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Oscar Hammerstein II Richard Rodgers: Pipe Dream: Vocal Solo: Score
64.99
Oscar Hammerstein II Richard Rodgers: Pipe Dream: Vocal Solo: Score
Piano, Voix
Hal Leonard
Complete vocal score to the 1955 musical with 22 pieces in all: All at Once You ...
(+)
Complete vocal score to the 1955 musical with 22 pieces in all: All at Once You Love Her · All Kinds of People · Everybody's Got a Home but Me · How Long · The Man I Used to Be · Suzy Is a Good Thing · Sweet Thursday · Will You Marry Me · and more.
64.99 GBP - vendu par Musicroom GB
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Wallingford Riegger: New Dance for Band Op. 18b (finale): Concert Band: Score
7.50
Wallingford Riegger: New Dance for Band Op. 18b (finale): Concert Band: Score
Orchestre d'harmonie
[Partition]
Associated
Score-Wallingford Riegger's New Dance composed 1935 was originally the third s...
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Score-Wallingford Riegger's New Dance composed 1935 was originally the third section of Trilogy a large dance piece commissioned by Doris Humphrey for the renowned Humphrey-Weidman Dance Company. Parts I and II were entitled 'Theatre Piece' (later designated Op.19) and 'With My Red Fires' (Op.20).First scored for Piano and instruments New Dance Op.18 was later rescored by the composer in four known versions all now published: for Piano solo two Pianos Orchestra (Op.18b) and Concert Band (Op.18c).
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Christmas Oratorio, Part II (BACH JOHANN SEBASTIAN)
31.44
Christmas Oratorio, Part II (BACH JOHANN SEBASTIAN)
Soli, choeur mixte et accompagnement
[Conducteur]
Carus Verlag
Und es waren Hirten in derselbigen Gegend - BWV 248.2. Par BACH JOHANN SEBASTIAN...
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Und es waren Hirten in derselbigen Gegend - BWV 248.2. Par BACH JOHANN SEBASTIAN. The Christmas Oratorio with just organ instead of orchestral accompaniment' Can this work with such a festive and colorfully orchestrated piece' This arrangement shows that it can, and surprisingly well!Carsten Klomp has carefully transcribed the orchestral writing for organ. Staying close to the original score goes hand-in-hand with a transcription brilliantly suited to the organ, with full use of the tonal and performing possibilities of the instrument.The first three parts of the Christmas Oratorio are now available from Carus in this form. So for the first time, a complete performance of Parts I?III of the work can now be given in an arrangement for soloists, choir and organ. Each of the organ parts is available to match the scores. These allow for optimal page-turns, as the choral parts are not printed and the da capo sections are always written out in full.The editions are available individually or as a set (including the three scores with the individual organ parts).The vocal parts (for soloists and choir) are identical to the original version, so that the vocal score and choral score of that version can be used.This work (original version) is also available in carus music, the choir app! / Date parution : 2022-10-12/ Répertoire / Solistes, SATB et Orgue
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Antonio Vivaldi: Gloria RV 589 (Violin II): Mixed Choir: Part
Barenreiter
Today the Gloria RV 589 (BA 7674) is one of Vivaldi?s best-known compositions an...
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Today the Gloria RV 589 (BA 7674) is one of Vivaldi?s best-known compositions and one of the most frequently performed sacred vocal works from the Baroque period.Vivaldi wrote the ?Gloria? as a self-contained work in the style of a concertante mass. However it was probably also performed within church services. The scoring of the solo voices (SSA) suggests that the work was written during his period at the Ospedale della Piet around 1716. In the twelve movements of the ?Gloria? Vivaldi displays the whole range of his mastery from festive sublime outer movements to tender transparently scored solopassages.The same mastery has also been applied to the ? Kyrie? RV 587 (BA 8950) scored for two choirs and two groups of stringed instruments. The date of its composition remains unclear. It is a purely a choral work without solo passages.Both works can be performed independently but can also be combined as a kind of short mass. Although the authenticity of the autograph manuscript score is beyond doubt these new editions contain some re-evaluations in phrasing and performance practice which go beyond what other editions have to offer. The Piano reductions are straightforward clearly presented and preserve the character of the works.- Attractive choral pieces which can be combined to form a short mass.- Vocal score as well as choral score available for the ?Gloria?.- Informative foreword (Ger/Eng).
