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Christmas Invitation (JOHNSON TIMOTHY)
86.79
Christmas Invitation (JOHNSON TIMOTHY)
Orchestre d'harmonie
[Conducteur et Parties séparées]
-
Débutant
Curnow Music
Par JOHNSON TIMOTHY. Be really ready for your Christmas concert this year. The p...
(+)
Par JOHNSON TIMOTHY. Be really ready for your Christmas concert this year. The playability of Timothy Johnson’s Christmas Invitation is right on target for your Grade 1 band to perform by December. Based on Oh Come, Little Children, the charming easy counterpoint and creative harmonization give a more advanced impression to the piece while careful attention to articulations and dynamics mean you can actually teach while you prepare for the show. A “must have” arrangement! / Niveau : 1 / Musique légère originale / Répertoire / Concert Band
86.79 EUR - vendu par LMI-partitions
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Christmas Invitation (JOHNSON TIMOTHY)
15.20
Christmas Invitation (JOHNSON TIMOTHY)
Orchestre d'harmonie
[Conducteur]
-
Débutant
Curnow Music
Par JOHNSON TIMOTHY. Be really ready for your Christmas concert this year. The p...
(+)
Par JOHNSON TIMOTHY. Be really ready for your Christmas concert this year. The playability of Timothy Johnson’s Christmas Invitation is right on target for your Grade 1 band to perform by December. Based on Oh Come, Little Children, the charming easy counterpoint and creative harmonization give a more advanced impression to the piece while careful attention to articulations and dynamics mean you can actually teach while you prepare for the show. A “must have” arrangement! / Niveau : 1 / Musique légère originale / Répertoire / Concert Band
15.20 EUR - vendu par LMI-partitions
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Embuscade (NAULAIS JEROME)
195.20
Embuscade (NAULAIS JEROME)
Orchestre d'harmonie
[Conducteur et Parties séparées]
-
Intermédiaire
De Haske Publications
Par NAULAIS JEROME. Embuscade (Ambuse) is a thrilling musical adventure represen...
(+)
Par NAULAIS JEROME. Embuscade (Ambuse) is a thrilling musical adventure represented through various contrasts and depths of sound. Every element develops around a main theme written in a jazz-rock style. The central section consists of a calm passage quickly followed by a polka-like section. Both passages seem to lie in ambush (Embuscade), ready to pounce in this exciting adventure. / Niveau : 3 / Pièce de concert / Répertoire / Concert Band ou Harmonie
195.20 EUR - vendu par LMI-partitions
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First Concert Parade
7.20
First Concert Parade
Orchestre
[Conducteur]
Alfred Publishing
Here's a whimsical concert march your beginning band will be ready to perform af...
(+)
Here's a whimsical concert march your beginning band will be ready to perform after only a few weeks! John O'Reilly has taken four of the beginning band repertoire's 'greatest hits' including 'Hot Cross Buns,' 'Lightly Row,' 'Go Tell Aunt Rodie' and 'Merrily We Roll Along' and cleverly worked them into a delightful medley, ideal for your band's very first concert! The familiar tunes work their way throughout the band so each section gets a shot at the melody! (Easy) / Conducteur
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2 Bach Christmas Classics (BACH JOHANN SEBASTIAN)
86.79
2 Bach Christmas Classics (BACH JOHANN SEBASTIAN)
Orchestre d'harmonie
[Conducteur et Parties séparées]
-
Facile
Curnow Music
Arr. James L. Hosay. Par BACH JOHANN SEBASTIAN. Two timeless Christmas favorites...
(+)
Arr. James L. Hosay. Par BACH JOHANN SEBASTIAN. Two timeless Christmas favorites by J. S. Bach are gloriously arranged for the Concert Band and ready for your interpretation. BREAK FORTH, O BEAUTEOUS, HEAVENLY LIGHT and JESU, JOY OF MAN'S DESIRING comprise the two contrasting movements (a Chorale and a Ballad). You know how valuable chorale style playing can be for the band’s tone quality, breath support, intonation, and phrasing. With thorough cueing throughout the arrangement, TWO BACH CHRISTMAS CLASSICS will work beautifully even if your group has instrumentation problems. Christmas music does not ordinarily leap to mind as a choice for spring festival use, but you may wish to consider it in this case. Great music isgreat music any time of the year! Magnificent! / Niveau : 2.5 / Hymnes et chorals / Répertoire / Concert Band ou Harmonie
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Easy Concert Pieces Band 2
23.60
Easy Concert Pieces Band 2
Flûte à Bec et Piano
[Partition + CD]
