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| Dowland For Guitar
Guitare
Guitare classique
Schott
For guitar players who want to expand their repertoire:This collection provides ...(+)
For guitar players who want to expand their repertoire:This collection provides a fantastic introduction to the works of John Dowland, containing the easiest of his compositions, arranged in their order of difficulty. Dowland ranks among the outstanding figures in the history of 16th- and 17th-century European lute music.Martin Hegel arranged the works originally composed for lute so that they can now be played on the guitar at an intermediate level. The edition is suited for both teaching and playing in one's spare time.Dowland for Guitar is part of the Schott Guitar Classic series. The editor Martin Hegel is dedicated to expanding the guitar repertoire in a varied and sensible way and making popular works of music history accessible even to guitar players at an intermediate level. His transcriptions, ranging from easy to intermediate, are perfectly adapted to the characteristics of the guitar. They present an opportunity to guitar players to experience classics and masterpieces on their own instrument: be it contrapuntal masterpieces by Johann Sebastian Bach and symphonic music by Mozart - or be it lute music from the Renaissance era.Already published in the series: Bach for Guitar (ED 21601), Händel for Guitar (ED 22319), Mozart for Guitar (ED 21856), Sor for Guitar (ED 22349), and Tárrega for Guitar (ED 21857). / Guitare Classique
Délais: 2-5 jours - En Stock Fournisseur |
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| Dowland J. - Lute Song
Of John Dowland Vol.1 And
Vol.2
Luth
Dover Publications
The Original First and Second Books Including Dowland's Original Lute Tablature....(+)
The Original First and Second Books Including Dowland's Original Lute Tablature. THE FIRST BOOK OF SONGS
I. Unquiet thoughts
II. Who ever thinks or hopes of love
III. My thoughts are wing'd with hopes
IV. If my complaints could passions move
V. Can she excuse my wrongs'
VI. Now, O now, I needs must part
VII. Dear, if you change
VIII. Burst forth, my tears
IX. Go crystal tears
X. Think'st thou then by thy feigning
XI. Come away, come sweet love
XII. Rest awhile you cruel cares
XIII. Sleep, wayward thoughts
XIV. All ye, whom Love or Fortune
XIVa. All ye, whom Love or Fortune
XV. Wilt thou, unkind, thus reave me
XVI. Would my conceit
XVII. Come again
XVIII. His golden locks
XIX. Awake, sweet love, thou art return'd
XX. Come, heavy Sleep
XXI. Away with these self-loving lads
------ My Lord Chamberlain his Galliard
(For two to play...)
THE SECOND BOOK OF SONGS
I. I saw my Lady weep
II. Flow my tears
III. Sorrow, stay
IV. Die not before thy day
V. Mourn, day is with darkness fled
VI. Time's eldest son, Old Age (The first part)
VII. Then sit thee down (The second part)
VIII. When others sing Venite (The third part)
IX. Praise blindness eyes
X. O sweet woods
XI. If floods of tears
XII. Fine knacks for ladies
XIII. Now cease my wand'ring eyes
XIV. Come ye heavy states of night
XV. White as lilies was her face
XVI. Woeful heart
XVII. A shepherd in a shade
XVIII. Faction that ever dwells
XIX. Shall I sue
XX. Toss not my soul
XXI. Clear or cloudy
XXIa. Clear or cloudy
XXII. Humour say what mak'st thou here (a Dialogue)
Délais: Sur commande |
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| Dowland J. - John
Dowland's Lute Songs,
Third And Fourth Book
With Original Tablature
Luth
Dover Publications
Unsurpassed in his day as a lute virtuoso, John Dowland (1563'1626) today contin...(+)
Unsurpassed in his day as a lute virtuoso, John Dowland (1563'1626) today continues to delight singers, musicians, and music lovers alike. This collection of 45 songs includes all the works in Dowland's original third and fourth books of lute songs, the composer's contributions to his son's anthology of 1610, and a dance for solo guitar. Content :
THE THRID AND LAST BOOKE
I. Farewell too fair
II. Time stands still
III. Behold a wonder here
IV. Daphne was not so chaste
V. Me, me and none but me
VI. When Phoebus first did Daphne love
VII. Say Love if ever thou didst find
VIII. Flow not so fast ye fountains
IX. What if I never speed'
X. Love stood amaz'd
XI. Lend your ears to my sorrow
XII. By a fountain where I lay
XIII. Oh what hath overwrought
XIV. Farewell unkind farewell
XV. Weep you no more, sad fountains
XVI. Fie on this feigning
XVII. I must complain
XVIII It was a time when silly bees could speak
XIX. The lowest trees have tops
XX. What poor astronomers are they
XXI. Come when I call (for two voices and two lutes)
A PILGRIMES SOLACE
I. Disdain me still
II. Sweet stay awhile
III. To ask for all thy love
IV. Love those beams
V. Shall I strive with words to move (Mignarda, a galliard is Dowland's title for the solo lute version of the lyre Shall I strive with words to move.
