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Incantation. Concerto for Piano and Orchestra No. 4 H 358 / Fantasia Concertante. Concerto for Piano and Orchestra No. 5 in B-flat major H 366 (MARTINU BOHUSLAV)
423.40
Incantation. Concerto for Piano and Orchestra No. 4 H 358 / Fantasia Concertante. Concerto for Piano and Orchestra No. 5 in B-flat major H 366 (MARTINU BOHUSLAV)
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[Partition]
Barenreiter
The Bohuslav Martinu Complete Edition III/1/5. Par MARTINU BOHUSLAV. “Incarnat...
(+)
The Bohuslav Martinu Complete Edition III/1/5. Par MARTINU BOHUSLAV. “Incarnation” (1956), Bohuslav Martinu’s fourth piano concerto, follows an atypical two-movement structure. It was composed for Martinu’s friend Rudolf Firkušný, who played from a copy of the autograph until 1970, when the composition was first put into print. The next work, “Concerto in B flat major for Piano and Orchestra”, known under the name “Fantasia Concertante”, was to be Martinu’s very last concert work. The concerto in three movements, composed at the request of Swiss pianist Margrit Weber, is quite different from the previous work in terms of its compositional means. In this case, Martinu strongly influenced the edition of the work. The present volume of the Complete Edition of works by Bohuslav Martinu is based mainly on contemporary copies containing the composer’s own modifications. The edition presents numerous new findings about the genesis of both works./ Recueil / Orchestre
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Concerto Da Camera H 285 / Rhapsody-Concerto H 337 (MARTINU BOHUSLAV)
335.24
Concerto Da Camera H 285 / Rhapsody-Concerto H 337 (MARTINU BOHUSLAV)
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Couverture Rigide. Par MARTINU BOHUSLAV. Replaces H 277 The two concertos contai...
(+)
Couverture Rigide. Par MARTINU BOHUSLAV. Replaces H 277 The two concertos contained in this volume represent two different stylistic periods within Martinu's work. The 'Concerto da Camera” (1941) is the last of his works inspired by the Baroque concerto grosso. The 'Rhapsody-Concerto”, composed eleven years later (1952), was the first work of his so-called 'fantasia period”, marked by a more open sense of form and an expansion of tonality. The edition of the 'Concerto da Camera' shows, for the first time, the extend of Martinu's modifications to the work since its composition and publication, particularly on the solo violin part. The edition of the 'Rhapsody-Concerto” takes into account, among others, the discovery of previously unknown contemporary performance materials. This volume of the Bohuslav Martinu-Complete Edition (BMCE) is based on a wealth of text and music sources, in particular autographs and contemporary copies that were recognized by the composer and early performers of the works, as well as some first editions created in collaboration with Martinu./ Répertoire / Conducteur
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Easy Piano Pieces Et Dances (MARTINU BOHUSLAV)
16.18
Easy Piano Pieces Et Dances (MARTINU BOHUSLAV)
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Par MARTINU BOHUSLAV. Though Bohuslav Martinu produced a lot of didactic materia...
(+)
Par MARTINU BOHUSLAV. Though Bohuslav Martinu produced a lot of didactic material for the piano, not all of it has been published and many delightful works have remained unknown. In this Easy Piano Pieces and Dances album, Martinu’s four-part piano cycle Quarter and Eighth Notes, composed in Paris in 1937, appears for the first time. It is devoted to changes of metre and tempo. The work, previously known only from his correspondence, was long considered lost until a copyist’s manuscript of it resurfaced in Brno in 2011. The jazz piece One Step, composed in 1921, is also made accessible here for the first time. It hitherto only existed in the composer’s autograph. Along with these two“discoveries”, this album contains the dance pieces that Martinu composed in Policka in the 1920s as well as the three-part cycle Christmas, composed in Paris in 1927. These were previously available in Compositions for Policka. Though Bohuslav Martinu produced a lot of didactic material for the Piano, not all of it has been published and many delightful works have remained unknown. In this “Easy Piano Pieces and Dances” album, Martinu ’s four-part Piano cycle “Crotchets and Quavers”, composed in Paris in 1937, appears for the first time. It is devoted to changes of metre and tempo. The work, previously known only from his correspondence, was long considered lost until a manuscript copy resurfaced in Brno in 2011. The jazz piece “One-step”, composed in 1921, is also made accessible here for the first time. It hitherto only existed in the composer’sautograph. Along with these two “discoveries”, this album contains the dance pieces that Martinu composed in Policka in the 1920s as well as the three-part cycle “Christmas”, composed in Paris in 1927. These were previously available in “Compositions for Policka”. Includes original Martinu works, some published for the first time Foreword (Cz/Eng/Ger) and fingering by Lucie Harasim Berná Easy to moderately difficult pieces / Niveau : Facile / Répertoire / Piano
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Bohuslav Martinu: String Trio No.1 H.136: String Trio: Parts
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The fate of Bohuslav Martinu's String Trio no.1 which dates from the turn of 19...
