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Snehvides Spejl - Operatrailer: Orchestra: Score
Orchestre
[Partition]
Wilhelm Hansen
Composer's Program Note Repertoire operas occationally have orchestral suites: B...
(+)
Composer's Program Note Repertoire operas occationally have orchestral suites: Bits and pieces of overture interlude etc. tied upin a bouquet of 'schönste Tränen'. Contemporary opera usually wither after the first season so the focusis on getting people to come and have a sniff before it's too late. Consequently it seemed obvious to meto start making orchestral excerpts from my operas that are meant to be played before the premiere (andafter please); I call them 'opera trailers' when they're substantial enough to be considered independent works and 'opera demos' when they're relatively short and moreappetizer-ish. SNOW WHITE'S MIRROR is a full scale two act dramatic opera written for the Danish National Opera. The opera is a modern re-telling for grown-ups of the brothers Grimm's fairy tale: Snow White is a self-centered teenage narcissist and the villain of the opera; she ends up loosing everyone but herself either because she kills them or because they decide they can't stand being around her anymore. But apparently she's o.k. with that...The music is intended for a large audience: it's basically pop music done with all the craftmanship of aclassical composer who's equally at home with large scale symphonic form avantgarde technique opera singing - and modern pop. The Trailer is in three movements. It contains three sections of the opera; the prelude an interlude close to the beginning of the second act and the final scene but one. It's a gloomy sort of trailer starting out in grand title sequence style moving on to a decidedly odd piece where Snow White find her way to the dwarfs (who're creepy junkies doing pornography to get money to buy dope) and ending in kind of an eerie rejection mood: Everyone still alive walks out on Snow White singing 'skin as white as snow hands red with blood soul as black as ivory'.(NM 2010)
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Opera is a thrilling art form that deals with lifeâ??s rawest emotions and grea...
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Opera is a thrilling art form that deals with lifeâ??s rawest emotions and greatest passions: love jealousy revenge forgiveness sex passion corruption fate power and death. Combining music with drama creates an exciting spectacle which can convey emotions create moods and portray the inner feelings and desires of characters more powerfully than words alone. Add in wonderful sets costumes and increasingly complex technical effects and you have a genre that embraces all the arts in one.This accessible and engaging introduction has been written for both students and newcomers to opera. Simply explained and illustrated with pictures from a wide range ofproductions it includes:A guide to what to expect when you go to the operaBehind-the-scenes insights into how an opera is put together and staged including set design costumes lighting and technical effectsAn overview of the history and development of opera through the agesAn in-depth look at 12 featured operas from different periods and stylesA playlist of video clips has been chosen to accompany the book.
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E-Z Play Today 195: Opera Favorites
11.83
E-Z Play Today 195: Opera Favorites
Piano seul
-
Facile
Hal Leonard
EZ Play Today 195: Opera Favoris propose 30 sélections de chefs-d'oeuvre de l'o...
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EZ Play Today 195: Opera Favoris propose 30 sélections de chefs-d'oeuvre de l'opéra, arrangé spécialement pour l'orgue, piano et clavier électronique. Ecrit en grand format note EZ Play Today 195: Opera favoris comprend des pièces de La Bohème, La Traviata, Carmen, La Flûte enchantée et beaucoup plus. Doté d'un système de numéro d'enregistrement innovant, les musiciens sont en mesure de faire correspondre les numéros d'enregistrement sur ??les chansons des catégories numérotés correspondant, leur permettant de sélectionner et d'activer les sons appropriés sur leur instrument. / Piano
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Diction Coach - G. Schirmer Opera Anthology: Tenor: Vocal Album
19.99
Diction Coach - G. Schirmer Opera Anthology: Tenor: Vocal Album
Voix Tenor
[Partition + CD]
Schirmer
Arias for Tenor-Diction lessons on each aria in the series recorded by top langu...