VI. Were every thought an eye
VII. Stay Time awhile thy flying
VIII. Tel me true Love (with chorus)
The next three with treble and bass viols ofr violin and cello:
IX. Go nightly cares
X. From silent night
XI. Lasso vita mia
XII. In this trembling shadow
XIII. If that a sinner's sighs
A three-part work:
XIV. Thou mighty God
XV. When David's life
XVI. When the poor cripple
XVII. Where sin sore wounding
XVIII. My heart and tongue were twins
The next with chorus:
XIX. Up merry mates
XX. Welcome black night
XXI. Cease these false sports
THREE AYRES FROM A MUSICALL BANQUET
Far from triumphing Court
Lady if you so spite me
In darkness let me dwell
GALLIART TO LACHRIMAE
A lute solo from A Pilgrimes Solace, transcribed for guitar
Délais: Sur commande |
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| Lute Song Of Dowland V.1
E V.2 (DOWLAND JOHN)
Voix, Guitare [Partition]
Dover Publications
The Original First and Second Books including Dowland's Original Lute Tablature....(+)
The Original First and Second Books including Dowland's Original Lute Tablature. Par DOWLAND JOHN. Considered the greatest lute virtuoso and composer of the English school in the early 17th Century, John Dowland (1563-1626) composed over 80 pieces of solo lute music. His peerless skills as an instrumentalist were hailed by poet Richard Barnfield, who referred to Dowland as one '. . . whose heav'nly touch upon the lute doth ravish human sense. ' As a composer, Dowland displayed a versatility of mood, with works ranging from the lighthearted to the deeply serious, exquisitely melancholic vein in which he excelled. Considered the greatest lute virtuoso and composer of the English school in the early 17th Century, John Dowland (1563-1626) composed over 80 pieces of solo lute music. His peerless skills as an instrumentalist were hailed by poet Richard Barnfield, who referred to Dowland as one '. . . whose heav'nly touch upon the lute doth ravish human sense. ' As a composer, Dowland displayed a versatility of mood, with works ranging from the lighthearted to the deeply serious, exquisitely melancholic vein in which he excelled./ Répertoire / Voix et Guitare
Délais: En Stock |
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| Renaissance Guitar Cd
Guitare [Partition + Accès audio] - Intermédiaire
Music Sales
The first in this book-and-CD anthology of solos, duets and songs covering four ...(+)
The first in this book-and-CD anthology of solos, duets and songs covering four centuries of composers for the Guitar and Lute family. Taken from original sources, and carefully fingered for the modern player, the transcriptions are as faithful as possible to the original while at the same time offering a practical performing score. / Niveau : Intermédiaire / Rép International / Recueil / Guitare
Délais: 2-5 jours - En Stock Fournisseur |
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| 50 Renaissance Solos For
Classical Guitar Cd
Guitare notes et tablatures
Guitare classique [Partition + Accès audio] - Intermédiaire
Hal Leonard
Les racines de la guitare classique sont trouvent dans les instruments à cordes...(+)
Les racines de la guitare classique sont trouvent dans les instruments à cordes au début de la Renaissance, et cette collection spéciale comporte 50 solos arrangés pour guitare solo avec tablature. L'ensemble des pièces comprend la musique de Thomas Campian, Francis Cutting, John Dowland, Orlando Gibbons, Michael Praetorius et autres, avec chaque arrangement présenté en notation standard et onglet. Un CD est également inclus, avec démonstrations soigneusement enregistrées qui vous aideront à capturer un aithentic style afin de refléter le caractère unique de musique de la Renaissance de jeu. / Guitare
Délais: 2-5 jours - En Stock Fournisseur |
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| Renaissance and
Elizabethan Music for
Banjo (DATESMAN KYLE)
Banjo [Partition + Accès audio]
Mel Bay
Par DATESMAN KYLE. Perhaps the first 5-string banjo book of its kind, Renaissanc...(+)
Par DATESMAN KYLE. Perhaps the first 5-string banjo book of its kind, Renaissance and Elizabethan Music for Banjo consists entirely of music from these early periods and provides banjo players with \'growing material\''that is, the opportunity to play in a number of different keys besides G major. This detail alone will expand your banjo horizon by requiring the use of unusual chord shapes. Written for classical banjo enthusiasts who want to further enhance their musicianship, some selections reveal one of the earliest aspects of music theory, that of modal scales. Various compositional forms and unfamiliar tempos are also introduced in arrangements that will help you become less dependent on the open fifth string. This type of music would be extremely difficult to learn by ear, so a book of tablatures should prove to be invaluable. Every piece is presented first in a vertical chord arrangement, which was the way it was originally intended' and then arranged in a linear horizontal style more familiar to modern players. Every tune is accompanied by performance notes supported by a helpful glossary. Written in tablature only with access to online audio, these pieces also make great finger-limbering exercises! Includes access to online audio. / Date parution : 2022-01-18/ Recueil / Banjo
