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Couverture
BERKLEE JERRY GATES - ARRANGING FOR HORNS
28.99
BERKLEE JERRY GATES - ARRANGING FOR HORNS
Cor
[Partition + Accès audio]
Berklee
Write for a horn section!
In this book, you will learn how to add saxophone...
(+)
Write for a horn section!
In this book, you will learn how to add saxophones and brass to a rhythm section ensemble. You will learn the capabilities and characteristics of the most common instruments, and how to order them effectively. You will also learn the different roles that a horn section can serve in your ensemble. Online audio tracks demonstrate the key concepts, as exemplified in a complete score.
You will learn to:
Write for alto, tenor, and baritone saxophone, as well as trumpet and trombone
Construct common voicings, such as unisons, octave unisons, two- to five-part soli, and open voicings
Expand your harmony by using jazz chords
Use brass mutes
Compose many textures, including melodies, solis, fills, pads, comping parts, background lines, and others
Score advanced harmonic techniques characteristic of brass sections, such as chromatic approach chords, four- and five-part voicings, tension substitutions, and more
?An amazing book that opens your mind for new horn arranging techniques. Horns on steroids!?
?Hassan El Shafei, Artist/Record Producer
?Arranging for Horns is the one-stop-shop the young arranger can make to explore the techniques, applications, and context for contemporary horn arranging. Jerry Gates masterfully compiled three decades of experience?both in classroom and in professional writing?into an organized and concise 80-page text. Highly recommended!?
?Adi Yeshaya, Composer, Arranger (Prince, Aretha Franklin, The Voice)
?An insightful and valuable resource for all arrangers. Jerry?s explanations are very clear and concise. Highly recommended!?
?Mark Harrison, Keyboardist/Composer, Music Educator, and Author
?Jerry is a devoted musician and educator who has written yet another clear and concise book! This time Jerry guides the reader through a direct and useful approach to writing horn arrangements. Included are rhythm section considerations, notations, and a valuable mention about contour shaping as the blueprint for a successful arrangement. This book demystifies arranging for horns and inspires us to dive right in. There are great tools included and distilled from Jerry?s many years of experience and education. I highly recommend it for anyone who wants to get quick and positive results without excess theory to weigh the creative process down.?
?David Goldblatt, Composer, Pianist, and Music Director (for national television programs, world tours, and varied media)
?Jerry Gates? Arranging for Horns is a concise yet thorough guide to horn arranging in jazz and popular styles. The book progresses through each vital instrument, offering writing techniques for them as individuals and as a group. Arranging for Horns goes one step further than many treatments of this topic, looking at how an arrangement can vary throughout a song?changing the intensity of the music. This added consideration gives arrangers a powerful tool for adding shape and contour to their songs. Recommended for all arrangers and songwriters.?
?Ben Newhouse, Composer and Educator
/ Partitions jazzandblues / Tous instruments par tonalité / Tous instruments / BERKLEE
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Christiansen C. - First Lessons Blues Guitar + Cd - Guitar
11.30
Christiansen C. - First Lessons Blues Guitar + Cd - Guitar
Guitare notes et tablatures
[Partition + CD]
-
Débutant
Mel Bay
Media Type : Book/CD Set Level : Beginning Musical Genre : Blues Series : First ...
(+)
Media Type : Book/CD Set Level : Beginning Musical Genre : Blues Series : First Lessons Number of pages : 40 Written for the beginning guitarist who loves the blues, this text will guide any student through the basis of playing guitar by using blues melodies and blues chord progressions. Students will learn open chords, common strumming patterns, power chords, blues scales, and how to read standard notation, and tab. An effective method for writing original blues lyrics is also provided. This text has lessons on correct posture, caring for the guitar, proper right and left-hand technique, and tuning the guitar to its self, a pitch pipe or a piano. The accompanying CD provides students a professional recording of tunes and exercises that should be used as a practice tool. - Written for the beginning guitarist who loves the - blues. - Will guide any student through the basis of playing - guitar by using blues melodies and blues chord - progressions. - Learn open chords, common strumming patterns, - power chords, blues scales, and how to read - standard notation, and tab. - Lessons on correct posture, caring for the guitar, - proper right and left-hand technique, and tuning the - guitar to its self, a pitch pipe or a piano. - Accompanying CD provides students a - professional recording of tunes and exercises that - should be used as a practice tool.
11.30 EUR - vendu par Woodbrass
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M Gould: Postscript From Quotations With Orchestra: SATB: Vocal Score
17.50
M Gould: Postscript From Quotations With Orchestra: SATB: Vocal Score
Chorale SATB
SATB, Piano
[Vocal Score]
Schirmer
Morton Gould's Postscript from 'Quotations' for Double Chorus of Mixed Voices an...
(+)
Morton Gould's Postscript from 'Quotations' for Double Chorus of Mixed Voices and Wind Orchestra. Piano reduction.This work was commissioned by L. Anthony Fisher for the New York Choral Society Robert DeComier conductor and first performed by them on January 28 1983 at Carnegie Hall.The composer after thinking over the possible approaches to a choral work found the ide of platitudes common sayings and poetic referenmces challanging and stimulating. As 'Quotations' evolved he found that these sayings evoked nostalgic momories of his own childhood in Richmond Hill New York where he was reared on such aphorisms as 'the earlybird catches the worm ' 'a stitch in time saves nine ' 'a bird in the hand is worth two in the bush.'After setting the scene in Richmond Hill the piece begins with Hallelujah Amen the common shout for joy and closing whisper of all religions. An antiphonal series of platitudes follows and then moves to more complex secular litanies the 'ballads ' or stories of young love and old age and the precariousness of life which have been told and retold through the ages. In the last movement the religious litany resumes with 'ashes to ashes dust to dust' echoing the earlier prosaic motif 'here today gone tomorrow ' or as Gould finally writes 'time's up!'
