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Bach Johann Sebastian - Cantata No. 131 Bwv 131 - 4 Solo Parts, Choir And Chamber Orchestra
13.80
Bach Johann Sebastian - Cantata No. 131 Bwv 131 - 4 Solo Parts, Choir And Chamber Orchestra
Eulenburg
From the deep cried, I, Lord to TheeBWV 131 - Studienpartitur - STP - 4 solo par...
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From the deep cried, I, Lord to TheeBWV 131 - Studienpartitur - STP - 4 solo parts, choir and chamber orchestra - German - EnglishEnglish version: Drinker, Henry S.editor: Grischkat, Hanscomposer: Bach, Johann SebastianÉditeur: EulenburgN° de référence de l'éditeur: EE 6152Série: Eulenburg Miniature Scorespages: 48Contenu - Vorwort - Revisionsbericht - Preface - Editorial Notes - I. Aus der Tiefe rufe ich, Herr, zu dir (Sinfonia und Chor) - II. So du willst (Sopran/Bass) - III. Ich harre des Herrn (Chor) - IV. Meine Seele wartet (Alt/Tenor) - V. Israel, hoffe auf den Herrn (Chor)
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John Higgins John Jacobson: Squirm!: Score and Parts
79.99
John Higgins John Jacobson: Squirm!: Score and Parts
Hal Leonard
A Wiggly Giggly Squiggly Musical-Spiders! Snakes! Bats! Worms! EWWW!! AHHH!! J...
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A Wiggly Giggly Squiggly Musical-Spiders! Snakes! Bats! Worms! EWWW!! AHHH!! Join the wiggles and squiggles as the Itsy Bitsy Spider Daddy Long Legs Hook Worm Snake and a host of other critters take over the stage. But wait! No need to scream . . . justlisten carefully and you will learn how things that make us squirm can be A-OK! Showcase your young Gr. K-3 performers in this 20-minute squirmy musical featuring the popular writing team of John Jacobson and John Higgins. Theeasy-to-learn songs and creative rhyming dialog with 45 speaking parts will make your show a hit with any audience whether it be a general assembly a community program a class project or evening concert. The enhanced TeacherEdition/Singer CD-ROM includes piano/vocal arrangements with choreography helpful production guide with staging and costume suggestions teaching objectives linked to the National Standards for each song PLUS reproducible singerparts on the enclosed data disc. For the best value the Classroom Kit offers the Teacher/Singer and Performance/Accompaniment CD. Available separately: Teacher Edition/Singer CD-ROM Preview CD (full performance with dialog) Preview Pak (Preview CD and sample pages) Performance/Accompaniment CD Classroom Kit (Teacher/Singer CD-ROM and P/A CD).
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Wieniawski H. - 2eme Polonaise Brillante Op. 21 - Violon Et Piano
21.10
Wieniawski H. - 2eme Polonaise Brillante Op. 21 - Violon Et Piano
Violon et Piano
PWM (Polskie Wydawnictwo Muzyczne)
2me Polonaise brillante pour violon avec acompagnement de piano op.21Henryk Wien...
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2me Polonaise brillante pour violon avec acompagnement de piano op.21Henryk Wieniawski wrote only two polonaises. The first one, op. 4 in D minor, is one of his youthful works; the other, op. 21 in A major, is one of the last works he composed. Moreover, H. Wieniawski is the co-author of another polonaise, op. 8, for violin and piano, which he wrote with his brother Józef Wieniawski, a pianist. The latter polonaise, like the Polonaise in D minor op. 4, is also a youthful composition (1852). The polonaise as a genre, therefore, does not occupy much space in Wieniawskis heritage. Nonetheless, both polonaises, in D minor and A major, constitute an essential part of his artistic inheritance. Likewise, both polonaises had been composed in two versions: for violin and orchestra, and for violin and piano. The Polonaise in A major was completed in 1870. It is not known precisely which of the versions, the one with the piano, or the one with the orchestra first came into being. It was the version with orchestra that the composer performed for the first time on 17 March 1870, in the Grand Theatre in St. Petersburg. But merely two months later he performed the Polonaise in Warsaw, accompanied by his brother Józef at the piano. It is quite possible that Wieniawski had already performed this version of the Polonaise. It is certain, nonetheless, that both versions either appeared simultaneously, or one was composed shortly after the other. From its first public performance until the end of his concert career, Wieniawski often included this Polonaise in his concert repertoire, playing one version or another, the choice depending on the needs and circumstances. Just to mention one occasion, he played the orchestral version during a concert tour of Sweden in 1870, when he dedicated and presented a manuscript of this piece to King Charles XV of Sweden. The dedication, however, was changed in print, and both versions were eventually dedicated to François van Hal. Both versions were published simultaneously, by Schott Publishers in Mainz, with the same plate number, though the orchestral version appeared only in parts, which was a common practice in those days. The piece was most probably not published earlier than 18751. The Polonaise was praised by the