Délais: 2-5 jours - En Stock Fournisseur |
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| Invitation To The
Partsong Book 6 (DOWLAND
JOHN)
Chorale SATB [Partition]
Stainer and Bell
Par DOWLAND JOHN. Edited by Thurston Dart and Nigel Fortune 13 of the finest set...(+)
Par DOWLAND JOHN. Edited by Thurston Dart and Nigel Fortune 13 of the finest settings taken from John Dowland: Ayres for Four Voices, originally transcribed as Volume 6 of Musica Britannica by Edmund Fellowes. The Elizabethan and Jacobean lutesongs were often written with alternative versions for voices and lute. This volume is an introductory selection of these ‘airs’, with accompaniment which may be played on guitar or keyboard as well as lute. SATB CONTENTS Burst forth my tears By a fountain where I lay Can she excuse my wrongs Come again sweet love doth now invite Come away, come sweet love Come heavy sleep Fine knacks for ladies Go crystal tears If my complaints Now o now I needs must part Sleep wayward thoughts Sweet stay awhile Weep you no more sad fountains/ Répertoire / SATB
Délais: 2-5 jours - En Stock Fournisseur |
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| Collected Lute Music
(DOWLAND JOHN)
Luth [Partition] - Intermédiaire/avancé
Faber Music Limited
Par DOWLAND JOHN. During his lifetime John Dowland was one of the few English co...(+)
Par DOWLAND JOHN. During his lifetime John Dowland was one of the few English composers whose fame spread throughout Europe. He has never been entirely forgotten although his music was almost completely ignored during the whole of the eighteenth century and most of the nineteenth. The early twentieth century saw a dawning recognition among scholars and specialists of the rare quality of his work. This is a comprehensive and exhaustive collection of Dowland's compositions for the Lute, with critical commentaries, lists of sources and biographical notes, as thoroughly compiled and edited by Diana Poulton and Basil Lam. The music is presented in both keyboard notation and Lute tablature. / Niveau : Intermédiaire à Avancé / Répertoire / Luth
Délais: 2-5 jours - En Stock Fournisseur |
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| The Student Singer: Vocal
Solo: Vocal Collection
Voix basse [Partition + CD]
Hal Leonard
This collection for progressing students includes art songs as well as arrangem...(+)
This collection for progressing students includes art songs as well as arrangements of folksongs and spirituals. ART SONGS Anonymous: Pastime with good company · Campian: Jack and Joan · Dowland: Come again sweet love · Dowland: What if I never speed · Gibbons: The Silver Swan · Ireland: Spring Sorrow · Lawes: How happy art thou · Morley: It was a lover and his lass · Morley: Now is the month of Maying · Purcell: I attempt from love's sickness · Purcell: Nymphs and Shepherds · Quilter: Weep you no more · Vaughan Williams: The Call · Vaughan Williams: Bright is the ring of words · ARRANGEMENTS All Through the Night (arr. Nicholl) · The Gospel Train (Walters) · Greensleeves (arr.Stanley) · He's Got the Whole World in His Hands (arr. Boyd) · How Can I Keep from Singing (arr. Ruck) · I gave my love a cherry (arr. Dean) · Jacob's Ladder (arr. Walters) · My Lord What a Mornin' (arr. Burleigh) · Shenandoah (arr. Walters) · Sometimes I Feel Like a Motherless Child (arr. Walters) · This Little Light of Mine (arr. Ruck).
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| The Student Singer: Vocal
Solo: Vocal Collection
Voix haute [Partition + Accès audio]
Hal Leonard
This collection for progressing students includes art songs as well as arrangem...(+)
This collection for progressing students includes art songs as well as arrangements of folksongs and spirituals. ART SONGS Anonymous: Pastime with good company · Campian: Jack and Joan · Dowland: Come again sweet love · Dowland: What if I never speed · Gibbons: The Silver Swan · Ireland: Spring Sorrow · Lawes: How happy art thou · Morley: It was a lover and his lass · Morley: Now is the month of Maying · Purcell: I attempt from love's sickness · Purcell: Nymphs and Shepherds · Quilter: Weep you no more · Vaughan Williams: The Call · Vaughan Williams: Bright is the ring of words · FOLKSONGS/SPIRITUALS All Through the Night (arr. Nicholl) · The Gospel Train (Walters) · Greensleeves(arr. Stanley) · He's Got the Whole World in His Hands (arr. Boyd) · How Can I Keep from Singing (arr. Ruck) · I gave my love a cherry (arr. Dean) · Jacob's Ladder (arr. Walters) · My Lord What a Mornin' (arr. Burleigh) · Shenandoah (arr. Walters) · Sometimes I Feel Like a Motherless Child (arr. Walters) · This Little Light of Mine (arr. Ruck).