17.50 GBP - vendu par Musicroom GB
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M Gould: Sermon From Quotations With Orchestra: Double Choir: Vocal Score
8.75
M Gould: Sermon From Quotations With Orchestra: Double Choir: Vocal Score
Chorale SATB
SATB, Piano
[Partition]
Schirmer
Morton Gould's Sermon from 'Quotations' for Double Chorus of Mixed Voices and Wi...
(+)
Morton Gould's Sermon from 'Quotations' for Double Chorus of Mixed Voices and Wind Orchestra. Piano reduction.This work was commissioned by L. Anthony Fisher for the New York Choral Society Robert DeComier conductor and first performed by them on January 28 1983 at Carnegie Hall.The composer after thinking over the possible approaches to a choral work found the ide of platitudes common sayings and poetic referenmces challanging and stimulating. As 'Quotations' evolved he found that these sayings evoked nostalgic momories of his own childhood in Richmond Hill New York where he was reared on such aphorisms as 'the earlybird catches the worm ' 'a stitch in time saves nine ' 'a bird in the hand is worth two in the bush.'After setting the scene in Richmond Hill the piece begins with Hallelujah Amen the common shout for joy and closing whisper of all religions. An antiphonal series of platitudes follows and then moves to more complex secular litanies the 'ballads ' or stories of young love and old age and the precariousness of life which have been told and retold through the ages. In the last movement the religious litany resumes with 'ashes to ashes dust to dust' echoing the earlier prosaic motif 'here today gone tomorrow ' or as Gould finally writes 'time's up!'
8.75 GBP - vendu par Musicroom GB
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Ukuleles On Board! (GROSS MARTY / HAINES SALLY)
54.20
Ukuleles On Board! (GROSS MARTY / HAINES SALLY)
Ukulele
[Partition + Accès audio]
Hal Leonard
Play and Sing Songs in the Music Class with Step-by-Step Projectable Lesson Slid...
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Play and Sing Songs in the Music Class with Step-by-Step Projectable Lesson Slides. Par GROSS MARTY / HAINES SALLY. Get on board! Using ukuleles in an elementary general music class can open new experiences for your students. These fun, accessible instruments encourage singing while promoting confidence and musical independence. Ukuleles also provide an additional way for you to observe student progress and assess musical understanding. UKULELES ON BOARD is a collection of sequential lessons that illustrate how teachers can use ukuleles along with other common classroom resources to create engaging, robust musical activities for students. Examples are provided for using ukuleles together with Orff instruments, recorders, a variety of percussion and even jug band instruments. Each unitincludes digital access to step-by-step projectable lesson slides so you can project all the visual cues your students will need. In addition to being easy to learn and fun, the folk songs used throughout the book provide students with cultural and historical connections. The activities and concepts found in UKULELES ON BOARD are based on the National Standards for Music Education. The material has been field-tested in grades 2-4, but is also appropriate for fifth grade students new to the ukulele. This is a valuable guide to using ukuleles to support and enhance the music curriculum in your school. Songs include: Are You Sleeping? (Frere Jacques!), Michael Finnegan, Buffalo Gals, Joe Turner Blues, Shalom Chaverim, I Love the Mountains, Little 'Liza Jane, Hambone, One Bottle of Pop, Pay Me My Money Down, Let Us Chase the Squirrel, Go Tell Aunt Rhody, Old Joe Clark. Suggested for grades 2-5. Get on board! Using ukuleles in an elementary general music class can open new experiences for your students. These fun, accessible instruments encourage singing while promoting confidence and musical independence. Ukuleles also provide an additional way for you to observe student progress and assess musical understanding. Ukuleles On Board! is a collection of sequential lessons that illustrate how teachers can use Ukuleles along with other common classroom resources to create engaging, robust musical activities for students. Examples are provided for using Ukuleles together with Orff instruments, Recorders, a variety of Percussion and even Jug Bandinstruments. Each unit includes digital access to step-by-step projectable lesson slides so you can project all the visual cues your students will need. In addition to being easy to learn and fun, the folk songs used throughout the book provide students with cultural and historical connections. The activities and concepts found in Ukuleles On Board! are based on the National Standards for Music Education. The material has been field-tested in grades 2-4, but is also appropriate for fifth grade students new to the Ukulele. This is a valuable guide to using Ukuleles to support and enhance the music curriculum in your school. Songs include: 'Are You Sleeping? (Frere Jacques!)', 'Michael Finnegan', 'Buffalo Gals', 'Joe Turner Blues', 'Shalom Chaverim', 'I Love the Mountains', 'Little 'Liza Jane', 'Hambone', 'One Bottle of Pop', 'Pay Me My Money Down', 'Let Us Chase the Squirrel', 'Go Tell Aunt Rhody', 'Old Joe Clark and rdquo - . Suggested for grades 2-5. / Etudes et exercices / Date parution : 2018-05-04/ Recueil / Ukulélé
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John Jacobson Roger Emerson: Math Rocks: Mixed Choir a Cappella: Classroom
51.00
John Jacobson Roger Emerson: Math Rocks: Mixed Choir a Cappella: Classroom
Chorale SATB
SATB A Cappella
Hal Leonard
Cross-Curricular Music Fun for the Classroom Performance/Accompaniment CD-Rocki...