(+)
The fate of Bohuslav Martinu's String Trio no.1 which dates from the turn of 1923 and 1924 and was lost until 2005 is somewhat remarkable. The trio is the first work which Martinu created in Paris after becoming the private pupil of Albert Roussel and was probably performed twice in Paris during 1924. It had its Czech premiere in February 1925 and Martinu requested his friend S. Novak to make sure that they didn't lose the scores of the things they played because he did not have any sketches or copies.Precisely that which Martinu feared then occurred - the sole existing version of the trio was lost; it was not until the autumn of 2005 that the autographof the trio (the score and parts for the viola and cello - the violin part is still missing) was found at the Danish Royal Library in Copenhagen thanks to the searches of the Bohuslav Martinu Institute and it is after this autograph that this edition has arisen.
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Serenade no. 3 H 218 (MARTINU BOHUSLAV)
12.70
Serenade no. 3 H 218 (MARTINU BOHUSLAV)
Hautbois, Clarinette, 4 Violons et Violoncelle
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Par MARTINU BOHUSLAV. Unusual instrumentations were by no means the exception in...
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Par MARTINU BOHUSLAV. Unusual instrumentations were by no means the exception in the chamber music works of Bohuslav Martinu, most notably the works he wrote in Paris in the 1920s and 1930s being characterised by his experimentation with sound and form. It is from this period that four short serenades also originate (1932), each with a different instrumentation. The serenades were issued by the Prague publishing house Melantrich in 1949. Their premiere took place two years previously on 16 October 1947 and was performed by members of the Prague Symphony Orchestra (FOK). Although the study score of the Serenades Nos. 1 and 3 was published while the composer was still alive, he was in fact not involved in preparing this edition: indeed, the performance material also appeared in print without his participation in 1954. It was therefore decided to use the autograph score as the principal source for this edition./ Répertoire / Hautbois, Clarinette, 4 Violons et Violoncelle
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Serenade no. 3 H 218 (MARTINU BOHUSLAV)
16.18
Serenade no. 3 H 218 (MARTINU BOHUSLAV)
Hautbois, Clarinette, 4 Violons et Violoncelle
[Set de Parties séparées]
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Par MARTINU BOHUSLAV. Unusual instrumentations were by no means the exception in...
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Par MARTINU BOHUSLAV. Unusual instrumentations were by no means the exception in the chamber music works of Bohuslav Martinu, most notably the works he wrote in Paris in the 1920s and 1930s being characterised by his experimentation with sound and form. It is from this period that four short serenades also originate (1932), each with a different instrumentation. The serenades were issued by the Prague publishing house Melantrich in 1949. Their premiere took place two years previously on 16 October 1947 and was performed by members of the Prague Symphony Orchestra (FOK). Although the study score of the Serenades Nos. 1 and 3 was published while the composer was still alive, he was in fact not involved in preparing this edition: indeed, the performance material also appeared in print without his participation in 1954. It was therefore decided to use the autograph score as the principal source for this edition./ Répertoire / Hautbois, Clarinette, 4 Violons et Violoncelle
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Concerto For Violin And Orchestra #1 H 226
33.58
Concerto For Violin And Orchestra #1 H 226
Violon et Piano
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Bohuslav Martinu wrote his First Violin Concerto in Paris in 1932-33, this work ...
