30 miniatures pour piano solo compilées par Thalia Myers dont Diana Burrell, Julian Anderson, Jonathan Harvey et John Tavener. / Piano / niveau : Intermédiaire / Partition

The updated colour edition of this best-selling Christmas title. Here's a feel-good assortment of music, stories, recipes and poems that perfectly captures the traditional spirit of Christmas and the season of goodwill. Includes: Magical stories from the likes of Dickens and Hans Christian Anderson Recipes of good cheer and Christmas dishes with a difference Yuletide poems by Tennyson, Hardy, Shakespeare, and much more. All seasonal songs and carols are arranged for piano and voice, there is enough here to occupy any Christmas time for children and adults of all ages! / Chant Et Piano

Voix et tous instruments (flute, violon, violoncelle, clavier?) Table des matières : MacCrimmon?s Lament, Cha Til MacCriman - Jane Fraser Morison Johnnie Cope - James Gillespie Laughlan?s Lilt - James Oswald Lochaber - William Thomson Etrik Banks - William Thomson Loch - Erroch Side - Thomas Oliver & George Boyd The Flower of Edinburgh - James Oswald Lady Mary Hay?s Scotch Measure - Nathaniel Gow The Fyket - Niel Gow Miss Bisset Logierait?s Reel - Malcolm McDonald Was ye at the Bridal - James Oswald The Cadgers of the Cannongate - Niel Gow Kennet ?s Dream - James Oswald The Princess Royal - Niel Gow Logan Water (For ever Fortune) - William Thomson Mrs Judge - Turlough O?Carolan John Anderson my jo (instrumental) - James Oswald John Anderson my jo (chant) - Thomas Oliver & George Boyd For our lang biding here - William Thomson Joy gae wi ?my love - Niel Gow The Flaughter Spade - David Young Patrick McDonald ?s Jig - Patrick McDonald Benney Side - James Oswald Pearlin Peggie ?s Bonny, or, The laird of Foveran - William Christie The Gum - ga ?d Aber - Gairdyn Manuscript Adew Dundee - Skene Manuscript Bonny Dundee - Variation François Lazarevitch Moc Donogh ?s Lamentation - Daniel Wright Saw na ye my Peggie (chant) - William Thomson Saw na ye my Peggie (instrumental) - William McGibbon Muirland Willie - William Thomson The Wawking of the Faulds - William Thomson I wish I wou?d marry me - Robert Bremner An caora crom - David Young Ratha Fair - Niel Gow Haud the lass till I come at her - Thomas Wilson Clean Peas Strae - Niel Gow Auteurs : Robert Bremner, William Christie, Jane Fraser Morison, James Gillespie, Nathaniel Gow, Niel Gow, Malcolm McDonald, Patrick McDonald, William McGibbon, Turlough O?Carolan, Thomas Oliver & George Boyd, James Oswald, William Thomson, Thomas Wilson, Daniel Wright, David Young Gairdyn Manuscript, Skene Manuscript Arrangements et variations : François Lazarevitch

Job (Vocal Score)-A substantial work for four soli SATB chorus and orchestra using text from the translation of Stephen Mitchell's The Book Of Job. Like Vaughan Williams in his Job: A Masque for Dancing Davies was inspired inpart by William Blake's 21 engravings for the Book of Job. His oratorio however is less dependent on find parallels for Blake's visual details given the direct poetry in David Lemon's adaptation of the Stephen Mitchelltranslation from the biblical original it is hardly surprising that the spotlight should be so much on Job's suffering litany. The baritone has the lion's share of the setting though the other soloists occasionally reinforce hisplea and chorale-like episodes universalize his predicament. Davies frames with work with two seminal plainsong-like passages; there is also plenty of dramatic contrast both within Job's monologues and in the vivid orchestralwriting for the smarmy Comforters the initially shrill God who finally appears out of a dazzling orchestral whirlwind and the animal life he uses to illustrate the wonders of creation to a humbled Job.Commissioned by theUniversity of British Colombia it was first performed in May 1997 by Valdine Anderson (soprano) Linda Maguire (mezzo soprano) Paul Moore (tenor) and Kevin McMillan (baritone) with the Vancouver Bach Choir and the CBC VancouverOrchestra conducted by the composer.Vocal score with piano reduction of the orchestral score. Duration c. 70mins.