(+)
Cross-Curricular Music Fun for the Classroom Performance/Accompaniment CD-Rockin' with arithmetic is what it's all about! Reinforce basic math concepts that support Common Core State Standards and promote higher level learning while rockin' to the beat. From Hal Leonard's popular Rock 'n' Learn series this study for Grades 3-5 explores the 4 basic operations (add subtract multiply divide) computing the area of basic shapes the metric system fractions and decimal equivalents estimating and much more - all put to music for learning that lasts! Perfect for Music class or Math class the Teacher Book includes reproducible melody sheets with chord symbols and simple choreography and worksheet activities that incorporate Common Core State Standards in Math! For performance options a script is also included that introduces each of the eight original songs. Groove along with the singer recordings on the enclosed Listening CD! Also available is an Enhanced P/A CD with performance and accompaniment-only song tracks and PDFs of the piano/vocal arrangements with choreography lyrics and worksheets for lots of performance and projection options! For additional value receive all components in the Classroom Kit. Suggested for Grades 3-5.
51.00 GBP - vendu par Musicroom GB
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John Joubert: String Quartet No.2 Op.91 (Parts): String Quartet: Instrumental
44.99
John Joubert: String Quartet No.2 Op.91 (Parts): String Quartet: Instrumental
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Novello & Co Ltd.
Though conceived as four separate movements my second string quartet has a sing...
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Though conceived as four separate movements my second string quartet has a single motif which is common to them all. This is the three-note 'Muss es sein?' from Beethoven's last quartet Op. 135. But whereas Beethoven's theme is notated G E A flat thus giving it an F minor connotation I have sued an alternative spelling - G E G sharp - which suggests an ambiguous E minor-major. This ambiguity in fact becomes the tonal basis of the whole work only to be resolved at the end of the final movement.Each movement begins with a variant of the basic motif on the cello. The first has the original form of the theme while the second has a 'majorised' version which is alsoexpressed as a chord. The third movement with its 'scherzoid' middle section reverts to the major-minor ambiguity of the first and the finale begins with the 'majorised' version as an ostinato accompaniment on pizzicato cello.The slow movement is sub-titled 'In memoriam DSCH' and concludes with a quotation of Shostakovich's motto - D E flat C B - which is basically the same as Beethoven's with the addition of one note.This is not to imply that the work contains no other thematic material. One important theme a rising fifth and a second is also common to three of the movements and is ultimately derived from my first quartet Op. 1 of 27 years earlier to which this second contribution to the form is in many ways like a sequel. Like the earlier work too this quartet is dedicated to my wife.
44.99 GBP - vendu par Musicroom GB
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M Gould: Early Bird From Quotations With Orchestra: SATB: Vocal Score
8.75
M Gould: Early Bird From Quotations With Orchestra: SATB: Vocal Score
Chorale SATB
SATB, Piano
[Vocal Score]
Schirmer
Morton Gould's The Early Bird from 'Quotations' for Double Chorus of Mixed Voice...
(+)
Morton Gould's The Early Bird from 'Quotations' for Double Chorus of Mixed Voices and Wind Orchestra. Piano reduction.This work was commissioned by L. Anthony Fisher for the New York Choral Society Robert DeComier conductor and first performed by them on January 28 1983 at Carnegie Hall.The composer after thinking over the possible approaches to a choral work found the ide of platitudes common sayings and poetic referenmces challanging and stimulating. As 'Quotations' evolved he found that these sayings evoked nostalgic momories of his own childhood in Richmond Hill New York where he was reared on such aphorisms as 'theearly bird catches the worm ' 'a stitch in time saves nine ' 'a bird in the hand is worth two in the bush.'After setting the scene in Richmond Hill the piece begins with Hallelujah Amen the common shout for joy and closing whisper of all religions. An antiphonal series of platitudes follows and then moves to more complex secular litanies the 'ballads ' or stories of young love and old age and the precariousness of life which have been told and retold through the ages. In the last movement the religious litany resumes with 'ashes to ashes dust to dust' echoing the earlier prosaic motif 'here today gone tomorrow ' or as Gould finally writes 'time's up!'
8.75 GBP - vendu par Musicroom GB
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Tarik O'Regan: Corpus Christi Service: SATB: Vocal Score
5.50
Tarik O'Regan: Corpus Christi Service: SATB: Vocal Score
Chorale SATB
[Vocal Score]
Novello & Co Ltd.
Another wonderful sacred composition by the gifted choral composer Tarik O'Rega...
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Another wonderful sacred composition by the gifted choral composer Tarik O'Regan. A complete original nmusical setting of the Corpus Christi Service and the Celebration of Holy Communion as laid out in Order One of Common Worship: Services and Prayers for the Church of England. As liturgical flexibility is one of the key issues of Common Worship O’Regan has attempted to provide as many and as varied permutations as possible and that the Minister might choose the most appropriate. This item is the Service Score and features Vocal Score Organ accompaniment and is also available as a Congregation Part (10 Pack) NOV200321-1.