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Due Valzer Sul Nome Bach (ROTA NINO)
13.32
Due Valzer Sul Nome Bach (ROTA NINO)
Piano seul
[Partition]
-
Intermédiaire/avancé
Schott
Per Pianoforte. Par ROTA NINO. Both waltzes are based on the famous musical cryp...
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Per Pianoforte. Par ROTA NINO. Both waltzes are based on the famous musical cryptogram B-A-C-H and were created in 1975. The very same year, Nino Rota was asked by Federico Fellini, who was just shooting the film Casanova, to write pieces he wanted to use for his film. Thus, Due Valzer sul nome BACH became a part of the film score of Fellini's Casanova and ultimately its main motifs. The third waltz in this series remained unfinished. / Niveau : 4 / Répertoire / Piano
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MOZART W.A - PIANO SONATAS II
30.10
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Piano seul
EMB (Editio Musica Budapest)
Bartók taught piano at the Music Academy in Budapest from 1907 to 1934. In his ...
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Bartók taught piano at the Music Academy in Budapest from 1907 to 1934. In his first years as a professor the Budapest music publishers Rozsnyai and Rózsavölgyi commissioned him to prepare so-called instructive editions (including suggestions, commentaries and fingerings for the performer) of several classics of the piano repertoire, altogether more than two thousand pages of music. Following Bach and Beethoven, Mozart was the third classical titan of whom Bartók ventured to undertake a performing edition necessary for music education and the sheet music trade in Hungary. Károly Rozsnyai entrusted the work to him. Bartók worked on revisions of the sonatas between 1910 and 1912, and in 1912 or 1913 the pieces were published in a single-volume version. The two-volume form was published later, perhaps during the years of inflation following the First World War, on poorer quality paper and with gray cover. Bartók's editing reflects contemporary ideas about performance, but is for the most part more detailed and elaborate than in other similar instructive editions at the turn of the century.
For the present edition we have corrected known printing errors by retouching the score, and we have deleted abbreviation letters referring to analysis of the form of the sonatas, which Bartók agreed to only at the explicit request of the publisher. We have added an English translation to the footnotes in Hungarian and German. The reader's attention is drawn to significant problems of authenticity and text in new editorial footnotes.
To the new edition we have added an afterword by László Somfai which details the circumstances of the first publication, Bartók's sources and his working methods. Bartók's Mozart concept is outlined in detail, and the author reveals the problems surrounding the composer's edition and the significant distortions in the musical text, and puts into a historical context the performance indications used by Bartók. / Partitions classique / Piano - instruments à clavier / Piano / EMB (Editio Musica Budapest)
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Mnemosyne II (POUSSEUR HENRI / BARTHOLOMEE)
28.26
Mnemosyne II (POUSSEUR HENRI / BARTHOLOMEE)
Piano seul
[Partition]
Suvini Zerboni
Versione Per Pianoforte di Score Bartholomée. Par POUSSEUR HENRI / BARTHOLOMEE....
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Versione Per Pianoforte di Score Bartholomée. Par POUSSEUR HENRI / BARTHOLOMEE. / Répertoire / Piano
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Franz Joseph Haydn: Haydn - Piano Trios Volume II: Piano: Instrumental Album
19.99
Franz Joseph Haydn: Haydn - Piano Trios Volume II: Piano: Instrumental Album
Piano seul
[Partition + CD]
Music Minus One
Music Minus One Piano-Includes: G major (HobXV: 25) F-sharp minor (HobXV: 26) ...
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Music Minus One Piano-Includes: G major (HobXV: 25) F-sharp minor (HobXV: 26) F major (HobXV: 6). More of Haydn's wonderful piano trios for you to accompany. Great fun for any pianist from this Classical master. Includes printed music score on high quality ivory paper and a compact disc featuring accompaniments to each of these trios. Accompaniment: The Vardi Trio: Alan Shulman violoncello Emanuel Vardi violin
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JOHANN JOHANSSON - PIANO WORKS
60.74
JOHANN JOHANSSON - PIANO WORKS
Piano seul
Faber Music Limited
Jóhann Jóhannsson was an award-winning Icelandic composer, renowned for his co...
