)
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The Library Of Modern Piano Music
36.90
The Library Of Modern Piano Music
Piano seul
[Partition]
-
Intermédiaire/avancé
Amsco Wise Publications
Some of the most beautiful and diverse pieces by some of the finest composers in...
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Some of the most beautiful and diverse pieces by some of the finest composers in recent history are included in this enormous Library Of Modern Piano Music. Such a comprehensive collection of brilliant works for solo Piano belies the rich quality and sheer amount of music being composed that just begs to be learned. Over 100 fantastic pieces are guaranteed to keep you learning from this truly classic selection until the next century!The Library Of Modern Piano Music boasts an unprecedented volume and variety of amazing compositions, some well-known, some more unfamiliar, some composed as standalone pieces and others as film scores, but the one thing uniting them all is their impeccable musicality and how enjoyable they are to play. Featuring the biggest names in contemporary classical music, composers like Einaudi lend their wonderful compositions (Primavera, Una Mattina), and all-round geniuses like Philip Glass are represented with a generous selection of their finest work (Metamorphosis Five, Opening Piece From Glassworks and more).The varied progression of Piano music through the 20th century to the present day has given rise to an exceptionally vast and diverse repertoire. The unbelievable depth of the composers included here means you'll rarely be stuck for something to play. Kaija Saariaho, Stravinsky, Francis Poulenc, Dustin O'Halloran, Nico Muhly and Witold Lutoslawski are genuinely just a fraction of the composers featured in The Library Of Modern Piano Music. Some great standalone compositions like Samuel Barber's incomparable Adagio For Strings sit aside excerpts from longer works like a portion of Edward Gregson's An Album For My Friends or Joby Talbot's Once Around The Sun.If you happen to be a fan of film and television scores, a taste of Michael Nyman's distinguished score for The Piano is included, a section from Crouching Tiger, Hidden Dragon, as well as parts of Richard Rodney Bennett's score for the now rarely-seen but superb 1980s miniseries of Tender Is The Night. Many established composers are included in this collection who are widely-recognised as masters. However, The Library Of Modern Piano Music also includes many young virtuosos who have not yet achieved that status but are certainly well on their way.These original compositions span standalone pieces, albums, suites and arrangements from diverse talents, making The Library Of Modern Piano Music a collection that is certain to be seen by future generations as a perfect collection of the best of contemporary classical music. / Piano
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The Techniques Of Guitar Playing (SETH F)
67.35
The Techniques Of Guitar Playing (SETH F)
Guitare
[Partition + CD]
Barenreiter
Par SETH F.ORTSAO JOSEL. This book, co-written by guitarist Seth F. Josel and co...
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Par SETH F.ORTSAO JOSEL. This book, co-written by guitarist Seth F. Josel and composer Ming Tsao, provides a comprehensive survey of contemporary performance techniques on the classical guitar. It was inspired by a new generation of solo guitarists whose extraordinary technical and virtuosic skills have paved the way for a new understanding of instrumental performance practice. Detailed explanations are given for the instrument's technical potential within the historical context of traditional guitar technique. Composers will be interested in the in-depth analyses of contemporary guitar literature, featuring many examples of chamber and ensemble music. Four main chapters describe: - Techniques of the right and left hands - Special harmonies and percussive techniques - The main instruments of the guitar family and their potential - Possible ways of notating contemporary guitar literature The examples discussed in the book are complemented by an enclosed CD and detailed charts on multiphonics, bitones, and percussion techniques. Seth F. Josel is among the leading figures of his generation in modern guitar performance and has taken part in the premieres of more than 100 works as a soloist and ensemble member. A regular guest at Europe's major contemporary music festivals, he has worked with composers of the stature of Mauricio Kagel, Helmut Lachenmann, Tristan Murail and James Tenney and has played with such leading orchestras and ensembles as the New York Philharmonic, the BBC Symphony Orchestra and the Berlin Staatskapelle. From 1991 to 2000 he was a permanent member of the Ensemble musikFabrik. Today he lives in Berlin. Ming Tsao (b. Berkeley, CA, 1966) is professor of composition at Gothenburg University. His compositions have been performed amongst others by the Arditti Quartet, ensemble recherche and the Stuttgart Opera (premiere of 'Die Geisterinsel” in 2011). He is regularly involved in the Donaueschingen Festival, the Witten Days of New Chamber Music, the Darmstadt Contemporary Music Holiday Courses and Wien Modern. His works are published by C.F. Peters (Frankfurt am Main and Leipzig). He, too, lives in Berlin./ Recueil / Guitare
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The Gallipoli Songbook (Pvg)
46.10
The Gallipoli Songbook (Pvg)
Piano, Voix et Guitare
Amsco Wise Publications
The Gallipoli Campaign took place between April 1915 and January 1916 and marked...