-
Facile
Schott
24 Pieces from 5 Centuries. The Easy Concert Pieces series has the right pieces ...
(+)
24 Pieces from 5 Centuries. The Easy Concert Pieces series has the right pieces ready for the first concerts. Easy to intermediate original compositions and arrangements for descant recorder and piano provide a cross section of the different epochs, from the Renaissance to the modern era. The enclosed CDs contain all pieces as full versions and as piano accompaniment for playing along. In Vol. 2, the tonal range is extended to a'', including a few semitones. The works are rhythmically more complex and, with regard to fingering technique and melodic expression, more demanding than the pieces in Vol. 1. / Niveau : 2-3 / Recueil / Flûte à Bec et Piano
23.60 EUR - vendu par LMI-partitions
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Guardians Of Peace (HOSAY JAMES L)
113.90
Guardians Of Peace (HOSAY JAMES L)
Orchestre d'harmonie
[Conducteur et Parties séparées]
-
Intermédiaire/avancé
Curnow Music
Par HOSAY JAMES L.. GUARDIANS OF PEACE is dedicated to the United States Atlanti...
(+)
Par HOSAY JAMES L.. GUARDIANS OF PEACE is dedicated to the United States Atlantic Fleet. From their homeport of Norfolk, Virginia, they are ready and able to deploy to any region of the world at a moment’s notice, to help maintain peace and stability throughout the world. They have a long, proud history of service and dedication, and played a major role in the success of Operations Desert Shield and Desert Storm. The level of dedication and self-sacrifice required by this type of service is the highest in all the military, as individuals must be separated from families and loved ones for long periods of time, while placing their lives and well-being in grave danger. / Niveau : 4 / Répertoire / Concert Band ou Harmonie
113.90 EUR - vendu par LMI-partitions
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Happy Summer Song (TOMS GRAYDON A)
86.79
Happy Summer Song (TOMS GRAYDON A)
Orchestre d'harmonie
[Conducteur et Parties séparées]
-
Débutant
Curnow Music
Par TOMS GRAYDON A.. This lighthearted piece is ideal for the Grade 1 band. Repe...
(+)
Par TOMS GRAYDON A.. This lighthearted piece is ideal for the Grade 1 band. Repeated notes in a sequential melody, simple counterpoint between the Woodwinds and Trumpets, interesting use of common Auxiliary Percussion instruments, a limited palette of rhythms and easy Low Brass/ Low Woodwind parts all combine so that you can program HAPPY SUMMER SONG with confidence. Whether you have a full complement of players or your instrumentation is a little 'sketchy'; whether you have plenty of rehearsal time or that precious commodity is a bit rare, you can count on having this one ready in time for the show. / Niveau : 1 / Répertoire / Concert Band ou Harmonie
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Holy Night A
20.60
Holy Night A
Piano seul
Alfred Publishing
This musically imaginative collection of classic carols vary from a tender setti...
(+)
This musically imaginative collection of classic carols vary from a tender setting of 'In the Bleak Midwinter' to a concert-ready version of 'O Holy Night.' Approximate performance times are included to assist planning. / Piano
20.60 EUR - vendu par LMI-partitions
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Fantaisies De Concert (DIVERS AUTEURS / SARASATE)
44.70
Fantaisies De Concert (DIVERS AUTEURS / SARASATE)
En Français
Violon et Piano
[Partition]
Choudens
Par DIVERS AUTEURS / SARASATE. Quite early in his career, Pablo De Sarasate prod...
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Par DIVERS AUTEURS / SARASATE. Quite early in his career, Pablo De Sarasate produced a series of fantasies on themes from popular operas for solo Violin with Orchestral, or Piano accompaniment. The appeal of the Carmen fantasy, with which this collection opens, has remained the most enduring but, perhaps reflecting the varying fortunes with audiences of the operas themselves, settings of Gounod’s Faust and Roméo et Juliette, or Weber’s Der Freischütz are ready for reappraisal today as similarly exhilarating exercises in Romantic violin technique. As an example of Sarasate ’s equally successful and more purely lyrical “salon” style of composition, his Rêverie, Op. 4 is alsoincluded here. / Classique / Répertoire / Violon et Piano
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Spirituals for Church and Concert: Vocal: Vocal Collection
9.99
Spirituals for Church and Concert: Vocal: Vocal Collection
H.T. FitzSimons Company
8 spirituals including: Do Lord Remember Me! £ I Want to Be Ready £ Lord ...
