Christ Is Our Cornerstone by Philip W. J. Stopford for SATB and Organ with opt. Brass Quintet and Timpani.

SATB-Beginning with an optional scriptural spoken dialogue this triumphant anthem soon builds to a majestic call to commitment and celebration of Christ as the Cornerstone of His Church. Woven into the fabric of the anthem is TheChurch's One Foundation and the optional brass quartet is glorious.

25 unique uke arrangements, including: Above All · Cornerstone · Everlasting God · Forever · God Is Able · The Heart of Worship · Hosanna · I Give You My Heart · Jesus Messiah · Our God · Overcome · Revelation Song · The Stand · 10,000 Reasons (Bless the Lord) · Your Grace Is Enough · and more. / Ukulélé

Franz Schubert’s Die Winterreise a cornerstone of the vocal repertoire has been arranged by John Alley Keyboard player of the London Symphony Orchestra and an outstanding accompanist whohas worked with all the great singers for High Voice.He has also recorded a backing CD of the 24 pieces which is included in the box.

For Flute, Clarinet In Bb, Harp, and String Quartet. Par LASH HANNAH. Form and Postlude is a piece in one continuous movement but with a distinct postlude which ends the work. I play throughout with the idea of pacing on many levels: the largest level is the idea of proportion of sections to one another, then harmonic rhythm (in the broad sense), then harmonic rhythm on a more local level, and of course then on the surface of the music there is instrumental texture and how fast the notes go by. Along with this sense of play in terms of the pacing and motion is the idea of color. I love this ensemble, and its palette of color has been part of my DNA, as it were, for many years, because Ravel’s wonderful work Introduction et Allegro is such a cornerstone in the harpist’s repertoire. While composing, I found myself feeling that I was entering into this colorful world that is possible with this combination of instruments, almost as if it were possible to step into a painter’s palette in a real and visceral way, physically interacting with all the different colors. The title Form and Postlude nods to Ravel’s Introduction et Allegro, although my piece lives in its own very distinct space apart from Ravel. – Hannah Lash/ Répertoire / Flûte Traversière, Clarinette, Harpe et Quatuor à

Book 3-Oxford Bach Books For Organ is a 5-volume graded series of Organ music composed by J. S. Bach and arranged by Anne Marsden Thomas. This varied collection includes the essential pieces in all genres including choral preludes fugues toccatas and trio sonata movements alongside several of the composer’s lesser known works.Each volume contains a general introduction for players with advice on registration tempo ornamentation touch and articulation fingering pedalling and more. There are also concise notes on each piece by the renowned Bach scholar Professor Russell Stinson - addressing source issues structure and symbolism and forthe chorale preludes information on the original hymn melody and text on which the piece based.An authoritative introduction to this cornerstone of the Organ repertoire Oxford Bach Books For Organ presents pieces in a highly practical format that is perfect for teachers and students.This third volume contains 11 pieces for the manual or pedal Organ suitable for musicians at a Grade 7-8 level.

Method-This book is an attempt to update and rebalance the Violinist's training in that cornerstone of thieir technique scales and intervals since much of the traditional literature concentrates on diatonic scales and hence omits several intervals. It includes diagrams charts of harmonics and exercises in double-stopping. Invaluable training material.

Giulio Briccialdi (1818-1881) has been one of the major European flutists of the Nineteenth Century. Praised by coeval critics as 'the first among the living flutists? in a period when virtuosos were reaching extraordinary levels, Briccialdi was a unique artist with a quintessentially Romantic personality. His refined activity as a composer is nowadays mostly known thanks to his paraphrases on operatic themes and to his didactic output, but it is through his concertos - a real cornerstone in the instrumental virtuosic repertoire of the 1800s - that Briccialdi exploits the pinnacle of his opera-influenced style. Briccialdi's concertos are intended for technically and stylistically advanced performers. / Flûte Traversière Et Piano

Paul Creston (1906-1985) was a well-known composer in his day who made rhythm the cornerstone of his work. Born to Italian immigrant parents in New York City he was essentially a self-taught composer because of poor family finances. He is especially recognized for his contributions to the literature of neglected instruments such as marimba trombone harp accordion and saxophone - such as this saxophone quartet.

Media Type : Book+DVD Level : Beginning-Intermediate Musical Genre : Rock Series : MBGU Number of pages : 48 This book is a collection of riffs that will serve as a great introduction to rock guitar of the 60's and 70's. The cornerstone of many rock tunes, a riff is a short musical phrase that is repeated inside a song. Riffs can be the signature part of a song and what many play when they do air guitar to their favorite tunes! Many riffs are fun, usually pretty easy to play and they sound great. The riffs in this book were written and presented because they are all fairly easy to play and they sound great. If you're planning to make rock guitar a lifetime commitment, learn riffs. If you're simply looking for a way to have fun in your spare time, learn riffs. Any aspiring guitarist can learn these great rock guitar ideas as taught by Jon Finn on this book/2 DVD package. Music notation, tablature, and chord diagrams are provided for each riff.

Featuring two of the most popular movements from Percy Grainger’s cornerstone work for band this mini suite of Horkstow Grange and The Lost Lady Found is the perfect introduction to Grainger’s music for smaller or incomplete ensembles.