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Sid Jacobs: Jazz Guitar Improvisation: Guitar Solo: Instrumental Tutor
19.99
Sid Jacobs: Jazz Guitar Improvisation: Guitar Solo: Instrumental Tutor
Guitare notes et tablatures
[Partition + Accès audio]
Musicians Institute Press
Master Class-Develop your solo skills with this comprehensive method with online...
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Master Class-Develop your solo skills with this comprehensive method with online audio of 99 full demonstration tracks plus 16 video lessons available online for download or streaming. Topics covered include: common jazz phrases; applying scales and arpeggios; common jazz phrases; guide tones non-chordal tones fourths; and more. Includes standard notation and tablature. The audio is accessed online using the unique code inside each book and can be streamed or downloaded. The audio files include PLAYBACK+ a multi-functional audio player that allows you to slow down audio without changing pitch set loop points change keys and pan left or right.
19.99 GBP - vendu par Musicroom GB
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Gli Accordi Alla Chitarra Sono Facili: Guitar: Instrumental Tutor
22.73
Gli Accordi Alla Chitarra Sono Facili: Guitar: Instrumental Tutor
Italiano
Guitare notes et tablatures
[Partition + CD + DVD]
-
Débutant
Play Music Publishing
This method presents the famous CAGED system that allows you to find by simple ...
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This method presents the famous CAGED system that allows you to find by simple deduction the most common Guitar chords upon the fingerboard. After reviewing the five main forms of open chords (C A G E D) which are also the ones often used by lead guitarists you will learn simple arrangements to play. This method presents the famous CAGED system that allows you to find by simple deduction the most common Guitar chords upon the fingerboard.After reviewing the five main forms of open chords (C A G E D) which are also the ones often used by lead guitarists you will learn simple arrangements to play.
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New English Praise - Full Music Edition: Piano Vocal Guitar: Score
Piano, Voix et Guitare
[Partition]
Canterbury Press
A Supplement to the New English Hymnal with fifty hymns new to the English Hymn...
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A Supplement to the New English Hymnal with fifty hymns new to the English Hymnal tradition. Among these are hymns which have become popular since the publication of the New English Hymnal and have been much requested but there are also new compositions both for the special occasions and seasons of the Church’s year and for more general use. A large Liturgical Section which complements and completes the one in the New English Hymnal. Everything you need for occasions such as Advent Candlemas Ash Wednesday and Holy Week as well as for the ceremony of sprinkling the congregation with baptismal water on days such as the Baptism of Christ and the Easter Vigil. Moremusic for the Eucharist providing a parish which has both books with a total of five easy settings for regular use as well as Gospel Acclamations for the whole year. A generous selection of Responsorial psalms and canticles. Together with those in the New English Hymnal these provided a rich variety enough for the whole year in most parishes. A table is provided giving those which are appointed by or are appropriate substitutes for the ones in Common Worship: Times and Seasons. Comprehensive indexes including a completely updated table of suggested hymn for Sundays and major festivals in the Common Worship calendar.
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Méthodes Et Traités - 4 Volumes - Europe
298.90
Méthodes Et Traités - 4 Volumes - Europe
Flûte à Bec
Anne Fuzeau Productions
Anne Fuzeau Classique vous propose tous les textes théoriques, méthodes, trait...
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Anne Fuzeau Classique vous propose tous les textes théoriques, méthodes, traités, articles, partitions de musique classique concernant la flûte à bec.Ces méthodes anciennes sont reproduites en fac-similé et regroupés en - quatre volumes.Volume 1 (réf. 5809) : Martin AGRICOLA - ANONYME - Silvestro, dal Fontego GANASSI - Philibert JAMBE DE FER - Marin MERSENNE - Michael PRAETORIUS - Pierre TRICHET - Sebastian VIRDUNG - Aurelio VIRGILIANOVolume 2 (réf. 5810) : Bartelomeo BISMANTOVA - John CARR - John HUDGEBUT - Etienne LOULIE - Humphrey SALTER - Jacob VAN EYCKVolume 3 (réf. 5811) : 4 Anonymes - Sébastien de BROSSARD - Encyclopédie méthodique - Johann Philipp EISEL - Louis-Joseph, le neveu FRANCOEUR - Jean-Pierre FREILLON PONCEIN - François-Alexandre-Pierre de GARSAULT - Jacques-Martin HOTTETERRE-le-Romain - - Jean-Benjamin de LABORDE - Joseph Friederich Bernard Caspar MAJER - Pierre PRELLEUR - Jean-Chrestien SCHICKHARDT - William TANS'UR - Johann-Christoph WEIGELVolume 4 (réf. 5984) : Anonyme (1 à 6) - Filippo BONANNI - - Klaas DOUWES - - Jean-Pierre FREILLON-PONCEIN - - Jacques-Martin HOTTETERRE-LE-ROMAIN - - Sir John HAWKINS - Pablo MINGUET Y YROL - - John SADLER - - Thomas STANESBY - - William Senior TANS'UR - - Joos VERSCHUERE REIJNVAEN - - Johann Gottfried WALTHER - - Daniel WRIGHTTable des matières : Volume 1 : Anonyme : Manuscrit sans titre - (s.d.)Virdung Sebastian : Musica Getutscht - 1511Ganassi dal Fontego Silvestro : Opera intitulata Fontegara - 1535Agricola Martin : Musica instrumentalis Deutsch - 1545Jambe