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Bohuslav Martinu wrote his First Violin Concerto in Paris in 1932-33, this work having been commissioned by the violin virtuoso Samuel Dushkin. However, it was never performed during the composer's lifetime and was even considered lost after his death. It was not until 1961 that musicologist and collector Hans Moldenhauer bought it from Boaz Piller, contrabassoonist of the Boston Symphony Orchestra. Moldenhauer approached Czech violinist Josef Suk, who gave the world premiere of the work with the Chicago Symphony Orchestra under Georg Solti in October 1973.This piano reduction is based on the musical text of the first edition. The solo part has been revised by a leading Czech violinist and performer of Martinu's music. - Major violin concerto of the 20th century - New Foreword by Martinu scholar Sandra Bergmannová (Cz/Eng/Ger) / Violon Et Piano
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Bohuslav Martinu: Bohuslav Martinu: Suite miniature H192 No.7
9.99
Bohuslav Martinu: Bohuslav Martinu: Suite miniature H192 No.7
Leduc, Alphonse
Bohuslav Martinu: Suite miniature H192 No.7
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Bohuslav Martinu: Piano Quintet No. 2 (1944): Piano Quintet: Score and Parts
49.99
Bohuslav Martinu: Piano Quintet No. 2 (1944): Piano Quintet: Score and Parts
Piano Quintette: piano, 2 violons, alto, violoncelle
[Partition]
Associated
Score and Parts-Score and Parts for Bohuslav Martinu's Piano Quintet.
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Bohuslav Martinu: Scherzo Divertimento: Flute: Score
Flûte traversière et Piano
[Partition]
Schott
Bohuslav Martinu's Scherzo Divertimento for Flute and Piano.
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Bohuslav Martinu: Rhythmische Etuden: Violin: Instrumental Work
14.99
Bohuslav Martinu: Rhythmische Etuden: Violin: Instrumental Work
Violon
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Intermédiaire/avancé
Schott
Bohuslav Martinu's Rhythmische Etuden is an exciting study for the Violin with ...
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Bohuslav Martinu's Rhythmische Etuden is an exciting study for the Violin with Piano accompaniment.
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Bohuslav Martinu: Serenade no. 1 H 217: Chamber Ensemble: Study Score
10.00
Bohuslav Martinu: Serenade no. 1 H 217: Chamber Ensemble: Study Score
Orchestre de chambre
[Conducteur d'étude / Miniature]
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Serenade no. 1 H 217. Unusual instrumentations were by no means the exception in...
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Serenade no. 1 H 217. Unusual instrumentations were by no means the exception in the chamber music works of Bohuslav Martinu, most notably the works he wrote in Paris in the 1920s and 1930s being characterised by his experimentation with sound and form. It is from this period that four short serenades also originate, of which the Serenade No. 1 was composed in 1932. The serenades were published by the Prague publishing house of Melantrich in 1949. Although the study score of the Serenade No. 1 was published while the composer was still alive, he was in fact not involved in preparing this edition: indeed, the performance material also appeared in print without his participation in 1954. It was therefore decided to use the autograph score as the principal source for this edition.
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First Sonata For Flûte And Piano
28.60
First Sonata For Flûte And Piano
Flûte traversière et Piano
[Partition + CD]
Première Sonate Bohuslav Martinu pour flûte et piano avec CD playback enregist...
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Première Sonate Bohuslav Martinu pour flûte et piano avec CD playback enregistrées par Jeannie Yu. / Flûte Et Piano
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Bohuslav Martinu: Sonata No. 3: Violin: Instrumental Work
37.50
Bohuslav Martinu: Sonata No. 3: Violin: Instrumental Work
Violon
Associated
This is one of Martinu's most dramatic and darkest duo works. This is not surpri...
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This is one of Martinu's most dramatic and darkest duo works. This is not surprising; the sonata dates from 1944 when Martinu had exiled himself to the United States and Europe was still struggling amid the turbulence of WorldWar II.
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Bohuslav Martinu: Trio à cordes n°2 H238: String Trio: Score and Parts
Trio à Cordes: violon, alto, violoncelle
[Conducteur et Parties séparées]
Heugel
Bohuslav Martin (1890-1959) was a prolific Czech composer writing many large s...
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Bohuslav Martin (1890-1959) was a prolific Czech composer writing many large scale works. The composer moved to Paris in 1923 where he began experimenting in a variety of composition styles. His String Trio was published in 1951. Martin himself was a violinist and many of his experiments in composing for solo instruments and small ensembles saw him write for his own instrument and for the familiar strings. String Trio is made up of two movements; 1) Allegro and 2) Poco moderato. With a typical performance lasting about 15 and a half minutes the String Trio for Violin Viola and Celloprovides advanced string players with an exciting challenging and inspiring ensemble work addressing a variety of musical features. Martin 's String Trio is essential to aspiring string ensembles.
