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Stabat Mater (PART ARVO)
22.14
Stabat Mater (PART ARVO)
Chorale 3 parties
SAT
[Partition]
Universal Edition
Par PART ARVO. / Date parution : 2023-03-21/ Répertoire / Choeur Mixte (SAT) e...
(+)
Par PART ARVO. / Date parution : 2023-03-21/ Répertoire / Choeur Mixte (SAT) et string Orchestre
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Russian Choral Masterpieces
27.20
Russian Choral Masterpieces
Piano, Voix
Novello & Co Ltd.
An original and exciting collection of anthems and other choral pieces written f...
(+)
An original and exciting collection of anthems and other choral pieces written for the Orthodox Church and inspired by the Church in Russia, selected by Ralph Allwood. Partly because of the re-emergence of the Church in the former Soviet Union, interest in Christian musical sources alternative to the great body of the Anglican and other Western Christian traditions has grown sharply in recent years. Though the works presented here may be unfamiliar, they are all masterly. Designed to appeal to choirs of various levels, the collection includes a Kontakion and Ikos for the funeral service, anthems by Great Russian Romantics: Tchaikovsky, Rachmaninov, Grechaninov - and composers from our age: Stravinsky, Schnittke, or Arvo Part speaking for a tradition outside the Orthodox Church, as well as settings of the Lord's Prayer in both Russian and English by John Tavener. / Chant Et Piano
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Marche Des Saint Cyriens (SARVONNAT)
4.24
Marche Des Saint Cyriens (SARVONNAT)
Partie Séparée
[Partition]
Martin, Robert
Par SARVONNAT. / Marches militaires / Répertoire / Partie Séparée
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Spiegel Im Spiegel (PART ARVO)
18.90
Spiegel Im Spiegel (PART ARVO)
Violon et Piano
[Partition]
Universal Edition
Par PART ARVO. Arvo Part's composition for violin and piano with a duration time...
(+)
Par PART ARVO. Arvo Part's composition for violin and piano with a duration time of approx. 10 minutes./ Répertoire / Violon et Piano
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9.94
Magnificat (PART ARVO)
Chorale SATB
Universal Edition
Par PART ARVO. The SATB Choral Score to Arvo Part's Magnificat./ Répertoire / C...
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Par PART ARVO. The SATB Choral Score to Arvo Part's Magnificat./ Répertoire / Choeur SATB
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Marche Des Saint Cyriens
En Français
Parties Supplémentaires
[Partie séparée]
Martin, Robert
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22.14
Te Deum (PART ARVO)
Choeur SSAA/TTBB/SATB, Piano Préparé, Orchestre à
Universal Edition
Par PART ARVO. Pärt's take on the Te Deum text, also known as the Ambrosian Hym...
(+)
Par PART ARVO. Pärt's take on the Te Deum text, also known as the Ambrosian Hymn, employs his signature tintinnabuli style of composition. The melodic lines, as well as their harmonies, strictly follow the rhythms of the text, resulting in heightened importance given to the text itself and an unconventional setting. For advanced players and vocalists. The liturgical text of the Te Deum consists of immutable truths. I am reminded of the sense of immeasurable serenity imparted by a mountain panorama. Swiss artist Martin Ruf once told me that he can distinguish over twenty shades of blue in the mountains when the air is clear. His words immediately turned into sound; I began tohear those blue mountains. I wished only to convey a mood, a mood that could be infinite in time, by delicately removing one piece - one particle of time - out of the flow of infinity. I had to draw this music gently out of silence and emptiness. The work Te Deum was a quest for something evanescent, something long lost or not yet found, the quest for something believed to be non-existent, but so real that it exists not only within us but beyond our being as well. (Arvo Pärt)/ Répertoire / Choeur SSAA/TTBB/SATB, Piano Préparé, Orchestre à
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Da Pacem Domine (PART ARVO)
20.53
Da Pacem Domine (PART ARVO)
Quatuor de Flûtes à bec
Universal Edition
Arrangeur: Irmhild Beutler_Sylvia C. Rosin. Par PART ARVO. Une grande partie de ...