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| John Dowland Thomas
Campion: English Solo
Song Volume 1: Reference
Thames Publishing
Campion Dowland And The Lutenist Songwriters-This series which aims to cover t...(+)
Campion Dowland And The Lutenist Songwriters-This series which aims to cover the whole repertoire of English song is designed not merely as a practical guide for singers and teachers but also to be of use to the ever-increasing number of students wishing to study particular areas of the subject - the music the poetry or both.Each piece features a full description and commentary providing detailed information of the song's origin and nature. This is an invaluable anthology presenting the enormous repertoire available but unfortunately little known to those who should be most concerned - English singers themselves.This edition is a comprehensive guide to the songs of Campion Dowland and theLutenist composers.The description of each song includes its tonality range meter and duration.
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| Famous Lute Solos
Arranged for Plectrum
Guitar
Guitare
Mel Bay
Par . Rob MacKillop presents 20 classic lute transcriptions; the 'greatest hits'...(+)
Par . Rob MacKillop presents 20 classic lute transcriptions; the 'greatest hits' of the Renaissance and Baroque lute repertoire arranged for pick acoustic
electric
or classical guitar. MacKillop has for many years played all these pieces on the lute
and has created sensitive guitar arrangements that lose nothing from the original scores. Composers include Bach
Weiss
Dowland
Spinacino
among others. Finally
we have a book of lute-to-plectrum guitar transcriptions by an arranger who is deeply familiar with and respectful of both instruments. Includes access to online audio for every item recorded by Rob MacKillop in plectrum style. / Date parution : 2023-01-24/ Recueil / Guitare
Délais: En Stock |
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| Easy Renaissance Pieces
For Classical Guitar
Guitare notes et tablatures
Guitare classique [Partition + CD] - Facile
Amsco Wise Publications
Easy Renaissance Pieces For Classical Guitar brings to life some of the best-kno...(+)
Easy Renaissance Pieces For Classical Guitar brings to life some of the best-known Lute works of the Renaissance, including many musical selections from the plays of William Shakespeare, such as 'Greensleeves,' 'Where the Bee Sucks' and 'When That I Was a Little Tiny Boy'. Many of the great Lute composers are represented here, including Dowland, Johnson and even King Henry VIII. Easy Renaissance Pieces For Classical Guitar is designed for the beginner and intermediate guitarist and includes 61 pieces with an accompanying audio CD performed by Jerry Willard. With standard notation and TAB. / Guitare et Guitare Tablatures Et Guitare Classique
Délais: 2-5 jours - En Stock Fournisseur |
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| Rob MacKillop:
Renaissance Lute
Repetoire: Guitar:
Instrumental Collection
Guitare notes et tablatures
Mel Bay
Renaissance Lute Repertoire-Guitar Tablature Edition can be viewed as either a s...(+)
Renaissance Lute Repertoire-Guitar Tablature Edition can be viewed as either a supplement to the popular Introduction to the Lute: for Lute and Guitar Players or as a standalone edition of 16th-century lute tablatures reset in guitar tab. Play from beautifully-typeset scores, music by John Dowland, Francesco da Milano, Vicenzo Galilei (father of the famous astronomer), and many others, including vihuela composers, Narváez and Milán. Together, this collection provides in guitar tab a beautiful and extensive overview of music for the Renaissance lute. TUNING: To get Renaissance lute tuning on a guitar, all you need to do is tune the 3rd string, G, down one semitone to Fâ?¯. That's it. Then just read the tab as normal. This edition is in guitar tablature. There is a separate edition in lute tablature, Renaissance Lute Repertoire-Lute Tablature Edition.
