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Requiem Da Camera
14.52
Requiem Da Camera
Baryton, Choeur Mixte Et Orchestre
Boosey and Hawkes
New edition with completion by Christian Alexander of the young composer's first...
(+)
New edition with completion by Christian Alexander of the young composer's first extended work- only the instrumental prelude was performed during Finzi's lifetime. The other three movements are settings of poems by John Masefield, Thomas Hardy and Wilfrid Wilson Gibson.Scored for baritone solo, small chorus (or SATB soli) and chamber orchestra, the wellspring of the Requiem's composition was the death, during active service in 1918, of Finzi's composition teacher, Ernest Farrar. The work may also be viewed as a metaphor - the permanence of the land, and a centuries-old pattern of rural life following the rhythm of the turning seasons, contrasted with the violent havoc and destructive dislocation wrought by war. A reflective and poignant work particularly suitable for performances commemorating the tragedy of World War I. / Baryton, Choeur Mixte Et Orchestre
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Per Nørgård: Winter Cantata: SATB: Score
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Wilhelm Hansen
Winter Cantata / Vinterkantate (1976) by Per Nørgård for a variable ensemble o...
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Winter Cantata / Vinterkantate (1976) by Per Nørgård for a variable ensemble of soloist mixed choir and instruments (minimum: vocalist and organ). Programme Note: When in 1975 I had finished composing my 3rd Symphony (begun in 1973) I wrote three simple melodies for two psalm texts by Ole Sarvig: ?The Year? and ?Choral Hymn?. These three tunes were derived from the same material as the second movement of the 3rd Symphony and could be harmonized together in several different tempo relationships at the same time - like fractals which inspired me to write several choral and instrumental works in the following decade based on thesemelodies: ?Frost Psalm? ?Winter Cantata? ? Winter Hymn? ?Cantica? and others. One of these ´Sarvig melodies´ is now included in the new Danish Hymnbook under the title ?Året?(The Year). Ole Sarvig´s poem ?Året? (The Year) is Danish perhaps Scandinavian in character but its symbolic atmosphere is global (now snow is covering the whole earth). The basic composition of this cantata based on Sarvig´s many verses was done by letting soloist choir and instruments change in feelings and moods: from the almost silent inward-looking beginning (I: Chorale dolorosa) to a dancelike and happy optimism (II: A heaven germ on winged foot thrust deep into the earth its root) followed by nightmarish tone rows as the ?year-wheel of fortune? is turning (III: Sacrifice The Year) and the temptations of the snake (IV: In Paradiso) to the allegorical fights between egoism and altruism (V:The Cycle Autumn. Purgatory) before the ?waiting for a disaster?- atmosphere at the end of this choral Odyssé. Winter Cantata was from the beginning (1976) designed as an open work to be arranged by different combinations of soloists choir and (different) instruments. The printed version by Per Nørgård and Ivan hansen for soloist mixed choir and instruments (obo violin trombone vibraphone/percussion and organ) is from 1990. The work
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Jean-Claude Veilhan: Pièces en Solo des XVIIème et XVIIIème Siècles for Alto Recorder Solo. Works from the 17th and 18th centuries by Bach Blavet Van Eyck Freillon Poncein Hotteterre and Telemann.
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The most important concert and orchestral works from the Baroque era to the Romantic period in the 'Eulenburg Audio Score' series: All scores are presented in a reader-friendly format, including CD with excellent recordings of the masterpieces.NEW: 25 masterpieces in a handy slipcase at the special price of 199.- ? as a complement to the existing set of '50 Masterpieces' (EAS 100-50, 399.- ?).The basis of every music library!The 'Eulenburg Audio Score' series contains the orchestral world's greatest musical treasures from the baroque, classical and romantic repertoire. - Over 80 volumes of clearly-presented and authoritative scores, with informative prefaces detailing the biographical and creative background- - CDs of great performances of each work in full length, from orchestras including the London Philharmonic Orchestra, the Royal Philharmonic Orchestra, and the Philharmonia Orchestra. Amazing value: almost 50% cheaper than buying each volume separately! This is the perfect gift for any music-lover. 'Eulenburg Audio Score' is the new way to hear, read and understand music. Eulenburg is the 130 year-old world-famous publishing brand, renowned for its top-quality, reliable study scores at reasonable prices. Focussing on the fields of opera, orchestral music, chamber music and vocal music, it is the favourite choice of conductors, orchestra musicians, soloists, students, teachers and music lovers generally. The more you read, the more you hear! / Concert Band
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Nelson Mass. Par HAYDN FRANZ JOSEF. The so-called “Nelson Mass” is the third...