(+)
Arrangeur: Irmhild Beutler_Sylvia C. Rosin. Par PART ARVO. Une grande partie de la musique de Arvo Pärt est pour petites forces et à l'intérieur les capacités techniques de développement de musiciens. Da Pacem Domine pour quatuor de l'enregistreur est un autre exemple. Ecrit dans son ' tintinnabulum style, la pièce était à l'origine pour choeur ou solistes a cappella. Cette notation pour enregistreurs peuvent être joués dans une des deux combinaisons qui se trouvent dans cette publication : version haute - ténor treble, descant et la basse (S, A, T, B) version faible - ténor, basse, très basse, sub-bass (T, B, GB, SB) cette adaptation fera un élément unique concert pour du Moyen-Orient grade aux joueurs plus avancés./ Répertoire / 4 Flûtes à Bec
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28.31
Songs from Childhood (PART ARVO)
Choeur d'Enfants et Piano
[Partition + CD]
Universal Edition
For Children's Choir and Piano . Par PART ARVO. ‘I went to nursery school ever...
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For Children's Choir and Piano . Par PART ARVO. ‘I went to nursery school every day until the end of secondary school!’ Arvo Pärt says and pauses, staring slyly at his listener. ‘My mother worked at a nursery school in Rakvere, and I always went to visit her after my lessons.’ There, the future composer often sat at the piano and played or improvised for his little friends. Arvo Pärt is a composer best known for his 'tintinnabuli' compositions. It is a lesser-known fact that in his earlier years as a composer, he also wrote children's songs and piano pieces along with music for plays and animated films. This volume, 'Songs from Childhood', contains a selection of Arvo Pärt's music for children from the period 1956-1970. In those years he was involved with several children's studios and theatres as the piano accompanist and composer. Most of his music for children came about by way of improvisation in rehearsals and was only later completed and put on paper. These pieces therefore retain all the spontaneity and playful spirit in which they were created. 'Songs from Childhood' includes a CD of the same name, providing recordings of the songs with new and colourful instrumental accompaniments in the roiginal Estonian language for your enjoyment. These new accompaniments, which are also included as backing tracks on the CD, were arranged by the composer Tauno Aints in collaboration with Arvo Pärt. The sheet music of these arrangements is available on hire. The piano version doubles as a piano reduction. • 15 selected pieces for children‘s choir and piano written with all the spontaneity and playful spirit typical of Arvo Pärt‘s music for children • Includes a CD with full and sing-along versions of the songs • The recordings of the songs are in Estonian with new and colourful instrumental accompaniments by Tauno Aints in collaboration with Arvo Pärt/ Répertoire / Choeur d'Enfants et Piano
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Pari Intervallo (PART ARVO)
15.49
Pari Intervallo (PART ARVO)
1 Piano, 4 mains
Universal Edition
Par PART ARVO. 'Pari intervallo' was composed in 1976 on the occasion of the dea...
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Par PART ARVO. 'Pari intervallo' was composed in 1976 on the occasion of the death of a friend and is dedicated to his memory. The basic musical material consists of two parts which move exactly parallel to each other, so that the interval between them is always the same- hence the title. 'Pari intervallo' is reminiscent of a chorale prelude which might be prefaced with the lines from Romans 14/8: 'If we live, we live to the Lord, and if we die, we die to the Lord.'(Arvo Pärt) Pärt's quiet meditation Pari Intervallo is available in several very diverse settings (4 recorders, organ solo, or clarinet and trombone with string orchestra), and UE now makes available this 2008 version, playable as piano duet or with two pianos. For intermediate to advanced pianists. Dur. c. 5'30'/ Répertoire / Piano 4 Mains
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Pari intervallo (PART ARVO)
14.98
Pari intervallo (PART ARVO)
Orgue
[Conducteur]
Universal Edition
Par PART ARVO. The basic musical material of 'Pari intervallo' by Arvo Pärt con...
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Par PART ARVO. The basic musical material of 'Pari intervallo' by Arvo Pärt consists of two parts which move exactly parallel to each other, so that the interval between them is always the same- hence the title. 'Pari Intervallo' is reminiscent of achorale prelude which might be prefaced with the lines from Romans 14/8: 'lf we live, we live to the Lord, and if we die, we die to the Lord.' Now for the first time available as a single edition for organ. / Musique contemporaine / Répertoire / Orgue
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Russian Choral Masterpieces: SATB: Vocal Score
17.99
Russian Choral Masterpieces: SATB: Vocal Score
Chorale SATB
SATB
[Vocal Score]
-
Intermédiaire/avancé
Novello & Co Ltd.
An original and exciting collection of anthems and other choral pieces written f...