Délais: En Stock |
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| Renaissance Anglaise
(DOWLAND JOHN)
 En Français
Guitare [Partition]
Lemoine, Henry
Par DOWLAND JOHN. / Niveau : Elémentaire / classique / Répertoire / Guitar...(+)
Par DOWLAND JOHN. / Niveau : Elémentaire / classique / Répertoire / Guitare
Délais: 2-5 jours - En Stock Fournisseur |
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| Fitzwilliam Virginal
Book Vol.2
Piano seul
Dover Publications
révision Blanche Winogron
Instrumentation : Clav Contenu :
CX. Felix ...(+)
révision Blanche Winogron
Instrumentation : Clav Contenu :
CX. Felix namque 2. Thomas Tallis. (1564)
CXI. [Exercise]. Anon
CXII. Daphne. Giles Farnaby
CXIII. Pawles Wharfe. Giles Farnaby
CXIV. Quodlings Delight. Giles Farnaby
CXV. Praeludium [X]. John Bull
CXVI. Praeludium. Dor. [XIII*]. John Bull
CXVII. Praeludium [VII]. Anon
CXVIII. Ut, re, mi, fa, sol, la, a 4 voci. J. P. Sweelinck
CXIX. In Nomine [IX]. John Bull
CXX. Praeludium [VII]. Anon
CXXI. Pavana Lachrymae. John Dowland, set by William Byrd. (See No. CLIII and CCXC)
CXXII. Galiarda. James Harding, set by Byrd
CXXIII. Pavana. Thomas Tomkins
CXXIV. Fantasia [I]. Thomas Morley
CXXV. Christe Redemptor. John Bull
CXXVI. The Maydens Song. William Byrd
CXXVII. Put up thy Dagger, Jemy. Giles Farnaby
CXXVIII. Bony sweet Robin (see No. XV). Giles Farnaby
CXXIX. Fantasia [I]. Giles Farnaby
CXXX. A Grounde. Thomas Tomkins
CXXXI. Barafostus' Dream (see No. XVIII). Thomas Tomkins
CXXXII. The Hunting Galliard. Thomas Tomkins
CXXXIII. The Quadran Paven (see No. XXXI). William Byrd
CXXXIV. Galiard to the Quadran Paven (see No. XXXIII)
CXXXV. The King's Hunt. John Bull
CXXXVI. Pavana [I]. John Bull
CXXXVII. Galiarda [I]. John Bull
CXXXVIII. Dr. Bull's Juell. John Bull
CXXXIX. The Spanish Paven. John Bull
CXL. In Nomine. [John'] Parsons
CXLI. Wooddy-Cook. Giles Farnaby
CXLII. The Duke of Brunswick's Alman. John Bull
CXLIII. Rosasolis. Giles Farnaby
CXLIV. Psalme [140]. J. P. Sweelinck
CXLV. Alman [I]. Robert Johnson
CXLVI. Alman [I]. Robert Johnson
CXLVII. Alman. Robert Johnson, set by Giles Farnaby
CXLVIII. The New Sa-Hoo. Giles Farnaby
CXLIX. Nobody's Gigge. Richard Farnaby
CL. Malt's come downe. William Byrd
CLI. Praeludium [IX]. Anon
CLII. Alman [XIII]. Thomas Morley
CLIII. Pavana [IX]. [Lachrymae.] Thomas Morley
CLIV. Galiarda [IX]. Thomas Morley
CLV. La Volta. William Byrd
CLVI. Alman [VII]. William Byrd
CLVII. Wolsey's Wilde. William Byrd
CLVIII. Callino Casturame. William Byrd
CLIX. La Volta. T. Morley, set by William Byrd
CLX. Rowland. William Byrd
CLXI. Why aske you. Anon (see No. CCLXXXVI)
CLXII. The Ghost. William Byrd
CLXIII. Alman [IX*]. William Byrd
CLXIV. Galliard [I]. William Byrd
CLXV. Pavana [IX*]. William Byrd
CLXVI. Galliarda [IX*]. William Byrd
CLXVII. Pavana [I**]. William Byrd
CLXVIII. Galiarda [I**]. William Byrd
CLXIX. Pavana [XIII*]. Thomas Morley
CLXX. Galliarda [XIII*]. Thomas Morley
CLXXI. [deest, owing to an error in numbe
CLXXII. The Queenes Alman. William Byrd
CLXXIII. A Medley. William Byrd
CLXXIV. Pavana [IX]. William Byrd
CLXXV. Galliarda [IX]. William Byrd
CLXXVI. Miserere. 3 parts. William Byrd
CLXXVII. Miserere. 4 parts. William Byrd
CLXXVIII. Pakington's Pownde. Anon
CLXXIX. The Irishe Dumpe. Anon
CLXXX. Watkins Ale. Anon
CLXXXI. A Gigg. William Byrd
CLXXXII. Pipers Paven. Martin Peerson
CLXXXII. Pipers Galliard. John Bull
CLXXXIII. Variatio ejusdem. John Bull
CLXXXIV. Praeludium. D. [XIII]. John Bull
CLXXXV. Galiarda [IX*]. John Bull
CLXXXVI. Galiarda [IX*]. John Bull
CLXXXVII. Allemanda. Marchant
CLXXXVIII. Can Shee. Anon
CLXXXIX. A Gigge. Doctor Bull's my selfe. John Bull
CXC. A Gigge. John Bull
CXCI. Sr. Jhon Grayes Galliard. W. B.
CXCII. Preludium [VII]. John Bull
CXCIII. A Toy. Anon (see No. CCIV)
CXCIV. Giles Farnaby's Dreame. Giles Farnaby