de Fer Philibert : Epitome musical - 1556Virgiliano Aurelio : Il Dolcimelo - 1600 (ca)Praetorius Michael : De Organographia - 1619Mersenne Marin : Harmonie universelle - 1636Trichet Pierre : Traité des instruments - 1640Volume 2 : Van Eyck Jacob : Der Fluyten Lust-hof - 1646Bismontova Bartolomeo : Compendio musicale - 1677Hudgebut John : A vade mecum for the lovers - 1679Salter Humphrey : The genteel companion - 1683Carr John : The delightful companion - 1686Loulié Etienne : Méthode pour apprendre à jouer de la flûte douce - 1694 (ca)Anonyme : The compleat flute-master - 1695Volume 3 : Freillon-Poncein Jean-Pierre : La véritable manière - 1700Brossard Sébastien de : Dictionnaire de musique - 1703Anonyme : The fifth book of the new flute master - 1706Hotteterre-le-Romain Jacques-Martin : Principes de la flûte traversière - 1707Hotteterre-le-Romain Jacques-Martin : L'Art de préluder - 1719Schickhardt Jean-Chrestien : Principes de la flûte - 1720Anonyme : The complete Musik-Master - 1722Weigel Johann-Christoph : Musicum Theatrum - c. 1722Prelleur Pierre : The modern musick master - 1730Majer Joseph Friederich Bernard Caspar : Museum musicum theoretico praticum - 1732Eisel Johann Philipp : Musicus autodidactos - 1738Tans'ur William : A new musical grammar - 1746Anonyme : The compleate tutor for the flute - 1750Garsault François-Alexandre-Pierre de : Notionnaire ou Mémorial raisonné - 1761Francoeur le neveu Louis Joseph : Diapason général de tous les instruments à vent - 1772Anonyme : Compleate instructions for the common flute - 1780Laborde Jean Benjamin de : Essai sur la musique - 1780Encyclopédie méthodique : Edition de Panckouke - 1788Volume 4 : Douwes Klass : Grondig ondersoek van de toonen der musijk - 1699Freillon-Poncein Jean-Pierre : La véritable manière - 1700Hotteterre-le-Romain Jacques-Martin : L'art de préluder sur la flûte traversière - 1707Anonyme : The bird fancyer's delight - c. 1730Walther Johann Gottfried : Musicalisches Lexicon - 1732Stanesby Thomas : A new system of the flute à bec - c. 1732Wright Daniel : The compleat tutor for y flute - c. 1735Anonyme : The compleat tutor for the flute - c. 1750Sadler John : The muses delight - 1754Tans'ur William Senior : The elements of Musick - 1772Minguet Y Yrol Pablo : Reglas, y advertencias generales - 1774Anonyme : The compleat tutor, for the common flute - c. 1775Hawkins Sir John : General history of the science - 1776Bonanni Filippo : Descrizione degl'istromenti - 1776Verschuere Reijnvaen Joos : Catechismus der musijk - 1787Anonyme : New and complete instructions - c. 1790Anonyme : Directions for playing on the flute - s.d.Anonyme : The complete flute master containing - s.d.Téléchargez le catalogue Anne Fuzeau Classique / Flûte A Bec / 1085 pages / niveau : 1 / Fac-Similés - Format: 24 X 33
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Mark Alan Wade: Harmony Time: Embellishments For Hammered Dulcimer: Dulcimer:
18.99
Mark Alan Wade: Harmony Time: Embellishments For Hammered Dulcimer: Dulcimer:
Dulcimer
[Partition + Accès audio]
-
Intermédiaire
Mel Bay
This book and accompanying audio offer an in-depth look at how to add accompanim...
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This book and accompanying audio offer an in-depth look at how to add accompaniment and embellishments to melodies on the Hammered Dulcimer. The material covered in this book illustrates how to enhance simple melodies toshowcase their inherent musicality.Full of illustrations examples preparatory exercises and easy-to-play arrangements this book is sure to bring new character to your playing. It begins by explaining in simple terms how and why harmony works and teaches the solutions to the common exceptions you will encounter. By the end you will be able to apply the four most common methods Dulcimer players use to add accompaniments to melodies.Note-for-note transcriptions of fully arranged songs from the author's own repertoire are also included. Audio download available online.
18.99 GBP - vendu par Musicroom GB
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John Jacobson Roger Emerson: Math Rocks: Mixed Choir a Cappella: Classroom
29.99
John Jacobson Roger Emerson: Math Rocks: Mixed Choir a Cappella: Classroom
Chorale
Hal Leonard
Cross-Curricular Music Fun for the Classroom Book/Listening CD-Rockin' with ari...
(+)
Cross-Curricular Music Fun for the Classroom Book/Listening CD-Rockin' with arithmetic is what it's all about! Reinforce basic math concepts that support Common Core State Standards and promote higher level learning while rockin' to the beat. From Hal Leonard's popular Rock 'n' Learn series this study for Grades 3-5 explores the 4 basic operations (add subtract multiply divide) computing the area of basic shapes the metric system fractions and decimal equivalents estimating and much more - all put to music for learning that lasts! Perfect for Music class or Math class the Teacher Book includes reproducible melody sheets with chord symbols and simple choreography and worksheet activities that incorporate Common Core State Standards in Math! For performance options a script is also included that introduces each of the eight original songs. Groove along with the singer recordings on the enclosed Listening CD! Also available is an Enhanced P/A CD with performance and accompaniment-only song tracks and PDFs of the piano/vocal arrangements with choreography lyrics and worksheets for lots of performance and projection options! For additional value receive all components in the Classroom Kit. Suggested for Grades 3-5.