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An original and exciting collection of anthems and other choral pieces written for the Orthodox Church and inspired by the Church in Russia selected by Ralph Allwood. Partly because of the re-emergence of the Church in the former Soviet Union interest in Christian musical sources alternative to the great body of the Anglican and other Western Christian traditions has grown sharply in recent years. Though the works presented here may be unfamiliar they are all masterly. Designed to appeal to choirs of various levels the collection includes a Kontakion and Ikos for the funeral service anthems by Great Russian Romantics: Tchaikovsky Rachmaninov Grechaninov; andcomposers from our age: Stravinsky Schnittke or Arvo Part speaking for a tradition outside the Orthodox Church as well as settings of the Lord's Prayer in both Russian and English by John Tavener.
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Lieder Aus Der Kindheit (PART ARVO)
16.60
Lieder Aus Der Kindheit (PART ARVO)
Chœur d'Enfants et Piano ou Ensemble
Universal Edition
Par PART ARVO. ‘I went to nursery school every day until the end of secondary ...
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Par PART ARVO. ‘I went to nursery school every day until the end of secondary school!’ Arvo Pärt says and pauses, staring slyly at his listener. ‘My mother worked at a nursery school in Rakvere, and I always went to visit her after my lessons.’ There, the future composer often sat at the piano and played or improvised for his little friends. Arvo Pärt is a composer best known for his 'tintinnabuli' compositions. It is a lesser-known fact that in his earlier years as a composer, he also wrote children's songs and piano pieces along with music for plays and animated films. This volume, 'Songs from Childhood', contains a selection of Arvo Pärt's music for children from the period 1956-1970. In those years he was involved with several children's studios and theatres as the piano accompanist and composer. Most of his music for children came about by way of improvisation in rehearsals and was only later completed and put on paper. These pieces therefore retain all the spontaneity and playful spirit in which they were created. This edition is the choral score. If you are looking for the sheet music, please go to UE36693. It Includes a CD with full and sing-along versions of the songs recorded in Estonian language and with new and colourful instrumental accompaniments by Tauno Aints in collaboration with Arvo Pärt./ Répertoire / Chœur d'Enfants et Piano ou Ensemble
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Symphonie Nr.4 Los Angeles (PART ARVO)
68.76
Symphonie Nr.4 Los Angeles (PART ARVO)
Orchestre à Cordes, Harpe, Timbales et Percussion
[Conducteur d'étude / Miniature]
Universal Edition
Par PART ARVO. Chad Smith, Artistic Director of the Los Angeles Philharmonic, ha...
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Par PART ARVO. Chad Smith, Artistic Director of the Los Angeles Philharmonic, has long nurtured the desire to commission a new work by Arvo Pärt. When the Los Angeles Philharmonic submitted this idea to Arvo Pärt in February 2007, the suggestion came at precisely the right moment. Pärt was working at that time with an ancient canon in Church Slavonic containing a prayer to a guardian angel - the connection to 'Los Angeles' was irresistible. Pärt was further inspired to take the commission by the idea of seeing this work performed by the Los Angeles Philharmonic, one of the best orchestras in the world, under its music director Esa-Pekka Salonen, and in the Walt Disney Concert Hall, one of the most exciting concert buildings of our time. The Canberra International Music Festival / Ars Musica Australis and the Sydney Conservatorium of Music joined the project as co-commissioners, thanks to the committed work of director Chris Latham. It may come as a surprise that it has taken so long (37 years) for Pärt to produce his fourth symphony. Symphony No. 3 emerged in 1971, in a time of transition before Pärt had fully developed the 'Tintinnabuli style' which he still employs today. Since developing this style, Pärt has not written any orchestral works which could be called 'symphonic' in scope or structure. With Symphony No. 4, which he calls 'Los Angeles', he creates a reference to this essential phase in his compositional life. Symphony No. 4 incorporates Pärt's 'These Words…' for string orchestra, which was premiered in May 2008 in Copenhagen. As was previously seen in some of Pärt's early instrumental works, all parameters of the text (number of syllables, inflection, punctuation etc) play a decisive role in the structure of the composition. Arvo Pärt has dedicated Symphony No. 4 'Los Angeles' to Mikhail Khodorkovsky./ Répertoire / Orchestre à Cordes, Harpe, Timbales et Percussion
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Adam's Lament (PART ARVO)
55.44
Adam's Lament (PART ARVO)
Chœur SATB et Orchestre à Cordes
[Conducteur d'étude / Miniature]
Universal Edition
Par PART ARVO. Arvo Pärt has been fascinated by the life and work of St Silouan...