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Jóhann Jóhannsson was an award-winning Icelandic composer, renowned for his compositions across film, television, theatre and dance, including his stunning score to James Marsh?s Stephen Hawking biopic The Theory of Everything (2014), which earned him a Golden Globe Award for Best Original Score. Jóhann Jóhannsson: Piano Works brings together for the first time transcriptions of his best-loved works in a special limited-edition collection for solo piano, which celebrates music from his solo albums alongside his highly acclaimed and powerfully moving film scores. Featuring 30 pieces accurately transcribed for solo piano, this collection will allow fans of Jóhannsson to immerse in his unique sound-world with music from across his career including The Theory of Everything, Odi et Amo and Flight From the City. Suitable for intermediate piano.With only a thousand copies available, Jóhann Jóhannsson: Piano Works is presented as a stunning high-end cloth-bound hardback limited-edition book. Alongside the scores, it includes a wealth of striking photographs and a specially written introduction from American composer Dustin O?Halloran, a longtime friend of Jóhannsson.?I believe that music acts as a time capsule, preserving the very essence of an individuals heart. When we play music from the past, we possess the ability to summon their spirit and bring them back to life. Jóhann?s music, in its timelessness, will forever remain vibrant and alive. By playing these pieces, you will find yourself drawing closer to his musical world, ensuring its eternal resonance?. Dustin O?Halloran, composer.?Jóhann Jóhannsson: Piano Works offers a superb tribute and testament to the musical achievement of this much-missed composer.? Andrew Eales, pianodao.com A Game of Croquet (from The Theory of Everything) A Model of the Universe (from The Theory of Everything) Bað A Sparrow Alighted Upon Our Shoulder Be Over (from The Shadow Play soundtrack) Beauty (from Blind Massage) By the Roes, and by The Hinds of the Field Dressing Up (from Personal Effects) The Drowned World Eleven Thousand Six Hundred and Sixty-Nine Died of Natural Causes Englabörn (piano version) Flight From the City Flugeldar II Good Morning, Midnight He Says It?s the Future Indian Wedding (from Personal Effects) Innocence (from Free the Mind) Já, Hemmi Minn Jói and Karen Linda and Walter (from Personal Effects) Melodia (III) Odi et Amo / Krókódíll Payphone (from McCanick) The Radiant City Ruslpóstur The Sun?s Gone Dim and the Sky?s Turned Black Theme from ?Varmints? soundtrack The Theory of Everything (soundtrack) Time to Say Goodbye (from White Black Boy) Will?s Story (from Free the Mind) / Piano / Faber Music
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3 Sacred Concertos: No. III And Take Heed To Yourselves (SCHUTZ HEINRICH)
4.75
3 Sacred Concertos: No. III And Take Heed To Yourselves (SCHUTZ HEINRICH)
Travaux Pour Choeurs
[Partition]
Peters
No. III And Take Heed To Yourselves. Par SCHUTZ HEINRICH. A La Vente - Partition...
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No. III And Take Heed To Yourselves. Par SCHUTZ HEINRICH. A La Vente - Partition D'Orchestre Disponible A La Location Uniquement / oeuvre solo et Orchestre / Répertoire / Travaux Pour Choeurs
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Haydn Joseph - Missa In Angustiis D Minor Hob. Xxii:11
16.90
Haydn Joseph - Missa In Angustiis D Minor Hob. Xxii:11
Conducteur de poche, d'étude
[Conducteur d'étude / Miniature]
Eulenburg
NELSON MASS EDITION : STUDY SCORE INSTRUMENTATION : MIXED CHOIR (SATB), SOLOIST...
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NELSON MASS EDITION : STUDY SCORE INSTRUMENTATION : MIXED CHOIR (SATB), SOLOISTS (SATB) AND ORCHESTRA CATALOGUE OF WORKS : HOB. XXII:11 DURATION : 38' NUMBER OF PAGES : 200 LANGUAGE : LATIN ARRANGER : ROBBINS LANDON, H. C. SERIES : EULENBURG MINIATURE SCORES
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Solos for the Bassoon Player: Bassoon Solo
16.99
Solos for the Bassoon Player: Bassoon Solo
Basson
[Partition + Accès audio]
Music Minus One
Performed by Janet Grice bassoon Accompaniment: Harriet Wingreen piano This c...
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Performed by Janet Grice bassoon Accompaniment: Harriet Wingreen piano This collection of classic pieces scored for solo bassoon with piano accompaniment covers a huge span of time and musical styles from Bach (Bourrée I and II) to Dukas's Sorcerer's Apprentice. Includes selections from Carmen L'Elisir d'amore Pictures at an Exhibition and many many more! Includes a high-quality printed solo part and a compact disc containing a complete performance presented in split-channel format with the piano accompaniment on the left channel and bassoon soloist on the right channel. This affords the player the ability to easily dial in or out the reference solo part. (Notethat due to publisher's restrictions there is no printed part included for the two Grice selections.)
