Peter Kleine Schaars a sélectionné quatre des plus célèbres titres extraits de la comédie musicale Mamma Mia ! qui triomphe sur les scènes du monde entier. Le résultat est séduisant : un superbe arrangement qui séduira un public de 7 à 77 ans.Available parts:Part 1 C' FlutePart 1 C'' OboePart 1 Bb Clarinet, Trumpet, Soprano Saxophone, Flugel HornPart 1 Eb Clarinet, CornetPart 2 C FlutePart 2 Bb Clarinet, Trumpet, Flugel Horn, CornetPart 2 Eb Alto Clarinet, Alto Saxophone, HornPart 2 F English Horn, HornPart 3 Bb BC Trombone, EuphoniumPart 3 Bb TC Tenor Saxophone, Trombone, Baritone, EuphoniumPart 3 C Bassoon, Trombone, EuphoniumPart 3 Eb Alto Clarinet, HornPart 3 F HornPart 4 Bb BC Trombone, EuphoniumPart 4 Bb TC Tenor Saxophone, Trombone, Baritone, EuphoniumPart 4 C Bassoon, Trombone, EuphoniumPart 5 Bb BC Trombone, Bass, EuphoniumPart 5 Bb TC Bass Clarinet, Trombone, Euphonium, BassPart 5 C' Bassoon, Trombone, Euphonium, Double BassPart 5 C'' BassPart 5 Eb BC BassPart 5 Eb TC Baritone Saxophone, BassMallet Percussion (Optional)Timpani (Optional)Drum Set (Optional) / Quintette Variable / 16 pages / niveau : Elémentaire / Partition

SA SATB piano and opt. timps-Setting a newly written text by Charles Bennett this fifteen-minute choral work takes singers on a journey through five historical events: the invention of printing the abolition of slavery the first powered flight the discovery of penicillin and the first man in space. In each movement music and words come together to create a strikingly vivid and personal account of each protagonist's experience from the printer seeing 'each letter like a person' to the astronaut commenting on the beauty of our planet from space. Chilcott's music is as captivating as ever with energy in abundance alongside moments of clarity and stillness. This is an ideal concertwork for choirs looking to perform with an upper-voice group or for larger SATB choruses with divisi sopranos and altos.The optional timpani part is printed separately at the back of the score.

Adapted from a traditional Italian christmas song. Arranged by Harry Simeone for SATB choir with piano and optional timpani and finger cymbals.

Instrumental Accompaniment Set-Includes: 2 Flutes (Piccolo) 2 Oboes 2 Clarinets 2 Bassoons 4 Horns 3 Trumpets 3 Trombones Tuba (optional) Timpani Percussion (one player) Strings and Full Score

John Rutter's Winchester Te Deum is a glorious work with a great sense of ceremony. Written for Winchester Cathedral this important setting is bright and joyful and equally suitable for church and concert performance. It pairs wonderfully in a concert half with Rutter's Gloria and provides perfect material for a festival evensong or occasional service. This can be performed by SATB choir accompanied by either organ organ with 5-part brass ensemble (2 trumpets horn trombone tuba) and optional timpani and percussion or orchestra.

Joyful vocal phrases ring out over a driving rhythmic accompaniment and optional timpani in this exciting concert piece for choirs from middle school through adult. A lyrical middle section offers contrast as it modulates higherfor a final glorious statement of the original theme. Available separately: SATB SAB SSA. Duration: ca. 2:25.

Commissioned by the Hickory NC Choral Society for their 35th anniversary season Dan Forrest's Requiem For The Living is scored for mixed choir with solos for boy soprano and/or mezzo-soprano soprano & tenor. The instrumentation is available for large orchestra or chamber ensemble. Combining both liturgical and non-liturgical texts in some cases the traditional texts are slightly re-arranged for contextual emphasis. This powerful five movement work projects a wide range of meaningful expression from a biting essay on the vanity and pain of existence to a plea for mercy and a celebration of eternal light. The work standsalone - but would be especially moving for all saints Good Friday or even Palm Sunday. Movements: Introit - Kyrie Vanitas Vanitatum Agnus Dei Sanctus Lux Aeterna 3. Instrumentations available on rental only: 1. Full orch. (HMB265a): 2 flutes 2 oboes 2 bb clarinets 2 bassoons 2 horns (or 1-4: if performing with a large choir horn lines may be doubled by a second player on each part) 2 bb trumpets 2 trombones bass trombone or trombone 3 tuba percussion (1 player: suspended cymbal crash cymbal bass drum triangle glockenspiel crotales (bowed) snare drum low tom-tom (opt.)(or other low drum) timpani (3) (one player) harp strings (min. Suggested count 4.4.2.2.1) full score. 2. Chamber version (HMB265b) - flute oboe horn in f (optional) combined percussion (one player: timpani suspended cymbal crash cymbal triangle glockenspiel crotales (bowed) snare drum low tom-tom (optional) (or other low drum) harp violin cello organ full score. 3. Expanded chamber version (HMB265c) - flute oboe horn in f(opt.) percussion from full orchestra version (1 player: suspended cymbal crash cymbal bass drum triangle glockenspiel crotales (bowed) snare drum low tom-tom (opt. or other low drum) timpani (3) from full orchestra version (1 player) harp strings from full orchestra version