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Par PART ARVO. Arvo Pärt has been fascinated by the life and work of St Silouan of Athos (1866-1938) for many years. As early as 1991, the writings of Silouan inspired Pärt to his composition Silouan's Song, 'My soul yearns after the Lord ...' for string orchestra. Pärt's new work Adam's Lament is once again based on a text by Silouan, in which the monk laments Adam's pain over the loss of paradise. Silouan's sketches and writings are of great poetic power, and represent some of the most significant works in Russian poetry. The content and structure of the texts, which are sung in Russian, dictate the course of the music down to the smallest detail. Punctuation, syllable counts and word emphases all play decisive roles in the composition. 'For me, the name Adam is a collective term not merely for the whole of humanity, but for each individual, regardless of time, era, social class or religious affiliation. And this collective Adam has suffered and lamented on this earth for millennia. Our ancestor Adam foresaw the human tragedy that was to come and experienced it as his own guilty responsibility, the result of his sinful act. He suffered all the cataclysms of humanity into the depths of desperation, inconsolable in his agony.' Arvo Pärt To mark Arvo Pärt's Lifetime Achievement Award from the International Istanbul Music Festival, a new work was premiered at a concert featuring highlights from the composer's career: Adam's Lament for choir and orchestra. The piece was co-commissioned by the European Capitals of Culture for 2010 and 2011, Istanbul and Tallin respectively./ Répertoire / Chœur SATB et Orchestre à Cordes
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Da Pacem Domine
26.59
Da Pacem Domine
2 Violoncelles (duo)
Universal Edition
La perfection de la simplicité Avec la perfection du son simple Arvo Pärt cons...
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La perfection de la simplicité Avec la perfection du son simple Arvo Pärt consolide son rôle particulier dans le cercle des compositeurs contemporains depuis plus de 30 ans. Le intemporelle typique beauté de sa sonorité qui coule peut être virtuosité superficielle, rebondir dynamique excessives ou d'un match d'expression effet chargé de donner à la pièce de la perfection sonore qui se déroule chaque note. Mais cela met juste la revendication musicale et sonore pour les artistes plus élevés. Da pacem également partie Domine dans cet esprit qu'une antienne grégorienne du 9 Siècle. Ecrite à l'origine pour le compte de Jordi Savall pour choeur a cappella, Pärt réalisé moi-même pour 8 ou 4 violoncelles. / Ensemble De Violoncelles
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The Woman With The Alabaster Box (PART ARVO)
11.66
The Woman With The Alabaster Box (PART ARVO)
Chorale SATB
Universal Edition
Par PART ARVO. Arvo Pärt's The Woman with the Alabaster Box for mixed choir SAT...
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Par PART ARVO. Arvo Pärt's The Woman with the Alabaster Box for mixed choir SATB a cappella. This work is Arvo Pärt's beautiful musical interpretation of the anointing in Bethany (the Gospel according to St Matthew 26, 6-13)./ Répertoire / Choeur SATB
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Spiegel Im Spiegel. (PART ARVO)
18.31
Spiegel Im Spiegel. (PART ARVO)
Basson, Piano (duo)
Universal Edition
Par PART ARVO. `Spiegel im Spiegel` is a well-known example of Arvo Pärts Tinti...
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Par PART ARVO. `Spiegel im Spiegel` is a well-known example of Arvo Pärts Tintinnabuli style and has been used in many films. Arvo Pärts Spiegel im Spiegel illustrates his creative principles: above a permanent flow of chords on the piano, the cello unfolds acantilena in long note values, which grows out of succinct steps. This cantilena spins out sweeping, chorale-like arches and spreads itself out more and more. It thus gives rise to a new architectonic configuration which, like a mediation chapel, stimulaties reflection, prayer or the desire for redemption. (Jürgen Köchel)/ Répertoire / Basson et Piano
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Spiegel Im Spiegel (PART ARVO)
19.42
Spiegel Im Spiegel (PART ARVO)
Orgue
Universal Edition
Par PART ARVO. `Spiegel im Spiegel` is a well-known example of Arvo Pärts Tinti...