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Nelson Mass. Par HAYDN FRANZ JOSEF. The so-called “Nelson Mass” is the third of the six great High Masses that Haydn wrote between 1796 and 1802 for the name-days of Princess Maria Josepha Hermenegild Esterházy. According to the dates given in the autograph he composed the work in the period between 10 July and 31 August 1798. It was thus written in the year of the first performance of the Creation. Urtext of the Joseph Haydn Complete Edition Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed choir (SATB), Flute, Oboe (2), Clarinet (in B-flat) (2), Bassoon, Horn (2), Trumpet (3), Kettledrum, Strings, Basso continuo Full score, together withMissa in B major (Theresa Mass) Hob. XXII:12 (BA4660-01), Performance material (BA4660), vocal score (BA4660-90) and study score format 22. 5 x 16. 5cm (TP98) available for sale/ Répertoire / SATB, Choeur Mixte à 4 Voix et Orchestre
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Missa In Angustiis (HAYDN FRANZ JOSEF)
29.00
Missa In Angustiis (HAYDN FRANZ JOSEF)
Partition de Poche
[Partition]
Barenreiter
Nelsonmesse. Par HAYDN FRANZ JOSEF. The so-called “Nelson Mass” is the third...
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Nelsonmesse. Par HAYDN FRANZ JOSEF. The so-called “Nelson Mass” is the third of the six great High Masses that Haydn wrote between 1796 and 1802 for the name-days of Princess Maria Josepha Hermenegild Esterházy. According to the dates given in the autograph he composed the work in the period between 10 July and 31 August 1798. It was thus written in the year of the first performance of the Creation. Urtext of the Joseph Haydn Complete Edition Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed choir (SATB), Flute, Oboe (2), Clarinet (in B-flat) (2), Bassoon, Horn (2), Trumpet (3), Kettledrum, Strings, Basso continuo Full score, together withMissa in B major (Theresa Mass) Hob. XXII:12 (BA4660-01), Performance material (BA4660), vocal score (BA4660-90) and study score format 22. 5 x 16. 5cm (TP98) available for sale/ Répertoire / Partition de Poche
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Richard Blackford: Violin Concerto: Violin: Score
24.99
Richard Blackford: Violin Concerto: Violin: Score
Orchestre, Violon
[Partition]
Novello & Co Ltd.
The world premiere of Richard Blackford's Violin Concerto took place at the Wann...
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The world premiere of Richard Blackford's Violin Concerto took place at the Wannieck Gallery Brno on 25th September 2008. The soloist was Marie Gajdosova with the Brno Philharmonic Orchestra conducted by Leo Svarowsky.Instrumentation2 Flutes (II doubling Piccolo)OboeClarinetBassoons2 HornsTrumpetSolo ViolinStrings
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Hans Abrahamsen: Concerto For Piano And Orchestra: Piano: Score
60.99
Hans Abrahamsen: Concerto For Piano And Orchestra: Piano: Score
Piano et Orchestre
Wilhelm Hansen
Hans Abrahamsen's Concerto For Piano And Orchestra was composed in 1999 by comm...