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Frédéric Chopin: Waltzes WN vol. 27 B III: Piano: Study Score
10.20
Frédéric Chopin: Waltzes WN vol. 27 B III: Piano: Study Score
Piano seul
[Conducteur d'étude / Miniature]
PWM (Polskie Wydawnictwo Muzyczne)
Waltzes WN vol. 27 B III
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Robert Nagel: Advanced Trumpet Solos - Volume II: Trumpet Solo: Instrumental
12.99
Robert Nagel: Advanced Trumpet Solos - Volume II: Trumpet Solo: Instrumental
Trompette
[Partition + CD]
Music Minus One
Listen as extraordinary virtuoso Robert Nagel takes you into the world of challe...
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Listen as extraordinary virtuoso Robert Nagel takes you into the world of challenging pieces for the advanced trumpeter. A master class you won't forget! Includes a high-quality printed music score annotated with performance suggestions and a compact disc with complete versions (with soloist) followed by piano accompaniments to each piece minus the soloist. Contents: Trumpet Processional (Nagel) · Allegro (Fiocco) · Suite Movements I-III (Latham) · Trumpet Concerto in E-Flat Major WoO1 S49 (Hummel).
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Bach J.s. - Cantata No.46 (dominica 10 Post Trinitatis) Bwv 46 - 3 Solo Parts, Choir And Orchestra
10.60
Bach J.s. - Cantata No.46 (dominica 10 Post Trinitatis) Bwv 46 - 3 Solo Parts, Choir And Orchestra
[Conducteur d'étude / Miniature]
EULENBURG
Look ye then and see
Edition : study score
Instrumentation : 3 solo pa...
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Look ye then and see
Edition : study score
Instrumentation : 3 solo parts, choir and orchestra
Catalogue of works : BWV 46
Duration : 20'
Date of Publications : 13/03/1985
Number of Pages : 64
Language : German
Arranger : Schering, Arnold
Series : Eulenburg Miniature Scores
Contenu
- Preface
- Vorwort
- Libretto/Lyrics
- I. Schauet doch und sehet (Chor)
- II. So klage du (Tenor)
- III. Dein Wetter zog sich auf (Bass)
- IV. Doch bildet euch, o Sünder (Alt)
- V. Doch Jesu will (Alt)
- VI. O großer Gott der Treu (Choral)
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Bach J.s. - Cantata No.62 (adventus Christi) Bwv 62 - 3 Solo Parts, Choir And Orchestra
13.80
Bach J.s. - Cantata No.62 (adventus Christi) Bwv 62 - 3 Solo Parts, Choir And Orchestra
[Conducteur d'étude / Miniature]
EULENBURG
Come, Thou the Saviour of man (2nd Version)
Edition : study score
Inst...
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Come, Thou the Saviour of man (2nd Version)
Edition : study score
Instrumentation : 3 solo parts, choir and orchestra
Catalogue of works : BWV 62
Duration : 24'
Date of Publications : 12/08/1981
Number of Pages : 44
Language : German - English
Arranger : Grischkat, Hans
Series : Eulenburg Miniature Scores
Contenu
- Vorwort
- Preface
- I. Nun komm, der Heiden Heiland (Choral)
- II. Bewundert, o Menschen, dies große Geheimnis (Tenor)
- III. So geht aus Gottes Herrlichkeit und Thron (Bass)
- IV. Streite, siege, starker Held! (Bass)
- V. Wir ehren diese Herrlichkeit (Sopran/Alt)
- VI. Lob sei Gott, dem Vater (Choral)
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Bach J.s. - Cantata No. 32 (dominica 1 Post Epiphanias) Bwv 32 - 2 Solo Parts, Choir And Chamber Orc
13.70
Bach J.s. - Cantata No. 32 (dominica 1 Post Epiphanias) Bwv 32 - 2 Solo Parts, Choir And Chamber Orc
Eulenburg
Dearest Jesus, sore I need Thee Instrument : 2 solo parts, choir and chamber or...