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Par PART ARVO. `Spiegel im Spiegel` is a well-known example of Arvo Pärts Tintinnabuli style and has been used in many films. Arvo Pärts Spiegel im Spiegel illustrates his creative principles: above a permanent flow of chords on the piano, the cello unfolds acantilena in long note values, which grows out of succinct steps. This cantilena spins out sweeping, chorale-like arches and spreads itself out more and more. It thus gives rise to a new architectonic configuration which, like a mediation chapel, stimulaties reflection, prayer or the desire for redemption. Jürgen Köchel/ Répertoire / Orgue
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Cecilia, Vergine Romana (PART ARVO)
60.49
Cecilia, Vergine Romana (PART ARVO)
Choeur SATB et Orchestre
Universal Edition
Par PART ARVO. Arvo Pärt received a commission to compose this work from the Ag...
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Par PART ARVO. Arvo Pärt received a commission to compose this work from the Agenzia Romana per la preparazione del Giubileo, that was, the body responsible for the organisation of the Holy Year 2000 in Rome. Pärt was asked to write a work to be performed by the Chorus and Orchestra of the Accademia Nazionale di Santa Cecilia. Pärt was inspired by the story of the martyrdom of Saint Cecilia and he embarked on a search for a suitable text in 1999. He eventually found one in Latin at the seminary in the Austrian city of Graz: it is the Breviarium Romanum (S. Ceciliae Virg. et Mart. , Lectio iii for 22 November) which contains a concise description of the saint's life. An old translation ofthe text into Italian has been located in the library of the Monastero di Bose in Northern Italy. The world premiere of Cecilia, vergina romana took place in Rome on 19 November, that is, three days before the Saint Cecilia feast on 22nd (repeat performances on 20 and 21 November). Arvo Pärt has dedicated the work to the conductor, Myung-Whun Chung as well as the Chorus and Orchestra of the Accademia Nazionale di Santa Cecilia./ Répertoire / Choeur SATB et Orchestre
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Cecilia, Vergine Romana (PART ARVO)
15.49
Cecilia, Vergine Romana (PART ARVO)
Choeur SATB et Orchestre
Universal Edition
Par PART ARVO. Arvo Pärt received a commission to compose this work from the Ag...
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Par PART ARVO. Arvo Pärt received a commission to compose this work from the Agenzia Romana per la preparazione del Giubileo, that was, the body responsible for the organisation of the Holy Year 2000 in Rome. Pärt was asked to write a work to be performed by the Chorus and Orchestra of the Accademia Nazionale di Santa Cecilia. Pärt was inspired by the story of the martyrdom of Saint Cecilia and he embarked on a search for a suitable text in 1999. He eventually found one in Latin at the seminary in the Austrian city of Graz: it is the Breviarium Romanum (S. Ceciliae Virg. et Mart. , Lectio iii for 22 November) which contains a concise description of the saint's life. An old translation of thetext into Italian has been located in the library of the Monastero di Bose in Northern Italy. The world premiere of Cecilia, vergina romana took place in Rome on 19 November, that is, three days before the Saint Cecilia feast on 22nd (repeat performances on 20 and 21 November). Arvo Pärt has dedicated the work to the conductor, Myung-Whun Chung as well as the Chorus and Orchestra of the Accademia Nazionale di Santa Cecilia./ Répertoire / Choeur SATB et Orchestre
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Vater Unser (PART ARVO)
22.76
Vater Unser (PART ARVO)
Garçon Soprano et Piano
[Partition + CD]
Universal Edition
Gewidmet Dem Heiligen Vater, Papst Benedikt XVI. Par PART ARVO. On 4 July 2011 A...
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Gewidmet Dem Heiligen Vater, Papst Benedikt XVI. Par PART ARVO. On 4 July 2011 Arvo Pärt performed his 'Vater unser' ('Our Father') for Pope Benedict XVI at a ceremony in the Vatican celebrating the 60th anniversary of his ordination to the priesthood. Pärt also presented the Pope with a copy of the manuscript, which is dedicated to him. To honour the anniversary, over 60 artists from around the world have been invited to contribute to a new exhibition of artworks. Amongst the artists are the composers Arvo Pärt, Ennio Morricone and James MacMillan. To commemorate this historical occasion, Universal Edition has released a new edition of Pärt’s 'Vater unser' including a CD recording of the composer performing the work together with the boy soprano Heldur Harry Põlda, who performed with Pärt at the Vatican./ Répertoire / Garçon Soprano et Piano
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Vater Unser (PART ARVO)
7.71
Vater Unser (PART ARVO)
Choeur d'Enfants et Piano
Universal Edition
Par PART ARVO. On 4 July 2011 Arvo Pärt performed his “Vater unser” (“Our...
