SKU: GI.G-5632
ISBN 9781579991579. English. Text source: Various authors. Text by Various.
Martin E. Marty, Emeritus Professor at the University of Chicago, says it best in the forward of this new hymn tune collection, “Teach Our Hearts is full of music that will indeed belong in cathedrals and inspire their choirs. But I am here called upon to witness to the fact that everything in this book is singable among smaller worshipping communities, where volunteer choirs help lead ordinary congregations-if there are such-in singing.†54 new hymns, songs and carols are presented here texts by a plethora of well-known writers. CONTENTS: BEFORE THE FRUIT IS RIPENED BY THE SUN • YOU, LORD, ARE BOTH LAMB AND SHEPHERD • YOU ARE SALT, WHICH, SHAKEN OUT • THE HILLS ARE STILL • GO TO THE WORLD • FAR FROM HOME • TO BETHLEHEM TWO STRANGERS • O RISEN CHRIST • LORD, HELP US WALK • A WOUNDED MAN • BESIDE THE ALIEN RIVER • FOR THE MUSIC • MEET THE WOMAN WHO ANOINTED • O GOD, WHOSE HEALING POWER • YOU ARE CALLED • FAR MORE THAN PASSION • ONE WITH GOD • GLORY GILDS THE EASTERN • CREATING GOD • LOVING SPIRIT • O GOD, YOU KNOW US • WHEN JESUS CAME • ALL PRAISE BE TO GOD • REMEMBER AND REJOICE • A CHRISTMAS PRAYER • ALL PEOPLE JOIN • BECAUSE CHRIST LIVES • CRASHING WATERS • MOTHERING GOD • HOW SHOCKING • IT STARTED WITH • O GOD WHO MADE • THEY CAME, A MILLING CROWD • THOUGH WE MAY SPEAK HYMN • WE PRAISE YOU, GOD! • WEEP FOR EVE • MARTHA MARY • MAY GOD’S LOVE BE FIXED • THE TEMPLE RANG • TELL ME AGAIN • AS WE GATHER AT YOUR TABLE • COME, JOIN IN CANA’S FEAST • IN ALL OUR GRIEF • HOLY GOD • BLEST BE THE GOD • NOW, O LORD, DISMISS YOUR SERVANTS • SHADOWS FROM THE CROSS • STAY WITH US, LORD • REST, O CHRIST • THESE THINGS DID THOMAS • COME TO TEND GOD’S GARDEN • AND DID YOU RISK YOURSELF, O CHRIST • BLESS THE LORD IN PSALM AND CHORUS • CHRIST, YOU FORMED THE CHURCH.
SKU: PR.11641867L
UPC: 680160683215.
Conte xtures: Riots -Decade '60 was commissioned by Zubin Mehta and the Southern California Symphony Association after the successful premiere of the Concerto for Four Percussion Soloists and Orchestra. It was written during the spring and summer months of 1967. Riots stemming from resentment against the racial situation in the United States and the war in Vietnam were occurring throughout the country and inevitably invaded the composer's creative subconscious. Contextures, as the title implies, was intended to exploit various and varying textures. As the work progressed the correspondence between the fabric of music and the fabric of society became apparent and the allegory grew in significance. So I found myself translating social aspects into musical techniques. Social stratification became a polymetric situation where disparate groups function together. The conflict between the forces of expansion and the forces of containment is expressed through and opposition of tonal fluidity vs. rigidity. This is epitomized in the fourth movement, where the brass is divided into two groups - a muted group, encircled by the unmuted one, which does its utmost to keep the first group within a restricted pitch area. The playful jazzy bits (one between the first and second movements and one at the end of the piece) are simply saying that somehow in this age of turmoil and anxiety ways of having fun are found even though that fun may seem inappropriate. The piece is in five movements, with an interlude between the first and second movements. It is scored for a large orchestra, supplemented by six groups of percussion, including newly created roto-toms (small tunable drums) and some original devices, such as muted gongs and muted vibraphone. There is also an offstage jazz quartet: bass, drums, soprano saxophone and trumpet. The first movement begins with a solo by the first clarinetist which is interrupted by intermittent heckling from his colleagues leading to a configuration of large disparate elements. The interlude of solo violin and snare-drum follows without pause. The second movement, Prestissimo, is a display piece of virtuosity for the entire orchestra. The third movement marks a period of repose and reflection and calls for some expressive solos, particularly by the horn and alto saxophone. The fourth movement opens with a rather lengthy oboe solo, which is threatened by large blocks of sound from the orchestra, against an underlying current of agitated energy in the piano and percussion. This leads to a section in which large orchestral forces oppose one another, ultimately bringing the work to a climax, if not to a denouement. Various thematic elements are strewn all over the orchestra, resulting in the formation of a general haze of sound. A transition leads to the fifth movement without pause. The musical haze is pierced gently by the offstage jazz group as if they were attempting to ignore and even dispel the gloom, but a legato bell sound enters and hovers over both the jazz group and the orchestra, the latter making statements of disquieting finality. Two films were conceived to accompany portions of Contextures. The first done by Herbert Kosowar, was a chemography film (painting directly into the film using dyes and various implements) with fast clips of riot photographs. The second was a film collage made by photographically abstracting details from paintings of Reginald Pollack. The purpose was to invoke a non-specific response - as in music - but at the same time to define the subject matter of the piece. The films were constructed to correspond with certain developments in the piece and in no way affect the independence and musical flow of the piece, having been made after the piece was completed. Contextures: Riots - Decade '60 is dedicated to Mehta, the Southern California Symphony Association and the Los Angeles Philharmonic Orchestra. The news of the assassination of Dr. Martin Luther King came the afternoon of the premiere, April 4, 1968. That evening's performances, and also the succeeding ones, were dedicated to him and a special dedication to Dr. King has been inserted into he score. All the music that follows the jazz group - beginning with the legato bell sound playing the first 2 notes to We shall overcome constitutes a new ending to commemorate Dr. King's death.
