Third edition of the world's biggest songbook. This is a vast bumper collection, perfect for buskers, of 1001 all-time hit songs.Whatever your taste, there's guaranteed to be tonnes of songs you'll want to play, this book will last you years!Inside the spiral bound cover you will find a generous selection of hit songs, golden standards, jazz and blues numbers, classical pieces, hymns, gospel songs, stage, film and musical music! Arranged here in Melody line arrangements for Piano, Organ, Electronic Keyboards, Guitar and all C instruments, complete with lyrics and chord symbols. / Ligne Mélodique, Paroles Et Accords (Avec Grilles D'Accords)

Par BAY WILLIAM. This collection contains 100 favorite Gospel songs and hymns for trumpet and guitar. Inside you will find rousing camp meeting songs, sentimental expressions from a deep-rooted faith, and Gospel oriented hymns with an old-time music flavor. In preparing this collection I felt the sincere and solid faith of America's 'revivalist era”, staunchly embedded in the rural and Southern regions of America, but also in the dedicated inner city missions founded in sprawling urban centers. These solos will bring joy, exuberance, nostalgia and a renewed sense of commitment to any worship celebration. They serve as a vehicle for and witness to the Christian faith. / Gospel / Recueil / Trompette et Guitare

In response to a continued interest in a scholarly facsimile of the Mass in B minor, a new cloth-bound facsimile edition (BVK 2194) has now been published. This replaces the original BÄRENREITER FACSIMILE edition (BVK 1911).

Johann Sebastian Bach completed the Mass in B minor in 1748/49 shortly after the Art of Fugue and shortly before his death. This late work is as concentrated and rich in compositional technique as scarcely any other work. As early as 1818, Hans-Georg Nägeli enthusiastically described the Mass as the greatest musical artwork of all time and all nations?. Since then it has been ranked as an icon of music history.

One of the primary functions of a facsimile is the preservation of such a cultural heritage, particularly when the manuscript (as is the case with the Mass in B minor) is endangered and damaged by iron gall ink erosion. Furthermore, it is moving for Bach admirers to see how in some passages Bach?s handwriting reflects the effort which this last work demanded of him.

The facsimile documents and records the present condition of the complete autograph score. Older reproductions have substituted a few individual folios where the content has become difficult to read in recent years.
The renowned Bach scholar Christoph Wolff describes the work?s significance in his introduction, gives an overview of the history of composition and draws attention to particular distinguishing features of the manuscript.


This facsimile edition is a model for the presentation of musical sources, both in appearance and in documentation. [?] Wolff's facsimile will serve as foundational tools
(Notes, December 2008)

Once, Bach came up against the boundaries of his art, on blotchy, 260-year-old paper. ?Et expecto?? is this point in the B minor mass, ?And I look for the resurrection of the dead.? Bach wrote modulations which were extraordinary. He had to strive for these. He crossed out ? although this is a fair copy ? hatched and scratched until the paper tore. He was already an old man, his script leans to the left. The handwriting here isn?t nearly as lively as in the ?Cum sancto Spirito?, written earlier. Everywhere, one is moved by the closeness to the manuscript which the facsimile conveys ? one of the most sumptuous ever published.
(DIE ZEIT Literatur, December 2007) / [Messe en Si mineur BWV 232] / Classique / Fac-similé /

Par BRALEY BERNARD. Bernard Braley This volume covers the lives of George Herbert, the seventeenth century religious poet and parson; Edward Plumptre, the nineteenth century educationalist and theologian who became Dean of Wells Cathedral; Robert Bridges, medical man, precentor in a village church, Poet Laureate and eccentric; and Fred Pratt Green, who took up hymnwriting seriously at an age when many retire, and whose twentieth century hymns are now sung across the world. Hymnwriters 3 ''has. . . . a classical and appropriate cover, featuring an organ and bench with portraits of hymnologists. Also the near-magazine format, featuring side-bars, boxed sections, photos and drawings and anumber of different typefaces, make it a really top-class production. This also has impressive indices: Index of Persons, Index of Place Names, General Index and, lastly, Index of Tunes. Anybody interested in the hymnology/poetry of all the people covered in this finely produced book should add it to their library. '' (Librarians' Christian Fellowship Newsletter) ISBN 0 85249 790 3/ Livre / Livre

Cellist Ben Davis presents a collection of pieces for solo cello drawn from the rich tradition of Irish folk music. The collection covers a range of styles including Jigs, Reels, Hornpipes and Marches. The volume includes notes on the tunes, and is accompanied by a CD with a recording of all tunes. German and French translations of all texts are available as PDF downloads from the Schott Music website. Suitable for players of grades 3-8.Part of the bestselling World Music series, which also includes music from England, Ireland, Scotland, Eastern Europe, America, Argentina, India, China and Korea / Violoncelle

51 Traditional Pieces. Par . Cellist Ben Davis presents a collection of pieces for solo cello drawn from the rich tradition of Irish folk music. The collection covers a range of styles including Jigs, Reels, Hornpipes and Marches. The volume includes notes on the tunes, and is accompanied by recordings of all tunes. German and French translations of all texts are available as PDF downloads from the Schott Music website. Suitable for players of grades 3-8. / Niveau : Intermédiaire-Avancé / Date parution : 2023-08-12/ Recueil / Violoncelle