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8 spirituals including: Do Lord Remember Me! £ I Want to Be Ready £ Lord I Want to Be a Christian £ Sit Down Servant Sit Down £ and more.
9.99 GBP - vendu par Musicroom GB
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Discover The Lead. Huge Hits
17.00
Discover The Lead. Huge Hits
Saxophone Alto et Piano
[Partition]
I.M.P.
Discover The Lead is an integrated series of easy arrangements for numerous inst...
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Discover The Lead is an integrated series of easy arrangements for numerous instruments. In each edition all the songs are in the same concert pitch key, so the different instruments can play together. The book includes chord symbols in concert pitch and a guide to notation as well as eight huge hits to play. CD includes full backing tracks - professionally arranged and recorded, and full demonstration recordings to help you learn the songs. / Rép International / Recueil / Saxophone Alto et Piano
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Concerto for Cello and Orchestra (Concertstück)
23.20
Concerto for Cello and Orchestra (Concertstück)
Violoncelle, Piano
[Partition]
Peters
Original Version - Edition for Cello and Piano. Par SCHUMANN ROBERT. Schumann’...
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Original Version - Edition for Cello and Piano. Par SCHUMANN ROBERT. Schumann’s Cello Concerto Rediscovered In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann’s original version of his Cello Concerto in A minor Op. 129 – a piece he actually called a ‘Concertstück’ – removing generations of inauthentic editorial interventions. This is the only available modern scholarly edition of the work as Schumann originally conceived it, and restores the text from October 1850, based on the composer’s manuscript held in the Biblioteka Jagiellonska in Kraków. This Full Score matches the separately available edition for Cello and Piano (EP 73488). Matching orchestral material is also available from the publisher. Only modern Urtext edition based on Schumann’s original 1850 manuscript Many new corrections and clarifications, especially to the cello part Scholarly preface detailing history of the work and this edition by editor Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music London Cello Part contains Josephine Knight's fingering and bowing suggestions Critical Commentary Cello and piano edition available separately from Edition Peters: orchestral parts available for rental Recording of the Concertstück featuring Josephine Knight available from Dutton Robert Schumann’s tragic last years have mired many of his greatest works in unnecessary doubt. The story of the suppression of his Violin Concerto by well-meaning friends is relatively well-known. Few, however, know that the version of the Cello Concerto that is routinely heard today is so far from Schumann’s original conception of the work – not only in details of phrasing and articulation, but also featuring a different ending with a bold final flourish from the cello. Composed in a burst of inspiration in two weeks in October 1850 shortly after he and Clara had moved to Düsseldorf, Schumann (who in 1850 was still in good health) never heard the piece performed. In an effort to promote a performance of the work, he gave the score to the cellist Robert Emil Bockmühl. Bockmühl made revisions that Schumann resisted, and the hoped-for performance never happened. Schumann’s health failed and he died aged just 46 in 1856. The Concerto, in an already substantially revised form, was premiered in 1860 but it was not given significant recognition until it was championed by Pablo Casals in the 20th century by which time (and since) the text for the work had accreted additions and alterations from generations of soloists. Now Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music, London has returned to the original 1850 manuscript of the work, which is in the Biblioteka Jagiellonska in Kraków, to reveal Schumann’s original thoughts for the first time in a modern Urtext edition. The edition reflects Schumann’s original conception of the work as a Concertstück and restores Schumann’s musical text, free of posthumous interventions. ‘My ultimate wish,’ says the editor, ‘is to give performers both access to, and confidence that they are playing from, an edition which is a true representation of the piece in its original form, no matter how much more difficult this might be. I found that incorporating the changes enabled the piece to take on a completely different character – one that is lighter and happier, even “cheerful”, as Schumann himself described the work.'/ Répertoire / Violoncelle et Piano
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Concerto for Cello and Orchestra (Concertstück)
68.50
Concerto for Cello and Orchestra (Concertstück)
Violoncelle, Orchestre
[Partition]
Peters
Original Version. Par SCHUMANN ROBERT. Schumann’s Cello Concerto Rediscovered ...
