Artist Edition B-Flat Instruments. Par METHENY PAT. Pat Metheny is one of the most important voices in modern music. Through his writing, recordings and performances he has created a significant body of work that places him among the major musical figures of our time. With his recent induction as the youngest member of the Downbeat Hall of Fame, Metheny becomes only the fourth jazz guitarist to be chosen for that honor, joining Charlie Christian, Django Reinhardt and Wes Montgomery. He has won twenty Grammy' awards in twelve different categories, been named Best Guitarist in countless polls over four decades, and has sold millions of records worldwide. For all his accomplishments in music, his compositions have become modern standards, beloved by musicians all over the world. With this volume, Metheny has selected 147 of his most played tunes to create a new type of Real Book, approved and gig-tested by the composer himself! This edition is arranged for all B-flat instruments./ Recueil / Instruments en Sib

Uses: General Youth Choir Baptism Graduation Scripture: John 14:1-4: I Corinthians 2:9 The words of Paul are brought to musical life in this lightly contemporary scripture song. The pleasant tune and arrangement make this an easy to listen to hard to forget octavo for choirs of all ages. Lots of unison singing ensures quick success for your ensemble while the harmonic moments are rich and satisfying. Excellent with the addition of the optional flute! Part included.

A delightful Nativity interlaced with the adventures of an excitable little robin and his quest to remember the important Christmas message sung to him by the angels. The forgetful little robin meets Baby Jesus in the stable at Bethlehem... and sings his very best for the new born King!The story is told through some wonderful songs supported by a CD of rehearsal demonstrations and performance accompaniments.

This exciting festival work is sure to captivate your students and audience. Based on Greek mythology it portrays the story of Vulcan who gave birth to fire while toiling at his anvil forging the metals of the Earth. Accidentally a spark takes flight and Vulcan attempts to crush it but it is too quick for him and eventually kindles fire. This overture combines sheer power with gripping and emotional lyrical passages for one experience you will never forget!

Don't Ever Let Nobody Drag Your Spirit Down-Eric Bibb was raised in the folk tradition the son of the folk singer Leon Bibb. Bibb?s uncle was the world-famous jazz pianist and composer John Lewis part of the Modern Jazz Quartet. Bibb was raised in a music-filled household as family friends in the 1950s and 1960s included Pete Seeger Odetta Bob Dylan and the late Paul Robeson who was named Eric?s godfather. Bibb got his first steel guitar at age seven and he got some advice from Dylan that he never forgot to ?keep it simple forget all that fancy stuff.? When he was 16 his father asked him to play guitar in the house band for his TV talent show Someone New.In 1970 Eric left New York City forParis where he met with guitarist Mickey Baker. There he began to focus on blues guitar and after moving to Stockholm he became enamored with prewar blues. A breakout performance at the 1996 London Blues Festival catapulted Eric to a higher level of visibility. Since then he has toured the world performing at concert halls and major festivals. He has toured with Robert Cray Keb Mo Corey Harris and even opened shows for Ray Charles.Eric earned a Grammy nomination for his collaboration (with Taj Mahal and others) on the children?s record SHAKIN? A TAILFEATHER. His album PAINTING SIGNS was recognized by New Age Voice as a Finalist for Best Folk Album of 2001. He joined Maria Muldaur and Rory Block to record the gospelflavored SISTERS & BROTHERS and then released FRIENDS a collection of duets with Taj Mahal Odetta and others. He has been nominated for many W.C. Handy Awards in a variety of categories. Eric?s rich and sensitive vocals and lyrics provide a perfect balance to his fine fingerpicking technique. Purveying a beautifully realized and deftly accomplished soulful folk-blues Eric has no problem blending various genres effortlessly melding a traditional rootsy American style with a subtle contemporary sensibility.