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Hans Abrahamsen's Concerto For Piano And Orchestra was composed in 1999 by commission for the BIT-20 Ensemble. A complex and multi-layered work opening with highly minimal material and very slowly building to an ecstatic frenzy across the four movements. As the piece progresses Abrahamsen has also included some significant nods towards composers Gyorgy Ligeti (a former teacher of the composer) and Gustav Mahler.The work was premiered at the Ultima Festival in Oslo in 2000 with Anne Marie Abildskov as soloist. I Allegro Volante e nervoso II Adagio innocente e semplice III Tempo de grandegioia IV Fluente ma tranquillo Programmenote: ???The piano concerto starts entirely as I usually start with this filigree in the piano and many simultaneous layers ??? Hans Abrahamsen has explained ???The beginning is music that could continue almost minimalistically ad infinitum. But it doesn???t. Instead it has a seizure after just thirty seconds. It literally comes to a halt!???There is no programmatic structure behind the four-movement course of the concerto but a romantically minded listener may be tempted to interpret the development from a quick stalling of the familiar through the introduction (by the lyrical second movement) of something much more ???innocent and simple??? as it says - something feminine one feels like adding - to the third movement???s flashing firework display of a scherzo which draws the curtain aside for a liberating rush of joy as life after the advent of love. However the undersigned assumes full responsibility for this interpretation.The piano soloist is the undisputed main character in the concerto and plays almost constantly in the first three movements. It is only in the fourth movement that she takes a break and listens. ???The piano stirs up an anthill??? is Hans Abrahamsen???s own description ???and it becomes almost operatic! It is as if the music is about to fall right out over the edge of the abyss at the drastic general
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Richard Rodney Bennett: Concerto For Marimba and Chamber Orchestra: Marimba: Score
27.99
Richard Rodney Bennett: Concerto For Marimba and Chamber Orchestra: Marimba: Score
Marimba
[Partition]
-
Avancé
Novello & Co Ltd.
Contemporary marimba virtuoso William Moersch has consistently commissioned the ...
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Contemporary marimba virtuoso William Moersch has consistently commissioned the best musicians possible to create works for his instrument. In 1984 Bennett wrote his first work for Moersch After Syrinx II based on Debussyâ??s Syrinx for Flute solo and written. Then in 1988 Richard Rodney Bennett agreed to create an â??Americanâ?? concerto and so composed this concerto in two movements I con moto and II con brio that display the versatility of the instrument. Both movements feature blazing cadenzas by the marimba but it is in the cadenza in the second movement that the marimba essentially becomes the entire Orchestra in the Orchestraâ??s dominant 6/8 time signature andleads the piece on to a brilliant ending. Composer performer and arranger Richard Rodney Bennett was internationally respected for his serious music and many award-winning film scores (Murder on the Orient Express Nicholas and Alexandra) as well as his works for children and his religious pieces. In addition this markedly versatile musician frequently performed as a jazz pianist. On his move to the United States the two sponsors for his green card (work permit) were Leonard Bernstein and Stephen Sondheim.
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Britten B. - The Little Sweep Op. 45 - Soloists, Choir, String Quartet, Piano And Percussion
46.40
Britten B. - The Little Sweep Op. 45 - Soloists, Choir, String Quartet, Piano And Percussion
Boosey and Hawkes
THE OPERA FROM LETS MAKE AN OPERA. AN ENTERTAINMENT FOR YOUNG PEOPLE INSTRUME...
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THE OPERA FROM LETS MAKE AN OPERA. AN ENTERTAINMENT FOR YOUNG PEOPLE INSTRUMENTATION : SOLOISTS, CHOIR, STRING QUARTET, PIANO (4-HÄNDIG) AND PERCUSSION VERSION : VOCAL/PIANO SCORE DESCRIPTION : THIS OPERA IS THE FINAL SECTION OF THE ENTERTAINMENT FOR YOUNG PEOPLE CALLED LETS MAKE AN OPERA. THE FIRST SECTION OF THIS IS IN THE FORM OF A PLAY AND ILLUSTRATES THE PREPARATION AND REHEARSAL OF AN OPERA.PROFESSIONALS OR VERY GIFTED AMATEURS ARE NEEDED TO PLAY THE GROWN-UP PARTS AND ALSO THE PART OF JULIET (PROVIDED, OF COURSE, THAT SHE CAN LOOK CONVINCINGLY YOUTHFUL). IT IS ESSENTIAL THAT REAL CHILDREN SHOULD PLAY THE CHILDREN?S PARTS. THE ACCOMPANIMENT IS FOR SOLO STRING QUARTET, PIANO-DUET (FOUR HANDS ON ONE PIANO) AND PERCUSSION (ONE PLAYER CAN MANAGE). THE STRING PARTS ARE NOT VERY EASY. THE SONGS NOS. I, IX, XIV AND XVII ARE TO BE SUNG BY THE WHOLE AUDIENCE UNDER THE DIRECTION OF THE CONDUCTOR. THEY MUST, OF COURSE, BE REHEARSED BEFOREHAND. ALLOWANCE IS MADE FOR SUCH REHEARSAL IN PART ONE OF LETS MAKE AN OPERA.NOMBRE DE PAGES : 88 LANGUE : ENGLISH FORMAT : NEW EDITION PORTRAIT
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Oscar Escalada Electo Silva: Misa Caribena: SATB: Vocal Score
Chorale SATB
[Vocal Score]