29.99 GBP - vendu par Musicroom GB
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Albert De Vito: Dictionary Of Music Terms And Chords: Reference
8.99
Albert De Vito: Dictionary Of Music Terms And Chords: Reference
Schirmer
This book is must for any student of music. The book contains many common musica...
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This book is must for any student of music. The book contains many common musical terms and phrases and their definitions. It also has a listing of all chord types and their spellings. Also includes many hi-tech terms common intoday's music.
8.99 GBP - vendu par Musicroom GB
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Toto, Gérald / Bona, Richard / Kanza, Lokua : Toto Bona Lokua
15.00
Toto, Gérald / Bona, Richard / Kanza, Lokua : Toto Bona Lokua
[CD]
Aucune répétition. Aucun a priori sur la façon, l'esthétique musicale. Ne pa...
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Aucune répétition. Aucun a priori sur la façon, l'esthétique musicale. Ne pas parler mais jouer. Tout enregistrer. Ne compter que sur le mélange de la créativité et du savoir-faire de chacun.
At the origin of this project, the common desire for a simple meeting, for the space of a session, just `to see`. A cappella. To let the soul speak through the human voice. If the instruments entered the playing very quickly, the initial spirit remained, without artifice, unexpectedly. Thus, three voices that are equal, three singular careers, three quite distinct universes with one thing in common, like a nutritive sun, more or less distant : Africa.
15.00 EUR - vendu par Note4Piano
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Jeanne Page: With This Ring: A Hammered Dulcimer Collection: Dulcimer:
18.99
Jeanne Page: With This Ring: A Hammered Dulcimer Collection: Dulcimer:
Dulcimer
[Partition]
-
Facile
Mel Bay
With This Ring is a hammered dulcimer collection of tunes for weddings and speci...
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With This Ring is a hammered dulcimer collection of tunes for weddings and special occasions. Common wedding processionals such as ?Pachelbel?s Canon? and Wagner?s ?Bridal March? are included as well as common recessionals such asClarke?s ?Trumpet Voluntary? and Mendelsson?s ?Wedding March.? Other favorite melodies such as Vivaldi?s ?Spring? from the Four Seasons and Beethoven?s ?Fur Elise? are included in this tasteful collection that supplies arepertoire suitable for preludes or any elegant occasion. With This Ring is accessible to all levels of players offering both a beginning 'melody-only' version and an intermediate arrangement for each song. In addition eachtune has guitar chords notated above the music staff. Standard notation only.
18.99 GBP - vendu par Musicroom GB
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Greg Gilpin: Rise Up and Sing!: 3-Part Choir: Vocal Score
13.75
Greg Gilpin: Rise Up and Sing!: 3-Part Choir: Vocal Score
Chorale 3 parties
[Vocal Score]
Shawnee Press
This is a strong and spirited selection for your small younger-voiced or middle...
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This is a strong and spirited selection for your small younger-voiced or middle school choir as an opener or theme song for your musical performance. “We have a common purpose we have a common theme. Let's celebrate withmusic all our hopes and all our dreams.” Lyrics are uplifting and challenge the singer and listener to make a difference in our world. Use the StudioTrax CD add some simple movement and you have a stunning contemporarynumber for your concert or festival. Available separately: 3-part mixed opt. baritone; 2-part; StudioTrax CD.
13.75 GBP - vendu par Musicroom GB
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The Bluesier Side Of Jazz (GORDON ANDREW D)
33.60
The Bluesier Side Of Jazz (GORDON ANDREW D)
Piano seul
[Partition + CD]
-
Intermédiaire
ADG Productions
Par GORDON ANDREW D.. The Bluesier Side of Jazz by Andrew D. Gordon was inspired...
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Par GORDON ANDREW D.. The Bluesier Side of Jazz by Andrew D. Gordon was inspired by the Piano students he teaches at Shepherd University School of Music in Los Angeles and is dedicated to those students: Jungwon, Yumiko, Yoko, Eunice, Sooji, Hae Ji and Ok Kyu. As with many students that come from a classical background (including himself) it is a difficult transition to learn to play Blues & Jazz. When a musician improvises they usually play a variety of riffs or phrases that they have developed and learnt over a period of time and can access these phrases instantaneously whatever key they are playing in to create a seamless improvised solo from the phrases they have learnt. Andrew's idea for thisbook is to create phrases or riffs over two measures of various Blues progressions. He sub-divided each of the 12 Bar Blues progressions used in this book (the chord progression for Watermelon Man is a 16 measure progression) into six sections (two measures each) and within each of the six sections created four different phrases or riffs so that the student has a choice of four different phrases to play over every two measures. They can then create a solo based on which phrase they choose for each two measures. By breaking down these phrases to two measures each, he has found that the students have an easier time of learning to improvise than by trying to transcribe a whole solo from an audio recording or leaving them to their own devices in trying to play a solo based on the Blues scale or other related scales. Each of the ten examples are based on common Jazz/Blues chord progressions from Jazz songs such as 'Watermelon Man', 'Blue Monk', 'Tenor Madness', 'Route 66', 