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Arias for Tenor-Diction lessons on each aria in the series recorded by top language coaches from the Metropolitan Opera and the Juilliard School plus International Phonetic Alphabet and word for word translationsWith these book/CDpackages that match the standard aria collections edited by Robert L. Larsen any singer anywhere has access to the best diction coaching available at a very affordable price. Each aria is recorded twice. In the first version thecoach recites the text as an actor would speak it showing flow of the language and the mood. The second version is a slow deliberate lesson allowing time for the student to repeat each line. These experienced language coachesadapt the ?R? in German and French in the slow versions for singers. They also are very sensitive to liaisons between word sounds in the musical settings. The book includes International Phonetic Alphabet for each ariaand word for word translations.The native speaking professional diction coaches from the Metropolitan Opera and the Juilliard School are: Corradina Caporello for Italian Pierre Vallet for French Irene Spiegelmanfor German Kathryn LaBouff for English Yveta Synek Graff for Czech and Gina Levinson for Russian. Companion to 50481099 Arias for Tenor.
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Il Canto E Le Sue Tecniche (JUVARRA ANTONIO)
24.64
Il Canto E Le Sue Tecniche (JUVARRA ANTONIO)
Chant
-
Intermédiaire
Ricordi
Trattato - 2a edizione ampliata e corretta. Par JUVARRA ANTONIO. Molte sono le t...
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Trattato - 2a edizione ampliata e corretta. Par JUVARRA ANTONIO. Molte sono le tecniche del canto elaborate nel corso dei secoli ma, come una sola è la perfetta intonazione di una nota, così uno solo è l’accordo acustico-aerodinamico che corrisponde al massimo grado di efficienza vocale, i cui effetti/causa sonorappresentati dalla facilità di emissione e dalla risonanza libera. La scuola di canto italiana storica (risalente al Sei/Settecento) ha delineato i principi fondamentali per raggiungere questa meta e tali principi sono dati dal senso di naturalezza globale, dalla purezza del suono, dal contatto dolce con l’energia edalla semplificazione degli strumenti di controllo della voce. La suprema forma di canto, resa possibile dal rispetto di questi principi, ha preso storicamente edesteticamente il nome di ‘belcanto’ e tecnicamente il nome di ‘canto sul fiato’. Questo libro tratta delle tecniche vocali più diffuse oggi: della loro struttura, dei loro pregi e difetti, e della loro origine storica. Nel canto, che è lo strumento più ‘mentale’ e insieme più ‘incarnato’, questa conoscenza si rivela fondamentaleper acquisire un’emissione di alto livello sia dal punto di vista funzionale, sia dal punto di vista estetico. ANTONIO JUVARRA è docente di canto al Conservatorio di Castelfranco Veneto. Ha insegnato alla Scuola dell’Opera Italiana di Bologna, all’Accademia d’arte lirica di Osimo e ai corsi di vocologia artistica presso la facoltà di medicina dell’Universitàdi Bologna. È stato invitato a tenere corsi e seminari di tecnica vocale al Mozarteum di Salisburgo e in numerosi conservatori e istituzioni musicali e universitarie italiane. Ha inoltre partecipato come relatore a numerosi congressi scientifi ci sulla vocecantata, tra cui il III e il V Congresso Internazionale sulla voce artistica, tenutisi a Ravenna nel 2003 e nel 2007. Ha cantato come solista nei più importanti teatri lirici, tra cui la Scala di Milano, l’Arena di Verona, la Fenice di Venezia, con direttori quali Riccardo Muti, Gianandrea Gavazzeni e Julius Rudel. Oltre al trattato Il canto e le sue tecniche, ha scritto il metodo Lo studio del canto (Ricordi, 1999) e i seguenti libri: Rifl essioni fi gurate sul canto (Armelin, 2002), I segreti del belcanto. Storia delle tecnichee dei metodi vocali dal Settecento a oggi (Curci, 2006), Cantare, decantare, incantare (Ut Orpheus, 2011), Incontri, esperienze e idee sul canto (Ut Orpheus, 2013), Canto perduto, canto ritrovato (Armando, 2014), Latecnica vocale italiana (Armelin, 2014) e Esserci o non esserci nel canto (Ut Orpheus, 2015). / Niveau : Intermédiaire / Formation musicale / Date parution : 1905-07-07/ Méthode / Chant
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Richard Wagner: Die Walküre: Opera: Libretto
Opéra
Schirmer
Of the four episodes of the 'Ring Cycle' 'Die Walkure' is most often performed ...