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The Gallipoli Campaign took place between April 1915 and January 1916 and marked the first significant military engagement for Australia as an independent dominion. The Gallipoli Songbook commemorates this crucial event of the Great War with a collection of contemporary songs relating to the soldiers, the public at home, and the sheer poignancy of such a tragic event, all arranged for Piano, Vocal and Guitar.The diversity of songs included in this Gallipoli Songbook is testament to the spirit of optimism, consolation and humour inherent in the collective consciousness at the time of such great anxiety and fear. This is a wonderful compilation of contemporary tunes that were popular both before the War, during the various campaigns and after the War itself. Some songs included here sum up the optimistic and patriotic spirit in the years leading up to Gallipoli, such as Waltzing Matilda and God Save The King, while others like And The Band Played Waltzing Matilda, from after the event, look back on the horrors of the Anzac experience on those fateful days.Other tunes come from the wonderful British Music Hall tradition, using irony, sarcasm and humour to overcome the sadness associated with the Great War. Songs like Oh! It's A Lovely War, It's A Long Way To Tipperary and Along The Road To Gundagai were popular both at home and as marching tunes, conquering the petrifying realities of war with rousing music and song. The Gallipoli Songbook also includes wistful, sad and heartbreakingly poignant lyrics that capture the unavoidable sadness associated with the costs of total war, songs like I Wonder Who's Kissing Her Now, There's A Long, Long Trail and The Gift Of Years, all bittersweet reflections on love, loss and life's transience. Each song included here is a fantastic way to remember the victims of the Gallipoli campaign, and to understand the power that music has to allay, disguise and reflect upon fear and anxiety. The songs, arranged for Piano, Vocal and Guitar with full lyrics and chord boxes, are a fascinating insight into the period from before the War to after it, and their timelessness makes them as fun to play and sing now, as they were back then. The book also contains a smattering of brilliant images from the time, as well as an extensive foreword that explains, in detail, some of the songs and their meanings.The Gallipoli Songbook is an enjoyable, poignant and fascinating collection of tunes of, or relating to, the Great War and the Gallipoli campaign. Each song is beautiful in its own way, and would be perfect for a commemorative performance, or just an addition to your general repertoire. This songbook is perfect for a musician interested in history, or simply anyone who appreciates the golden age of emotive songs that meant more back then than we could ever imagine today. / Piano/Vocal/Guitare (PVG)
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Shredding Bass
26.60
Shredding Bass
Basse electrique
[Partition + CD]
Alfred Publishing
It's time to take center stage to deliver all the pyrotechnics usually associate...
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It's time to take center stage to deliver all the pyrotechnics usually associated with six-string guitar shredders! Shredding Bass Guitar takes you there through in-depth lessons on building technique, dexterity, and speed. It shows you how to shred using chords, arpeggios, and scales, and covers heavy metal and funk techniques like tapping, string skipping, and slap and pop. Lessons and examples are in the styles of bass masters Billy Sheehan, Les Claypool, Steve Harris, Victor Wooten, Stanley Clarke, and others. Shredding Bass Guitar provides a fresh perspective on the four-string electric bass and is a must-have for any bassist looking to take their playing to a new level. The accompanying CD features all the examples from the book. Features * In-depth lessons for developing technique, dexterity, and speed * For pick-style and fingerstyle players * Covers techniques like string skipping, tapping, two-handed tapping, wide-interval skipping, slap and pop, double thumbing, double popping, and more About the Author David Overthrow is an author, educator, and virtuoso bassist. After attending Berklee College of Music, he began performing with a wide variety of artists throughout the U.S. and Europe, playing rock, funk, jazz, and R and B. David is Director of Music at the Canterbury School in New Milford, Connecticut. He has written for Bass Guitar magazine, authored numerous electric bass methods, and taught three instructional videos for Alfred Music. David has performed with such luminaries as Pat Metheny, Stanley Clarke, Mike Stern, Trey Anastasio, Paul Gilbert, Zakk Wylde, and Sonny Landreth. / Guitare Basse
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Early Jazz Dances, Songs, Instrumentals (GROSSMAN STEFAN)
34.70
Early Jazz Dances, Songs, Instrumentals (GROSSMAN STEFAN)
Guitare
Mel Bay
For Fingerstyle Guitar. Par GROSSMAN STEFAN. As aspiring fingerpicking guitarist...