critics. The reviews reported that it was a magnificent piece2, and this opinion was shared by later critical reviews, both Russian and West European. The Polonaise remained popular after the composer had died, which is evident from the number of later editions of the piece (more than ten) issued by different publishers, mostly German, and prepared by different editors. In Poland, the Polonaise was published twice after the Second World War. All the editions introduced some more or less significant changes into the text, mostly concerning performance indications, but in a sense blurring the composers intentions. All those changes were pertinent to the violin and piano version, and it was mostly in this form that the piece appeared in concert and teaching repertoires. The performances with an orchestra were much more seldom which was, among other factors, due to limited availability of the orchestral version, as it had never been published again after the first edition, until now. The Polonaise in A major was composed approximately at the same time as the Violin Concerto No. 2 in D minor3. This convergence in time had influenced a certain similarity with regard to both composition and technical means, and also to the themes. In particular, the similarity becomes quite obvious in the second theme of the Allegro in the Concerto, and in the theme of the Polonaise. The Polonaise in A major is also in a certain way similar to the first Polonaise (in D minor), the motifs of the themes in both polonaises are alike. However, both pieces differ in style. The Polonaise in D minor shows the composers fascination with technical writing. Wieniawski makes the most of double-stops, chords, and all other sophisticated virtuoso techniques. The Polonaise in A major, written 18 years later, is much more mature. Although it is a virtuosic piece as well, the techniques used are somewhat more limited and subordinated to the expression. The virtuoso character of this piece is more fragile, much closer to the brillant style. At the same time, the Polonaise is typical of Wieniawskis violin playing technique. Here the composer uses the means regarded by his contemporaries to be typical of him, e.g., long staccato fragments played with one bow. The Polonaise is a concert piece in one movement extended form with a considerably abbreviated return of the first section at the end. The middle section is contrasting in character, due to the modulation to F major, change of tempo (meno mosso) and the reduction in the number of instruments (in the orchestral version). All the sections show thematic similarity. The first section, too, consists of three subsections, including a contrasting middle subsection (in E major). Zofia Chechli?ska Footnotes 1. See The Critical Commentary, p. ' and onward. 2. See V. Grigoriev, Henryk Wieniawski. ?ycie i twórczo??. [Life and Work] Warszawa - Pozna? 1986, p. 184. 3. The first version of the Concerto No. 2 in D minor was completed in 1862, but in 1870, i.e., not until the Polonaise in A major was completed, Wieniawski had been working on the Concerto and implemented quite a few changes.Publisher: PWM/Towarzystwo Muzyczne im. Henryka Wieniawskiego w PoznaniuSeries: Henryk Wieniawski - Complete WorksCover: softbackNr ISMN: 979-0-2740-0753-9Number of pages: 34 8Format: N4 stoj. 235x305Language version of text: pol., Eng.
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Organ Plus Brass Vol.2 - Five Chorale Preludes Of The Romantic Period
19.00
Organ Plus Brass Vol.2 - Five Chorale Preludes Of The Romantic Period
Barenreiter
Edition no.: BA 11202ISMN: 9790006526444Volume / Series: organ plus brass, Volum...
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Edition no.: BA 11202ISMN: 9790006526444Volume / Series: organ plus brass, Volume IIEditor: Klomp, Carsten / Petersen, HeikoLanguage(s) of work: GermanLanguage(s) of text: German, EnglishProduct format: Performance score(s), Wind instruments score, AnthologyIncludes the following individual parts: Organ, Wind instrumentsBinding: StapledPages / Format: 17/10 S. - 30,0 x 23,0 cmThe series ?organ plus brass? presents original works and arrangements for organ and brass ensemble. The wind parts are written to meet the needs of amateur ensembles and the organ parts are ideal for non-professional church musicians playing on smaller organs.The full score comes with an inserted wind score in C, which is also available separately. Wind parts in C and B-flat can also be purchased, enabling the performance by brass ensembles of varying instrumentation.Volume II comprises five chorale preludes from the 19th century. The chorales on which they are based are well known internationally and can be used throughout the church year.- Literature for brass ensemble and organ- Suitable for amateur brass ensembles and non-professional organists- Transposed parts allow for flexible instrumentationContentsChristian Fink (1831?1911): ?Wie schön leuchtet der Morgenstern?Emil Dercks (1849?1911): ?Jesus lebt, mit ihm auch ich?Theophil Forchhammer (1847?1923): ?Sollt ich meinem Gott nicht singen?Max Gulbins (1862?1932): ?Nun danket alle Gott?Otto Scherzer (1821?1886): ?Christus, der ist mein Leben?
