Jonathan Palant Choral Series-Here is the beautiful final movement from Giacomo Carissimi's oratorio Jephte. Originally for SATB choir soloist narrator and instruments here is a new arrangement for men that allows them to explore this important musical style. Along with the Baroque style and the Latin text this piece also lends itself to teach legato line imitation and the emotional context of loss and lamentation.

Music Minus One Soprano-John Wustman brings you a collection of truly awe-inspiring oratorio arias - including selections from 'The Creation' and 'Elijah.' Includes a high-quality printed vocal score and a compact disc with stereo accompaniments to each piece. Accompaniment: John Wustman piano Includes: Mass No. 18 in C minor KV427 (KV417a) No. 14: 'Alleluia' Mass No. 18 in C minor KV427 (KV417a) No. 14: 'Et incarnatus est' Die Schapfung (The Creation) HobXXI/2: 'On Mighty Wings' Die Schapfung (The Creation) HobXXI/2: 'With Verdure Clad' Elias (Elijah) op. 70: 'Hear ye Israel!' St. Matthau Passion (St. Matthew Passion) BWV244: I/13. 'Ich will dir mein Herze schenken' St. Matthau Passion (St.Matthew Passion) BWV244: I/8. 'Blute nur' Messiah HWV56 - I: 16. 'Rejoice rejoice rejoice greatly' Messiah HWV56 - I: 17. 'Come unto Him' (alt. lyrics to 'He shall feed His flock') Messiah HWV56 - III: 40. 'I know that my Redeemer liveth'

For Solo Soprano and Tenor and Double Choir with Organ (Continuo) accompaniment. Edited by G. Wallace Woodworth.

Parti Orchestra. Par VIVALDI ANTONIO. The orchestral set contains: 3 copies of Vl I and 3 copies Vl II 2 copies of vla, 2 copies of cello 1 copy of organ, contrabass, trumpet and oboe. Today the Gloria RV 589 (BA 7674) is one of Vivaldi's best-known compositions and one of the most frequently performed sacred vocal works from the Baroque period. Vivaldi wrote the ; Gloria as a self-contained work in the style of a concertante mass. However, it was probably also performed within church services. The scoring of the solo voices (SSA) suggests that the work was written during his period at the Ospedale della Pietà, around 1716. In the twelve movements of the ; Gloria, Vivaldi displays the whole range of his mastery from festive, sublime outer movements to tender, transparently scored solo passages. Thesame mastery has also been applied to the ; Kyrie RV 587 (BA 8950), scored for two choirs and two groups of stringed instruments. The date of its composition remains unclear. It is a purely a choral work without solo passages. Both works can be performed independently but can also be combined as a kind of short mass. Although the authenticity of the autograph manuscript score is beyond doubt, these new editions contain some re-evaluations in phrasing and performance practice which go beyond what other editions have to offer. The Piano reductions are straightforward, clearly presented and preserve the character of the works. - Attractive choral pieces which can be combined to form a short mass./ Répertoire / Matériel D'Orchestre

When Queen Caroline the wife of King George II of England died on 20 November 1737 Handel was commissioned to write an anthem for her funeral service. She was buried in King Henry VII?s Chapel Westminster Abbey on the evening of 17 December 1737 with Handel?s work performed after the funeral service.To emphasize the solemnity of the occasion he used a roughly 100-piece Orchestra and 80 Choristers. The piece is a so-called ?full anthem? consisting of an instrumental Introduction (?Symphony?) and thirteen interlinked choruses. The words were written by Edward Willes the Sub-Dean of Westminster at that time using passages from the King James Bible and theBook of Common Prayer albeit sometimes departing from the original wording.The absence of sections for solo voice has made this anthem a favourite among ambitious choruses and a highlight of any concert programme. Our edition contains the original unabridged version with English text. Martin Focke?s Piano reduction follows the Urtext of the Halle Handel Edition.Original unabridged version.Urtext from the Halle Handel Edition.Straightforward easy-to-play Piano reduction.Full score performance material (BA4267) and Vocal score (BA4267-90) based on the Urtext Halle Handel Edition available for sale.