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Original Version. Par SCHUMANN ROBERT. Schumann’s Cello Concerto Rediscovered In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann’s original version of his Cello Concerto in A minor Op. 129 – a piece he actually called a ‘Concertstück’ – removing generations of inauthentic editorial interventions. This is the only available modern scholarly edition of the work as Schumann originally conceived it, and restores the text from October 1850, based on the composer’s manuscript held in the Biblioteka Jagiellonska in Kraków. This Full Score matches the separately available edition for Cello and Piano (EP 73488). Matching orchestral material is also available from the publisher. Only modern Urtext edition based on Schumann’s original 1850 manuscript Many new corrections and clarifications, especially to the cello part Scholarly preface detailing history of the work and this edition by editor Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music London Cello Part contains Josephine Knight's fingering and bowing suggestions Critical Commentary Cello and piano edition available separately from Edition Peters: orchestral parts available for rental Recording of the Concertstück featuring Josephine Knight available from Dutton Robert Schumann’s tragic last years have mired many of his greatest works in unnecessary doubt. The story of the suppression of his Violin Concerto by well-meaning friends is relatively well-known. Few, however, know that the version of the Cello Concerto that is routinely heard today is so far from Schumann’s original conception of the work – not only in details of phrasing and articulation, but also featuring a different ending with a bold final flourish from the cello. Composed in a burst of inspiration in two weeks in October 1850 shortly after he and Clara had moved to Düsseldorf, Schumann (who in 1850 was still in good health) never heard the piece performed. In an effort to promote a performance of the work, he gave the score to the cellist Robert Emil Bockmühl. Bockmühl made revisions that Schumann resisted, and the hoped-for performance never happened. Schumann’s health failed and he died aged just 46 in 1856. The Concerto, in an already substantially revised form, was premiered in 1860 but it was not given significant recognition until it was championed by Pablo Casals in the 20th century by which time (and since) the text for the work had accreted additions and alterations from generations of soloists. Now Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music, London has returned to the original 1850 manuscript of the work, which is in the Biblioteka Jagiellonska in Kraków, to reveal Schumann’s original thoughts for the first time in a modern Urtext edition. The edition reflects Schumann’s original conception of the work as a Concertstück and restores Schumann’s musical text, free of posthumous interventions. ‘My ultimate wish,’ says the editor, ‘is to give performers both access to, and confidence that they are playing from, an edition which is a true representation of the piece in its original form, no matter how much more difficult this might be. I found that incorporating the changes enabled the piece to take on a completely different character – one that is lighter and happier, even “cheerful”, as Schumann himself described the work.'/ Répertoire / Violoncelle et Orchestre
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Donna Diana (VON REZNICE EMIL NIKOLAUS)
168.10
Donna Diana (VON REZNICE EMIL NIKOLAUS)
Orchestre d'harmonie
[Conducteur et Parties séparées]
-
Intermédiaire/avancé
De Haske Publications
Arr. Wil Van Der Beek. Par VON REZNICE EMIL NIKOLAUS. Emil Nikolaus V. Reznicek ...
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Arr. Wil Van Der Beek. Par VON REZNICE EMIL NIKOLAUS. Emil Nikolaus V. Reznicek was born on May 4, 1860. Though he was originally destined for ajudicial career, his nature (that of a true musician)soon pointed him in the direction of music. As anorchestral conductor and a highly regarded musicteacher he made his mark in a number of cities, including Mannheim and Berlin. As a composer hesprang to fame with his opera Donna Diana(1894), a lasting success which placed him in theforefront of German composers. The overture toDonna Diana is unique in its freshness and sunnycheerfulness. Wil van der Beek, who has alreadywritten many arrangements of classical pieces forwind band, has maintained the spirit of theoriginal composition. / Niveau : 5 / Répertoire / Concert Band
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Donna Diana (VON REZNICE EMIL NIKOLAUS)
168.10
Donna Diana (VON REZNICE EMIL NIKOLAUS)
Orchestre d'harmonie
[Conducteur et Parties séparées]
-
Intermédiaire/avancé
De Haske Publications
Arr. Wil Van Der Beek. Par VON REZNICE EMIL NIKOLAUS. Emil Nikolaus V. Reznicek ...