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Dvorak A. - String Quartet N°13 Op.106 - Set Of Parts
19.60
Dvorak A. - String Quartet N°13 Op.106 - Set Of Parts
Quatuor à cordes: 2 violons, alto, violoncelle
Barenreiter
After working for three years at the NationalConservatory in New York, Dvorak re...
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After working for three years at the NationalConservatory in New York, Dvorak returnedhome in 1895 feeling extraordinarily happy. The fruit of this ecstatic periodare thecomposer's last two string quartets. The Quartet in G major, Op. 106, waswrittenimmediately after his return from America. The melodic freshness of the light,airythemes, alternating folk idioms in a temperate, unobtrusive musical allusion,betraysthe composer's maturity and mastery. The editor of this work, published as partof the first Complete Critical Edition of Works by Antonin Dvorak, is FrantisekBartos.
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Oswald J. - Collection Of Curious Scots Tunes - Violon Et Bc
31.95
Oswald J. - Collection Of Curious Scots Tunes - Violon Et Bc
Ut Orpheus
Author: James Oswald (?-1767)Editor: Andrea BornsteinPublication Date: 1998Serie...
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Author: James Oswald (?-1767)Editor: Andrea BornsteinPublication Date: 1998Series: Canzone Suite Sonata. 17th and 18th century Instrumental Music with ContinuoStructure: Score and PartsPages: pp. 64 + parts pp. 56Size: 230x310 mmBinding: Saddle stitching
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Charles E. Ives: Postlude In F Orchestra Sc&Ptcritical Edition: Orchestra: Score
44.99
Charles E. Ives: Postlude In F Orchestra Sc&Ptcritical Edition: Orchestra: Score
Orchestre
[Partition]
Schirmer
Score and Parts-Charles Ives' Postlude In F for Orchestra. Score and parts.The P...
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Score and Parts-Charles Ives' Postlude In F for Orchestra. Score and parts.The Postlude in F composed in 1895 is Charles Ives' earliest known work for large Orchestra. It is based on anearlier Organ piece which Ives performed at the Baptist Church in Danbury Conneticut on May 11 1890 (at the age of fifteen; on the cover page of the full score Ives mistakenly gave 1892 for the year of the Organcomposition). The version for Orchestra was probably produced as an orchestration assignment for a class of Horatio Parker Ives' teacher at Yale College. Ives recalled that the 'New Haven Orchestra' - that is the New Haven Symphony Orchestra organised by Parker in 1895- read through the work in 1896. The Postlude in F which was also preperation for work on the First Symphony (its first movement also completed in1895) contains some suprisingly mature and beautiful writing especially in the magical closing pages. - Kenneth D. Singleton.
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Monteverdi Claudio - L'orfeo Sv 318 - Solo Parts, Choir And Orchestra
47.50
Monteverdi Claudio - L'orfeo Sv 318 - Solo Parts, Choir And Orchestra
Eulenburg
FAVOLA IN MUSICA INSTRUMENTATION : SOLO PARTS, CHOIR AND ORCHESTRA VERSION : ST...
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FAVOLA IN MUSICA INSTRUMENTATION : SOLO PARTS, CHOIR AND ORCHESTRA VERSION : STUDY SCORE DESCRIPTION : MONTEVERDIÂ??S OPERA LÂ??ORFEO, FIRST PERFORMED IN MANTUA IN 167, IS AN IMPORTANT MILESTONE IN THE HISTORY OF OPERA. IN THIS NEW CRITICAL EDITION THE ENTIRE LIBRETTO BY ALESSANDRO STRIGGIO IS REPRODUCED, INCLUDING THOSE PARTS OF THE TEXT THAT ARE NOT SET TO MUSIC, IN THE ORIGINAL ITALIAN AS WELL AS IN A GERMAN AND ENGLISH TRANSLATION. CONTENU : PREFACE - VORWORT - PREFAZIONE - TEXTUAL NOTES/EINZELANMERKUNGEN/APPARATO CRITICO - L'ORFEO - ATTO PRIMO - ATTO SECONDO - ATTO TERZO - ATTO QUARTO - ATTO QUINTO - APPENDIX: STRIGGIO'S LIBRETTO WITH TRANSLATIONS/STRIGGIOS LIBRETTO MIT Ã?BERSETZUNGEN/LIBRETTO DI STRIGGIO CON TRADUZIONI DATE DE PARUTION : 30/03/2004 NOMBRE DE PAGES : 164 LANGUE : ITALIAN COLLECTION : EULENBURG MINIATURE SCORES FORMAT : ETP LARGE
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Essential Keyboard Duets 8 (Book)
25.48
Essential Keyboard Duets 8 (Book)
1 Piano, 4 mains
Alfred Publishing
This collection of 45 piano duets (for one piano, four hands) consists of select...