Kjos Music Company
I. Kyrie (SATB)II. Gloria (SATB with Contralto Solo)II. Credo (SATB)IV. Sanctus ...
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I. Kyrie (SATB)II. Gloria (SATB with Contralto Solo)II. Credo (SATB)IV. Sanctus (SATB)V. Benedictus (SATB with Soprano and Contralto Solos)VI. Agnus Dei (SATB with Soprano Solo)
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The Flûte Audition
38.79
The Flûte Audition
Flûte traversière
Universal Edition
The New Essential Companion. Henrik Wiese, the internationally renowned orchestr...
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The New Essential Companion. Henrik Wiese, the internationally renowned orchestral and solo flautist, has spent four years compiling what promises to be the definitive guide to audition repertoire for students preparing for a seat in a professional orchestra. He has worked with his own students in Salzburg as they engaged in auditions, as well as with other professional players and his teaching colleagues at the conservatorium. He sourced repertoire lists from job advertisements past and present and referred to other audition lists such as those of Baxtresser and Wye. Considerable research has gone into the differences between existing editions of the chosen pieces even, surprisingly, from twentieth century composers such as Prokofiev and Stravinsky. 'The Flute Audition” then looks at practical matters such as page turns and metronome markings. Wiese comments, for example, that Hindemith's own recording takes a passage from 'Symphonic Metamorphoses” markedly slower than in the score. The result of all this painstaking research is the most comprehensive collection of international audition pieces yet published in a single volume. 'This is an excellent collection of orchestral excerpts for the next generation of young musicians. You can use it to prepare for auditions anywhere in the world. Whether it's for an opera house, symphony or chamber orchestra, everything you need is here.'/ Recueil / Flûte Traversière
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Music With Chequered Ears (Cband Score) (BALAZS ARPAD)
16.83
Music With Chequered Ears (Cband Score) (BALAZS ARPAD)
Orchestre d'harmonie
[Partition]
EMB (Editio Musica Budapest)
Par BALAZS ARPAD. Television viewers of nearly a hundred countries have experien...
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Par BALAZS ARPAD. Television viewers of nearly a hundred countries have experienced Árpád Balázs's touching melodies. The series of cartoons have neither dialogue nor text: the music presents the amiable and entertaining adventures of the rabbit with chequered ears and its friends. Balázs has rephrased and developed the well-known melodies and as a result a ''children's story symphony'' of seven movements has been created in which, in contrast with Prokofiev's Peter and the Wolf, there is no narrator but the instruments themselves represent the story-tellers. The composer has again associated the groups of instruments with one another in a colourful and varied manner, skilfully alternating the modes of solo, chamber orchestra and orchestra. Movements I, II, IV and VII represent a ''short suite'' that can be independently performed, thus due to its duration of four minutes and easier level, ensembles with more modest opportunities can also perform it. The most well-known parts of the cartoon series music - the main title and the ending - are included in both versions./ Répertoire / Concert Band
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James Weeks: Schilderkonst: Chamber Ensemble: Study Score
29.95
James Weeks: Schilderkonst: Chamber Ensemble: Study Score
CHAM/STR QUARTET/PF/VIB::Musique De Chambre, Quatuor · Cordes, Piano, Vibraphone
[Partitions]
University Of York Music Press
James Weeks' Schilderkonst for Chamber Ensemble/String Quartet/Piano. Study scor...