Flute Play-Along Pack-Performed by Katarzyna Bury fluteAccompaniment: Christian Reichert guitarTwo seminal pieces for guitar and flute duet. Castelnuovo-Tedesco's 20th-century masterpiece of the genre his Sonatina is a brilliantpiece cast in three movements (I. Allegretto grazioso; II. Tempo di Siciliana; III. Scherzo-Rondo/Allegretto con spirito). Giuliani's Serenata is a perfect distillation of this 19th-century master's distillation of Italian andViennese Early Romantic style. This deluxe 2-CD set includes a slow-tempo practice version of each of these classic pieces to help you get up to speed. Includes an authoritative newly engraved music score printed on high-qualityivory paper; a digital stereo compact disc featuring a complete performance of the concerto with flute & guitar and a second performance minus you the flute soloist; and a second compact disc containing a full-speed version ofthe complete version as well as a special -20% slow-tempo version of the accompaniment for practice purposes. Each piece is indexed for your practice and performance convenience. Difficulty Level: Intermediate

Orchestral Excerpts for Flute with Piano Accompaniment has transformed the literature and become the standard excerpt book since its release in 1995. The original collection presents excerpts as you'll see them on auditions and orchestra stands, enhanced with Baxtresser's insightful commentaries on preparing each excerpt. Prefatory essays and piano accompaniments add further resources to best prepare for auditions and life as an orchestra player. Orchestral Excerpts for Flute, Volume 2 with Piano Accompaniment provides all the same features for thorough preparation of another 56 excerpts drawn from 27 works including Tchaikowsky ballets, Strauss tone poems, John Williams film scores, and a wealth of essential repertoire from Bach through Stravinsky. DedicationA Letter to my Dear Flutist FriendsNotes for the PianistTo the PianistsWith My AppreciationWhy This New Book?Learning and Studying Excerpts TodayHow to Use This BookFlute Parts – The Music You Will UseLearning to Take a Successful AuditionPersonal PreparationThe Audition – To Win or to LearnPlaying in an OrchestraPlaying in Opera and Ballet OrchestrasAcknowledgmentsAbout Jeanne BaxtresserAbout the Collaborative EditorsBACHJOHANN SEBASTIANMass in B MinorBWV 232Part IVNo. 24Benedictusbars 1-12BARTOKBELAConcerto for OrchestraMvt. Ibars 1-35Mvt. IVbars 1-25Mvt. IVpickup to bar 136 through 151Mvt. Vbars 26-148BEETHOVENLUDWIG VANSymphony No. 7 in A MajorOp. 92Mvt. Ibars 38-88Mvt. IIbars 131-183BERLIOZHECTORSymphonie FantastiqueOp. 14Mvt. I2 bars before [2] through [3]Mvt. I4th bar of [5] through 3rd bar of [6]Mvt. III1½ bars before [37] through 5th bar of [38]GOUNODCHARLESPetite SymphonieMvt. IIbars 1-29Mvt. IIbars 60-89MAHLERGUSTAVSymphony No. 9Mvt. I2 bars before Misterioso through 3rd bar of Nicht mehr so langsamMvt. Ibeat 4 of Sehr zögernd through 3rd bar after Wieder a tempoSymphony No. 10Mvt. Vbars 27-45MOZARTWOLFGANG AMADEUSThe Magic FluteK. 620Act INo. 8Finalebars 1-24 of “Wie stark ist nicht dein Zauberton!”Act IINo. 21Finalebars 1-10PISTONWALTERThe Incredible Flutist“The Flutist,” Lento after [E] through end of soloRIMSKY-KORSAKOVNICOLAIScheherazadeMvt. II3 before [Q] through 13th of [Q]Mvt. IIIpickups to 8 before [B] to 1 before [B]Mvt. IIIpickups to [M] through [N]Mvt. IV4th bar of [T] through Più strettoSCHUMANNROBERTSymphony No. 1“Spring,” Op. 38Mvt. Ibars 14-23Mvt. Ibars 158-193Mvt. IVbars 174-206SHOSTAKOVITCHDMITRISymphony No. 5Op. 47Mvt. I[13][15]Mvt. I[39] through 3rd bar of [41]Mvt. IIpickup to 6 bars before [59]through 8th bar of [60]Symphony No. 6Op. 54Mvt. I[16] through 3rd bar of [18]Mvt. I4 bars before [23] through [26]Mvt. I3 bars before [27] through 7th bar of [27]Symphony No. 15Op. 141Mvt. Ibar 1 through 4 bars after [4]Mvt. I8th bar of [46] through [50]STRAUSSRICHARDDer RosenkavalierOp. 59Act I4 bars before [230] through [233]Act I[251][253]Don JuanOp. 20Bar 1 through [B][K] through 3rd bar of [L]Ein HeldenlebenOp. 406 bars before [14] through [14]3rd bar of [15] through 8th bar of [15]2nd bar before [41] through 11th bar of [41]Symphonia DomesticaOp. 538 bars before [22] through [24]STRAVINSKYIGORThe FirebirdPas de Deux (Firebird and Ivan Tsarevitch)1945 version1 bar before [25] through 4th bar of [33]“Appearance of the Thirteen Enchanted Princesses,” 1910 version4 bars before[52] through 2nd bar of [53]Jeu de CartesVariation IV: [75][79]Symphonies of Wind Instruments2 bars before [6] through [9]3 bars before [14] through 3rd bar of [26][28] to the 3rd bar of [37]TCHAIKOVSKYPETER ILYITCHThe NutcrackerOp. 71Act IIChinese DancecompleteDance of the Mirlitonsbar 1 to [C]Sleeping BeautyOp. 66Act IIINo.25Pas de QuatreSwan LakeOp. 20Act IIINo. 19Pas de Six [32][33]Act IIINo. 19[35][36]WILLIAMSJOHNHarry Potter and the Prisoner of AzkabanSuite for Orchestra“Hagrid’s Friendly Bird,” bars 127-151Star WarsSuite for OrchestraPrincess Leia’s themepickup to bar 15 through bar 33War HorseDartmoor1912bars 1-15Dartmoor1912pickup to bar 131 through bar 144 / Flûte traversière / Theodore Presser Company