'Blue Trane', 'Bag's Groove' starting off with basic I-IV-V chords and increasing in complexity throughout the book. There are over 200 phrases/riffs to choose from that can be learned and applied to many types of jazz songs. The Bluesier Side of Jazz by Andrew D. Gordon was inspired by the Piano students he teaches at Shepherd University School of Music in Los Angeles and is dedicated to those students: Jungwon, Yumiko, Yoko, Eunice, Sooji, Hae Ji and Ok Kyu. As with many students that come from a classical background (including himself) it is a difficult transition to learn to play Blues & Jazz. When a musician improvises they usually play a variety of riffs or phrases that they have developed and learnt over a period of time and can access these phrases instantaneously whatever key they are playing in to create a seamless improvised solo from the phrases they havelearnt. Andrew's idea for this book is to create phrases or riffs over two measures of various Blues progressions. He sub-divided each of the 12 Bar Blues progressions used in this book (the chord progression for Watermelon Man is a 16 measure progression) into six sections (two measures each) and within each of the six sections created four different phrases or riffs so that the student has a choice of four different phrases to play over every two measures. They can then create a solo based on which phrase they choose for each two measures. By breaking down these phrases to two measures each, he has found that the students have an easier time of learning to improvise than by trying to transcribe a whole solo from an audio recording or leaving them to their own devices in trying to play a solo based on the Blues scale or other related scales. Each of the ten examples are based on common Jazz/Blues chord progressions from Jazz songs such as 'Watermelon Man', 'Blue Monk', 'Tenor Madness', 'Route 66', 'Blue Trane', 'Bag's Groove' starting off with basic I-IV-V chords and increasing in complexity throughout the book. There are over 200 phrases/riffs to choose from that can be learned and applied to many types of jazz songs. / Niveau : 3 / Recueil / Piano
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John Lawless: Learn To Play Bluegrass Banjo Lesson 3: Banjo: Instrumental Tutor
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John Lawless: Learn To Play Bluegrass Banjo Lesson 3: Banjo: Instrumental Tutor
Banjo
[DVD]
Mel Bay
Builds on the material covered in Lessons 1 and 2. Learn some common left hand ...
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Builds on the material covered in Lessons 1 and 2. Learn some common left hand techniques and add them to your songs. Learn three common left hand techniques -hammer ons pull offs and slides - and how to incorporate them intoyour right hand patterns. Learn valuable drills for coordinating movements of the left and right hands. Learn how to add these left hand techniques to the roll arrangements we learned in Lesson 2. Also includes the tab readingand string changing chapters from Lesson 1.
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The Ancient Call: Calligraphy No. 13: Orchestra and Solo: Score & Parts
129.99
The Ancient Call: Calligraphy No. 13: Orchestra and Solo: Score & Parts
Lauren Keiser Music Publishing
For Trumpet and Orchestra-This work creates a dialogue between the Western Equal...
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For Trumpet and Orchestra-This work creates a dialogue between the Western Equal Temperament system performed by the orchestra against the Persian Dastgâh/Maghâm system performed by a microtonal trumpet capable of playing up to 24 notes per octave. As the music juxtaposes these traditions it explores the tensions as well as commonalities that exist between the two.
129.99 GBP - vendu par Musicroom GB
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John Harbison: Abraham: SATB: Vocal Score
2.50
John Harbison: Abraham: SATB: Vocal Score
Chorale SATB
SATB/SATB (Double)
[Vocal Score]
Schirmer
Double Choir with Double Brass Choir-This 6-minute sacred motet by John Harbison...
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Double Choir with Double Brass Choir-This 6-minute sacred motet by John Harbison was premiered in January 2004 at the Vatican. Featuring a text from Psalm 17 it was composed to strengthen the ties between the Jews Christians and Muslims and depicts Abraham asfather of many nations - in Harbison's words: a bridge a mode of communication and a point of commonality. An accessible work for both concert and worship.
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Duett Für Oboe Und Englisch Horn (KELTERBORN RUDOLF)
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Hautbois et Cor Anglais
Barenreiter
Par KELTERBORN RUDOLF. “At the request of the work's commissioner, Heinz Holli...
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Par KELTERBORN RUDOLF. “At the request of the work's commissioner, Heinz Holliger, this duet has very few passages that call for 'unconventional' performance techniques. In exchange, it exploits the many musical possibilities opened up by two instruments with closely related timbres: wide-ranging antitheses and commonalities of expression and movement, cantabile duets, convergences in unisons, octaves and fifths. ” (Rudolf Kelterborn) Challenging concert piece Interesting combination of instruments Use of new performance techniques/ Répertoire / Hautbois et Cor Anglais
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Playing Outside the Chord (KANE DAVID)
38.80
Playing Outside the Chord (KANE DAVID)
Formation musicale - Solfège
[Partition]
Aebersold Jamey
A Manual of Techniques and Possibilities for the Adventurous Improvising Musicia...