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For Fingerstyle Guitar. Par GROSSMAN STEFAN. As aspiring fingerpicking guitarists started expanding their horizons from folk, blues, and ragtime in the 1970s, it was only logical to look towards early jazz tunes as a vast source for new possibilities. For one thing, they could follow the same evolutionary path from ragtime to jazz that had been taken by pianists such as Jelly Roll Morton and Harlem stride players like James P. Johnson and Fats Waller. These musicians all composed in a variety of styles, but their most ambitious piano solos expanded on the classic ragtime format developed by the likes of Scott Joplin, James Scott, and Joseph Lamb, using several strains that usually changed keys at least once. Morton, the self-proclaimed inventor of jazz, would record versions of tunes like King Porter Stomp and The Original Jelly Roll Blues that are similar to straight ragtime performances, and others where there is lots of room left for embellishment and jazz improvisation. The present collection is a bonanza for guitarists who want to tackle advanced arrangements along the lines of ragtime but featuring jazz age harmonies from the playing of Jelly Roll Morton, Louis Armstrong, Bix Beiderbecke, WC Handy, the Original Dixieland Jazz Band and other early jazz legends. The 32 arrangements included are by a wide assortment of guitarists including Ernie Hawkins, Pat Donohue, Lasse Johansson, Duck Baker, Ton Van Bergeyk, Sandy Shalk, Steve McWilliam, and Dorian Henry. / Date parution : 2022-01-14/ Recueil / Guitare
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David Bromberg: The Guitar Artistry Of David Bromberg: Guitar: Instrumental
19.95
David Bromberg: The Guitar Artistry Of David Bromberg: Guitar: Instrumental
Video - Pas de partitions
DVD concert
[DVD]
Grossman's Guitar Workshop
Demon In Disguise-?The extraordinary folk-blues guitarist David Bromberg has str...
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Demon In Disguise-?The extraordinary folk-blues guitarist David Bromberg has strolled back into the spotlight as abruptly as he resigned from it nearly three decades ago when he dissolved his fantastic and popular touring band in 1980 to study violin making... The fluid orchestral invention of Bromberg?s fingerpicking ? his original calling card on pivotal late-1960S and 1970S sessions for Jerry Jeff Walker (?Mr. Bojangles?) and Bob Dylan (New Morning) ? is in undiminished bloom invigorating sturdy old blues and ballads.? - ROLLING STONEIn this intimate portrait the legendary David Bromberg talks about his influences and performs the music he loves - a wide panorama of Americanblues folk country bluegrass ragtime jazz and contemporary sounds.Inspired by the music of Pete Seeger and the Weavers among others he began studying the guitar at age 13. After graduating from Tarrytown High School he enrolled at Columbia University intent on a career as a musicologist. During this period he discovered the old recordings of Blind Blake Lonnie Johnson Big Bill Broonzy Marshall Owens Luke Jordan and other great country bluesmen as well as contemporary recordings of B.B.King Freddie King and Albert King. He studied with Rev. Gary Davis for several years and as Rev. Davis said ?I have no children but I have several sons?. David was a son to the great Reverend.Drawn to Greenwich Village's flourishing coffeehouse folk music scene of the mid-1960?s David left Columbia University and opted to devote full time to his music. Shortly thereafter his extraordinary guitar picking and exceptional stylistic range brought him to the attention of many other musicians: Bob Dylan Ringo Starr George Harrison Tom Paxton and Chubby Checker are only a few of the notables who sought David out as a back-up artist for recording. In all he has played as a sideman on over 100 albums.