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Dearest Jesus, sore I need Thee Instrument : 2 solo parts, choir and chamber orchestra Type : study score Series : Eulenburg Miniature Scores Nombre de Pages : 40 Content : Vorwort - Revisionsbericht - Preface - Editorial Notes - I. Liebster Jesu, mein Verlangen (Sopran) - II. Was ist's, dass du mich gesuchet? (Bass) - III. Hier, in meines Vaters Stätte (Bass) - IV. Ach, heiliger und großer Gott (Sopran/Bass) - V. Nun verschwinden alle Plagen (Sopran/Bass) - VI. Mein Gott, öffne mir die Pforten (Choral)
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Bach J.s. - Cantata No.79 (festo Reformationis) Bwv 79 - 3 Solo Parts, Choir And Chamber Orchestra
14.80
Bach J.s. - Cantata No.79 (festo Reformationis) Bwv 79 - 3 Solo Parts, Choir And Chamber Orchestra
[Conducteur d'étude / Miniature]
EULENBURG
God the Lord is sun and shield
Edition : study score
Instrumentation :...
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God the Lord is sun and shield
Edition : study score
Instrumentation : 3 solo parts, choir and chamber orchestra
Catalogue of works : BWV 79
Date of Composition: 1735
Duration : 17'
Date of Publications : 18/01/1984
Number of Pages : 52
Language : German
Arranger : Schering, ArnoldSeries : Eulenburg Miniature Scores
Contenu
- Preface Editorial Notes
- Vorwort
- Revisionsbericht
- Libretto/Lyrics
- I. Gott, der Herr, ist Sonn' und Schild (Chor)
- II. Gott ist unser Sonn' und Schild (Alt)
- III. Nun danket alle Gott (Choral)
- IV. Gott Lob! Wir wissen den rechten Weg (Bass)
- V. Gott, ach Gott, verlass' die Deinen nimmermehr (Sopran/Bass)
- VI. Erhalt uns in der Wahrheit (Choral)
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Bach J.s. - Cantata No.158 Bwv 158 - Solo-bass, Choir And Chamber Orchestra
10.60
Bach J.s. - Cantata No.158 Bwv 158 - Solo-bass, Choir And Chamber Orchestra
[Conducteur d'étude / Miniature]
EULENBURG
May Peace be unto you
Edition : study score
Instrumentation : solo-bas...
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May Peace be unto you
Edition : study score
Instrumentation : solo-bass, choir and chamber orchestra
Catalogue of works : BWV 158
Duration : 13'
Date of Publications : 12/08/1981
Number of Pages : 20
Language : German - English
Arranger : Grischkat, Hans
Series : Eulenburg Miniature Scores
Contenu
- Vorwort
- Preface
- I. Der Friede sei mit Dir (Bass)
- II. Welt, ade, ich bin dein müde (Bass)
- III. Nun Herr, regiere meinen Sinn (Bass)
- IV. Hier ist das rechte Osterlamm (Choral)
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Bach Johann Sebastian - Cantata No. 131 Bwv 131 - 4 Solo Parts, Choir And Chamber Orchestra
13.80
Bach Johann Sebastian - Cantata No. 131 Bwv 131 - 4 Solo Parts, Choir And Chamber Orchestra
Eulenburg
From the deep cried, I, Lord to TheeBWV 131 - Studienpartitur - STP - 4 solo par...
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From the deep cried, I, Lord to TheeBWV 131 - Studienpartitur - STP - 4 solo parts, choir and chamber orchestra - German - EnglishEnglish version: Drinker, Henry S.editor: Grischkat, Hanscomposer: Bach, Johann SebastianÉditeur: EulenburgN° de référence de l'éditeur: EE 6152Série: Eulenburg Miniature Scorespages: 48Contenu - Vorwort - Revisionsbericht - Preface - Editorial Notes - I. Aus der Tiefe rufe ich, Herr, zu dir (Sinfonia und Chor) - II. So du willst (Sopran/Bass) - III. Ich harre des Herrn (Chor) - IV. Meine Seele wartet (Alt/Tenor) - V. Israel, hoffe auf den Herrn (Chor)
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Fiser Lubos - Sonata Iii
22.70
Fiser Lubos - Sonata Iii
Piano seul
[Partition]
Barenreiter
PIANO SONATA NO. 3 was written in 1960 during the composer?s studies at HAMU (Mu...