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A Manual of Techniques and Possibilities for the Adventurous Improvising Musician. Par KANE DAVID. Sure - everybody has an opinion on how to play ?outside?. But until now, no one has made an in-depth exploration of the commonalities and differences in how the greatest jazz players on the planet have incorporated their inspiring, harmony defying techniques. With Playing Outside the Chord, David Kane invokes a thoughtfully curated selection of transcribed phrases that take the reader beyond the simple mechanics of what is being played and offer revelatory insights into what the players are (or might be) thinking when they play it. It?s a daunting, seemingly impossible objective; yet here it is, beautifully examined, notated, and explained in an accessible way that every musician can understand. 'This book is a treasure trove, full of important information on chromaticism and its usage. From Bach to Schoenberg, Dave covers a lot of ground and the book is very well organized. He specifically addresses the melodic aspect of improvisation, including lines and phrases, rather than the usual emphasis on harmony. What's special is that he explores the ?feeling? and overall effect of the lines on the listener. This book is all you need as a working guide towards understanding the implications of 20th century jazz and classical music.? -David Liebman LEVEL-UP!!! If you?re feeling uninspired, stuck, or limited by your current play, this is the perfect book to help you break those chains, stimulate your creativity, and take your playing and composing in compelling new directions. Enthusiastically endorsed by modern jazz luminaries such as David Liebman and Richie Beirach, Playing Outside the Chord is devoted to melodic phrasing that transcends conventional chord/scale relationships. This exciting technique incorporating the theory and practice of horizontal playing and extended tonality pioneered by jazz titans such as Michael Brecker, Cory Henry, John Scofield, Brad Meldhau, and Jacob Collier is a vital component of the modern jazz performance and improvisation toolbox. Featuring over 200 musical examples gleaned from classic solos, plus 15 extensive transcriptions of legendary performances, this book is skillfully designed to clue you in on the theoretical basis of ?outside? play as practiced by these trail-blazing musicians. It systematically describes each type of technique used, including timing and source considerations, and by doing so unlocks a wealth of modern ideas that offer rich possibilities for the creative improviser. Kane?s insightful treatise on outside playing represents an important expansion of the ideas available to the dedicated student of improvisation. / Date parution : 2022-04-01/ Etude / Tout Instrument
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Cristi Cary Miller: Everybody Smiles: Mixed Choir a Cappella: Vocal Score
11.25
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Chorale 2 parties
[Vocal Score]
Hal Leonard
Discover what commonalities we all share in this happy original that's perfect f...
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Discover what commonalities we all share in this happy original that's perfect for your youngest singers! Easily learned with well-crafted voice parts and excellent for building important skills in group singing! Availableseparately: 2-Part ShowTrax CD. Duration: ca. 2:30.
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Christine Stevens: The Art and Heart of Drum Circles - Second Edition: Reference
14.50
Christine Stevens: The Art and Heart of Drum Circles - Second Edition: Reference
Batterie
[Partition + Accès audio]
Hal Leonard
This book is for you if you want to Start drum circles in your school corporat...
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This book is for you if you want to Start drum circles in your school corporation community music store band or even your home!Share your musical talent with others in a way that reaches beyond performing or inspire people of all ages races and abilities to discover their commonality through musical expression.The online audio features over 45 minutes of play-along grooves to jump-start your drum circle as well as a practice tool to develop your person percussion repertoire.
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Barrett David - Rock Harmonica Method - Harmonica
23.40
Barrett David - Rock Harmonica Method - Harmonica
Harmonica
Mel Bay
The blanket term 'rock' is used to describe a musical genre that covers over six...
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The blanket term 'rock' is used to describe a musical genre that covers over six decades of musical diversity. The question for this book is, What does rock mean to harmonica players' This book is for harmonica players who have a basic grasp of the instrument and are looking to study the rock style in greater detail. You'll learn greater control of bends; speed licks; high-end licks; how to play bluesy notes and textures; how to play and construct hooks; how to deal with and play over the common chord progressions used in rock; and, music theory relative to playing rock harmonica. Concepts are presented through original tunes as well as staples of rock harmonica repertoire such as Magic Dick's Whammer Jammer!. 68 pages, audio included. Contents: Introduction - What is Rock Harmonica' Harmonicas Needed Chapter 1 - A Word about Notation and Embouchure Chapter 2 - Bending What Notes Can Be Bent Bending Exercises Chapter 3 - Scales for Improvising Major Pentatonic Scale Blues Scale Context and Homework Chapter 4 - Speed and High-End Licks Mastering the High End of the Harmonica Speed Playing (Breath and Movement Patterns and Backtracking) Words of Caution and Homework Chapter 5 - Power Licks Chapter 6 - Decoding Music for Improvisation Scale Theory Chord Theory Chord Qualities 7th and 9th Chords Arpeggios and Chord Scales The Making of a Chord Scale Chord Charts Chapter 7 - Common Chord Progressions Chapter 8 - Hooks, Heads and Sequences Head Hooks and Sequences Sequence Worksheet Sequence Licks Room to Move Head Chapter 9 - Whammer Jammer Study Song Chorus by Chorus Study Whammer Jammer Full Transcription Chapter 10 - Butter Strut Study Song Form Analysis Butter Strut Full Transcription Chapter 11 - How to be a Great Rock Harmonica Player by Jason Ricci Chapter 12 - Recommended Artists Chapter 13 - Notation Key
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Guitar Chords 101
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Guitare
[Partition]
Hal Leonard
Over 800 Common Chords, Plus Helpful Music Theory Sections. More than just a cat...
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Over 800 Common Chords, Plus Helpful Music Theory Sections. More than just a catalog of chords, this book is designed to help any player find, play and properly use chords. It will quickly become a powerful tool and an important aid to your musical development. The book functions in three different ways: 1) As a chord dictionary – look up any unfamiliar chords you encounter: 2) As a chord substition guide – learn about how chord substitutions work, when to use them and which chords may be substituted for others: 3) As a harmonic reference – find out how chord progressions are commonly built and how to choose the exact chords you want to create your own progressions. If you've been confused by chord dictionaries that overwhelm you with shapes and forms but don't tell you what to do with them, this is the book you've been looking for!/ Méthode / Guitare
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