CXCV. His Rest. Giles Farnaby
CXCVI. His Humour. Giles Farnaby
CXCVII. Fayne would I wedd. Richard Farnaby
CXCVIII. A Maske. Giles Farnaby
CXCIX. A Maske. Giles Farnaby
CC. An Almain [VII]. Anon
CCI. Corranto [VII]. Anon
CCII. Alman [XIII]. Anon
CCIII. Corranto [X]. Anon
CCIV. Corranto [VII]. (See No. CXCIII.) Anon
CCV. Corranto [I]. Anon
CCVI. Daunce. Anon
CCVII. Worster Braules. Thomas Tomkins
CCVIII. Fantasia [VII]. Giles Farnaby
CCIX. A Maske. Giles Farnaby
CCX. Praeludium [IX]. John Bull
CCXI. [Praeludium] [V]. Anon
CCXII. Martin sayd to his Man. Anon
CCXIII. Almand. William Tisdall
CCXIV. Pavana Chromatica. William Tisdall
CCXV. Ut, re, mi, fa, sol, la. John Bull
CCXVI. Gipseis Round. William Byrd
CCXVII. Fantasia [I*]. J. P. Sweelinck
CCXVIII. Coranto [IX]. William Byrd
CCXIX. Pavana. Clement Cotton. William Tisdall
CCXX. Pavana [I*]. William Tisdall
CCXXI. Coranto [I]. Anon
CCXXII. Alman. Hooper
CCXXIII. Corranto [I]. Anon
CCXXIV. Corranto [I]. Anon
CCXXV. Corranto [I*]. Anon
CCXXVI. Corranto [VII]. Anon
CCXXVII. Alman [III]. Anon
CCXXVIII. Corranto. Hooper
CCXXIX. Fantasia [VII]. Giles Farnaby
CCXXX. Loth to depart. Giles Farnaby
CCXXXI. Fantasia [I]. Giles Farnaby
CCXXXII. [Fantasia] [I*]. Giles Farnaby
CCXXXIII. [Transcription of Ay me, poore Heart. ] Giles Farnaby
CCXXXIV. [Fantasia] [I]. Giles Farnaby
CCXXXV. Walter Erle's Paven. Giles Farnaby
CCXXXVI. [Fantasia] [IX]. Giles Fa
CCXXXVII. [Fantasia] [VII]. Giles Farnaby
CCXXXVIII. Fantasia [VII]. Giles Farnaby
CCXXXIX. The L. Zouches Maske. Giles Farnaby
CCXL. Grounde. Giles Farnaby
CCXLI. Coranto [XIII]. William Byrd
CCXLII. Up T[ails] all. Giles Farnaby
CCXLIII. Jhonson's Medley. Edward Johnson
CCXLIV. Nowel's Galliard. Anon
CCXLV. Tower Hill. Giles Farnaby
CCXLVI. Praeludium [XIII]. Giles Farnaby
CCXLVII. The King's Morisco. Anon
CCXLVIII. A Duo. Richard Farnaby
CCXLIX. Alman [VII]. Anon
CCL. A Galiard Ground. William Inglot
CCLI. The Leaves bee greene. William Inglot
CCLII. Pavana [IX]. William Byrd
CCLIII. Galiarda [X]. William Byrd
CCLIV. Pavana [IX*]. William Byrd
CCLV. Galiarda [IX]. William Byrd
CCLVI. Pavana [XIII]. William Byrd
CCLVII. Pavana Fant[asia] [VIII]. William Byrd
CCLVIII. Galiarda [VII]. William Byrd
CCLIX. The Earle of Oxfords Marche. William Byrd
CCLX. Galiarda. Jehan Oystermayre
CCLXI. Fantasia [VIII]. William Byrd
CCLXII. The Duchesse of Brunwick's Toye. John Bull
CCLXIII. A Toye [VIII]. Anon
CCXIV. Corranto [I]. Anon
CCLXV. Lady Riche. Anon
CCLXVI. Corranto [VIII]. Anon
CCLXVII. A Gigge. Giles Farnaby
CCLXVIII. A Toy [VII]. Anon
CCLXIX. Galiarda [X]. Giles Farnaby
CCLXX. A Toye [X]. Giles Farnaby
CCLXXI. The Primerose. Martin Peerson
CCLXXII. The Fall of the Leafe. Martin Peerson
CCLXXIII. Farnabye's Conceit. Giles Farnaby
CCLXXIV. Allemanda [VII]. Anon
CCLXXV. Pavana. Canon, 2 in 1. William Byrd
CCLXXVI. Pescodd Time. William Byrd (see No. LIX)
CCLXXVII. Pavana. Delight. Edward Johnson, set by William Byrd
CCLXXVIII. Galiarda. Edward Johnson, set by William Byrd
CCLXXIX. Miserere, 3 parts. John Bull
CCLXXX. Tell mee, Daphne. Giles Farnaby
CCLXXXI. Mal Sims. Giles Farnaby
CCLXXXII. Munday's Joy. John Munday
CCLXXXIII. Rosseter's Galiard, set by Giles Farnaby
CCLXXXIV. The Flatt Pavan. Giles Farnaby
CCLXXXV. Pavana [VII]. Giles Farnaby
CCLXXXVI. Why aske you. (See No. CLXI.) Giles Farnaby
CCLXXXVII. Farmer's Paven. Giles Farnaby
CCLXXXVIII. Dalling Alman. Anon
CCLXXXIX. The Old Spagnoletta. Giles Farnaby
CCXC. Lachrymae Pavan. John Dowland, set by Giles Farnaby (see No. CXXI and CLIII)
CCXCI. Meridian Alman. Set by Giles Farnaby
CCXCII. Pavana. Orlando Gibbons
CCXCIII. Muscadin. Giles Farnaby (see No. XIX)
CCXCIV. Lady Montegle's Paven. William Byrd
CCXCV. Galiarda. William Tisdall
CCXCVI. Fantasia [I]. Giles Farnaby
CCXCVII. Hanskin. Richard Fa
