Par THORVALDSDOTTIR ANNA. Score and Parts for Anna Thorvaldsdottir's Shades Of Silence for Violin, Viola, Cello and Piano accompaniment. Score and Parts for Anna Thorvaldsdottir's Shades Of Silence for Violin, Viola, Cello and Piano accompaniment. Written for Nordic Affect. The first performance was given on 2 February2013 at Kaldal and oacute - n Hall, Harpa Centre, Reykjavik, Iceland. Duration: c. 8 minutes/ Répertoire / Violon, Alto, Violoncelle et Piano

Anna Thorvaldsdottir's Trajectories arranged for Piano & Electronics. Duration: 14 minutes.

Anna Thorvaldsdottir's Hidden for Percussionist and Grand Piano. Duration: Approximately 13 minutes.

Anna Thorvaldsdottir's Aeriality Orchestra for Orchestra.Written for the Iceland Symphony Orchestra and premiered in the new Reykjavik Concert Hall and Conference Center HARPA on 24 November 2011 by IcelandSymphony Orchestra conducted by Ilan Volkov.Duration: 13 minutes

Anna Thorvaldsdottir's Shades Of Silence was composed in 2012 and is arranged for violin viola violoncello and harpsichord. Written for Nordic Affect. The first performance was given on 2 February 2013 atKaldalón Hall Harpa Centre Reykjavik Iceland.Duration: c. 8 minutes

Anna Thorvaldsdottir's Impressions  for prepared harpsichord. Written for Guðrún Óskarsdóttir. The first performance was given on 30 January 2016 at Harpa Centre Reykjavik Iceland. Duration: c. 8 minutes

Score and Parts for Anna Thorvaldsdottir's Sequences. Written for bass flute bass clarinet baritone saxophone and contrabassoon. Composed for the International Contemporary Ensemble (ICE) for theICEcommons Project and the New York Public Library. The first performance was given on 2 February 2013 at Kaldalón Hall Harpa Centre Reykjavik Iceland. Duration: c. 8 minutes

3 Percussionists-Anna Thorvaldsdottir's - aura - was composed in 2011 and is arranged for 3 percussionists. Duration approximately: 6 minutes. Instrumentation includes: Station I Bassdrum 2 almglocken (C and Db) Station II Tam-tam 4 bells Station I Bass drum 2 almglocken (F and Gb) Shared Instrument 1vibraphone reachable from all three stations

Anna Thorvaldsdottir's Hvolf was composed in 2009 and is arranged for Soprano with Piano accompaniment. 

Anna Thorvaldsdottir's Fields  for Ensemble and Electronics. Year composed: 2016 Duration: 6 minutes

Written for the International Contemporary Ensemble and for Tenor Peter Tantsits. The work was created through ICE’s First Page Commissioning Program thanks to the lead support of Frances Kazan. The first performance wasgiven on 3 August 2016 in Hearst Plaza at Lincoln Center New York City U.S.A. Performance notes: 'As a composer I have a tendency to write music in rather low dynamics. The dynamics indicate an atmosphere and theurge to approach the music with a sense of calm rather than merely indicating the dynamic level. I do not intend for the music tobe too quiet – but rather projecting a sense of serenity. I would kindly ask that thedynamics be tuned to the location of the performance and subtly dramatized as appropriate with regards to the performance space and/or concert venue. ‘To the accompaniment of everyday life’ indicates an atmosphericapproach to the music that suggests fragility and loneliness. The work was commissioned to be premiered outside so the music was inspired by the notion of hearing the environment “accompanying” the music.' - AnnaThorvaldsdottir.

Par THORVALDSDOTTIR ANNA. Commissioned by the Spektral Quartet, Carnegie Hall, and Washington Performing Arts and first performed in 2019. According to the composer Enigma was inspired by 'the notion of the 'in-between', juxtaposing flow and fragmentation... the perspective continuously moves between the two, the fundament and the fragmented shadows, but the focus is always their relationship.' / Date parution : 2021-11-03/ Répertoire / Quatuor à Cordes