SKU: HH.HH512-SOL
ISBN 9790708185222.
Symp hony No.63 La Roxelane the first movement of which re-employs (with reduced instrumentation and some structural adjustment to conform to its new symphonic setting) the overture to Haydn’s opera Il mondo della luna which was originally composed for the 1777 season at Esterháza. The second movement, headed Roxelane Allegretto, is a set of variations on the French melody La Roxelane which reveals itself as an early example of the composer’s favoured double-variation form of contrasting major and minor key sections. Roxelane herself is the leading female character in Les trois sultanes, a stage play by Charles Simon Favart performed by Karl Wahr and his theatrical troupe in a German translation at Esterháza in that same year with (we assume) incidental music by Haydn. The Menuetto and concluding Finale Presto of the symphony were newly-composed and do not (as far as we know) make use of re-cycled theatrical music.
SKU: BU.EBR-A064
ISBN 9790560151472. 8.58 x 12.48 inches.
La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d’œuvres classiques, allant de la Renaissance à l’époque moderne.Proposer tout à la fois des « incontournables » du répertoire classique et des pièces de compositeurs parfois oubliés, toutes d’une valeur pédagogique indéniable, tels sont les objectifs que nous nous sommes fixés. Chaque pièce, vendue à l’unité, a fait l’objet d’un travail éditorial attentif, tant sur le plan de l’établissement du texte musical que de sa gravure, afin de garantir aux musiciens les conditions indispensables aux plaisirs tirés du commerce fréquent de ces œuvres.Les partitions sont proposées sous la forme d’ouvrages traditionnels (feuillets papier), et disponibles également par téléchargement. La partition ici présentée est une transcription pianistique du deuxième mouvement de la suite n°3 de Jean-Sébastien Bach, une des pages les plus justement célèbres du compositeur allemand. Écrite à l’origine pour un effectif instrumental constitué de cordes seules et d’un continuo joué au clavecin, cet Aria doit sans doute sa popularité à son caractère grandiose, sa puissance expressive et la beauté immuable de son discours musical. La ligne mélodique, très flexible, est soutenue par le rythme régulier de la basse qui alterne les sauts d’octaves ascendants et descendants. Les enchevêtrements contrapuntiques, situés vers le milieu de la deuxième partie de l’Aria, constituent le sommet expressif de la pièce qui se termine comme elle a commencé, dans un climat d’une grande sérénité.
SKU: KN.61603
UPC: 822795616033.
Sure to delight audiences with an abundance of interesting original material and surprise interludes, the superior orchestration techniques in this chart will make bands of all ability levels sound impressive. Scored for advancing players, sufficient emphasis on ensemble work is included. Solo sheets for Bb, C and Eb instruments and a guitar chord chart by Jim Greeson are provided in each set. Duration 6:40.
SKU: FG.55011-488-3
ISBN 9790550114883.
Kale vi Aho has continued composing his popular Solo pieces for different instruments. Solo XIV for clarinet (2018) was premiered in October 2019 by Simon Reitmaier in Tirol, Austria. The duration of the piece is c. 11 minutes.
SKU: M7.KECF-156
ISBN 9790502361563. German English.
This aria originates from Bach's fourth cantata of the Christmas Oratorio which was composed for New Year's Day and is scored for Tenor, B.c. and two solo violins. They start with the main theme in a concertante fugue before the tenor enters. The present arrangement is based on this Instrumentation and Transfers the tenor part to a third violin.
SKU: BR.EB-8041
World premiere: Dusseldorf, May 20, 1978
ISBN 9790004174401. 9 x 12 inches.
During the intensive study of Johann Sebastian Bach's Musical Offering for the creation of a commissioned composition for wind trio, I had the idea of writing a larger organ work on the Royal Theme at the same time. This is how the Three Ricercare came into being. They are multi-part fantasies for organ, which - connected by the frequently transformed thematic material of the Musical Offering and the manifoldly reshaped B-A-C-H motif - alternate between free, rapsodic parts on the one hand and strictly structured parts on the other. For my 60th birthday, W. E. v. Lewinski wrote an appreciation under the title: Music in the span between constraint and freedom. This formulation aptly characterizes the new organ work. (Jurg Baur) CD: Martin Herchenroder CD Koch 3-1846-3 H1 Bibliography: Semrau , Arno: Polpyhone Orgelmusik von Johann Sebastian Bach bis Jurg Baur, Augsburg: Wissner 2001, darin besonders pp. 259-304 und 510-532. Richter , Reinhold: Zwischen Tradition und Avantgarde zwischen Zweifel und Hoffnung. Einige Notizen zur Chor- und Orgelmusik von Jurg Baur anlasslich des 85. Geburtstages im vergangenen November, in: Forum Kirchenmusik 54 (2003), Heft 6, pp. 23-31.World premiere: Dusseldorf, May 20, 1978.