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| Nocturnal After John
Dowland (Guitar) (BRITTEN
BENJAMIN)
Guitare
Guitare classique [Partition] - Intermédiaire/avancé
Faber Music Limited
Par BRITTEN BENJAMIN. Britten's Nocturnal After John Dowland Op.70 is a fantasti...(+)
Par BRITTEN BENJAMIN. Britten's Nocturnal After John Dowland Op.70 is a fantastically varied and intricate piece for Solo Guitar, which has been edited here by Julian Bream. This piece will present an enjoyable challenge to the advancing classical guitarist. The first performance of Nocturnal was given by Julian Bream at the Aldburgh Festival June 12th 1964. The song upon which the work is based is #20 in The First Book Of Songs or Ayres of Four Parts by John Dowland, published in 1597. / Niveau : Intermédiaire à Avancé / Répertoire / Guitare Classique
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| The Renaissance Guitar +
Cd - Guitar
Guitare
Guitare classique [Partition + CD] - Intermédiaire/avancé
Amsco Wise Publications
Description The Renaissance Guitar The first in this book-and-CD anthology of...(+)
Description The Renaissance Guitar The first in this book-and-CD anthology of solos, duets and songs covering four centuries of composers for the Guitar and Lute family. Songlist Air(John Dowland) Almain [Cutting, Francis] Alman [Johnson, Robert] As I Went To Walsingham (Anon) Ballet (Elias Mertel) Branle De Bourgogne (Adrien Le Roy) Branle Gay (Jean Baptiste Besard) Come Heavy Sleep (John Dowland) Drewrie's Accordes (Anon) Entree De Luth (Robert Ballad) Fantasia (Alonso De Mudarra) Fantasia (Miguel De Fuenllana) Fantasia [Dowland, John] Fantasia(Anon) Galliard (Alfonso De Mudarra) Galliard (Philop Rosseter) Galliard To The Flatt Pavin (John Johnson) Galliard( Anthony Holborne) Go From My Window (Anon) Greensleeves (Francis Cutting) Guardame Las Vacas (Luis De Narvaez) La Rossignol (Anon) Lady Hammond's Alman (John Dowland) Lady Hunsdon's Alman (John Dowland) Lesson For Two Lutes [Anon] Melancholy Galliard [Dowland, John] Morenica Da Me Un Beso (Juan Vasquez) Mr. Southcote's Pavan (Thomas Ford) Mrs. Anne Harecourt's Galliard (Francis Pilkington) Mrs. Taylor's Galliard (Philip Rosseter) My Love Hath Vowed (Thomas Campion) Never Weather-beaten Sail [Campion, Thomas] Of My Complaints Could Passions Move (John Dowland) Pavan (Luis Milan) Queen Elizabeth Galliard [Dowland, John] Recercate Concertante (Francesco Da Milano & Joanne Matelart) Rest Sweet Nymphs [Pilkington, Francis] Shall I Come Sweet Love To Thee (Thomas Campion) Sonnet(Enriquez De Valderrabano) Spagnoletta (Anon) Tanz (Georg Fuhrmann) Tarleton's Resurrection [Dowland, John] The Cobbler (Anon) The Flatt Pavin (John Johnson) The King Of Denmark's Galliard (John Dowland) The Night Watch (Anthony Holborne) The Parlement (Anon) The Round Battle Galliard [Dowland, John] Toda Mi Bida Os Ame (Luis Milan) Toy (Francis Cutting) Toy For Two Lutes (Thomas Robinson) Volt (Anon) When From My Love (John Bartlet) When To Her Lute Corinna Sings (Thomas Campion) Wilson's Wilde (Anon)
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| Guitar Masterworks Lite:
Renaissance
Guitare
Alfred Publishing
Intended for both working guitarists and those who play strictly for the enjoyme...(+)
Intended for both working guitarists and those who play strictly for the enjoyment of great music, this collection of Renaissance favorites transcribed for guitar will add something special to any party or social gathering. Including popular pieces such as John Dowland's 'Orlando Sleepeth,' 'Tarleton's Riserrectione,' and 'Mrs. Winter's Jump,' Luis de Milán's 'Pavan I' and 'Pavan III,' and Luis de Narváez's 'Diferencias sobre 'Guárdame las Vacas,'' this edition will provide a repertoire of crowd-pleasing Renaissance tunes for any event. A special section about plucked instruments of the Renaissance is included to make this book more useful and enjoyable to own. / Guitare
