SKU: BT.DHP-1115180-010
9x12 inches. English-German-French-Dut ch.
Saxophone Concertino is one of a series of solo concerti by Japanese composer, Satoshi Yagisawa. In this piece, the solo saxophonist's voice does not separate from the concert band, but rather develops musically and gently in combination with it. This work enables the soloist to showcase his ability with variety and grace. Met Saxophone Concertino voegt Yagisawa weer een compositie toe aan zijn reeks van concerti waartoe ook Trumpet Concerto, Trombone Concerto, Marimba Concerto, Concertino for Solo Percussion and Wind Orchestra als ookClarinet Concerto behoren. In dit werk staat het soloinstrument niet los van het blaasorkest, gezamenlijk met de rest van de muziek komt de solopartij heel geleidelijk tot ontwikkeling. Maar wel op een manier dat het talentvan de solist goed tot zijn recht komt.Das Saxophone Concertino fügt sich in eine Reihe von Concerti von Satoshi Yagisawa ein, zu der auch sein Trumpet Concerto, das Trombone Concerto, Marimba Concerto, Concertino for Solo Percussion and Wind Orchestra sowie das Clarinet Concerto zählen. In diesem Stück ist die Solostimme nicht vom Blasorchester separiert, sondern entwickelt die Musik behutsam gemeinsam mit diesem. Der Solist kann in diesem Werk sein Können in vielfältiger Weise präsentieren.L e Concertino pour Saxophone s'inscrit dans la lignée des concerti de Satoshi Yagisawa qui compte le Concerto pour Trompette, le Concerto pour Trombone, le Concerto pour Marimba, le Concertino pour Percussion solo et Orchestre vent, tout comme le Concerto pour Clarinette. Dans cette oeuvre, le soliste développe le thème musical en harmonie avec l'orchestre. Par un choral romantique, un allegro et une cadenza, le soliste dévoilera toute sa virtuosité ainsi que les nombreuses facettes de son instrument.Sax ophone Concertino si aggiunge alla serie di brani per strumento solo e banda firmati del compositore giapponese, quali Trumpet Concerto, Trombone Concerto, Marimba Concerto, Concertino for Solo Percussion and Wind Orchestra, come anche Clarinet Concerto. In Saxophone Concertino lo strumento solista e la banda sviluppano la musica insieme, in perfetta sintonia. Il solista puó; mettersi in luce e mostrare le innumerevoli sfaccettature dello strumento con un romantico corale, un allegro e una cadenza.
SKU: BT.DHP-1125390-140
Intermezzo I> is the second movement of Satoshi Yagisawa’s Clarinet Concerto. The concerto was first performed by Higashi-Hiroshima Wind Ensemble in Hiroshima, Japan in 2010 with guest performer Shinsuke Hashimoto, clarinettist with the Hiroshima Symphony Orchestra and was conducted by Atsushi Kageyama. Inspiration for this work came from the fact that both Satoshi Yagisawa and Shinsuke Hashimoto graduated from Musashino Academia Musicae.Clarinet Concerto>/I> is the pinnacle of Satoshi Yagisawa’s “Concerto Series†which also features his Suite Concertante for Piano and WindOrchestra, Trumpet Concerto, Trombone Concerto, Saxophone Concertino, andConcertino for Solo Percussion and Wind Orchestra.Yagisawaâ ™s characteristic heartfelt theme in the second movement is especially popular and consequently—entitl ed Intermezzo—i t is often performed independently.Soloist: Grade 4 Intermezzo is het tweede deel van Satoshi Yagisawa’s Clarinet Concerto. Het concert als geheel werd in 2010 onder leiding van dirigent Atsushi Kageyama door het ensemble in première gebracht, samen met gastklarinettist Shinsuke Hashimoto - die werkzaam is bij het Hiroshima Symphony Orchestra. De inspiratiebron voor het werk is het gegeven dat Satoshi Yagisawa en Shinsuke Hashimoto beiden hebben gestudeerd aan de Musashino Academia Musicae.Clarinet Concerto vormt het hoogtepunt van Satoshi Yagisawa’s Concerto Series, waar ook zijn Suite Concertante for Piano and Wind Orchestra, Trumpet Concerto, Trombone Concerto, Saxophone Concertinoen Concertino for solo Percussion and Wind Orchestra deel van uitmaken.Met name Yagisawa’s karakteristieke doorvoelde thema uit het tweede deel is populair. Daarom wordt dat ook vaak als afzonderlijk stuk uitgevoerd, onder de titel Intermezzo.Soloist : Grade 4 Intermezzo ist der zweite Satz aus Satoshi Yagisawas Clarinet Concerto. Dieses wurde vom Bläserensemble Higashi-Hiroshima in Hiroshima (Japan) für das 20. Jahreskonzert in Auftrag gegeben. Es wurde von diesem Ensemble mit dem Gastsolisten Shinsuke Hashimoto, dem Klarinettisten des Hiroshima Symphony Orchestra, unter der Direktion von Atsushi Kageyama uraufgeführt. Satoshi Yagisawa ließ sich zu diesem Werk vom gemeinsamen Abschluss mit Shinsuke Hashimoto an der Academia Musicae Musashino inspirieren. Clarinet Concerto bildet den Höhepunkt von Satoshi Yagisawas Concerto-Reihe“, zu welcher außerdem folgende Werke zählen: Suite Concertante for Piano andWind Orchestra, Trumpet Concerto, Trombone Concerto, Saxophone Concertino sowie das Concertino for