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PIANO SONATA NO. 3 was written in 1960 during the composer?s studies at HAMU (Music Faculty of the Academy of Performing Arts in Prague) under Emil Hlobil. The first half of the 1960s was the period during which Fiser?s musical language underwent fundamental change as he rapidly cultivated his own, distinctive style, established in Fifteen Prints after Dürer?s Apocalypse. This sonata thus also includes several essential traits which shift his compositional development further. The work has two movements, however, its internal structure abandons traditional form. The piece is divided into several short, mutually contrasting sections, whereby the distinctions between the adjacent parts are emphasised by the thematic and chordal treatment. These contrasts are also supported by the chosen dynamics, tempo and other expressional means. The harmony is largely based on traditional chords or their condensed form while, in certain passages, we will nevertheless come across semitone clusters or fourth chords. The melody is still chiefly diatonic at times Fiser uses chromatic sequences. These new elements in Sonata No. 3 indicate an attempt to simplify his writing and ensure greatest transparency and impact. This endeavour became a basic characteristic of Fiser?s compositions from the mid-1960s onwards. The sonata originally bore the postscript Fantasia, which was subsequently taken out by the composer. It was first performed by Ales Bílek in 1961. The new setting for this piece is based on the single edition to date (Panton, 1967) only with regard to a few inconsistencies in the score was it necessary to consult the composer?s manuscript (kept at the National Museum ? Czech Museum of Music, acquisition number 297/2006). H 7957, ISMN 979-2601-0446-4
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S. Adler: Ayl Melech Yoshayv SATB/Tenorsolo Unac: SATB: Vocal Score
3.75
S. Adler: Ayl Melech Yoshayv SATB/Tenorsolo Unac: SATB: Vocal Score
Chorale SATB
[Vocal Score]
Schirmer
Behold the Day of Judgment-Four Prayers from the High Holyday Liturgy.I. Hayom H...
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Behold the Day of Judgment-Four Prayers from the High Holyday Liturgy.I. Hayom Harat Olam (11908)II. Ayl Melech Yoshayv (11909)III. Uv'shofar Gadol (11910)IV. Avinu Malkaynu Chanayno (11911)Hinay Yom Hadin (Behold The Day Of Judgement) is a suite of four choruses comprising settings of some of the most important prayers of the Jewish High Holyday Liturgy. These may be performed together or seperately in concert or if desired at the appropriate Service in a Temple or Synagogue.The holy season of the Jewish religious calender is unique because it does not celebrate a historical event nor any particular famous personage but is set aside as a period ofself-examination and re-evaluation for each individual believer. Legend tells on Rosh Hashana (the New Year) God opens the books which record all men's deeds and for ten days examines the course of every man's life during the past year. On Yom Kippur (the Day of Atonement) the books are closed and each man's fate is sealed until the next year. This allegorical vision should inspire every individual to scrutinize his life and resolve to better himself. The Jew firmly believes that God wants the repentance of the sinner so that he may live; therefore he believes that by penitence prayer and good deeds God's judgement can be swayed in his favour and he be inscribed in 'the book of life.'The four prayers were commissioned by Hazzan Samuel Rosenbaum and the Sisterhood of Temple Beth El Rochester New York.Ayl Melech Yoshayv is for SATB choir a cappella with Tenor soloist.
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Mass In Eb Major D950 (SCHUBERT FRANZ)
12.61
Mass In Eb Major D950 (SCHUBERT FRANZ)
Chorale
Peters
Par SCHUBERT FRANZ. Mass No. 6 in E flat major, D 950, is a mass composed by Fra...
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Par SCHUBERT FRANZ. Mass No. 6 in E flat major, D 950, is a mass composed by Franz Schubert. It was originally scored for two tenor soloists, soprano, alto and bass soloists, SATB choir with divisi, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, violin I and II, viola, cello, and double bass and is presented in this edition as a vocal score for SATB. It was Schubert's final setting of the order of Mass, and is classified as a missa solemnis. / Urtext / Répertoire / Travaux Pour Choeurs
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The Cunning Little Vixen (JANACEK LEOS)
754.00
The Cunning Little Vixen (JANACEK LEOS)
Orchestre
[Partition]
Barenreiter
Opera in three acts. Par JANACEK LEOS. Leos Janacek began composing his seventh ...