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Arr. Wil Van Der Beek. Par VON REZNICE EMIL NIKOLAUS. Emil Nikolaus V. Reznicek was born on May 4, 1860. Though he was originally destined for ajudicial career, his nature (that of a true musician)soon pointed him in the direction of music. As anorchestral conductor and a highly regarded musicteacher he made his mark in a number of cities, including Mannheim and Berlin. As a composer hesprang to fame with his opera Donna Diana(1894), a lasting success which placed him in theforefront of German composers. The overture toDonna Diana is unique in its freshness and sunnycheerfulness. Wil van der Beek, who has alreadywritten many arrangements of classical pieces forwind band, has maintained the spirit of theoriginal composition. / Niveau : 5 / Répertoire / Concert Band ou Harmonie
168.10 EUR - vendu par LMI-partitions
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Discover The Lead. Huge Hits (Violin/Cd)
17.00
Discover The Lead. Huge Hits (Violin/Cd)
Violon et Piano
[Partition]
I.M.P.
Carefully selected and edited easy violin arrangements for players around Grades...
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Carefully selected and edited easy violin arrangements for players around Grades 1-2 standard. Book includes chord symbols in concert pitch and a guide to notation as well as eight huge hits to play. CD includes full backing tracks - professionally arranged and recorded, and full demonstration recordings to help you learn the songs. / Pop and rock / Date parution : 2005-05-27/ Recueil / Violon et Piano
17.00 EUR - vendu par LMI-partitions
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Going Solo (Trombone And Piano)
12.50
Going Solo (Trombone And Piano)
Trombone et Piano
[Partition]
Faber Music Limited
Arrangement: Gout Alan. Par GOUT ALAN. Si vous vous préparez à affronter un pu...
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Arrangement: Gout Alan. Par GOUT ALAN. Si vous vous préparez à affronter un public pour la première fois - savoir si à la maison, à l'école ou sur la plate-forme de concert - vous êtes prêt pour Going Solo. Couvrant un large éventail de répertoire de matériel original animé aux arrangements imaginatives, Going Solo offre une foule de nouveaux défis et va être apprécié par joueur et en public alike./ Recueil / Trombone et Piano
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Crazy Christmas - Teachers Handbook
49.60
Crazy Christmas - Teachers Handbook
Chorale
[Edition pour professeur]
Alfred Publishing
Tout est sauvage au Pôle Nord cette période de l'année! Venez vous amuser en ...
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Tout est sauvage au Pôle Nord cette période de l'année! Venez vous amuser en Père Noël, les lutins, les rennes, et l'ensemble de vos élèves deviennent fous pour Noël! Programme de ces neuf chansons individuellement, une série de concert ou d'un programme de vacances de 30 minutes comme une simple mise en scène (en utilisant le script en option, avec 40 narrateurs). Comprend chorégraphie complète (également disponible gratuitement en ligne)! Recommandé pour les grades 1-5. / Choeur
49.60 EUR - vendu par LMI-partitions
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Temptations On Stage, The (Concert Band)
103.00
Temptations On Stage, The (Concert Band)
Orchestre d'harmonie
Hal Leonard
Rarement un seul groupe musical a tellement distinctes et influent sur la cultur...
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Rarement un seul groupe musical a tellement distinctes et influent sur la culture pop comme cette sensation de Motown. Mettant en vedette leurs succès populaires, energetic medley de Richard roches / Orchestre D'Harmonie
103.00 EUR - vendu par LMI-partitions
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Discover The Lead. Huge Hits
17.00
Discover The Lead. Huge Hits
[Partition]
I.M.P.
Carefully selected and edited easy violin arrangements for players around Grades...
(+)
Carefully selected and edited easy violin arrangements for players around Grades 1-2 standard. Book includes chord symbols in concert pitch, fingering charts and a guide to notation and instrument care as well as eight huge hits to play. CD includes full backing tracks - professionally arranged and recorded, and full demonstration recordings to help you learn the songs. / Pop and rock / Recueil / Saxophone Ténor et Piano
17.00 EUR - vendu par LMI-partitions
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