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Of the four episodes of the 'Ring Cycle' 'Die Walkure' is most often performed separately and may be Wagner's best-loved work. The source of this affection is certainly the sensitive depictions of Siegmund and Sieglinde's loveand the father-daughter relationship of Wotan and Brünnhilde.Siegmund stumbles into an unfamiliar house Sieglinde's for shelter and the two fall for each other quickly. However Sieglinde's husband (from a forcedmarriage) Hunding is a kinsman of Siegmund's foes and challenges Siegmund to a duel. Sieglinde gives Hunding a sleeping potion and the two realise they are brother and sister. Siegmund claims Sieglinde as his bride. Watching Wotan and Fricka tell Brünnhilde that she must defend Hunding's marriage rights. Brünnhilde sets out to observe the lovers. When Sieglinde falls asleep Brünnhilde berates Siegmund but when he argues she decides to help him.Hunding and Siegmund battle when Siegmund is about to win however Wotan appears and shatters his sword; he is killed. Brünnhilde escapes with Sieglinde and the broken sword. Wotan fells Hunding with a wave of his handand leaves to punish Brünnhilde. Sieglinde realises she bears Siegmund's child so takes the pieces of the sword and rushes off into the forest to hide. Brünnhilde herself flees to the Valkyries' Rock to hide but Wotan fins herand sentences her to become a mortal woman: she must lie in sleep to be claimed by any man who finds her but behind a wall of fire that only the bravest hero can pierce. This is the Schirmer edition of the Libretto inthe original German with an nglish translation by Stewart Robb.
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Henry Purcell: Purcell Society Volume 4: Opera: Score
28.95
Henry Purcell: Purcell Society Volume 4: Opera: Score
Opéra
[Partition]
Novello & Co Ltd.
Song For The Duke Of Gloucester's Birthday 1695 (Full Score)-Henry Purcell (1659...
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Song For The Duke Of Gloucester's Birthday 1695 (Full Score)-Henry Purcell (1659-1695) held numerous appointments at the Royal court and Westminster Abbey and is considered by many to be the greatest ever English-born composer. His prolific work covered all fields: orchestral ecclesiastical operatic theatrical incidental and chamber music were all enriched by his output.One of Purcell’s last pieces Who Can From Joy Refrain? (Z 342) was written for the 6th birthday of Prince William Duke of Gloucester in June 1695. The Prince was said to enjoy the brash tone of the Trumpet so the prominent Trumpet part was written especially for him. Unusually Purcell also made use of therecently-introduced Oboe and Bassoon.A real asset to the catalogue A Song For The Duke Of Gloucester's Birthday showcases the very best of Purcell’s genius.
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Giacomo Puccini: La Bohème: Opera: Libretto
7.99
Giacomo Puccini: La Bohème: Opera: Libretto
Opéra
Schirmer
Puccini's 'La Boheme' is based on Henri Murger's novel 'Scènes de la vie de boh...
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Puccini's 'La Boheme' is based on Henri Murger's novel 'Scènes de la vie de bohème' which draws it's inspiration from the Bohemian lifestyle which was somewhat in vogue in Paris at the time. This Libretto by Giuseppe Giacosa andLuigi Illica runs as follows:Rodolfo's neighbour in his garret Mimi knocks at the door saying her candle has gone out on the stairs. Rodolfo and Mimi sit in the dark talking and fall for each other. They go to meetRodolfo's friends. While there Marcello's former lover Musetta arrives with her new husband Alcindoro but distracting him falls into Marcello's arms. Some time later Mimì pours out her distress to Marcello over Rodolfo'sincessant jealousy Rodolfo is actually concerned about Mimi's poor health and wants to part with her. On realising this the two decide to stay together until spring Marcello and Musetta meanwhile part when she isunfaithful.Some months later Rodolfo Marcello and friends are amusing themselves in the garret when Musetta bursts in saying Mimi is downstairs and has begged to be taken to her lover to die. She dies almost happily recalling their early love.
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John Baston: Concert 02 C: Descant Recorder: Score and Parts
11.50
John Baston: Concert 02 C: Descant Recorder: Score and Parts
Flûte à bec Soprano
Schott
With these new editions all six recorder concertos of John Baston are now avail...
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With these new editions all six recorder concertos of John Baston are now available each with score piano score and parts. The thor-oughly edited scores follow essentially the first edition printed by John Walsh in London in 1729. Baston was regarded as an excellent recorder and flute player who worked with London opera orchestras in the early 18th century. His easy concertos anticipating the elegant melody of the early classical period enjoy great popularity representing a rewarding task for music school orchestras and advanced recorder players.