SKU: PR.11641867S
UPC: 680160683208.
SKU: P2.30092
Composer Michael Albaugh says, The Knife of Loneliness is composed as three movements in one piece. It was originally conceived as material for a larger string trio, but it became great source material for my then neighbor, clarinetist Nathan Williams and his trio Strata when I was invited to contribute for a concert. The first section is determined and driven, reflecting the push for clarity in difficult life situations. The second section is reflective and contemplative. It is sad but hopeful with resolve to move forward which is reflected in the final section. Life provides many opportunities to overcome difficult situations - it simply takes time..
SKU: FH.VC2
ISBN 978-1-55440-538-1.
This inaugural edition of the Cello Series offers a sound and progressive collection of Repertoire, Recordings, Etudes, Technique, and Orchestral Excerpts for the aspiring cellist. With an expansive representation of musical styles from all eras, this series addresses the need for a single collection of quality educational materials to foster musical development and instill appreciation of the richness and diversity of music written for cello. Supporting a balanced course of study, this series organizes repertoire into nine volumes from the Preparatory Level through Level 8. Each level offers music from a range of styles and compositional eras, including standard literature, new arrangements of familiar tunes, and music written for cellists, by cellists. These selections provide the flexibility to choose pedagogically appropriate material suited to each individual, and to motivate students to fully develop their musicianship and technique.Baroque and Classical Repertoire:Chaconne - Handel, George Frideric arr. Peter HeilbutUn ballo (A Ball) - Steibelt, Daniel arr. Eugen RappSchwedisch (Swedish) - Romberg, Bernhard arr. Percy SuchWhen I Am Laid in Earth (from Dido and Aeneas) - Purcell, HenryConcertino No. 4 in C Major, op. 22 - Breval, Jean-Baptiste arr. L.-R. FeuillardOmbra mai fu (Never Was a Shade) Handel, George Frideric arr. Gaston BorchTraditional and Romantic Repertoire:The Joker, op. 126b, no. 3 - Grechaninov, AlexandrAnitra's Dance - Grieg, Edvard arr. Ann LindsayShe's Like the Swallow - Canadian folk song arr. Forrest KinneyJoyeuse (Joyful) - Squire, William HenryAfter the Bass Is Over - Harris, Charles K. arr. Pat Legg and Alan GoutRepertoire Composed after ca 1930:Hen and Rooster - Konicek, ZdenekLatin Nights - Blackwell, David and Kathy BlackwellRunning of the Bulls - Cheney, Elliott W.Wrist Watch - Birston, HaroldSunday Drag - Perry, Anita D.Soft-Shoe Dance - Reubart, DaleFor a Blue Note - Allerme, Jean-Marc.
SKU: AP.1-ADV9021
UPC: 805095090215. English.
Hear the composer perform his Preludes (Vol. 1) plus seven jazz standards. Titles: Prelude I * Prelude II * Prelude III * Prelude IV * Prelude V * Prelude VI * Close Enough For Love (Mandel/Williams) * The Lady Sings the Blues (Wilder/Engvick) * Hearsay (Ellington/Strayhorn) * There Was Nobody Looking (Ellington) * Oh Bess, Oh Where's My Bess? (Gershwin/Heyward) * This Is New (Weill/Gershwin) * Over the Rainbow (Arlen/Harburg).
