Prenez un cours avec l'un des guitaristes metal les plus accomplit : Rob Arnold du groupe Chimaira. Il vous expliquera comment créer des rythmes et section metal puis une chanson compléte. En anglais. / Guitare

Andantino-English Dances Set I opus 27 is a light classic composition that was written for orchestra by the British composer Malcolm Arnold in 1950. The set contains four dances that continue without pause: the individual movements are indicated by the tempo markings. The work came about at the request of Bernard de Nevers at the time the head of publisher Alfred Lengnick and Co. who asked Arnold to write a suite of dances as an English counterpart to Dvo ákâ??s Slavonic Dances and Bartókâ??s Romanian Folk Dances. The première took place in the spring of 1951 played by the London Philharmonic Orchestra conducted by Sir Adrian Boult. Following the success of the first set DeNevers asked the composer to write a second one which Arnold completed the next year (Op. 33). The Andantino from the first set has been skilfully arranged and orchestrated for brass band by Ray Farr. English Dances Set I opus 27 is a light classic composition that was written for orchestra by the British composer Malcolm Arnold in 1950. The set contains four dances that continue without pause: the individual movements are indicated by the tempo markings. The work came about at the request of Bernard de Nevers at the time the head of publisher Alfred Lengnick and Co. who asked Arnold to write a suite of dances as an English counterpart to Dvo ákâ??s Slavonic Dances and Bartókâ??s Romanian Folk Dances. The première took place in the spring of 1951 played by the London Philharmonic Orchestra conducted by Sir Adrian Boult. Following the success of the first set DeNevers asked the composer to write a second one which Arnold completed the next year (Op. 33). The Andantino from the first set has been skilfully arranged and orchestrated for brass band by Ray Farr.

Par ARNOLD MALCOLM. Pendant près de deux siècles, la légende durable du maniaque Barbier de Fleet Street, Sweeney Todd et ses tartes salées de humaines a inspiré la terreur dans le coeur et l'esprit du public, que ce soit par la page imprimée ou de la scène théâtrale. Ballet de Malcolm Arnold, Sweeney Todd, fut d'abord mis en scène en 1959 par le Royal Ballet Company et la chorégraphie par John Cranko. La musique fut adaptée comme une oeuvre de concert, et c'est à partir de cette version que cet arrangement brass band, par Phillip Littlemore, est fait. La suite de concert original dure une vingtaine de minutes, mais cette version a été raccourcie à un plus gérable huit minutes. Une coupe facultatif est aussi marquée réduisant la pièce à six minutes, idéale pour les concerts de la fanfare. La première exécution de la présente entente a été donnée le 22 octobre 2006 la Northampton Malcolm Arnold Festival, Derngate, par la bande de moulin à vent Rushden menée par Richard Graves./ Répertoire / Brass Band

Malcolm Arnold wrote this little fantasy in the early 1960s as a present for his children Katherine and Robert to play together. Even as a miniature it has many of the hallmarks of the Arnold style such as the evocative melodic writing together with the occasional dark dissonance. It was written at a time when Arnold was deeply into film music. Perhaps this is why in the famous film Whistle Down the Wind the main theme is for flute/piccolo and turns out to be not entirely dissimilar to the theme found in this fantasy.

from the ballet 'Solitaire'. Par ARNOLD MALCOLM / SPARKE PHILIP (Arr.). En 1956, Sir Kenneth MacMillan créa un ballet en un acte pour le ballet du théâtre de Sadler?s Wells, à Londres. Il sélectionna la musique de plusieurs des English Dances (Danses anglaises) que Sir Malcolm Arnold avait composées en 1950 et 1951 et avaient été fort bien reçues. Le compositeur écrivit deux nouvelles danses, une Sarabande et une Polka, spécialement pour le ballet, qui fut créé au théâtre de Sadler?s Wells en juin 1956. Devenues des ?uvres à part entière dans les salles de concert, ces nouvelles danses sont typiques d?Arnold : la Sarabande contient l?une de ses mélodies les plus mémorables, tandis que la Polka le montre sous son jour le plus excentrique et spirituel. / Date parution : 2022-10-12/ Répertoire / Brass Band

Written when Malcolm Arnold was just 22 and at the very beginning of his composing career Trio for Flute Viola and Bassoon delighted Arnold with its unusual sound combinations and trademark ‘wrong note harmonies’. The piece is an abstract energetic work full of intriguing rhythmic eccentricities.Malcolm Arnold was a British composer who earned an international reputation both as a composer of serious works including nine symphonies and as a composer of light music. He composed more than one hundred film scores among them the Oscar-winning music for The Bridge on the River Kwai the award-winning music for The Inn of the Sixth Happiness Whistle Down the Wind and Hobson’sChoice.