This edition features new electric guitar transcriptions compiled from the music of Wolfgang Amadeus Mozart. The collection includes 11 pieces including 'Eine Kleine Nachtmusik K525 I ' 'Rondo alla Turka K331 III ' 'Sonata K545I ' and 'Symphony #40 K550 I.' As with other editions in this series these transcriptions are intended to be performed with a pick — employing string-skipping alternate hybrid and sweep-skipping techniques. The selections havebeen performed in a variety of settings from accompanied solos to a sextet. Companion audio downloads are available that features all eleven pieces as well as bonus tracks to the multi guitar selections with the first guitarabsent to allow practice/performance with the audio. The book is divided into two sections the first of which includes music for solos duets and parts for larger ensemble transcriptions. The second section features full scores canon solutions and the piano accompaniment score to the Turkish Rondo. Written in notation and tablature. Free audio downloads are available for use with this title.

In three movements: Maestoso Andante Allegro animato. Like Edwards' Concerto for Young Pianists this exhilarating new concerto will dazzle and inspire. Wonderful soaring melodies dominate the first two movements and an exciting syncopated rhythm permeates the third. The Piano II part is more difficult but no less rewarding and is an essential component to the composition and represents a solid complement to the soloist. The CD includes full performances as well as tracks of the second part only. Each book includes two full scores. For two pianos 4 hands.