The follow-up to the hugely successful Essential Acoustic Playlist, this companion volume features another 70 classic tunes for the acoustic guitar.This book focuses on classic indie hits from the 80s, 90s and beyond. With names like Pulp, Manic Street Preachers, Supergrass, Radiohead, Blur and The Verve all represented, acoustic indie fans need look no further. The book also features a couple of tracks rarely seen in print, such as the classic 'Shine On' from The House Of Love and Jeff Buckley's beautiful version of 'Lilac Wine'.Each song is presented very simply, with lyrics and chord symbols, sothere's no need to be able to read music. As with all products on this site, the arrangements are guaranteed accurate and have been checked by an experienced editor. The chord shapes given are authentic and sound great on an acoustic guitar. The book features simple 'lyrics and chords' format; authentic and easy chord shapes given for every song; includes capo and tuning information where appropriate.Songlist: (I'm Gonna) Cry Myself Blind (Primal Scream); A Design For Life (Manic Street Preachers); A Little Like You (Grand Drive); A Man Needs To Be Told (The Charlatans); A Minha Meninha (The Bees); Ain't That Enough (Teenage Fanclub); All Together Now (The Farm); Alright (Supergrass); Am I Wrong (Mull Historical Society); American English (Idlewild); Average Man (Turin Brakes); Beetlebum (Blur); Buy It In Bottles (Richard Ashcroft); Can You Dig It? (The Mock Turtles); Caught By The River (Doves); Coffee And TV (Blur); Come Away With Me (Norah Jones); Come Back To What You Know (Embrace); Common People (Pulp); Crazy Beat (Blur); Creep (Radiohead); Distant Sun (Crowded House); Don't Let Me Down Gently (The Wonder Stuff); Don't Think You're The First (The Coral); Everlong (Foo Fighters); Fallen Angel (Elbow); Fastboy (The Bluetones); Forget About Tomorrow (Feeder); Getting Away With It (Electronic); Go To Sleep (Radiohead); Grace (Supergrass); Here's Where The Story Ends (The Sundays); High And Dry (Radiohead); History (The Verve); Hooligan (Embrace); I Need Direction (Teenage Fanclub); I Will (Radiohead); In A Room (Dodgy); It's True That We Love One Another (The White Stripes); Just When You're Thinkin' Things Over (The Charlatans); La Breeze (Simian); Lilac Wine (Jeff Buckley); Live In A Hiding Place (Idlewild); Long Distance (Turin Brakes); Lucky (Radiohead); No Surprises (Radiohead); Only Happy When It Rains (Garbage); Out Of Time (Blur); Painkiller (Turin Brakes); Pass It On (The Coral); Personal Jesus (Johnny Cash); Pineapple Head (Crowded House); Poor Misguided Fool (Starsailor); Road Rage (Catatonia); Seen The Light (Supergrass); Seven Nation Army (The White Stripes); Shine On (The House Of Love); Silence Is Easy ( Starsailor); Sk8er Boi (Avril Lavigne); Stay Away From Me( The Star Spangles); The Final Arrears (Mull Historical Society); There There (Radiohead); Thinking About Tomorrow (Beth Orton); This Is How It Feels (Inspiral Carpets); Wake Up Boo! (The Boo Radleys); Words (Doves); Yoshimi Battles The Pink Robots (The Flaming Lips); You're So Pretty, We're So Pretty (The Charlatans); You've Got Her In Your Pocket (The White Stripes)

Wq 217. Par BACH CARL PHILIPP EMMANUEL. His Heilig Wq 217 is just 6 minutes long. Bach, however, put all his art into these few minutes, as he himself wrote to his publisher: „ Here I have proved the most daring and hard work . . . It will be my swan song of this nature, and serve to ensure that you do not forget myself too soon after my death“. The work requires an extraordinary instrumentation: two full orchestras with 3 Trumpets, 2 Oboes and Strings and two mixed choirs. A sensitive alto solo initiates the work and prepares the dialogue between the choirs of angels and of peoples. It is a musical highlight, when the angel choir modulates from F minor via the tritone interval to B major, initiating the tutti fortissimo. A strong four-part fugue concludes the short work. / Messe / Date parution : 1973-01-01/ Répertoire / Solo A, Choeur SATB/SATB, 2 Orchestres: 2 Hautbois

Twelve Fantasias for Flute without Bass TWV 40:1-12 . Par TELEMANN GEORG PHILIPP. The Fantasias For Flute Without Bass address themselves less to the virtuoso than to the amateur flutist, who will find everything he wishes in these pieces. Although Telemann himself may have lost track of his works, the many flutists who have perfected their technique and musical interpretation with the help of these lovely Fantasias will never forget them. - Urtext of the Telemann Edition. / Répertoire d'Examen / Répertoire / Flûte Traversière