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Sing, Choirs!: Anthems, Psalms And Hymns For Choirs (SATB/Organ)
28.20
Sing, Choirs!: Anthems, Psalms And Hymns For Choirs (SATB/Organ)
Chorale SATB
SATB, Orgue
Novello & Co Ltd.
Sing, Choirs! is a library in miniature. It contains many of the Christian churc...
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Sing, Choirs! is a library in miniature. It contains many of the Christian church's popular traditional anthems, including at least one example that will be suitable for each of the major services of the year. A number of Anglican chants (Psalms, Magnificat and Nunc Dimittis) are included, set out in a way that should enable those who are unfamiliar with the style to perform them easily. The selection of movements from the Mass can be used to enrich the music of the liturgy in services. Many of the works in Sing, Choirs! are presented in their original form, such as Bruckner's Locus Iste and Mozart's Laudate Dominum . Others are arrangements, adaptations or longer pieces, abridged to bring them into the scope of a useable anthem, including choral arrangements of Handel's Largo , the Ave Marias by Schubert and by Bach and Gounod, and Franck's Panis Angelicus amongst many others. This collection has practicability as a priority. The Organ parts can be played on either the Piano or the Keyboard. Much of the music in Sing, Choirs! will be suitable for special occasions, making this an indispensable volume for choirs singing at weekly church services, weddings, funerals and in the concert hall. / Choeur Mixte (SATB) Et Orgue
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The European Real Book - C Version: C Instruments: Instrumental Album
34.99
The European Real Book - C Version: C Instruments: Instrumental Album
Instruments en Do
[Fake Book]
Sher Music Company
182 of the best European jazz tunes make The European Real Book a must have for ...
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182 of the best European jazz tunes make The European Real Book a must have for any jazz player. This volume contains pieces by Michel Petrucciani, Florian Ross, George Shearing, Nguyen Le, Toots Thielemans, Philip Catherine, Bill Bruford, Tommy Smith, Enrico Rava, Django Reinhardt and almost 100 others. As with all Sher Real books this book features: 100% accurate composer-approved charts easy-to-read manuscript A great selection of tunes Many extra features like sample Bass lines, chord voicing, Rhythm section hits, harmony parts and an extensive Drum appendix. An exclusive and exciting feature of The European Real Book is that streaming MP3 files of over 100 tunes in the book are available free of charge from Sher Music.
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Irish Folk Tunes For Descant Recorder (BOWMAN PETER)
24.90
Irish Folk Tunes For Descant Recorder (BOWMAN PETER)
Flûte à Bec
-
Facile
Schott
63 Traditional Pieces. Par BOWMAN PETER. Irish Folk Tunes for Descant Recorder i...
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63 Traditional Pieces. Par BOWMAN PETER. Irish Folk Tunes for Descant Recorder is a collection of 63 arrangements for descant recorder, of traditional tunes including a range of styles such as Reels, Hornpipes, Jigs and more. Experienced recorder player and co-author of English Folk Tunes for Descant Recorder, the Baroque Recorder Anthology series, and Fun and Games with the Recorder series amongst others, Peter Bowman provides notes on all of the styles covered, as well as individual pieces. German and French translations of all texts are available as pdf downloads from the Schott Music website. Suitable for players of grades 3-8. The volume contains recordings for download in order to get a sound impression of the stylistic and technical features of the pieces. / Niveau : Facile / Recueil / Flûte à Bec
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Partner Songs for the Developing Choir: 2-Part Choir: Vocal Score
59.99
Partner Songs for the Developing Choir: 2-Part Choir: Vocal Score
Chorale 2 parties
[Partition + Accès audio]
Shawnee Press
Ten 2-Part Reproducible Concert Chorals-The developing choir is a unique ensembl...
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Ten 2-Part Reproducible Concert Chorals-The developing choir is a unique ensemble and ranges in size from many to just a few in age from younger to older and from the experienced to brand new singers. Both male and female are a part of these groups with ever-changing vocal challenges. Educators who teach this wide group of musicians know there is a need for many tools of repertoire that build bridges to the art of choral singing.Partner Songs for the Developing Choir is designed to help teach harmonic singing through sophisticated melodies and distinguished texts appealing to singers from upper elementary through middle school and early high school and can even continue for the less-experiencedor smaller adult choir. Some of the choral works are very basic in form and melodic writing while others might include a bridge or B section or more intricate melodies expanding the harmonic learning.This reproducible collection with helpful rehearsal suggestions and online access to Full Performance and Accompaniment Only audio recordings and Singer PDF parts can be used all year long with spirituals Latin settings multicultural patriotic Christmas and holiday selections.Songs include: Akatonbo Bethlehem Lullaby Et in Terra Pax Jingle All the Way Joshua Fit the Battle Keep Your Lamps Trimmed and Burning Musica Dei Skatin' and Sleighin' Swing Low Sweet Chariot You're a Grand Old Flag. Suggested for Grades 3-9.