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James Weeks' Schilderkonst for Chamber Ensemble/String Quartet/Piano. Study score.Composed 2003-4 this piece is dedicated to Michael Finnissy.It is broken into three movements:I - Saenredam for Chamber Ensemble (8 players)II - Low Country for String QuartetIII - Duinland for solo Piano with Vibraphone
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Wolfgang Amadeus Mozart: Concerto No. 26 in D Major (KV537) Coronation: Piano:
19.99
Wolfgang Amadeus Mozart: Concerto No. 26 in D Major (KV537) Coronation: Piano:
Piano seul
[Partition + CD]
Music Minus One
2-CD Set-Performed by Kevin Class piano Accompaniment: Stuttgart Festival Orche...
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2-CD Set-Performed by Kevin Class piano Accompaniment: Stuttgart Festival Orchestra Conductor: Emil Kahn A delightful happy concerto which was written for the coronation for Leopold II in 1790 and performed by Mozart at that occasion in Frankfurt. A lovely atmosphere pervades the work which is tremendous fun to learn. This pack includes a high-quality printed music score and a compact disc containing a complete version with soloist in digital stereo followed by a second version in full stereo of the orchestral accompaniment minus the soloist; and a second compact disc containing the complete version of the concerto followed by a -20% slow-tempo version of the accompaniment forpractice purposes.
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Eric Ewazen: On Wings of Song: Wind Ensemble: Score
Southern Music Ltd
Concerto for Piccolo and Wind Ensemble Full Score-Mendelssohn's classic art son...
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Concerto for Piccolo and Wind Ensemble Full Score-Mendelssohn's classic art song On Wings of Song set to the poetry to Heinrich Heine provided the inspiration for the music. The sublime melody has become part of the repertory of musicians of every type--flutists perform the vocal line with the original piano accompaniment pianists perform Liszt's transcription for solo piano and violinists play Heifitz's setting for violin and piano. The text of Heine's love poem describes the power of melody to transport a pair of lovers to a magical garden. This sense of music soaring through the skies made a wonderful image and is so appropriate to the soaring nature of the piccolo. The piece was written for and dedicated topiccoloist Jan Gippo. Orchestra wind ensemble and piano accompaniments all available from the publisher. (2010) ca. 20'. Movements: I. Over Distant Murmuring Waves II. Under Serene Moonlight III. All Earlthy Cares Entwining IV. Shall Fade Away in Dreams
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Dimitri Tiomkin: Suite from It's a Wonderful Life: Orchestra and Vocal: Score
44.99
Dimitri Tiomkin: Suite from It's a Wonderful Life: Orchestra and Vocal: Score
Orchestre
Hal Leonard
Deluxe Score-Includes optional vocal solo and SATB choir (40 parts included). Th...
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Deluxe Score-Includes optional vocal solo and SATB choir (40 parts included). Theme may be performed year-round as a single movement. I. Prologue II. Theme III. Christmas Eve Finale
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Morton Gould: St. Lawrence Suite: Concert Band: Score
7.50
Morton Gould: St. Lawrence Suite: Concert Band: Score
Orchestre d'harmonie
[Partition]
Schirmer
Score-St. Lawrence Suite was commissioned by the Power Authority of the State of...
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Score-St. Lawrence Suite was commissioned by the Power Authority of the State of New York and the Hydro-Electric Power Comission of Ontario for the ceremony September 5 1958 marking the delivery of commercialhydro-electric power from the joint Robert Moses Power Dam and Robert H. Saunders St. Lawrence Generating Station. At this opening of the great St. Lawrence Power Project the composer conducted the Royal Canadian Ordnance Corpsmilitary band in the first performance of this music.St. Lawrence Suite consists of four commemorative movements. Although folk tunes are not used literally the idiom of the work is simple and folk-like incharacter.I. Dedication: lyrical and atmospheric evoking the open country and waterways.II. Quickstep: gay and implying movement and development.III. Chansonette:simple and song-like with an 'old-world' touch.IV. Commemoration March: vigorous and driving culminating in a transformed exposition of the opening 'Dedication' theme.Throughout the work the composermakes use of two solo Trumpets whose antiphon calls serve to introduce and comment on these movements. They symbolise in a general sense the two host countries on either side of the United States-Canadian border. In the finalmovements these Trumpets blend with the band in fanfares that bring the work to a close.