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This collection of 45 piano duets (for one piano, four hands) consists of selections for teachers and students at the elementary to late elementary levels. Duet repertoire from the 18th, 19th, and early 20th centuries are included by such composers as Cui, Diabelli, Enke, Foote, Godowsky, Gurlitt, Löw, Reinecke, Sartorio, and more. Students will improve in musicianship, ensemble performance, fingering, and rhythmic control while enjoying this delightful duet literature. To facilitate reading, the primo and secondo parts are on separate pages. The comb binding creates a lay-flat book that is perfect for study and performance. Essential ornamentation is realized in footnotes, both parts contain measure numbers for convenient reference, and brief composer biographies are included. / Piano 4 Mains
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Jazz For The Beginning Orchestra Members. For School String Orchestra And Piano. Score And Parts
Violon et Piano
[Partition]
Kompozitor
/ Violon Et Piano / 39 pages / Partition
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Alba. For Flûte Or Violin And Piano. Piano Score And Parts
Flûte traversière et Piano
[Partition]
Kompozitor
/ Flûte Et Piano / 12 pages / Partition
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Trio Pathetique For Clarinet, Bassoon And Piano. With Violin And Cello Book Set Of Parts.
47.03
Trio Pathetique For Clarinet, Bassoon And Piano. With Violin And Cello Book Set Of Parts.
Piano, Clarinette Et Basson
[Partition]
Muzyka
/ Piano, Clarinette Et Basson / 80 pages / Partition
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Orchestra. Elegy. Tarantella. Transcriptions For Violin Ensemble And Piano. Piano Score And Parts
11.35
Orchestra. Elegy. Tarantella. Transcriptions For Violin Ensemble And Piano. Piano Score And Parts
Violon et Piano
[Partition]
Kompozitor
/ Violon Et Piano / 24 pages / Partition
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Pieces For Violin Ensemble With Piano. Piano Score And Parts.
14.59
Pieces For Violin Ensemble With Piano. Piano Score And Parts.
Violon et Piano
[Partition]
Sojuz hudozhnikov (SPb.)
/ Violon Et Piano / 48 pages / Partition
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Titan's Progress (Bband B4 Score/Parts) (PALLHUBER HERMANN)
166.70
Titan's Progress (Bband B4 Score/Parts) (PALLHUBER HERMANN)
Ensemble de cuivres
[Partition]
Faber Music Limited
Par PALLHUBER HERMANN. L'éprouvette sélectionnés pour le British Open Brass B...
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Par PALLHUBER HERMANN. L'éprouvette sélectionnés pour le British Open Brass Band championnat 2009, qui se tiendra au Symphony Hall, Birmingham samedi 12 septembre. Les progrès de Titan, qui est le premier ouvrage de Hermann Pallhuber pour le style britannique brass band, contient également des références à la musique de Gustav Mahler. Motifs de la première symphonie de Mahler travaillent tout au long et surtout le thème principal de la finale. Musique de Pallhuber est programmatique et utilise le contenu du roman et de l'évolution de son héros Albano pour sa structure sous-jacente. La variété stylistique des travaux (y compris la Chorale, un impudent Landler, une Farandole de danse et une Fugue climatiques) sont Mahleresque dans leurs influences. ' Titan ' est un roman de l'écrivain allemand Johann Paul Friedrich Richter, qui plus tard connu comme Jean Paul et était considéré comme le principal travail de l'auteur. À près de 900 pages de longueur, il raconte l'histoire de la transition de son héros, Albano de Cesara, d'un jeune passionné à un homme mature. Jean Paul was.../ Répertoire / Brass Band
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Gioachino Rossini: Tancredi: Concert Band: Score & Parts
119.99
Gioachino Rossini: Tancredi: Concert Band: Score & Parts
Orchestre d'harmonie
[Conducteur et Parties séparées]
Mitropa Music
Sinfonia dall' opera-Parmi les nombreux opéras de Gioacchino Rossini (1792-1868...