Solo Percussion and Wind Orchestra.Das charakteristische, innige Thema aus dem zweiten Satz erfreut sich besonderer Beliebtheit und wird daher als Intermezzo oft einzeln aufgeführt.Solostimme: Schwierigkeitsgrad 4 Intermezzo est le deuxième mouvement extrait du Concerto pour Clarinette de Satoshi Yagisawa. Le concerto a été créé en 2010 par l’Orchestre d’Harmonie d’Higashi-Hiroshim a sous la direction d’Atsushi Kageyama avec la participation de Shinsuke Hashimoto, clarinettiste de l’Orchestre Symphonique d’Hiroshima. Cette oeuvre s’inspire du fait que Satoshi Yagisawa et Shinsuke Hashimoto sont tous deux diplômés du Conservatoire de musique de Musashino.Le Concerto pour Clarinette représente l’apogée de la série de concertos de Satoshi Yagisawa, qui comprend aussi une Suite concertante pour piano et orchestre, un Concerto pour trompette, unConcerto pour trombone, un Concertino pour saxophone et un Concertino pour percussion solo et orchestre d’harmonie.En raison de sa grande popularité, le thème émouvant du deuxième mouvement, qui est intitulé Intermezzo, est souvent interprété indépendamment.Soliste : Degré de difficulté 4.
SKU: BT.DHP-1125390-010
SKU: CY.CC2357
John Frith's new composition, Concertino for Bass Trombone & Wind Ensemble is a major new work for Bass Trombone in three movements: Humoresque, Ballad and Scherzo. Mr. Frith lives in the UK has written this work for UK Bass Trombone virtuoso, Jonathan Warburton.
SKU: HL.153135
UPC: 888680095208. 9.0x12.25x0.092 inches.
Commissione d by the St. Paul Chamber Orchestra, this concertino was originally conceived as a part of a complete educational concertprogram. Four concertini, each featuring a different instrumental family within the chamber orchestra, are played in succession to demonstrate the characteristic sounds of those instruments. The music is thematically related but not identical to the Concertino for Chamber Orchestra (parts available on rental from the publisher), which serves as the program's closer, demonstrating all of theorchestral sections playing together. This program is suggested by the composer for orchestra concerts, however each instrumental concertino can be performed individually and stands quite effectively on its own as a short chamber recital piece.
SKU: HL.14041898
ISBN 9788759817360. 12.0x16.5x0.425 inches.
Concertino was composed by Danish composer Poul Ruders in 2008 . Concertino has been written for Bass Trombone solo and ensemble.
SKU: CN.S11297
Stuart Johnson has arranged and adapted the first movement of this much loved Mozart piano sonata (KV 282) to create a delightful and welcome addition to the clarinet repertoire. The accompaniment is lightly scored for small wind band. Primarily this is to create a classical feel which reflects the style of the music.Stuart Johnson has arranged and adapted the first movement of this much loved Mozart piano sonata (KV 282) to create a delightful and welcome addition to the clarinet repertoire. The accompaniment is lightly scored for small wind band. Primarily this is to create a classical feel which reflects the style of the music. However, larger bands may wish to place the piece strategically in the program to give the heavy brass a rest. To this end, directors may also prefer to use single players on the brass and saxophone parts which would also help to give and orchestral feel to the performance.
SKU: CN.R10297
SKU: BC.307559
SKU: BR.EB-33001
ISBN 9790004186800. 9 x 12 inches.
The present Concertino in E-flat major , Op. 5, was composed especially for the Leipzig trombone virtuoso Carl Traugott Queisser (1800-1846), to whom the work is also dedicated. The Concertino was first reviewed by the critic Gottfried Wilhelm Fink (1783-1846) in the Leipzig Allgemeine Musikalische Zeitung (AMZ), issue no. 38, September 1832. The critic discussed the work in detail, calling it a milestone of the trombone literature, ... its public performance should thus be determined by only true masters. The rest, however, may wish to utilize it, in silence, that is not overheard by expectant listeners, to strive with it to strengthen their powers.... The Concertino 's premiere can be dated to 1828, with Queisser himself as soloist, and the composer conducting. Queisser repeatedly performed the Concertino up to 1843. The work was published under catalogue number 5227 in 1832 by Breitkopf & Hartel. Sometime in the 1940s the work was lost to sight and no performances known to come from then. Together with the Concertino , Op. 4, later composed by Ferdinand David, Muller's contribution to this genre is among the most often played and most demanding of the trombone literature. The score includes, besides a preface detailing the work's genesis and reception history, also facsimile pages to round out the edition. You may browse our piano vocal score here.
SKU: BR.PB-33001
ISBN 9790004215821. 10 x 12.5 inches.