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John Baston: Concert 06 D: Descant Recorder: Score and Parts
11.50
John Baston: Concert 06 D: Descant Recorder: Score and Parts
Flûte à bec Soprano
Schott
The thoroughly edited scores follow essentially the first edition printed by Joh...
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The thoroughly edited scores follow essentially the first edition printed by John Walsh in London in 1729. Baston was regarded as an excellent recorder and flute player who worked with London opera orchestras in the early 18th century. His easy concertos anticipating the elegant melody of the early classical period enjoy great popularity representing a rewarding task for music school orchestras and advanced recorder players.
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Concerto #6 D Major
14.43
Concerto #6 D Major
DESC REC/STR ENS/CHAM::Soprano (Descant) Recorder, String Ensemble, Chamber Group
[Partition]
Schott
Les scores minutieusement edited suivent essentiellement la première édition i...
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Les scores minutieusement edited suivent essentiellement la première édition imprimée par John Walsh à Londres en 1729. Baston était considéré comme un excellent enregistreur et le joueur de flûte qui a travaillé avec des orchestres d'opera de Londres au début du XVIIIe siècle. Ses concertos faciles, anticipant la mélodie élégante de début de la période classique jouissent de grande popularité qui représente une tâche enrichissante pour les orchestres de l'école de musique et les joueurs de l'enregistreur avancé. / Flûte A Bec Soprano, Cordes Et Basse Continue
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Opera Arias - Tenor
27.96
Opera Arias - Tenor
Voix Tenor, Piano
Ricordi
Une nouvelle édition indispensable pour tous les chanteurs et le studio de voix...
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Une nouvelle édition indispensable pour tous les chanteurs et le studio de voix! Il s'agit de la collection en plusieurs volumes plus complète de Mozart Opera Arias jamais publié, avec les éditions de Soprano, Mezzo-soprano, ténor et basse / baryton avec 31 à 41 airs par volume.Comprend des notes historiques et intrigue sur chaque opéra et aria, et les traductions pour étudier l'anglais. Les airs les plus connus, bien sûr, se trouvent dans les collections, ainsi que de nombreuses sélections magistrales, vocalement gratifiantes, mais moins familier.Opéras représentés: Apollo et Hyacinthus- Ascanio in Alba- Bastien und Bastienne- La Clemenza di Tito- Così fan tutte- Don Giovanni- Die Entführung aus dem Serail- La finta giardiniera- La finta semplice- Idomeneo- Lucio Silla- Mitridate, rè di Ponto- Le nozze di Figaro- L'oca del cairo- Il rè pastore- Der Schauspieldirektor- Il sogno di Scipione, Zaide, Die Zauberflöte. / Tenor Et Piano
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Camille Saint-Saëns: Ballet d'Ascanio Opera: Piano 4 Hands: Instrumental Album
21.99
Camille Saint-Saëns: Ballet d'Ascanio Opera: Piano 4 Hands: Instrumental Album
En Français
Durand
Ballet d'Ascanio Opera
21.99 GBP - vendu par Musicroom GB
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Arias For Tenor Schirmer Opera Anthology
31.10
Arias For Tenor Schirmer Opera Anthology
Voix Tenor
[Partition]
Hal Leonard
Référence unique par son ISBN 73999810998 cette partition musique n'est autre ...
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Référence unique par son ISBN 73999810998 cette partition musique n'est autre que Arias For Tenor Schirmer Opera Anthology qui a été composée pour Chant Et Piano. Les droits d'auteur de cette partition de musique de style Classique se trouvent chez les éditions Hal Leonard. La référence catalogue de cette oeuvre est HL50481099. / Chant Et Piano / Partition
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Solfeo En Canciones (LOPEZ DE ARENOSA E)
13.50
Solfeo En Canciones (LOPEZ DE ARENOSA E)
Español
Opéra
[Partition]
Real Musical
Par LOPEZ DE ARENOSA E.. El Solfeo en Canciones ha nacido de una manera natural ...