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Sinfonia dall' opera-Parmi les nombreux opéras de Gioacchino Rossini (1792-1868) Tancrède (1813) ne paraît que rarement à l?affiche. Pourtant son ouverture ou « sinfonia » comme on l?appelait autrefois remporte toujours les faveurs du public et est régulièrement jouée par de nombreux orchestres. Les ouvertures de Rossini suivent toutes le style brillant de l?ouverture « à l?italienne ». Elles subjuguent par leur originalité et restent un modèle d?élégance instrumentale en dépit du temps qui passe. Comme la plupart des ouvertures de Rossini celle de Tancrède comprend deux parties : la première d?un tempo modéré un Andante la deuxième au tempo plus rapide unAllegro. On y trouve le fameux et immortel « crescendo rossinien » et quelques thèmes mémorables qui transportent le public. Cet arrangement pour Orchestre d?Harmonie reste fidèle à l?esprit de l?œuvre originale une des pages préférées de Gioacchino Rossini.
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Faure G. - Sonata Op.1 N°13 - Violon and Piano
27.50
Faure G. - Sonata Op.1 N°13 - Violon and Piano
Violon et Piano
G. Henle
Editor: Fabian Kolb Fingering: Pascal Rogé Fing. vn: Igor Ozim Urtext Edition,...
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Editor: Fabian Kolb Fingering: Pascal Rogé Fing. vn: Igor Ozim Urtext Edition, paperbound with marked and unmarked string parts Pages: 85 (VI, 53, 13, 13), Size 23,5 x 31,0 cm Order no. HN 980 · ISMN 979-0-2018-0980-9 Fauré composed his violin sonata in 1875/76 and in so doing opened up a new tradition for this genre in French music. In a review, Saint-Saëns expressed his enthusiasm for this work by his friend and pupil: In this sonata you can find everything to tempt a gourmet: new forms, excellent modulations, unusual tone colours, and the use of unexpected rhythms. And a magic floats above everything, encompassing the whole work, causing the crowd of usual listeners to accept the unimagined audacity as something quite normal. With this work Monsieur Fauré takes his place amongst the masters.?
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Bach J.s. - Cantata No.79 (festo Reformationis) Bwv 79 - 3 Solo Parts, Choir And Chamber Orchestra
14.80
Bach J.s. - Cantata No.79 (festo Reformationis) Bwv 79 - 3 Solo Parts, Choir And Chamber Orchestra
[Conducteur d'étude / Miniature]
EULENBURG
God the Lord is sun and shield
Edition : study score
Instrumentation :...
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God the Lord is sun and shield
Edition : study score
Instrumentation : 3 solo parts, choir and chamber orchestra
Catalogue of works : BWV 79
Date of Composition: 1735
Duration : 17'
Date of Publications : 18/01/1984
Number of Pages : 52
Language : German
Arranger : Schering, ArnoldSeries : Eulenburg Miniature Scores
Contenu
- Preface Editorial Notes
- Vorwort
- Revisionsbericht
- Libretto/Lyrics
- I. Gott, der Herr, ist Sonn' und Schild (Chor)
- II. Gott ist unser Sonn' und Schild (Alt)
- III. Nun danket alle Gott (Choral)
- IV. Gott Lob! Wir wissen den rechten Weg (Bass)
- V. Gott, ach Gott, verlass' die Deinen nimmermehr (Sopran/Bass)
- VI. Erhalt uns in der Wahrheit (Choral)
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Vanhal Johann Krtitel - Allegro Aus Der Sonatine A-dur Op.2 N°1 - Piano
5.60
Vanhal Johann Krtitel - Allegro Aus Der Sonatine A-dur Op.2 N°1 - Piano
Piano seul
Barenreiter
Edition no.: H 7926ISMN: 9790260103092Composer / Author: Vanhal, Jan KrtitelTitl...
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Edition no.: H 7926ISMN: 9790260103092Composer / Author: Vanhal, Jan KrtitelTitle: AllegroDetailed instrumentation: PianoProduct format: Performance score(s)Includes the following individual parts: PianoPublisher: BärenreiterPages / Format: 31,0 x 23,5 cm cmWeight: 59 g
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2 Aequale Pour Trois Trombones (BRUCKNER ANTON)
13.72
2 Aequale Pour Trois Trombones (BRUCKNER ANTON)
3 Trombones (trio)
G. Henle
Includes Additional Parts In Bass Clef. Par BRUCKNER ANTON. Les deux Aequale pou...