SKU: DS.169423
A string quartet with optional violin for viola. After a full ensemble introduction the piece gives way to a duet in the viola and cello. With the violins entering one at a time the piece now becomes full with all parts present gravitating to motivic development moving to a modulation. The next section gives the tune to the cello with the upper lines adding punctuated accompanied figures. The next section uses motivic patterns while passing portions of the tune to the various players. A modulation- then the parts become increasingly more active in a variation style. With a solid ensemble altering the melody; a brake; then, repose.Key of G, C, D.
SKU: HL.49027883
SKU: GI.G-CD-1018
UPC: 785147001829.
The Meditation collection was created to feature famous classical melodies in an original dialogue between two distinctive instruments. These beautiful recordings will encourage a sense of calmness and serenity during meditation. This edition combining cello and harp is one of the top five best sellers from the Meditation collection. You will be transported by the beautiful performances of Frédérick Dupuis on cello and Joanna Kozielska on harp. “Prelude in C major†by Bach, Bellini’s “Nocturne for Cello and Harp,†and Caccini’s “Ave Maria†are just a few of the treasured titles from this fine assortment of the most recognized and beloved melodies in classical music.
SKU: BT.DHP-1053790-040
9x12 inches. English-German-French-Dut ch.
Le compositeur et violoniste tchèque Frantisek Vincenc Kramar dont le nom fut germanisé en Franz Vinzenz Krommer, est né le 27 novembre 1759 Kamenice en Moravie occidentale et mort le 8 janvier 1831 Vienne en Autriche. l’adolescence, il est initié l’art du violon et l’orgue par son oncle Anton Matthias Krommer lui-même organiste et chef de chœur. En 1785, il fait un premier séjour Vienne avant de rejoindre l’orchestre du Comte de Limburg-Stirum dont la résidence se trouve Simontornya en Hongrie. Il est engagé d’abord en tant que violon solo de l’orchestre puis plus tard en tant que maître de chapelle. Vers 1790, il obtient le poste de chef de chœur la cathédrale de Pécs. Il quitte cette fonction en 1793 pour entrer au service du Comte Károlyi puis du Prince Antal Grassalkovich. En 1795, suite au décès du prince hongrois, Franz Krommer revient Vienne. Après une longue période d’infortune, il entre comme Maître de Chapelle au service du Duc Ignaz Fuchs, en 1806. Quatre ans plus tard, il est nommé au poste de directeur musical du Thé tre Royal et Impérial de Vienne (Wiener Hoftheater). En 1818, succédant Leopold (Johann Anton) Kozeluch, il devient le dernier Maître de musique de chambre et compositeur de la cour des Habsbourg. Il gardera ses fonctions jusqu’ sa mort en 1831.Franz Krommer était l’un des plus illustres compositeurs tchèques de la Vienne impériale vers la fin du XVIIIe siècle. Sa musique était très appréciée de son vivant et certains le considéraient comme le digne héritier de Joseph Haydn. Son style est indéniablement apparenté ce dernier mais aussi celui de Mozart. Franz Krommer a composé de nombreuses symphonies, des concertos (essentiellement pour instruments vent solistes), des duos pour violons, des quatuors cordes, de la musique de chambre et des œuvres sacrées. Le Concerto pour Clarinette Opus 36 de Krommer a été publié pour la première fois en 1803 chez l’éditeur allemand Johann Anton André.
SKU: MN.10-662A
UPC: 688670008023.
SKU: HL.49024889
ISBN 9790001008228. German.
SKU: BT.MUSBM11803B
English.
About A New Tune A Day
Since it first appeared in the 1930s, the concise, clear content of the best-selling A Tune A Day series has revolutionized music-making in the classroom and the home. Now, for the first time, C. Paul Herfurth's original books have been completely rewritten with new music and the latest in instrumental technique for a new generation of musicians. The A New Tune A Day books have the same logical, gentle pace and keen attention to detail, but with a host of innovations: the inclusion of an audio CD-with actual performances and backing tracks-will make practice even more fun and exciting, and the explanatory diagrams and photographs will help the student to achieve the perfect technique and tone. This book contains: easy-to-follow lessons on clear, uncluttered pages; tips for technique; improvising hints; audio CD with a virtuoso performance, backing tracks, and audio examples; great music, including duets and ensemble pieces; useful pull-out fingering chart
SKU: HL.14062596
SKU: CA.7005905
ISBN 9790007107901. Key: C major. Language: German.
Score available separately - see item CA.7005900.