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Par PART ARVO. On 4 July 2011 Arvo Pärt performed his “Vater unser” (“Our Father”) for Pope Benedict XVI at a ceremony in the Vatican celebrating the 60th anniversary of his ordination to the priesthood. Pärt also presented the Pope with a copy of the manuscript, which is dedicated to him. To honour the anniversary, over 60 artists from around the world have been invited to contribute to a new exhibition of artworks. Amongst the artists are the composers Arvo Pärt, Ennio Morricone and James MacMillan. To commemorate this historical occasion, Universal Edition has released a new edition of Pärt’s “Vater unser”, see UE35300. It includes a CD recording of the composer performing the work together with the boy soprano Heldur Harry Põlda, who performed with Pärt at the Vatican. This edition is the choral score with piano accompaniment./ Répertoire / Choeur d'Enfants et Piano
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Summa (PART ARVO)
35.47
Summa (PART ARVO)
4 Guitares (Quatuor)
[Conducteur et Parties séparées]
Universal Edition
eingerichtet von dem Dublin Guitar Quartet und Arvo Pärt. Par PART ARVO. 'I hav...
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eingerichtet von dem Dublin Guitar Quartet und Arvo Pärt. Par PART ARVO. 'I have developed a highly formalised compositional system, which I have been using to write my music for twenty years. Summa is the most strict and enigmatic work in this series', said Arvo Pärt in 1994. The neutral title itself embodies the essence of the content as the work is based on the text of the Latin Credo. The great simplicity of the piece masks its complexity. The underlying rules ensure that on the surface a cycle of continuous change is created while the deep structure possesses an order of stillness. Saale Kareda Originally written for four a cappella voices in 1977, the string quartet version dates from 1991. This edition adds a further version for guitar quartet./ Répertoire / 4 Guitares
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Fratres (PART ARVO)
47.18
Fratres (PART ARVO)
3 Flûtes à Bec [S,A,T]
[Conducteur et Parties séparées]
Universal Edition
Par PART ARVO. Fratres (original setting for violin and piano) was commissioned ...
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Par PART ARVO. Fratres (original setting for violin and piano) was commissioned by the Salzburg Festival and premiered on August 17th, 1980 at that very place (violin: Gidon Kremer, piano: Elena Kremer). Composed in Pärt's very own 'Tintinnabuli'-style, this piece allows many different settings because it is not bound to a specific tone color. 'The highest virtue of music, for me, lies outside of its mere sound. The particular timbre of an instrument is part of the music, but it is not the most important element. If it were, I would be surrendering to the essence of the music. Music must exist of itself … two, three notes … the essence must be there, independent of the instruments.' (Arvo Pärt)/ Répertoire / 3 Flûtes à Bec [S,A,T]
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Fratres (PART ARVO)
23.25
Fratres (PART ARVO)
Violon, Orchestre à Cordes et Percussions
Universal Edition
Par PART ARVO. Fratres (original setting for violin and piano) was commissioned ...
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Par PART ARVO. Fratres (original setting for violin and piano) was commissioned by the Salzburg Festival and premiered on August 17th, 1980 at that very place (violin: Gidon Kremer, piano: Elena Kremer). Composed in Pärt's very own 'Tintinnabuli'-style, this piece allows many different settings because it is not bound to a specific tone color. 'The highest virtue of music, for me, lies outside of its mere sound. The particular timbre of an instrument is part of the music, but it is not the most important element. If it were, I would be surrendering to the essence of the music. Music must exist of itself … two, three notes … the essence must be there, independent ofthe instruments. ' (Arvo Pärt)/ Répertoire / Violon, Orchestre à Cordes et Percussions
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Fratres (PART ARVO)
22.14
Fratres (PART ARVO)
Quatuor à cordes: 2 violons, alto, violoncelle
[Conducteur d'étude / Miniature]
Universal Edition
Par PART ARVO. Fratres (original setting for violin and piano) was commissioned ...
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Par PART ARVO. Fratres (original setting for violin and piano) was commissioned by the Salzburg Festival and premiered on August 17th, 1980 at that very place (violin: Gidon Kremer, piano: Elena Kremer). Composed in Pärt's very own 'Tintinnabuli'-style, this piece allows many different settings because it is not bound to a specific tone color. 'The highest virtue of music, for me, lies outside of its mere sound. The particular timbre of an instrument is part of the music, but it is not the most important element. If it were, I would be surrendering to the essence of the music. Music must exist of itself … two, three notes … the essence must be there, independent of the instruments.' (Arvo Pärt)/ Répertoire / Quatuor à Cordes
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