Par BRITTEN BENJAMIN. Parts to Benjamin Britten's Phantasy for String Quintet./ Répertoire / Violon, Alto et Violoncelle

Par BENJAMIN GEORGE. Shadowlines is a set of six canonic preludes for Piano by George Benjamin. The work was concieved as a continous cumulative structure and is approximately 15 minutes in duration. / Niveau : Elémentaire / Répertoire / Piano

Par BENJAMIN GEORGE. The Full score to George Benjamin's A Mind Of Winter for Soprano voice and Orchestra. '. . .a beautifully wrought soundscape of crystalline bleakness out of which a soprano voice emerges. Its continuation delights by its unfailing inventiveness.' The Independent (David Wright), 20 March 1990/ Répertoire / Voix et Ensemble Instrumental

Par BENJAMIN GEORGE. '. . .the sheer technical aplomb of the work continues to amaze. Benjamin wrote it when he was eighteen - the beautifully dappled structure and wonderfully imagined effects seem to evidence a far deeper maturity.'Financial Times (Andrew Clements), 24 February 1987/ Répertoire / Conducteur

Par BRITTEN BENJAMIN. Benjamin Britten's 1937 composition, The Company Of Heaven is a dramatic work of considerable substance, from which individual movements may be performed separately as anthems or concert works. The work sets a variety of texts from authors as varied as John Ruskin, Francis Thompson, Christina Rossetti, Blake and Bunyan./ Répertoire / Conducteur

Par BENJAMIN GEORGE. Annette Morreau writes 'This is a remarkable work, a setting of Yeats' Long-Legged Fly , where Benjamin has found a newly expressive sound world - rasping colours in rich dissonant chords, pizzicato and tremolo effects. And in his use of the voice in hesitant parlando style, the claustrophobic nature of the poem is decisively captured.' The Independent, 30th October 1996./ Répertoire / Voix et Ensemble Instrumental

Arrangement Pour Quatuor De Guitares De Benjamin Valette - Parties Séparées. Par SAINT-SAENS CAMILLE / BENJAMIN VALETTE (ARR.). French / Niveau : Avancé / Date parution : 2019-11-22/ Répertoire / 4 Guitares

Par BRITTEN BENJAMIN. Benjamin Britten wrote his 'String Quartet in F' in April 1928, shortly after he began lessons with Frank Bridge. He was fourteen at the time and it is thought that this piece was set as a homework exercise by this new teacher.This set of parts is in four parts./ Répertoire / Trio ou Quatuor à Cordes

Par BRITTEN BENJAMIN. Carry Her Over The Water is a partsong for unaccompanied mixed voices chorus from Benjamin Britten's operetta Paul Bunyan, Op. 17, arranged by Colin Matthews. / Choral Music / Répertoire / Voix Mixtes

Par SCHWEITZER BENJAMIN. The chiaroscuro-technique developed by painters of the Italian renaissance served to intensify contrasts and effects of optical depth. In Klar/Obskur, I tried to transfer the general idea of this technique on the rather unusual instrumentation of two double-reed woodwinds and piano. On the one hand, a clear, well articulated playing is characteristic for these instruments, on the other hand, they have an often underestimated potential of „twilight“: air-sounds and fragile, shady colours have a especially attractive when being produced by double-reed instruments (which are often, and superficially regarded as being less capable of differentiated sounds than flute or clarinet). The piano, too, has a broad bandwidth of possibilities between percussive and delicate playing to complement the woodwinds which, in return, can absorb and continue the fading piano sounds. The beginning introduces the two contrasting elements that form the basic material for the piece: a clear, sharp chord, followed by fragile, dim sounds. The changes between these elements as well as their combination and amalgamation produce an enormous spectrum of colours and gesture. After this „motto-like“ opening follow four quite clearly separated short sections, each of them being characterised by a well-defined texture: a partly almost imperceptible air-sound passage, a short sequence of microintervallic notes, a burst of virtuosity and a recourse to the fragile sounds of the beginning. The second, longer main part consists of three sections merging subtly into each other: a short unisono-passage, marked elastic [federnd], is being dissolved into its basic elements; from these remainders, a confrontation of low, ‚arcane‘ bassoon and piano sounds and a strongly ornamented melodic line of the oboe emerges, leading to a short but powerful climax. The piece is concluded by an extended, relaxed epilogue, containing a short piano solo and a duet of oboe and bassoon and, finally, a quotation of the „elastic“ character of the middle section. Benjamin Schweitzer / Date parution : 2007-11-20/ Répertoire / Hautbois, Basson et Piano

Cette collection de musique traditionnelle de l'Irlande et l'Ecosse arrangé pour guitare solo est le résultat d'une étude de passionnés de la tradition de certains des meilleurs musiciens jouant dans ce genre. Ce volume présente Martin Simpson, Steve Baughman, Pierre Bensusan, canard Baker, Tom Long, Pat Kirtley, El McMeen. / DVD

Par BRITTEN BENJAMIN. King Arthur was the first of 28 scores Benjamin Britten (1913-1976) composed for radio between 1937 and 1947. It was an ambitious dramatisation of King Arthur' s life and times - part pageant, part play, part cantata - written by D.G. Bridson. This colourful suite incorporates the Introduction, a dramatic Wild Dance, some of the music underscoring the scenes for Galahad and The Holy Grail, and two vivid battle scenes, ending with The Final Battle and Apotheosis. King Arthur (scenes from a radio drama) for brass band should not be confused with a much longer orchestral suite which Paul Hindmarsh devised from the same source in 1995./ Répertoire / Brass Band