Wq 217. Par BACH CARL PHILIPP EMMANUEL. His Heilig Wq 217 is just 6 minutes long. Bach, however, put all his art into these few minutes, as he himself wrote to his publisher: „ Here I have proved the most daring and hard work . . . It will be my swan song of this nature, and serve to ensure that you do not forget myself too soon after my death“. The work requires an extraordinary instrumentation: two full orchestras with 3 Trumpets, 2 Oboes and Strings and two mixed choirs. A sensitive alto solo initiates the work and prepares the dialogue between the choirs of angels and of peoples. It is a musical highlight, when the angel choir modulates from F minor via the tritone interval to B major, initiating the tutti fortissimo. A strong four-part fugue concludes the short work. / Messe / Date parution : 1973-01-01/ Répertoire / Solo A, Choeur SATB/SATB, 2 Orchestres: 2 Hautbois

Wq 217. Par BACH CARL PHILIPP EMMANUEL. His Heilig Wq 217 is just 6 minutes long. Bach, however, put all his art into these few minutes, as he himself wrote to his publisher: „ Here I have proved the most daring and hard work . . . It will be my swan song of this nature, and serve to ensure that you do not forget myself too soon after my death“. The work requires an extraordinary instrumentation: two full orchestras with 3 Trumpets, 2 Oboes and Strings and two mixed choirs. A sensitive alto solo initiates the work and prepares the dialogue between the choirs of angels and of peoples. It is a musical highlight, when the angel choir modulates from F minor via the tritone interval to B major, initiating the tutti fortissimo. A strong four-part fugue concludes the short work. / Messe / Date parution : 1973-01-01/ Répertoire / Solo A, Choeur SATB/SATB, 2 Orchestres: 2 Hautbois

Wq 217. Par BACH CARL PHILIPP EMMANUEL. His Heilig Wq 217 is just 6 minutes long. Bach, however, put all his art into these few minutes, as he himself wrote to his publisher: „ Here I have proved the most daring and hard work . . . It will be my swan song of this nature, and serve to ensure that you do not forget myself too soon after my death“. The work requires an extraordinary instrumentation: two full orchestras with 3 Trumpets, 2 Oboes and Strings and two mixed choirs. A sensitive alto solo initiates the work and prepares the dialogue between the choirs of angels and of peoples. It is a musical highlight, when the angel choir modulates from F minor via the tritone interval to B major, initiating the tutti fortissimo. A strong four-part fugue concludes the short work. / Messe / Date parution : 1973-01-01/ Répertoire / Solo A, Choeur SATB/SATB, 2 Orchestres: 2 Hautbois

Uses: General Youth ChoirScripture: Psalm 104:24-25; I Chronicles 29:11; Genesis 1:31; Job 12:7-10God reveals himself in the glory of his handiwork and all of creation reflects his excellence. Thiscontemporary original is filled with refreshing imagery and has an infectious tune that is easy to learn but hard to forget. Great for youth ensembles the tasteful choral moments make it rewarding for chancel choirs as well.Available separately: SATB LiteTrax CD. Duration: ca. 2:56.

Wq 217. Par BACH CARL PHILIPP EMMANUEL. His Heilig Wq 217 is just 6 minutes long. Bach, however, put all his art into these few minutes, as he himself wrote to his publisher: „ Here I have proved the most daring and hard work . . . It will be my swan song of this nature, and serve to ensure that you do not forget myself too soon after my death“. The work requires an extraordinary instrumentation: two full orchestras with 3 Trumpets, 2 Oboes and Strings and two mixed choirs. A sensitive alto solo initiates the work and prepares the dialogue between the choirs of angels and of peoples. It is a musical highlight, when the angel choir modulates from F minor via the tritone interval to B major, initiating the tutti fortissimo. A strong four-part fugue concludes the short work. / Messe / Date parution : 1973-01-01/ Répertoire / Solo A, Choeur SATB/SATB, 2 Orchestres: 2 Hautbois

Emily Dickinson's haunting poetry is beautifully set over a gently-arpeggiated piano accompaniment. Ideal for developing ensembles working on blend and phrasing. Performance Time: Approx. 3:05.