Collection of Songs for Recorder Using the Notes B-A-G A-Motivate with B-A-G! Keep recorder interest high with this crafty collection of eight reproducible songs that will reinforce the first three notes taught in most recorder methods. Young performers will also be exposed to avariety of musical styles from swing salsa and reggae to rock and roll Latin and rap. Put together your own ensemble with the reproducible accompanying parts included for Orff and percussion instruments and piano. And there'smore! An ENHANCED CD is included with hip recordings to accompany the simpler age-appropriate recorder parts plus PDFs of the printed recorder parts for overhead projection. Available: Book/CD. Suggested for grades 4-6.

Pour éviter d'avoir à mémoriser des schémas d'accords à la pelle, cette méthode vous présente le fameux système CAGED, permettant de retrouver, par simple déduction, la totalité des accords de la guitare, et ce sur tout le manche ! Après avoir abordé les 5 formes principales d'accords ouverts (C, A, G, E et D), qui sont aussi les premières positions utilisées par les débutants, vous apprendrez, en vous décalant par le biais des barrés, à retrouver et jouer tous les accords majeurs et mineurs. Puis, en procédant à l'identique, vous appliquerez le principe aux accords 7, m7, M7... sans la moindre complication supplémentaire. Tout au long de cet ouvrage, des accompagnements en tablatures et sous forme de grilles d'accords vous sont proposés pour mettre en application les enseignements, et ce dans différents styles : du blues au rock, en passant par le jazz, la funk, le reggae, la pop? il y en a pour tous les goûts. Une fois le système assimilé, vous constaterez qu'il vous permet non seulement de retrouver facilement tous les accords, mais aussi de jouer à différents endroits sur le manche tout en optimisant les déplacements. Bref? rapidement vous pourrez dire : 'Les accords à la guitare ? C'est facile !? Le DVD vous fait la démonstration en son et en images des différents exemples et autres accompagnements proposés tout au long de la méthode - alors que le CD MP3 vous propose pour sa part de nombreux playbacks spécifiques pour travailler en situation tous les tutoriaux qui jalonnent cet ouvrage. / Guitare

Ernie Hawkins utilise le système C-A-G-E-D incroyable lors de la lecture de sa spécialité - blues et ragtime tunes en remplaçant-pouce doigt cueillette de style. Sur son troisième leçon, Ernie explore les mélodies blues comme ils remonter sur les tronçons plus élevés de la touche, ainsi que la progression de ragtime populaire ' cercle des quintes '. / Guitare

10 polyphonies a cappella pour voix mixtes (du 17e siècle à l'époque contemporaine), réunies et commentées par Nestor ZADOFF.40 pages. Format : 21 x 29,7 cm Ce premier volume contient des polyphonies de divers pays d'Amérique du Sud et de différents genres musicaux. Le sommaire propose des pièces faciles, d'autres de difficulté moyenne et quelques-unes plus difficiles mais qui, d'une manière générale, peuvent être abordées par tout type de chorales. / Choeur Mixte / 40 pages / Partition

 Le but du compositeur en écrivant ce motet pour choeur a cappella était à la fois d'exprimer un sentiment religieux extrêmement fort face à ce que représente la Passion du Christ, et de traiter une stricte écriture à quatre voix qui puisse supporter la comparaison avec les maîtres anciens, Tout cela en faisant oeuvre originale au sens le plus vrai du terme, en particulier sur le plan harmonique, / Choeur Mixte

Fingerpicking Blues Guitar is a never ending study full of surprises and discoveries. Each key of the Guitar offers new sounds and textures. A blues played in the key of C sounds world's apart from a blues played in the keys of A G D or E. This series focuses on a single key for each lesson. The key of G offers specific advantages. It is ideal for the alternating bass technique i.e. Mississippi John Hurt's style of playing. In this lesson we start by learning an arrangement of Marshall Owens' 1930s recording of Try Me One More Time. This was originally played in an Open G tuning but is here arranged in standard tuning using a JohnHurt approach. Not all blues from the 1920s and 1930s were fingerpicked. Jim Jackson was a popular Memphis songster who basically strummed his Guitar. But his repertoire was full of wonderful songs. Stefan Grossman has taken his Wild About My Loving and has tried to keep the original feel by combining a strum approach intermingled with fingerpicking the melody. Little Hat Jones was an amazing fingerstyle bluesman. His Bye Bye Baby Blues was played in the key of G. Here his version is fully transcribed note for note. Blind Boy Fuller recorded many blues in the key of G. In this lesson we'll tackle three of his arrangements: Baby Let Me Lay It On You Baby Quit Your Low Down Ways and I Crave My Pigmeat. We study his playing note for note but also explore variations. By the end of this lesson you will know six great tunes and have an insight in to fingerpicking blues in the key of G. A detailed tab/music booklet is included as a PDF file on the DVD. Each tune is taught phrase by phrase and played slowly on a split-screen. As well the original old recordings are included in the Bonus Audio section. Titles include: Try Me One More Time Wild About My Loving Bye Bye Baby Blues Baby Let Me Lay It On You Baby Quit Your Low Down Ways and I Crave My Pigmeat. 100 minutes

Górecki's Church Songs, based on melodies from Rev Jan Siedlecki's ?piewniki Ko?cielne ('church songbooks'), were composed in 1986. This edition is based on the PWM edition of 2013, which was produced with the assistance of Anna Górecka and Miko?aj Górecki. A special feature of the Boosey publications is the new, alternative Latin sung text by Edward Tambling, which will be attractive to the many choirs who do not wish to sing in Polish. The Latin text is carefully crafted to fit Górecki's score and is both poetic and sensitive to the devotional aspect of the songs. English translations from the Polish are also included, for reference only.The three publications present the songs for sacred use according to devotional subject-matter. In concert performances the songs, or a selection of them, may be performed in any order and combination. Vol 1 contains six songs in praise of the Blessed Virgin Mary. The seven songs in vol 2 take the themes of Good Friday, the Crucifixion, The Cross of Christ and the Resurrection. Vol 3 contains seven songs in praise of St Joseph, St Anne and St Nicholas, the Blessed Sacrament, the Trinity and the Black Madonna of Cz?stochowa. / Choeur Mixte (SATB) A Cappella

Górecki's Church Songs, based on melodies from Rev Jan Siedlecki's ?piewniki Ko?cielne ('church songbooks'), were composed in 1986. This edition is based on the PWM edition of 2013, which was produced with the assistance of Anna Górecka and Miko?aj Górecki. A special feature of the Boosey publications is the new, alternative Latin sung text by Edward Tambling, which will be attractive to the many choirs who do not wish to sing in Polish. The Latin text is carefully crafted to fit Górecki's score and is both poetic and sensitive to the devotional aspect of the songs. English translations from the Polish are also included, for reference only.The three publications present the songs for sacred use according to devotional subject-matter. In concert performances the songs, or a selection of them, may be performed in any order and combination. Vol 1 contains six songs in praise of the Blessed Virgin Mary. The seven songs in vol 2 take the themes of Good Friday, the Crucifixion, The Cross of Christ and the Resurrection. Vol 3 contains seven songs in praise of St Joseph, St Anne and St Nicholas, the Blessed Sacrament, the Trinity and the Black Madonna of Cz?stochowa. / Choeur Mixte (SATB) A Cappella