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Par LOPEZ DE ARENOSA E.. El Solfeo en Canciones ha nacido de una manera natural y poco a poco, fruto del trabajo diario de las propias clases de la autora. Esta obra quiere ser, dentro de su sencillez, una forma natural de hacer música desde el primer día de una clase de Solo es un método sino un material complementario que prepara, archiva y resume los conocimientos solfísticos./ Recueil / Opéra Théorique ou Didactique
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Messa di Requiem
37.80
Messa di Requiem
Solistes, SATB et Orchestre
Carus
Par DONIZETTI GAETANO. Through works such as Verdi’s Requiem or Puccini’s Me...
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Par DONIZETTI GAETANO. Through works such as Verdi’s Requiem or Puccini’s Messa di Gloria, we know that the great composers of Italian bel canto opera also wrote marvelous sacred music. Yet most of these pieces are rarely performed. This is also true of Gaetano Donizetti’s Messa di Requiem, which he composed as an expression of grief at the early death of Vincenzo Bellini in 1835. Neither performed nor printed during Donizetti’s lifetime, the Requiem is ripe for rediscovery. A rich and highly intense work, it features dramatic choruses with full orchestra, fugues, and a cappella passages that alternate with lengthy cantilenas for the soloists. The solo numbers are often scored for three male voices accompanied by low winds to create a dark timbre. The soprano and alto soloists do not themselves sing any solo arias, instead remaining part of the solo ensemble. Carus is offering a critical edition of this editorially challenging work complete with vocal score, choral score, and all orchestral parts. / Date parution : 2023-07-31/ Répertoire / Solistes, SATB et Orchestre
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Messa di Requiem
157.50
Messa di Requiem
Solistes, SATB et Orchestre
[Conducteur]
Carus
Par DONIZETTI GAETANO. Through works such as Verdi’s Requiem or Puccini’s Me...
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Par DONIZETTI GAETANO. Through works such as Verdi’s Requiem or Puccini’s Messa di Gloria, we know that the great composers of Italian bel canto opera also wrote marvelous sacred music. Yet most of these pieces are rarely performed. This is also true of Gaetano Donizetti’s Messa di Requiem, which he composed as an expression of grief at the early death of Vincenzo Bellini in 1835. Neither performed nor printed during Donizetti’s lifetime, the Requiem is ripe for rediscovery. A rich and highly intense work, it features dramatic choruses with full orchestra, fugues, and a cappella passages that alternate with lengthy cantilenas for the soloists. The solo numbers are often scored for three male voices accompanied by low winds to create a dark timbre. The soprano and alto soloists do not themselves sing any solo arias, instead remaining part of the solo ensemble. Carus is offering a critical edition of this editorially challenging work complete with vocal score, choral score, and all orchestral parts. / Date parution : 2023-07-31/ Répertoire / Solistes, SATB et Orchestre
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Arias For Bass Schirmer Opera Anthology
28.60
Arias For Bass Schirmer Opera Anthology
Voix basse
[Partition]
Hal Leonard
Référence unique par son ISBN 73999811018 cette partition musique n'est autre ...
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Référence unique par son ISBN 73999811018 cette partition musique n'est autre que Arias For Bass Schirmer Opera Anthology qui a été composée pour Chant Et Piano. Les droits d'auteur de cette partition de musique de style Classique se trouvent chez les éditions Hal Leonard. La référence catalogue de cette oeuvre est HL50481101. / Chant Et Piano / Partition
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OperAria - AltoOperAria - Alto
36.52
OperAria - AltoOperAria - Alto
Voix Alto, Piano
[Partition]
Breitkopf & Härtel
'Una voce poco profonda': Curtain up for Trouser Roles and Heroines Whether the ...
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'Una voce poco profonda': Curtain up for Trouser Roles and Heroines Whether the voice is lyric light or heavy, whether it can master coloratura, perhaps even has dramatic potential ' in the OperAria mezzo-soprano and alto volumes, singers with a deeper voice and a special talent for the trouser role through to the heroine find everything they need for their performance. Throbbing of the heart' Yes, that's simply part of the game! Feeling nervous' No, because actually nothing can go wrong with OperAria. The best vocal coach for auditions and current theatre practice. Only the voice needs to do its bit. Toi, toi, toi! 'Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres.' (Peter Anton Ling and Marina Sandel, editors) OperAria ' repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance) with comments on the arias information on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera's plot an evaluation from the singer's point of view with 'phonetic assistant' and 'text assistant' aria texts in the original language spoken by native speakers as an audio file (mp3) aria texts in German and English translations as a text file (pdf) available for download/ Recueil / Chant et Piano
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Vincenzo Bellini: I Capuleti E I Montecchi: Opera
292.70
Vincenzo Bellini: I Capuleti E I Montecchi: Opera
Opéra
Ricordi
Ed. Critica C. Toscani
292.70 GBP - vendu par Musicroom GB
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OPERARIA MEZZOSOPRAN 2 Dramatique
36.52
OPERARIA MEZZOSOPRAN 2 Dramatique
Piano, Voix
[Partition]
Breitkopf & Härtel
Par . “Una voce poco profonda”: Curtain up for Trouser Roles and Heroines Wh...