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Opera in three acts. Par JANACEK LEOS. Leos Janacek began composing his seventh opera, 'The Cunning Little Vixen', based on the popular feuilletons of Rudolf Tesnohlidek, in January 1922. The first copy of the score, was completed by Vaclav Sedlacek in October 1923 but is now lost, while the second copy was prepared by Jaroslav Kulhanek in January 1924. The world premiere took place on 6 November 1924 under the direction of Ota Zitek and was conducted by Frantisek Neumann. The vocal score was published in Czech before the event and then again in 1925 along with the German translation by Max Brod, which is something of a separate version of the text in its own right. This volume of the complete edition reprints the critical edition by Jiri Zahradka, which was published by Universal Edition in 2010. The present edition newly includes transcriptions of the libretto in three languages (Cz/Eng/Ger) and a detailed Critical Report (Eng). The edition draws on all extant sources and - in consideration of Janacek's active participation in rehearsals for the premiere production - integrates both the dynamics of Frantisek Neumann and the performance markings of Sir Charles Mackerras into the musical text./ Répertoire / Chant et Orchestre
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Per Nørgård: 4 Fragments For Piano: Piano: Instrumental Work
Piano seul
[Partition]
Wilhelm Hansen
Fragment I-IV was composed between 1959 and 1961. I premiered the piece myself o...
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Fragment I-IV was composed between 1959 and 1961. I premiered the piece myself on February 12 1962 at a concert where Fragment V for violin and piano and Fragment VI for six orchestra groups were also performed. The four piano pieces contain the first audible results of my preoccupation with the fractal “infinity series” discovered in 1959. “Fractal” designates the property of for example visual form patterns that appear in a process of infinite “microscoping” where the figures reappear for the spectator in constantly enlarged segments of the original fractal form. In much the same way thescore-reader as well as the listener can follow how in for example Fragment III the six notes of the first measure reappear in a much slower figure an octave lower in the left hand (that only manages to get through these six notes in the course of the entire movement) analogous to the zooming-in on a visual fractal form. Each Fragment has its own defining appearance: Fragment I consists of two staccato melodies (with built-in rests) that are tied to a distinct third melody. Fragment II stammers and stutters its way through various shorter note values that are almost identical to boot (for instance they include isolated triplet notes that come immediately before or after notes of another equally short duration). Great demands are thus made on the pianist’s scrupulous attention to the details of this fine-grained universe of rhythms! Of the four pieces Fragment III offers the most directly accessible demonstration of this composition technique – as mentioned above its opening measure fractally projects itself six times as slowly and an octave lower in the left hand through the rest of the movement. Fragment IV is a kind of shadow that reproduces – in a vague “dreaming” manner – all the melodic notes from Fragment III but
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Faust (GOUNOD CHARLES)
1651.85
Faust (GOUNOD CHARLES)
Opéra
[Partition]
Barenreiter
Opera with a Prologue and four Acts (First version) / Opera in five Acts (Second...
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Opera with a Prologue and four Acts (First version) / Opera in five Acts (Second version) Dialogue versions. Par GOUNOD CHARLES. Charles Gounod’s “Faust” secured its international recognition in the version as an entirely sung opera, which from thenceforth has largely obscured the fact that the work was originally composed with spoken dialogues. The early versions staged prior to the 1869 performance at the Paris Opéra containing substantial unknown material and with dialogues and melodramas are the subject of this new edition. (The third version “version opera” was published in a separate edition BA 8713 in 2016.) Even as the rehearsals were taking place at the Théâtre-Lyrique in 1858, during the first series of performances at the theatre in 1859, furthermore as the 1862 revival was approaching and during the performances on the smaller stage at the Place du Châtelet, there were constant changes and revisions. It is, thus, impossible to identify manifestly definitive versions. Nevertheless, by drawing on the entire source material now at hand (including fascinating material only recently discovered) and on the whole gamut of aspects communicated by the reception, Paul Prévost systematically presents us with a score laid out in two main versions in whose chronology constancy and change become transparent. With all the musical changes having been documented, the result is a practicable score for performances which reveals a still far too unknown “Faust” – a “Faust” that is rooted in the tradition of the opéra comique. Quite a few musical numbers are published as a score for the first time in this edition: the trio for Faust, Wagner and Siebel “À l’étude ô mon maître”, the duet of Valentin and Marguerite “Adieu, mon bon frère!”, Méphistophélès’ air “Maître Scarabée”, Siebel’s romance “Versez vos chagrins dans mon âme!”, Valentin’s air with chorus “Chaque jour, nouvelle affaire”, the chorus of witches “Un deux et trois”, and also seven melodramas whose missing or incomplete orchestration has been written for our edition. It was only recently that the long-lost second part of Faust’s original cavatina “Salut! demeure chaste et pure” was unearthed. Only in details of orchestration do other numbers differ from the well-known pieces./ Répertoire / Opéra
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Christmas Oratorio, Part III (BACH JOHANN SEBASTIAN)
28.92
Christmas Oratorio, Part III (BACH JOHANN SEBASTIAN)
Soli, choeur mixte et accompagnement
[Conducteur]
Carus Verlag
Herrscher des Himmels, erhöre das Lallen - BWV 248 III, BWV3 248.3. Par BACH JO...