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| John Dowland: Come Again
Sweet Love: Mixed Choir:
Vocal Score [Vocal Score]
Gentry Publications
John Dowland (1562-1626) has been rediscovered thanks mainly to a new album by ...(+)
John Dowland (1562-1626) has been rediscovered thanks mainly to a new album by the recording artist Sting which features the music of this great English Renaissance composer. Edited by scholar Dr. William Belan the music isprovided in contemporary notation as well as in individual parts as they were first presented.
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| Favorite Melodies
(GRAINGER PERCY ALDRIDGE)
Piano seul
Schott
Par GRAINGER PERCY ALDRIDGE. Between 1920 and 1940 Grainger published a loose se...(+)
Par GRAINGER PERCY ALDRIDGE. Between 1920 and 1940 Grainger published a loose series of piano transcriptions under the title of 'Free Settings of Favourite Melodies' in order to make a wide audience acquainted with the music of great composers.
Five pieces that prove his feel of tone colours and his highly developed understanding of the piano and its possibilities, have been included in this volume: 'Hornpipe' from George Frideric Handel's Water Music, 'Cradle Song' (Wiegenlied) Op. 49/4 by Johannes Brahms, a song by John Dowland: 'Now, O now I need must part', and two songs by Gabriel Fauré who was one of Grainger's examples in music: 'Nell' Op. 18/1, and 'Après un Rêve' Op. 7/1./ Répertoire / Piano
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| Jeremy Jouve: Jeremy
Jouve: Guitar: Recorded
Performance
Mel Bay
2003 Winner of the International GFA Competition-This Mel Bay DVD featuring 200...(+)
2003 Winner of the International GFA Competition-This Mel Bay DVD featuring 2003 GFA winner Jeremy Jouve was recorded live in September 2009 at Eybens a small town not far from the capital of the French Alps Grenoble where Jeremy was born. Over the past few years Jeremy'sconcert program has become oriented towards 20th century European music. With this particular concert Jeremy has endeavored to illustrate his interest in this music by performing works from four European composers of differentnationalities. The first composer Joaquin Rodrigo is famous the world over for his solo guitar works. Seldom performed they are little-known but deserve to be presented to a wider audience. For some time now Jeremy hasincluded in his repertory Rodrigo's music in homage to the rich and diverse Spanish culture. The Sonata Ommaggio a Boccherini fruit of the prolific collaboration that took place at the turn of the 20th century betweenthe Italian composer Mario Castelnuovo Tedesco and Andrès Segovia is performed here in the recently re-edited version which is much closer to the original manuscript. In the 2nd part of the concert the inspiration changes witha work by Benjamin Britten Nocturnal after John Dowland. The composer was a close friend of Julian Bream and here he offers a truly great musical masterpiece. A true psychodrama he takes us through the various emotionsencountered while sleeping exaltation with a Passacaglia leading to and finishing on John Dowland’s inspirational theme as dawn finally brings the reassuring light of day. Jouve concludes the recital with the Jazz Sonata bythe composer Dusan Bogdanovic who with great spirit explores the musical horizons of Jazz and music from his native Balkans. Finally an allusion to France with one of my Jouve's native country’s greatest popular singers ofthe 20th century Edith Piaf and her L ‘Hymne l’Amour with as a bonus Erik Satie’s first Gnossienne both arranged by Roland Dyens.
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