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Includes Additional Parts In Bass Clef. Par BRUCKNER ANTON. Les deux Aequale pour trois trombones peuvent être qualifiés d'oeuvres de jeunesse de Bruckner: c'est un jeune homme de 22 ans à peine qui les composa en janvier 1847, pour les funérailles de sa grande-tante, du temps où il était auxiliaire scolaire à l'abbaye de Saint-Florian, près de Linz. Indépendamment du caractère précoce de cette composition, les deux brefs Aequale, avec leurs harmonies à la fois expressives et romantiques, sont déjà du 'vrai' Bruckner, qui préfigure les pages de trombones en forme de choral de ses symphonies plus tardives. Avec les trois Equale pour quatre trombones WoO 30 (HN 1151) de Beethoven, ils comptent parmi les classiques de la littérature pour trombone. L'édition Henle-Urtext repose sur les sources autographes conservées dans les bibliothèques des abbayes de Saint-Florian et de Seitenstetten. Pour la partie de trombone basse perdue du second Aequale, elle propose un essai de reconstitution à des fins d'exécution./ Répertoire / 3 Trombones (Alto, Ténor et Basse)
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Marais M. - Suite G Major - Viole De Gambe
22.50
Marais M. - Suite G Major - Viole De Gambe
Viole de Gambe
Guntersberg
Marin Marais (1656-1728) Compositions from the First Book for two violas da gamb...
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Marin Marais (1656-1728) Compositions from the First Book for two violas da gamba and basso continuo Editor: Günter and Leonore von Zadow, publication date: 2014-06, continuo realization: Dankwart von Zadow, source: Pieces a une at a deux violes [Premier Livre], Paris 1686-1869 Description Marais' music represents for many the pinnacle of the French viol literature, and the facsimile reproductions of his five books are widely distributed among gambists. For all those who prefer not to play from facsimiles, Edition Güntersberg has issued the suites for two viols from the First Book in modern practical editions. Besides the three part books our editions contain a score, which serves for a better orientation of the continuo players. In addition, for harpsichord players who want to get used to this music we provide a second score, which contains a thoroughly conceived continuo realization. Our viol parts show all performance instructions of the original and are structured in such a way that players as far as possible need not turn pages within movements. The editions contain an instructive introduction in German, English and French.
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Puccini. Turandot (HORST MICHAEL)
19.67
Puccini. Turandot (HORST MICHAEL)
[Livre]
Barenreiter
Par HORST MICHAEL. Louis Vierne (1870-1937) raised the organ symphony to its sty...
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Par HORST MICHAEL. Louis Vierne (1870-1937) raised the organ symphony to its stylistic zenith. One of his pupils, Marcel Dupré, was the teacher of Thierry Escaich, the co-editor of this complete edition. Vierne's 'Symphony” #4 is one of the most important works in the organ repertoire. Until now it was thought to have originated during the three months of summer 1914. However, the editor has discovered a letter from Vierne, dated 23 June 1914, that disproves any connection with events of war. As a result, the work has been chronologically reclassified, leading to its fresh assessment and interpretation - see the detailed Foreword in this new edition for further information. The registration of this seminal work in the organ literature is in parts reminiscent of César Franck's 'Chorale in B” minor. In general terms, Franck's influence was already singled out by reviewers of the first performance. - Detailed trilingual preface (Fr/Eng/Ger) with a full account of the work's genesis and notes on performance practice - Comprehensive Critical Commentary (Fr/Eng/Ger) - New source material - Many illustrations and facsimile pages/ Livre / Livre
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Orff Carl - Carmina Burana - Soloists , Mixed Choir , Children's Choir And Orchestra
25.90
Orff Carl - Carmina Burana - Soloists , Mixed Choir , Children's Choir And Orchestra
Chorale SATB
SATB, Orchestre
Schott
Carl Orff's masterpiece composed in 1936 undoubtedly is one of the best-known mu...
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Carl Orff's masterpiece composed in 1936 undoubtedly is one of the best-known musical creations throughout the world. By popular request, we now publish a comprehensive choral score uniting all choral parts in one volume of excellent quality and print. This choral score complements the hitherto available choral parts (ED 4920-01 and -02) presenting female and male voices in separate editions, as well as the piano score ED 2877. The new choral score makes rehearsing and studying this extraordinary work much easier for every singer and music lover.
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