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Classical Guitar Tunes - English Folk Songs (WORLEY PETER)
21.19
Classical Guitar Tunes - English Folk Songs (WORLEY PETER)
Guitare
[Partition]
Mel Bay
Par WORLEY PETER. This book presents 42 English folk songs arranged for the inte...
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Par WORLEY PETER. This book presents 42 English folk songs arranged for the intermediate classic guitarist in standard notation with phrase and dynamic markings plus light fingering. The collection includes popular melodies like Sprig of Thyme, Seventeen Come Sunday, and Blow the Wind Southerly, but also lesser known but no less beautiful tunes like Cupid the Pretty Ploughboy, Dabbling in the Dew and Saucy Sailor. All the arrangements present the basic tune faithfully and simply before offering more elaborate and sophisticated variations suitable for concert performance. Without compromising their sophistication, these polyphonic arrangements are elegant and idiomatic to the guitar, all but devoid of excessive physical demands; even barré chords are kept to a minimum so the player can relax and focus on tone and interpretation. The primary objective of this collection is to draw attention to these deserving melodies, some of which are now rarely heard. Longtime fans of the genre will recognize a few songs once performed by folk-rock groups like Steeleye Span and The Fairport Convention, here presented anew for the solo classic guitar. “It’s an excellent collection - good to play for pleasure, good for learning and consolidating rhythm, good for sight-reading. Just marvelous. It should meet a lot of needs. Gilbert Biberian. “These are very accessible arrangements of 42 English folk tunes, some of which are familiar and many others which deserve to be better known. They are all tuneful and have interesting harmonies and rhythms in arrangements which will be well within the reach of intermediate guitarists. These fine settings would be useful pieces for a teacher looking for supplementary material and also for the performer looking for unhackneyed repertoire. They are thoughtfully presented with good fingering and phrasing, with idiomatic guitar writing and interesting harmonies. Congratulations to Peter Worley for presenting this compendium of gems from a lesser known tradition.” Gerald Garcia/ Recueil / Guitare
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Songs Band 2 (TCHAIKOVSKI PIOTR ILITCH)
45.40
Songs Band 2 (TCHAIKOVSKI PIOTR ILITCH)
Voix Moyenne ou Basse et Piano
[Partition]
Boosey and Hawkes
20 Romanzen. Par TCHAIKOVSKI PIOTR ILITCH. Continuing our tradition of publishin...
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20 Romanzen. Par TCHAIKOVSKI PIOTR ILITCH. Continuing our tradition of publishing Russian music, we are proud to present two invaluable volumes of Tchaikovsky's songs. These have been specially compiled by the distinguished piano accompanist Roger Vignoles, who has created new and idiomatic English singing translations to help both performers and students. These can be used for performance, or as a means to understanding the Russian poetry. Original Cyrillic texts are included to help non-Russian speakers wishing to perform the songs in the original language, transliterations are provided in an Appendix. Each volume contains twenty songs - two superb selections, showing many varied facets of Tchaikovsky's writing - fromsorrow to happiness, love and comedy. Singers and pianists are sure to welcome these volumes, which will open the world of the Russian Romance to many non-Russian musicians. Roger Vignoles is one of the best-known of today's piano accompanists, partner to an impressive list of international singes, including: Elisabeth Soederstroem, Dame Kiri te Kanawa, Thomas Allen, Thomas Hampson, Sarah Walker, Brigitte Fassbaender, Elena Obraztosova, Kathleen Battle, Sylvia McNair and many others. An accomplished linguist and coach, he has given masterclasses for singers and their accompanists in Europe, Scandinavia, Canada, the USA, Australia and the Far East. Tchaikovsky's songs are part of a ricj musical and social tradition; the Russian Romance. They are exhilarating to perform and have a speical way of expressing the emotional essence of a poem. This collection of 20 Romances is scored for Medium/Low Voice and Piano accompaniment. The text is printed in both Russian and English. / Répertoire d'Examen / Répertoire / Voix Moyenne ou Basse et Piano
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English Folk Tunes for Recorder
22.40
English Folk Tunes for Recorder
Flûte à bec Soprano
[Partition + CD]
-
Intermédiaire/avancé
Schott
English Folk Tunes for Descant Recorder' is a collection of 62 arrangements for ...