Includes parts for Trumpet I and II in B-flat; Trombones I & II in C; Horn in F; TimpaniRepertoire for Brass Ensemble and Organ.Suitable for amateur Brass ensembles and non-professional organists.Offers various Brass parts enabling performances with flexible instrumentation.The alternation of Organ and Brass ensemble is in many parts of the world a standard practice in church services and concerts. It is much rarer however to hear the joint performance during entrance and exit processionals as well as chorale preludes. This is due not least to the lack of literature for the combination.This new series ?Organ Plus Brass? presentsoriginal works and more importantly new arrangements which are geared towards amateur wind players. The Organ part is manageable for the non-professional organist and can be played on a small or medium-sized instrument.The full score comes with an inserted wind score in C which is also available separately. Wind parts in C and B-flat can also be purchased. The edition enables the performance by Brass Ensembles of varying instrumentation.Volume 1 includes the arrangement of ?Marche Triomphale? by Théodore Dubois. This composition was originally written for solo Organ and is a part of the popular ?Douze pièces nouvelles? which is available under the order number BA 8471.

Includes parts for Trumpet I and II in B-flat; Trombones I & II in C; Horn in F; TimpaniRepertoire for Brass Ensemble and Organ.Suitable for amateur Brass ensembles and non-professional organists.Offers various Brass parts enabling performances with flexible instrumentation.The alternation of Organ and Brass ensemble is in many parts of the world a standard practice in church services and concerts. It is much rarer however to hear the joint performance during entrance and exit processionals as well as chorale preludes. This is due not least to the lack of literature for the combination.This new series ?Organ Plus Brass? presentsoriginal works and more importantly new arrangements which are geared towards amateur wind players. The Organ part is manageable for the non-professional organist and can be played on a small or medium-sized instrument.The full score comes with an inserted wind score in C which is also available separately. Wind parts in C and B-flat can also be purchased. The edition enables the performance by Brass Ensembles of varying instrumentation.Volume 1 includes the arrangement of ?Marche Triomphale? by Théodore Dubois. This composition was originally written for solo Organ and is a part of the popular ?Douze pièces nouvelles? which is available under the order number BA 8471.

Includes parts for Trumpet I and II in B-flat; Trombones I & II in C; Horn in F; TimpaniRepertoire for Brass Ensemble and Organ.Suitable for amateur Brass ensembles and non-professional organists.Offers various Brass parts enabling performances with flexible instrumentation.The alternation of Organ and Brass ensemble is in many parts of the world a standard practice in church services and concerts. It is much rarer however to hear the joint performance during entrance and exit processionals as well as chorale preludes. This is due not least to the lack of literature for the combination.This new series ?Organ Plus Brass? presentsoriginal works and more importantly new arrangements which are geared towards amateur wind players. The Organ part is manageable for the non-professional organist and can be played on a small or medium-sized instrument.The full score comes with an inserted wind score in C which is also available separately. Wind parts in C and B-flat can also be purchased. The edition enables the performance by Brass Ensembles of varying instrumentation.Volume 1 includes the arrangement of ?Marche Triomphale? by Théodore Dubois. This composition was originally written for solo Organ and is a part of the popular ?Douze pièces nouvelles? which is available under the order number BA 8471.

27 works by prominent 20th Century American G. Schirmer composers, including: Barber, Brubeck, Dello Joio, Muczynski, Schuman and Thomson. / Piano

Mendelssohn particularly loved Shakespeare’s Midsummer Night’s Dream having read it with his sister from childhood. His incidental music for the play ranks among the best of its genre skillfully generating the spirit of each of the characters establishing ambiences for the various scenes and complement Shakespeare’s own drama. Mendelssohn’s music for this play is best known for the famous Wedding March though the work contains an array of beautiful music. The instrumental movements are frequently performed as an Orchestral suite or as stand-alone pieces.In spite of its title You Spotted Snakes is a lively lullabye sung to Titania in Act II. It is during this sleep thatOberon enchants Titania and all the rest of the action unfolds. You Spotted Snakes is scored for solo Voices SA with Voices SSAA and Piano accompaniment.