The present Concertino in E-flat major, Op. 5, was composed especially for the Leipzig trombone virtuoso Carl Traugott Queisser (1800-1846), to whom the work is also dedicated. The Concertino was first reviewed by the critic Gottfried Wilhelm Fink (1783-1846) in the Leipzig Allgemeine Musikalische Zeitung (AMZ), issue no. 38, September 1832. The critic discussed the work in detail, calling it a milestone of the trombone literature, ... its public performance should thus be determined by only true masters. The rest, however, may wish to utilize it, in silence, that is not overheard by expectant listeners, to strive with it to strengthen their powers....The Concertino's premiere can be dated to 1828, with Queisser himself as soloist, and the composer conducting. Queisser repeatedly performed the Concertino up to 1843. The work was published under catalogue number 5227 in 1832 by Breitkopf & Hartel. Sometime in the 1940s the work was lost to sight and no performances known to come from then. Together with the Concertino, Op. 4, later composed by Ferdinand David, Muller's contribution to this genre is among the most often played and most demanding of the trombone literature. The score includes, besides a preface detailing the work's genesis and reception history, also facsimile pages to round out the edition. You may browse our piano vocal score here.
SKU: BT.AMP-288-010
In 2008, composer Philip Sparke published the latest volume of his instrumental books, Super Solos. Young German flautist Meinhard Drescher was so taken with these solos that his father secretly commissioned the composer toarrange three of the solos (Little Overture, Berceuse and Moto Perpetuo) into a mini-concerto for flute and concert band, which was presented to Meinhard as a 16th birthday present. Concertino Classico is in the standardquick-slow-quick concerto form and can be played by flute, clarinet or alto saxophone. Dur: 7:15 (Grade 4)In 2008 publiceerde Philip Sparke zijn lesboek Super Solos, het derde deel in een serie voor fluit, klarinet, altsaxofoon, trompet, hoorn, trombone en euphonium. Een jonge Duitse fluitist was zo enthousiast over deze solowerken,dat zijn vader een arrangement van drie van de stukken in het geheim bij de componist in opdracht gaf. En dit hier is het resultaat! Een â??miniconcertâ?? uit Little Overture, Berceuse en Molto Perpetuo.2008 veröff entlichte Philip Sparke sein Etu?denbuch Super Solos, den dritten Band einer Reihe fu?r Flöte, Klarinette, Altsaxophon, Trompete, Horn, Posaune und Euphonium. Ein junger deutscher Flötist war so begeistert von den Soli, dass sein Vater heimlich beim Komponisten ein Arrangement von dreien der Stu?cke in Auftrag gab. Das Ergebnis ist dieses Mini-Konzertâ?? aus Little Overture, Berceuse und Molto Perpetuo. Mit dem entsprechenden Band von Super Solos können Sie jedes Instrument das Solo in Concerto Classico spielen lassen.En 2008, Philip Sparke publiait ses Super Solos, troisième et dernier volume dâ??une collection de solos instrumentaux (pour Fl te, Clarinette, Saxophone Alto, Trompette, Cor, Trombone et Euphonium), plébiscités par les jeunes musiciens du monde entier, et plus particulièrement par le jeune fl tiste allemand, Meinhard Drescher. la demande du père de ce dernier, Philip Sparke a extrait trois pièces du recueil - Little Overture â?¢ Berceuse â?¢ Moto Perpetuo - pour en faire un « mini-concerto » pour Fl te traversière et Orchestre dâ??Harmonie. Meinhard Drescher reçut ce concerto comme cadeau pour son seizième anniversaire. Il en assura la création le 18 octobre2009.Concertino Classico est structuré selon le schéma classique du concerto : vif - lent - vif. La partie solo peut également être confiée la Clarinette ou au Saxophone Alto.
SKU: CY.CC2843
Max Warnecke's Konzertstück is characteristic of the nineteenth-century solo Trombone tradition. At six minutes in duration, it is considerably shorter than contemporary solos of the time such as the Gräfe Concerto. Like the David Concertino it uses similar martial-style opening and closing themes with a lyrical middle section. The solo and orchestral accompaniment are of medium difficulty and appropriate for school recitals or professional performances.
SKU: CF.J648F
ISBN 9780825885204. UPC: 798408085209. 9 x 12 inches.
SKU: EC.RBM-035
This concertino for Solo Trombone or Euphonium was composed at the request of noted trombonist Benjamin Osborne of Austin, TX. The work falls into three short movements: &nb sp; I. Recitative &nb sp; II.Serenade &n bsp; III. BurlesqueMovement I is a declamatory statement for the solo instrument, to be played somewhat freely in the manner of a recitation. Movement II contains broadly lyric music of romantic sensibility, most of which is cast in 11/8 meter. Movement III is an energetic, somewhat raucous musical example, somewhat reminiscent of traditional burlesque, a bit impudent in character and with distinctly jazzy overtones.( dur: 8:00 )
SKU: GH.CG-6267P
SKU: SU.50000580
Copyright 1993. Published by: Seesaw Music.