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English Folk Tunes for Descant Recorder' is a collection of 62 arrangements for descant recorder, of traditional tunes including a range of styles such as Ballads, Hornpipes, Jigs and more. Experienced recorder player and co-author of the Baroque Recorder Anthology series, and Fun and Games with the Recorder series amongst others, Peter Bowman provides notes on all of the styles covered, as well as individual pieces. The volume is accompanied by a CD with a recording of all tunes performed by Kathryn Bennetts. German and French translations of all texts are available as pdf downloads from the Schott Music website as well as MP3 play-along tracks. Suitable for players of grades 3-8. / Flûte A Bec
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Quatuor VIII "Topeng" for string quartet (JOLAS BETSY)
39.60
Quatuor VIII "Topeng" for string quartet (JOLAS BETSY)
Quatuor à cordes: 2 violons, alto, violoncelle
[Conducteur et Parties séparées]
Leduc, Alphonse
Par JOLAS BETSY. 'Almost half a century after 'B for sonata', here is another mu...
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Par JOLAS BETSY. 'Almost half a century after 'B for sonata', here is another musical evocation of my intriguing trip to Bali. Yannis Xenakis and Toru Takemitsu were there, among others, and we were walking around in the dark one evening when a Topeng appeared to us, in full action: Balinese musical theatre with one actor successively playing several legendary characters by means of mask changes carried out in extreme agitation behind a curtain, accompanied by a raging gamelan. The memory of these little dramas has naturally lost much of its violence when it is evoked today in my 'Quartet VIII'. So we shall hear it here as if in a dream...'' Betsy Jolas / Date parution : 2022-06-08/ Répertoire / Quatuor à Cordes
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Really Easy Piano: More Classical Favourites
17.40
Really Easy Piano: More Classical Favourites
Piano seul
-
Facile
Amsco Wise Publications
Featuring Easy Piano arrangements of 21 more Classical Favourites, this sheet mu...
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Featuring Easy Piano arrangements of 21 more Classical Favourites, this sheet music songbook will satisfy any beginner's desire to play the most popular and enduring classical pieces ever composed by the masters of the genre. These simple arrangements feature fingering guidance, song background notes and helpful performance hints.With some of the most beautiful classical music included here, this Really Easy Piano songbook will let you play the standards, the traditionals and the essentials quickly and easily. Schubert's Ave Maria, Debussy's En Bateau, Mendelssohn's Song Without Words and the all-time favourite, Vivaldi's Spring from The Four Seasons are included, among many others. Each of these composers represents a very different school of music, so you'll love picking out your favourite or playing through them all and then exploring the rest of their oeuvre.This instalment of the Really Easy Piano series puts the best-loved Classical Favourites right at the fingertips of beginning pianists. All too often playing the works of these composers is but a dream of players who are just starting out. Now, such masters of composition as Beethoven, Mozart, Puccini, Wagner and Handel are immediately accessible to pianists in the early stages of their playing, letting them learn these glorious melodies and soaring chords without the decades of practice necessary to master the full arrangements. Even though they are simplified, they sound absolutely great, from the lively to the melancholy and everything in between, these pieces are sure to impress any audience.Not only do you get Easy Piano arrangements of tunes like Sarabande, Vocalise and Dance Of The Knights, as with all the books in the Really Easy Piano series some fascinating background information on each song is included, as well as really useful practical performance advice, ensuring that you nail every note and play every phrase perfectly.This book of Really Easy Piano: More Classical Favourites features a great number of beautiful classical pieces that are easy to play and sound utterly fantastic. This book is suitable for pianists at the early grades, bringing amazing classical music to the fingertips of beginners, enabling you to learn the timeless pieces that we return to again and again. / Piano
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