SKU: HL.49024873
ISBN 9790001008174. German.
SKU: CL.012-4603-01
Composed by Carl Maria von Weber for solo viola with orchestra, the Hungarian Rondo has become a standard repertoire bassoon solo. This edition offers a choice of soloist, including bassoon, bass clarinet, euphonium, or tuba. The band setting is carefully arranged to require a minimum of preparation time, and is playable with either full concert band, or if accompanying a soloist requiring greater presence, just woodwinds and horns. The finale includes an ossia part as well as the original. An excellent piece to feature a guest artist or outstanding soloist with your band!
About C.L. Barnhouse Spotlight Series
The Barnhouse Spotlight series includes publications for solo instruments with concert band accompaniment. These publications are designed to feature outstanding members of your band as soloist, and to provide unique and entertaining programming options. Solo parts are graded more difficult than the band accompaniments
SKU: SU.50035120
Soundings is written for five like instruments. It may be played by five B-flat or C trumpets, or by other members of the trumpet family. The score and parts are to be considered as written parts one may choose for a performance.Published by: Seesaw Music.
SKU: HL.49025830
ISBN 9790001013437. German.
SKU: BT.DHP-1053878-070
As the title suggests, this is a three-movement work in which the popular music styles of pop, rock and blues are used. Roland Kernen has used a number of characteristic musical ingredients in each movement, resulting in an attractive composition for a variable five-part line-up. The percussion provides the finishing touch!Part 1 Fl Ob Kl B/Es S-Sax Trp Part 2 Fl Cor Ang Kl B Alt-Kl A-Sax Trp Hrn Part 3 Cor Ang Kl B Alt-Kl T-Sax Fg Hrn Pos Euph Part 4 Fg Pos Euph Part 5 B-Kl B-Sax Fg Pos Euph Tuba Kb Opt. Drum PercWie der Titel schon andeutet, kommen in diesem dreisätzigen Werk die populären Stile Pop, Rock und Blues vor. Roland Kernen verwendete in jedem Satz eine Reihe charakteristischer musikalischer Zutaten. Heraus kam eine attraktive Komposition für variable fünfstimmige Besetzung. Das Schlagzeug sorgt für den letzten Schliff!Part 1 Fl Ob Kl B/Es S-Sax Trp Part 2 Fl Cor Ang Kl B Alt-Kl A-Sax Trp Hrn Part 3 Cor Ang Kl B Alt-Kl T-Sax Fg Hrn Pos Euph Part 4 Fg Pos Euph Part 5 B-Kl B-Sax Fg Pos Euph Tuba Kb Opt. Drum PercAvec Pop, Rock & Blues Suite, Roland Kernen signe une œuvre pétillante cinq voix pour ensemble instrumentation variable. La touche finale est apportée par la percussion.Part 1 Fl Htb Cl. Si♭/Mi♭ Sax. S. Trp Part 2 Fl Cor Angl. Cl. Si♭ Cl. Alto Sax. A. Trp Cor Part 3 Cor Angl. Cl. Si♭ Cl. Alto Sax. T. Basson Cor Trb Euph. Part 4 Basson Trb Euph. Part 5 Cl. Basse Sax. B. Basson Trb Euph. Tuba C. Cordes Opt. Batt. PercCon Pop, Rock & Blues Suite, Roland Kernen scrive una suite frizzante per ensemble a cinque voci a strumentazione variabile. Il tocco finale è affidato alle percussioni (opzionali).Part 1 Fl Ob Kl B/Es S-Sax Trp Part 2 Fl Cor Ang Kl B Alt-Kl A-Sax Trp Hrn Part 3 Cor Ang Kl B Alt-Kl T-Sax Fg Hrn Pos Euph Part 4 Fg Pos Euph Part 5 B-Kl B-Sax Fg Pos Euph Tuba Kb Opt. Drum Perc.
SKU: XC.HRMG2351B
Parts for Chamber Orch. and Organ and Winds version - Organ + Winds (5 players + Org.): Flute, Oboe, Fr. Horn, 2 - Bb Tpts., and Org. (opt. Timp/Perc) – Organ plays a separate part and replaces the string and harp parts in the score - Chamber Orchestra (13-20 players): Flute, Oboe, French Horn, 2 - Bb Trumpets, Timpani, Percussion (Glock, Sus. Cym., Crash Cym.), Harp and Strings (3.3.3.2.1).
SKU: HL.14010241
ISBN 9780853603993. 9x12 inches. English.
Four short pieces from the children's television series, including the famous signature theme by Vernon Elliott for Bassoon and Piano. Includes parts for treble clef C, and Bb instruments.
SKU: PR.ZM28390
ISBN 9783921729434.
