SKU: BT.DHP-1115117-013
9x12 inches. English-German.
Jan de Haan has created an easy international arrangement that sounds anything but, featuring Au clair de la lune from France, Mary Had a Little Lamb from England and Un, dun, dip, a Dutch children’s song. Uit Au clair de la lune uit Frankrijk, Mary Had a Little Lamb uit het Engelstalige spraakgebeid en Un, dun, dip uit ons eigen land arrangeerde Jan de Haan een eenvoudige en goed klinkende medley.Au clair de la lune aus Frankreich, Mary Had a Little Lamb aus dem englischen Sprachraum und das holländische Kinderlied Un, dun, dip fasste Jan de Haan in diesem leichten und doch gut klingenden Medley zusammen.Spielbar ab Essential Elements Band 1, Seite 11 La chanson populaire française Au clair de la lune, la comptine anglaise Mary had a little lamb, et la berceuse hollandaise Un, dun, dip, ont été admirablement arrangées par Jan de Haan dans cet attachant medley international. La canzone popolare francese Au clair de la lune, il canto inglese Mary had a Little Lamb, e la ninna nanna olandese Un, dun, dip, sono state arrangiate per banda da Jan de Haan in un medley molto internazionale e accattivante.
SKU: BT.DHP-1115117-143
SKU: FJ.ST6172S
English.
Origina lly written for brass, this exceptional work by Victor Ewald translates beautifully for strings. What is more, this gives your students a great opportunity to play an extended and fully realized piece of Russian Romantic music without anything being watered down. An excellent addition to the repertoire!
About FJH String Orchestra
More emphasis on bow technique and independence of lines. For the accomplished middle, high school, college, or professional group. Grade 3 and up
SKU: HL.50605333
ISBN 9781705179703. UPC: 196288105596. 9.0x12.0x0.097 inches.
The drones for Lean can be played by any combination of other instruments, either live or pre-recorded. These can be as simple as a single string instrument or many instruments playing very quietly. Although the drones should remain in the background, I encourage making small subtle shifts in volume or timbre - never anything overly dramatic or obtrusive. It is imperative that the drones not be transposed up or down the octave; they must be G3 and D4. Ideally, the solo violists would stand as far away from one another as possible, to create an extreme stereo effect. Lean is dedicated to Jonah & Nadia Sirota. - Nico Muhly.