Malcolm Arnold wrote this little fantasy in the early 1960s as a present for his children Katharine and Robert to play together. Even as a miniature it has many of the hallmarks of the Arnold style: the evocative melodic writing together with the occasional dark dissonance. It was written at a time when Arnold was deeply into film music; indeed in the famous film 'Whistle Down the Wind' the main theme is also for flute/piccolo and is not entirely dissimilar to that found in this fantasy.

Arnold Schönberg: String Quartet No. 2 - F# minor for soprano and string quartet op. 10 PH229 Arnold Schoenberg's String Quartet No. 2 op. 10 with soprano (1907 /1908) is among the founding documents of New Music. Instrument: for soprano and string quartet Edition type: pocket score Composer: Schönberg Arnold 'This quartet adds a new element to Schoenberg's creative oeuvre: brevity. It was already indicated by the succinctness of the Chamber Symphony and is clearly expressed in the structure of the F sharp minor Quartet with four shorter movements. There is only a small step from the harmonic language of this work to a complete renunciation of tonality. The last movement - although, in the main, belonging to F sharp mayor - no longer carries a key signature. Chromatic alteration turns the fourth chords into harmonies never heard before, free from any tonal context.' (Anton Webern)

Malcolm Arnold's ballet in one act Electra is presented here as a full study score. Based on a reduced version of Sophocles' play Arnold's ballet was commissioned by the Royal Ballet and first performed at the Royal Opera House in Covent Garden on the 26th of March 1963. Electra lasts around 15 minutes and was given its first concert performance by the BBC Concert Orchestra at the Royal Festival Hall in London conducted by Barry Wordsworth on the 5th of November 2004. For this full score Arnold adopted the normal anglicised spelling of Electra  however the firstperformance had it billed in the original spelling of Elektra as in the more famous opera by Richard Strauss.  The ballet is exciting dynamic and dark making for a wonderful performance that's as compelling as it is enjoyable. The power of the music married with the intense percussion in Electra are fitting for such a classically tragic tale.

Par ARNOLD MALCOLM. Ivan March of Gramophone says '. . .a bleak unease in the unrelenting energy of the first movement, which becomes even more discomforting in the desolate start to the Lento. This leads to a forlorn suggestion of a funeral march, which then ironically quickens in pace but is suddenly cut down - the drum strokes become menacingly powerful and the despairing mood of the movement's opening returns. . . and grips the listener in the music's pessimism. . .' This is a Study Score of Arnold's Symphony #6 Op.95. / Niveau : Elémentaire / Répertoire / Conducteur

Führer und Thementafel. Par SCHOENBERG ARNOLD. Analysen Musikalischer Werke Von Arnold Schönberg Nach Dem Text Der Berg-Gesamtausgabe/ Répertoire / Divers

Par SCHOENBERG ARNOLD. Arnold Schönberg est la figure centrale du monde musical du XXe siècle. Sa signification musicale était déjà évidente pendant sa durée de vie, mais son influence à titre posthume a augmenté énormément. Son travail a ouvert la voie à révolutionnaire des changements dans la perception musicale. Cette édition complète aspire à être tout aussi indispensable pour la recherche, ainsi que pour la performance. L'édition est publiée en deux séries : série a en format folio contient des oeuvres tout rempli, toutes les partitions piano préparées par le compositeur lui-même et les oeuvres tout inachevées convenable pour la performance - également des fragments (gros scores) qui sont mieux adaptés pour être imprimées dans un tel format. Série B, au format in-quarto, contient des versions précoces, des croquis, des idées et des fragments ainsi que Genèse et un commentaire critique./ Répertoire / Orgue ou Piano 4 Mains