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Morton Gould: Declaration Suite: Orchestra: Study Score
15.99
Morton Gould: Declaration Suite: Orchestra: Study Score
Orchestre
[Partition]
Schirmer
Study Score-Declaration Suite consists of the orchestral movements from 'Declara...
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Study Score-Declaration Suite consists of the orchestral movements from 'Declaration - a symphonic narrative' for Orchestra two solo speakers and speaking chorus. In its original form the work includes a setting of theDeclaration of Independence.The composition was comissioned by Station WRC and WRC-TV of the National Broadcasting Company Washington D. C. for the National Symphony Orchestra of that city and was composed during thesummer and fall of 1956. The National Symphony Orchestra Dr. Howard Mitchell conducting gave the first complete performances at the Inaugural Concert in Constitution Hall Washington D. C. January 20 1957 and during theOrchestra's regular subscription series the week following.Declaration Suite was first performed by the Symphony of the Air under Dr. Mitchell in Carnegie Hall New York February 14 1957 as part of theannual WNYC American Music Festival.The movements are:I. Liberty Bell (Passacaglia)II. Midnight Ride (Scherzo)III. Concord Bridge (Memorial)IV. Summer '76 (Serenade)V. Celebration (Chorale and Fugue)
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Brahms J. - Klavierquartett G-moll - Piano
16.40
Brahms J. - Klavierquartett G-moll - Piano
Piano seul
Eulenburg
G MINOR - STUDIENPARTITUR - STP - PIANO QUARTET COMPOSER: BRAHMS, JOHANNES PREF...
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G MINOR - STUDIENPARTITUR - STP - PIANO QUARTET COMPOSER: BRAHMS, JOHANNES PREFACE: ALTMANN, WILHELM ÉDITEUR: EULENBURG SÉRIE: EULENBURG MINIATURE SCORES PAGES: 88 CONTENU - PREFACE - VORWORT - I. ALLEGRO - II. INTERMEZZO. ALLEGRO MA NON TROPPO-TRIO. ANIMATO - III. ANDANTE CON MOTO-ANIMATO - IV. RONDO ALLA ZIGARESE. PRESTO-MENO PRESTO-MOLTO PRESTO
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M Gould: Serenade Of Carols: Mixed Choir: Vocal Score
11.50
M Gould: Serenade Of Carols: Mixed Choir: Vocal Score
SATB/PF DUET::SATB, Piano Duet
[Vocal Score]
Schirmer
Morton Gould's Serenade Of Carols for SATB choir with SATB soloists and Orchestr...
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Morton Gould's Serenade Of Carols for SATB choir with SATB soloists and Orchestra. Reduction for Piano 4 hands.Contents:I. We Three Kings The Babe Of Bethlehem Rocking Greensleeves(3:00)II. Boar's Head Carol Patapan Carol of Service (3:00)III. Come Love We God! Coventry Carol The Holly And The Ivy (4:00)IV. Irish Carol God Rest Ye Merry Gentlemen Wassail Song My Dancing Day(3:30)Born in Richmond Hill New York on 10 December 1913 Morton Gould was recognised early on as a child prodigy with the ability to improvise and compose. At the age of six he had his first compositionpublished. He studied at the Institute of Musical Art (now the Juilliard School) but his most important teachers were Abby Whiteside (Piano) and Vincent Jones (composition).Gould enjoyed an illustrious career. Inaddition to gaining a Pulitzer Prize for 'Stringmusic' he was Musical America's 1994 Composer-of-the-Year and recieved a Kennedy Center Honor in recognition of lifetime contributions to American culture.A long-time memberof the American Society of Composers Authors and Publishers Gould was elected president of ASCAP in 1986 a post he held until 1994. In 1986 he was elected to the American Academy and Institute of Arts and Letters. Healso served on the board of the American Symphony Orchestra League and on the National Endowment for the Arts music panel.
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Samuel Adler: Uv'shofar Gadol: SATB: Vocal Score
3.75
Samuel Adler: Uv'shofar Gadol: SATB: Vocal Score
Chorale SATB
[Vocal Score]
Schirmer
No. 3 from Four Prayers from the High Holyday Liturgy-Four Prayers from the High...