An authentic ensemble collection featuring three players on one marimba, four players on two marimbas, and vibraphone solo with marimba accompaniment. Can be used alone as solos, ensembles, or with the addition of the marimbas, accompanied by drum set, accessory percussion, timpani, or optional bass. Instrumentation: marimba (upper register), vibraphone (Player I); marimba (middle and low register) (Player II); marimba (upper and lower register) (Player III); cowbell, temple block, chocallo, guiro, 4 timpani (bass optional), marimba (low register) (Player IV); maracas, bongos, cowbell, afuche, claves (Player V); drum set (Player VI). Titles include: Rio Danza * Oro Rio * Dance On * Mexican Hat Dance and Clapping Song * Rosarita.

Par DVORAK ANTONIN. This arrangement was written for Norwegian School Band Madlamark Skolekorps to their participation at the Norwegian Championships 2023. The arrangement will work excellent also for a wind ensemble (one player to each part), but the clarinet parts should always be doubled. Euphonium II is optional, but it’s recommended to use also this when there are two players or more on this instrument. Concerning percussion, timpani is the most important part, but it’s recommended to also cover cymbals and mallet percussion. The articulation and dynamics are kept as close as possible to the original version by Dvorak. However, some changes has been made to make it more suitable for a wind instrumentation. The timpani part is identical to the original version except for some places when the trumpet signals are doubled in the timpani part. Staccato notation should not be played short here, but rather separated. At faster passages, the music should be played endurant or legato if possible. This arrangement is a good opportunity to perform music of highest quality where musicality, phrasing, balance and intonation are very important, and, where each musician and part are deeply involved in the music making. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie

Well suited as an opener anthem or closer this work has multiple use for high school and beyond and for church choirs as well. Optional brass quintet and timpani adds vibrant excitement to this jubilant piece! Brass (Trumpet 1-2 Trombone 1-2 Tuba) and Timpani score and parts available separately. Duration: ca. 3:30.

William WaltonEdited by Steuart BedfordBelshazzar's FeastVocal score136 pages 279x216mm for SATB, baritone solo & orchestraA newly engraved edition of this vibrant choral work and fully compatible with the Walton Edition full score. There are minor adjustments to the piano reduction to improve playability and the text underlay is now English only, as Walton's original.Forces or CategorySATB, baritone solo & orchestraDuration35 minutesDifficultyDifficultOrchestrationpiccolo, 2 flutes, 2 oboes, cor anglais (optional), 2 clarinets, bass clarinet, alto saxophone, 2 bassoons, contrabassoon, 4 horns, 3 trumpets, 3 trombones, tuba, timpani, percussion, piano, organ, 2 harps, strings, mixed chorus, baritone solo, 2 brass bands (optional), each consisting of 3 trumpets, 3 trombones, and tuba

Tarik O'Regan's Martyr was commissioned by St Albans Chamber Choir in celebration of the fiftieth anniversary of their founding. It was premiered by the St Albans Chamber Choir and the Royal Philharmonic Orchestra in St Albans Abbey on 24 January 2009 under the direction of John Gibbons. Martyr was written as a counterpart to Haydn's Missa in Angustiis ('Nelson' Mass) using the same orchestration as Haydn's original version. In venues where an organ is present the optional organ part should always be used. The four SATB solo parts should be performed by a group of singers placed to the side or to the front of the orchestra awayfrom the main chorus. Although written with individual 'professional' solo voices in mind the solo parts may also be performed by a semi-chorus with for example two or three voices to a part. SATB chorus SATB solo 3 Trumpets in Bb (3rd off-stage) Timpani Organ (optional) String Orchestra: (minimum desks – 2.2.2.2.1)

Full score for John Rutter's joyful carol Rejoice And Be Merry for SATB Brass Ensemble Timpani optional Handbells and optional Organ. Orchestration: 3tpt 3tbn/2tbn & hn tba timp opt. handbells opt. org.