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Bohuslav Martinu: Sextet: String Ensemble: Parts
38.50
Bohuslav Martinu: Sextet: String Ensemble: Parts
Orchestre à Cordes
Associated
Written over a single week in May 1932 this Sextet is for two Violins two Viol...
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Written over a single week in May 1932 this Sextet is for two Violins two Violas and two Cellos - plus optional Double Bass. The rebellious Martinu absorbed many influences throughout an interesting life spent living in hisnative Czechoslovakia then France Spain Italy the U.S. and Switzerland.
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Bohuslav Martinu: Sextet: String Ensemble: Miniature Score
Orchestre à Cordes
Associated
Score-Written over a single week in May 1932 this Sextet is for two Violins tw...
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Score-Written over a single week in May 1932 this Sextet is for two Violins two Violas and two Cellos - plus optional Double Bass. The rebellious Martinu absorbed many influences throughout an interesting life spent living in his native Czechoslovakia then France Spain Italy the U.S. and Switzerland.
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String Quartet With Orchestra H 207 / Sinfonia Concertante No. 2 H 322 (MARTINU BOHUSLAV)
359.60
String Quartet With Orchestra H 207 / Sinfonia Concertante No. 2 H 322 (MARTINU BOHUSLAV)
Orchestre et Quatuor à Cordes
[Partition]
Barenreiter
Score Hardcover. Par MARTINU BOHUSLAV. 'To tell the truth, I'm a concerto grosso...
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Score Hardcover. Par MARTINU BOHUSLAV. 'To tell the truth, I'm a concerto grosso type,” Martinu wrote in 1945. Unsurprisingly, the concerto grosso is also the formal basis of both concertante compositions for four solo instruments and orchestra included in the 'Quadruple Concertos” volume. The works were written nearly twenty years apart and are quite different in style, having been inspired by various influences: Handel and Haydn, the Baroque period, and Classicism. The considerable time gap between the compositions is also evident in Martinu's compositional technique, which transformed fundamentally throughout the decades. The sixth BMCE volume includes an extensive preface describing the genesis of the works, the circumstances of their first publication, and their historical reception in the context of the composer's oeuvre, as well as a detailed critical report by the editors. The facsimile section provides high-quality reproductions of musical and non-musical sources, which document selected editorial issues, historical performance practice, and abandoned versions. 'Quadruple Concertos” is the last editorial accomplishment of brilliant Martinu expert and world-famous conductor Christopher Hogwood - a work that he collaborated on during his many years of research on Martinu./ Répertoire / Orchestre et Quatuor à Cordes
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Trio (MARTINU BOHUSLAV)
57.70
Trio (MARTINU BOHUSLAV)
Trio à Cordes: violon, alto, violoncelle
Heugel
Par MARTINU BOHUSLAV. Bohuslav Martin (1890-1959) was a prolific Czech composer,...
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Par MARTINU BOHUSLAV. Bohuslav Martin (1890-1959) was a prolific Czech composer, writing many large scale works. The composer moved to Paris in 1923 where he began experimenting in a variety of composition styles. His String Trio was published in 1951. Martin himself was a violinist and many of his experiments in composing for solo instruments and small ensembles saw him write for his own instrument and for the familiar strings. String Trio is made up of two movements; 1) Allegro and 2) Poco moderato. With a typical performance lasting about 15 and a half minutes, the String Trio for Violin, Viola and Celloprovides advanced string players with an exciting, challenging and inspiring ensemble work, addressing a variety of musical features. Martin 's String Trio is essential to aspiring string ensembles./ Répertoire / Violon, Alto et Violoncelle
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Sonatina For Violin And Piano (MARTINU BOHUSLAV)
13.86
Sonatina For Violin And Piano (MARTINU BOHUSLAV)
Violon et Piano
[Partition]
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Par MARTINU BOHUSLAV. Sonatina for violin and piano was written in Paris in 1937...
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Par MARTINU BOHUSLAV. Sonatina for violin and piano was written in Paris in 1937.Thanks to its instructive character,it is a favourite part of the repertoire of violin novices. The violin part wasrevised byViktor Nopp. / Répertoire / Violon et Piano
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