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No. 3 from Four Prayers from the High Holyday Liturgy-Four Prayers from the High Holyday Liturgy.I. Hayom Harat Olam (11908)II. Ayl Melech Yoshayv (11909)III. Uv'shofar Gadol (11910)IV. Avinu Malkaynu Chanayno (11911)Hinay Yom Hadin (Behold The Day Of Judgement) is a suite of four choruses comprising settings of some of the most important prayers of the Jewish High Holyday Liturgy. These may be performed together or seperately in concert or if desired at the appropriate Service in a Temple or Synagogue.The holy season of the Jewish religious calender is unique because it does not celebrate a historical event nor any particular famous personage but is set aside as a period ofself-examination and re-evaluation for each individual believer. Legend tells on Rosh Hashana (the New Year) God opens the books which record all men's deeds and for ten days examines the course of every man's life during the past year. On Yom Kippur (the Day of Atonement) the books are closed and each man's fate is sealed until the next year. This allegorical vision should inspire every individual to scrutinize his life and resolve to better himself. The Jew firmly believes that God wants the repentance of the sinner so that he may live; therefore he believes that by penitence prayer and good deeds God's judgement can be swayed in his favour and he be inscribed in 'the book of life.'The four prayers were commissioned by Hazzan Samuel Rosenbaum and the Sisterhood of Temple Beth El Rochester New York.Uv'shofar Gadol is for SATB choir a cappella with Tenor soloist.
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Morton Gould: Diversions: Bassoon and Accomp.: Score and Parts
16.99
Morton Gould: Diversions: Bassoon and Accomp.: Score and Parts
BSN/PFA::Bassoon, Piano Accompaniment
[Partition]
Schirmer
Morton Gould's Diversions for Bassoon and Orchestra. Reduction for Bassoon and P...
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Morton Gould's Diversions for Bassoon and Orchestra. Reduction for Bassoon and Piano.'The program notes for Diversions are contained in the descriptive titles of the movements: I.Recitatives and Preludes; II. Serenades and Airs: III. Rags and Waltzes: IV. Ballads and Lovenotes; V. Quicksteps and Trios. The virtuosic demands on the soloist are tantamount to those of a concerto. Because of the nature andtexture of the movements I prefer the less formalistic title Diversions. Originally written for Tenor Saxophone and Orchestra this is an alternate version for Bassoon'. - MortonGouldDiversions was commissioned by Carillon Importers Ltd. on behalf of ABSOLUT Vodka with additional participation by R. Philip Hanes Jr. the Phoenix Akron Winston-Salem Symphony Evansville Philharmonic New Hampshire Music Festival NCNB and the Preyer Foundation.The premier took place on November 28 1990 at Avery Fisher Hall New York with the American Symphony Orchestra James Houlik Saxophone Morton Gould Conductor.
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Johann Ludwig Krebs: Concerto in F Major: Orchestra: Score and Parts
34.80
Johann Ludwig Krebs: Concerto in F Major: Orchestra: Score and Parts
Orchestre
[Conducteur et Parties séparées]
Metropolis Music Publishers
German Baroque composer Johann Ludwig Krebs (1713 - 1780) was born in Buttelsted...
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German Baroque composer Johann Ludwig Krebs (1713 - 1780) was born in Buttelstedt and was sent to Leipzig to study with Johann Sebastian Bach. Considered one of Bach's finest students many compositions of Krebs have been erroneously attributed to Bach. Krebs composed two concertos for lute and orchestra including this Concerto in F Major in three movements: Allegro Larghetto and Allegro assai. This edition includes the full orchestral score orchestral parts as well as guitar and lute parts. Victor Van Puijenbroeck has adapted the original solo part and included in the set are parts for both lute (the part has been adapted from lute tablature to modern notation) andguitar (capotasto). Additionally the solo parts feature two versions/interpretations. Instrumentation: Full Score Guitar (or Lute) - separate parts included for each instrument Violin I Violin II Viola Cembalo/Cello/Contrabass German Baroque composer Johann Ludwig Krebs (1713 - 1780) was born in Buttelstedt and was sent to Leipzig to study with Johann Sebastian Bach. Considered one of Bach's finest students many compositions of Krebs have been erroneously attributed to Bach. Krebs composed two concertos for lute and orchestra including this Concerto in F Major in three movements: Allegro Larghetto and Allegro assai. This edition includes the full orchestral score orchestral parts as well as guitar and lute parts. Victor Van Puijenbroeck has adapted the original solo part and included in the set are parts for both lute (the part has been adapted from lute tablature to modern notation) andguitar (capotasto). Additionally the solo parts feature two versions/interpretations. Instrumentation: Full Score Guitar (or Lute) - separate parts included for each instrument Violin I Violin II Viola Cembalo/Cello/Contrabass
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Gwyneth Walker: About Trains - Full Score: Cello Ensemble: Score
Lauren Keiser Music Publishing
for Six Violoncellos-These are three musical portraits of the sounds and images ...