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Herrscher des Himmels, erhöre das Lallen - BWV 248 III, BWV3 248.3. Par BACH JOHANN SEBASTIAN. The Christmas Oratorio with just organ instead of orchestral accompaniment' Can this work with such a festive and colorfully orchestrated piece' This arrangement shows that it can, and surprisingly well!Carsten Klomp has carefully transcribed the orchestral writing for organ. Staying close to the original score goes hand-in-hand with a transcription brilliantly suited to the organ, with full use of the tonal and performing possibilities of the instrument.The first three parts of the Christmas Oratorio are now available from Carus in this form. So for the first time, a complete performance of Parts I?III of the work can now be given in an arrangement for soloists, choir and organ.Each of the organ parts is available to match the scores. These allow for optimal page-turns, as the choral parts are not printed, but the da capo sections are always written out in full.The editions are available individually or as a set (including the three scores with the individual organ parts).The vocal parts (for soloists and choir) are identical to the original version, so that the vocal score and choral score of that version can be used.This work (original version) is also available in carus music, the choir app! / Date parution : 2022-10-12/ Répertoire / Solistes, SATB et Orgue
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Keith Brown: Advanced Trombone Solos Volume 1: Trombone Solo: Instrumental
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Keith Brown: Advanced Trombone Solos Volume 1: Trombone Solo: Instrumental
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[Partition + Accès audio]
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for Trombone-Virtuoso Keith Brown demonstrates each of these advanced-level solo...
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for Trombone-Virtuoso Keith Brown demonstrates each of these advanced-level solos on trombone with piano accompaniment. Then you step in. Challenge yourself! Includes a high-quality printed music score annotated with performance suggestions and a compact disc with complete versions (with soloist) followed by piano accompaniments to each piece minus the soloist. Contents: Esquisse No. 1 and 2 (Pomet) · Sonanta No. 1 Movements I-V (Galliard) · Sonatina Movements I-II (Watson) · Concertpiece Op. 88 (Guilmant).
16.99 GBP - vendu par Musicroom GB
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S. Adler: Hayom Harat Olam A Cappella W/Tenor Solo(Cantor): SATB: Vocal Score
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S. Adler: Hayom Harat Olam A Cappella W/Tenor Solo(Cantor): SATB: Vocal Score
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From Four Prayers from the High Holyday Liturgy-Four Prayers from the High Holyd...
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From Four Prayers from the High Holyday Liturgy-Four Prayers from the High Holyday Liturgy.I. Hayom Harat Olam (11908)II. Ayl Melech Yoshayv (11909)III. Uv'shofar Gadol (11910)IV. Avinu Malkaynu Chanayno (11911)Hinay Yom Hadin (Behold The Day Of Judgement) is a suite of four choruses comprising settings of some of the most important prayers of the Jewish High Holyday Liturgy. These may be performed together or seperately in concert or if desired at the appropriate Service in a Temple or Synagogue.The holy season of the Jewish religious calender is unique because it does not celebrate a historical event nor any particular famous personage but is set aside as a period ofself-examination and re-evaluation for each individual believer. Legend tells on Rosh Hashana (the New Year) God opens the books which record all men's deeds and for ten days examines the course of every man's life during the past year. On Yom Kippur (the Day of Atonement) the books are closed and each man's fate is sealed until the next year. This allegorical vision should inspire every individual to scrutinize his life and resolve to better himself. The Jew firmly believes that God wants the repentance of the sinner so that he may live; therefore he believes that by penitence prayer and good deeds God's judgement can be swayed in his favour and he be inscribed in 'the book of life.'The four prayers were commissioned by Hazzan Samuel Rosenbaum and the Sisterhood of Temple Beth El Rochester New York.Hayom Harat Olam is for SATB choir a cappella with Tenor soloist.
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