8 chansons de Walt Disney : partitions pour chant (paroles anglaises) + CD conteant 2 version de chaque titres : une démo compléte + une version sans chanteur. / Voix

Que vous soyez un chanteur de karaoké ou se préparer pour une audition, la série Pro Vocal est pour vous. Le livre contient les paroles, mélodie et symboles de la corde pour neuf chansons à succès. Le CD contient des démos pour écouter et choeurs pistes séparées si vous pouvez chanter. Le CD est jouable sur un CD, mais elle est également améliorée pour les utilisateurs d'ordinateurs PC et Mac donc vous pouvez ajuster l'enregistrement tout terrain sans changer le tempo ! / Chant

Que vous soyez un chanteur de karaoké ou la préparation à une audition, la série Pro Vocal est fait pour vous! Le livre contient les paroles, la mélodie et les symboles d'accord. Le CD contient des démos pour écouter et pistes d'accompagnement afin que vous puissiez chanter en même temps. Le CD est jouable sur n'importe quel lecteur CD, et a également amélioré afin que les utilisateurs Mac et PC permet de régler l'enregistrement à n'importe quelle hauteur sans changer le tempo! Parfait pour les répétitions à domicile, les partis, des auditions, des événements corporatifs, et les concerts sans une bande de sauvegarde. / Voix / 40 pages / Partition + Cd

Rockschool is about playing the styles of music you love.This pack contains the songs for Level 2, covering grades 4 and 5. This level is tailored to those of you who are building upon the fundamentals as a vocalist. Each book is a standalone resource that features sound-alike backing tracks with top line melody featuring a wide range of artists including Robbie Williams, Coldplay and The Beatles.The level 2 book features:Aural testsRhythm examples and exercisesQuick study piecesBacking vocals techniqueFull mixes and backing tracks over 2CD'sDuel key backing tracksRockschool students are always encouraged to be creative with the Rockschool tunes so feel free to improvise and adapt them to suit your own vocal style. / Voix

Songs by the Divine One Sassy (Sarah Vaughan)-Whenever Sarah Vaughan sang the reaction she would often inspire in was amazement. This collection features ten of her best in vocal arrangements with an accompanying CD containing a demonstration and play-along track for each song: Can't Get Out of This Mood · Whatever Lola Wants · Misty · Moonlight in Vermont · It Might As Well Be Spring · Spring Will Be a Little Late This Year · Lullaby of Birdland · Nice Work If You Can Get It · It's Alright with Me · Yesterdays.

Spatzenmesse-Arrangement for female choir (SMezAA) based on the Urtext of the ?New Mozart Edition?.Straightforward Piano reduction.Mozart?s ?Missa in C major? (K. 220) nicknamed the ?Sparrow Mass? for its frequently recurring characteristic motifs in the violins has retained a firm place in the choral repertoire to the present day. Now it has been arranged for female choir and is appearing as part of the recently started ?Bärenreiter Female Choir? series.Heribert Breuer has judiciously transferred the tenor and bass solos to the high voices and incorporated the original soprano and alto parts largely unchanged into the solo and chorusparts. He has thereby retained the work?s original substance while giving it a wholly new and delightful sound.Heribert Breuer was professor of choral conducting and music theory at Berlin University of the Arts until 2010. He is the founder and director of the Berlin Bach Akademie and has made a name for himself with his many arrangements of works from Bach to Schubert.The vocal score is compatible with the performance material of the original work for mixed chorus BA 5343.

Paperback-I Am On The Battlefield For My Lord has been here arranged for SATB (and two soloists) unaccompanied by Robert L. Jefferson.This is a stirring arrangement of the gospel classic I Am On The Battlefield For My Lord for unaccompanied mixed voices with two idiomatic solos for tenor or female soloists. The popular text uses the imagery of combat to express faithfulness to God and Jefferson's characterful arrangement of the familiar melody features swing rhythms jazz harmonies and scat-style accompaniments.

The composer skilfully creates a dialogue between the upper-voice choir (or two-female soloists) and SATB choir. O praise the gracious power is especially appropriate for services with a theme of peace and unity.

Score-John Høybye's The Little Mermaid - Cantata for Soprano Solo Mixed Choir (SATB) Narrator and String Orchestra. Text by H.C. Andersen & Edward Broadbridge. The Little Mermaid is the famous story of the girl with the beautiful voice and a consuming passion for the Prince. It was commissioned by The Second International Choir Festival in Randers Denmark August 2005. Instrumental parts: KP01863A Choral score: KP01863B Version for solo soprano female or girls' choir narrator and piano available: WH31814 All the songs are available in a cappella versions.

No one writes memorable melodies like Don Besig and Nancy Price. Fun to sing and easy to learn “Hurry on Down to Bethlehem”invites the listener to run to the manger with a delightful gospel swing. Featuring both maleand female soloists this invitation to joy will remain in your heart and in your ears long after the final chord. The sky will glow with a shining light as the angel voices ring... “Hurry on Down to Bethlehem”– you don't want to miss it!

The famous Nun's Chorus from Johann Strauss' operetta Casanova has been arranged here for Solo Voice and 3-Part Female Chorus (SSA) with Piano Accompaniment by Francis Westbrook. The English words have been provided by Harry Graham.

Opera in three acts. Par JANACEK LEOS. Leos Janacek began composing his seventh opera, 'The Cunning Little Vixen', based on the popular feuilletons of Rudolf Tesnohlidek, in January 1922. The first copy of the score, was completed by Vaclav Sedlacek in October 1923 but is now lost, while the second copy was prepared by Jaroslav Kulhanek in January 1924. The world premiere took place on 6 November 1924 under the direction of Ota Zitek and was conducted by Frantisek Neumann. The vocal score was published in Czech before the event and then again in 1925 along with the German translation by Max Brod, which is something of a separate version of the text in its own right. This volume of the complete edition reprints the critical edition by Jiri Zahradka, which was published by Universal Edition in 2010. The present edition newly includes transcriptions of the libretto in three languages (Cz/Eng/Ger) and a detailed Critical Report (Eng). The edition draws on all extant sources and - in consideration of Janacek's active participation in rehearsals for the premiere production - integrates both the dynamics of Frantisek Neumann and the performance markings of Sir Charles Mackerras into the musical text./ Répertoire / Chant et Orchestre