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for Six Violoncellos-These are three musical portraits of the sounds and images associated with trains. I. On Track is energetic focusing on the forceful rhythms of a train speeding down the tracks with the reiterated rhythmic patterns (wheels-on-tracks) passed from one cello to another and the more sustained whistle sounds floating above. II. Lonesome Whistle is a blues-oriented movement in a ballad idiom with a texture that is often solo versus accompaniment during the verse sections punctuated by refrains in a homophonic 'barbershop' style. The listener might hear refernce to Harold Arlen's Blues in the Night. III. Coming 'Round is a set of theme and variations on a well-known American train song. The six variations are entitled: Ornamentation Tango Lament Cowboy Sounds and Final Reprise.
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Michel Sanvoisin: Michel Sanvoisin: Du Solo au Quatuor: Treble Recorder: Score
Ensembles De Flûtes A Bec
[Partition]
Heugel
Initiation à la Musique de Chambre par la Flûte à Bec. 66 Pièces des XVIIèm...
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Initiation à la Musique de Chambre par la Flûte à Bec. 66 Pièces des XVIIème et XVIIIème Siècles (French German and English text)
15.50 GBP - vendu par Musicroom GB
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Requiem Op. 89
7.25
Requiem Op. 89
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre
Barenreiter
Dvorák's 'Requiem?, for soloists, choir and orchestra, is one of the highlights...
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Dvorák's 'Requiem?, for soloists, choir and orchestra, is one of the highlights within the international choral repertoire. Now Bärenreiter is presenting this work in an arrangement by Joachim Linckelmann with chamber orchestra based on the full score from the 'Complete Edition of the Works by Antonín Dvorák?.The arrangement dispenses with all the brass instruments except for a single horn- all that remains of the percussion are the timpani- the organ has also been taken out. The cor anglais and bass clarinet parts can be replaced by an oboe and clarinet (ossia staves in score and parts).This arrangement, which judiciously reduces the richness of Dvorák's original orchestration, makes the work available to a broader range of performers outside professional circles.- Standard choral work with a manageable reduced orchestration- A stylistically appropriate as well as tried and tested arrangement- In keeping with the vocal score H 2924-90 / Violon II
7.25 EUR - vendu par LMI-partitions
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Ed Hughes: Night Music: Chamber Ensemble: Score
13.95
Ed Hughes: Night Music: Chamber Ensemble: Score
PF/ENS/ELEC::Piano, Ensemble, Electronics
[Partition]
University Of York Music Press
For solo Piano flexibly scored Ensemble and live electronics. Composed and publ...
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For solo Piano flexibly scored Ensemble and live electronics. Composed and published 2015. Duration: 15'. Night Music is the second instalment in a cycle of works called collectively 'Shadows of Destruction'. The cycle responds to images drawn from collections in the Imperial War Museum with a particular focus on the effects of the aerial campaign in World War II as recorded by RAF cameras. The work is in three parts: Part 1 - 'Flowing' Part 2 - 'Machine song' Part 3 - 'Night toccata' Premiere: 12 February 2015 Brighton Science Festival ('Music for Curious Minds' series) All Saints Church Hove by Joseph Houston(Piano) and University of Sussex Symphony Orchestra. Commissioned by Norman Jacobs artistic director of Music Of Our Time with funding support from The RVW Trust.
13.95 GBP - vendu par Musicroom GB
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