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Par . “Una voce poco profonda”: Curtain up for Trouser Roles and Heroines Whether the voice is lyric light or heavy, whether it can master coloratura, perhaps even has dramatic potential – in the OperAria mezzo-soprano and alto volumes, singers with a deeper voice and a special talent for the trouser role through to the heroine find everything they need for their performance. Throbbing of the heart? Yes, that’s simply part of the game! Feeling nervous? No, because actually nothing can go wrong with OperAria. The best vocal coach for auditions and current theatre practice. Only the voice needs to do its bit. Toi, toi, toi! “Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres.” (Peter Anton Ling and Marina Sandel, editors) OperAria – repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance) with comments on the arias information on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera’s plot an evaluation from the singer’s point of view with “phonetic assistant” and “text assistant” aria texts in the original language spoken by native speakers as an audio file (mp3) aria texts in German and English translations as a text file (pdf) available for download / Date parution : 2022-11-04/ Recueil / Chant et Piano
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Operaria Bass 2
36.52
Operaria Bass 2
Voix basse
[Partition + CD]
Breitkopf & Härtel
The OperAria repertoire anthology was much applauded when it came on stage with ...
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The OperAria repertoire anthology was much applauded when it came on stage with three baritone volumes in 2015. The successful baritone debut was followed in 2017/18 by the appearance of the four soprano volumes, also conquering hearts in no time. Now, another performance: The curtain rises on the bass volumes, the foundation of the vocal family for heavier, darker voices, though nevertheless brilliant and full of radiance. The protagonists have such well-known names as Bartolo, Don Basilio, Colline, Don Pasquale, Falstaff, Figaro, Kecal, Osmin, Sarastro. Other heroes less often in the limelight, such as Dulcamara, Sancho Pansa, Phanuel, and Sir Morosus, can certainly also count on much applause. 'It is my aim to give students a modern, systematically structured, well-informed vocal coach that meets the demands of present-day stage practice. And, of course, a cohesive repertoire and logical presentation of audition arias for every vocal genre. ' (Peter Anton Ling) OperAria is the ideal ?vocal coach? for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals. OperAria ? repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance) with comments on the arias information on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera?s plot an evaluation from the singer?s point of view with ?phonetic assistant? and ?text assistant? aria texts in the original language spoken by native speakers as an audio file (mp3) aria texts in German and English translations as a text file (pdf) available for download / Date parution : 2019-09-06/ Recueil / Basse Lyrique-Dramatique
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Solfeggi Parl. - Cant.Vol.3 (BARBIERI F)
14.09
Solfeggi Parl. - Cant.Vol.3 (BARBIERI F)
Opéra
[Partition]
Carrara
Par BARBIERI F.. Solfeggi parlati e cantati ad uso dei Conservatori e Istituti m...
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Par BARBIERI F.. Solfeggi parlati e cantati ad uso dei Conservatori e Istituti musicali, 70 Solfeggi parlati con l'uso del Setticlavio e 12 cantati a 1 voce/ Solfège/Formation Musicale / Opéra Théorique ou Didactique
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Solfeggi Parl. - Cant.Vol.2 (BARBIERI F)
14.09
Solfeggi Parl. - Cant.Vol.2 (BARBIERI F)
Opéra
[Partition]
Carrara
Par BARBIERI F.. Solfeggi parlati e cantati ad uso dei Conservatori e Istituti m...
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Par BARBIERI F.. Solfeggi parlati e cantati ad uso dei Conservatori e Istituti musicali. 35 Solfeggi parlati, 10 per prove d'esame, 12 cantati a 1 voce e 6 a 2 voci/ Solfège/Formation Musicale / Opéra Théorique ou Didactique
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