From Plas Johnson and Thomas Beans Bowles to Tony Iommi and Ann Wilson, take a look at the variety of pop music played on flute. The online audio features performances of the notated music for all the solos in the book, as well as play-along backing tracks. Songs include: Rockin' Robin (Plas Johnson) · Stubborn Kind of Fellow (Thomas Beans Bowles) · California Dreamin' (Bud Shank) · Everyone (Collin Tilton) · Solitude (Tony Iommi) · Locomotive Breath (Ian Anderson) · Road Ode (Bob Messenger) · Sing Child (Ann Wilson) · Somewhere in Time (David Shostac) · One Night in Bangkok (Björn J'son Lindh) · Anchorman Jazz Solo (Katisse Buckingham) · and more. Audio is accessed online using the unique code in each book and can be downloaded or streamed. The audio includes PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right - available exclusively from Hal Leonard. / Flûte Traversière

In The Form Of A Partita In Seven Movements For Double Bass. Par GLASS PHILIP. The Not-Doings of an Insomniac -Partita for Solo Double Bass with spoken texts-was premiered by Robert Black at the International Society of Bassist Convention at the Griffin Concert Hall in Fort Collins, Colorado. The Not-Doings of an Insomniac developed as a result of Philip Glass's frequent travels to unfamiliar cities and different time-zones, changes that often brought on bouts of insomnia. While on a trip in Europe in 2015, Glass decided to turn these redundant waking hours into something useful, and one of the results is this Partita for Solo Double Bass, written for Robert Black of Bang on a Can All-Stars fame. The piece is written in seven movements, each with its own title: Not Dreaming - Tasting - Smelling - Hearing - Seeing - Touching, and finishing with Not Beginning, Not Ending. What raises this set into something atmospheric and theatrical are the poems in between each movement. These are by Glass's friends or associates, and the texts by Lou Reed, John Cale, Laurie Anderson, Yoko Ono, David Byrne, Leonard Cohen, Patti Smith and Arthur Russell are read on the recording of this work by Robert Black. / Date parution : 2019-11-21/ Répertoire / Contrebasse et Récitant

A generous bumper collection of the greatest songs ever to grace the silver screen, all arranged for Piano, Voice and Guitar. It is impossible to imagine Goldfinger without the huge, rich voice of Shirley Bassey, Midnight Cowboy without Nilsson's lilting country whisper, Alfie without the Pop/Jazz of Cilla Black and Sonny Rollins, and Easy Rider just would not be the same without Steppenwolf. The greatest film songs are synonymous with the movies they embellish, capable of lifting a scene from the screen and into our hearts and minds. These songs will forever evoke memories of our favourite characters and situations, long after the film has ended. Learn to play 100 of the greatest film songs ever written with this great-value songbook, packed to the limits with all the laughs, tears, memories and surprises of the movies - a guaranteed hit no matter what the occasion! / Piano/Vocal/Guitare (PVG)

Ten current stage hits in melody line arrangements. Includes numbers from Wicked , Hairspray , Rent and Mamma Mia! . Step into the spotlight and amp - play along with the backing tracks on the specially recorded CD. / Trompette

Ten current stage hits in melody line arrangements. Includes numbers from Wicked , Hairspray , Rent and Mamma Mia! . Step into the spotlight and amp - play along with the backing tracks on the specially recorded CD. / Clarinette

Ten current stage hits in melody line arrangements. Includes numbers from Wicked , Hairspray , Rent and Mamma Mia! . Step into the spotlight and amp - play along with the backing tracks on the specially recorded CD. / Saxophone

The Legendary Series: Clarinet is a beautifully presented, limited edition book containing 100 great pieces, specially arranged for Clarinet. Expertly bringing together Clarinet music ranging from Mozart and Berlioz through the 1940s big bands to Klezmer, traditional jazz and popular music, The Legendary Series: Clarinet is a lavish and permanent addition to the bookshelf of any clarinet lover. Alongside the luxuriously presented repertoire is a selection of illustrations and commentaries on the lives of many celebrated clarinettists and composers. It should be noted that the chord symbols above the stave are written for an accompanying concert pitch instrument, i.e. Piano or Guitar. This is to allow the accompanist to read from the same score as the soloist. / Clarinette