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Dunkley: Idylle Opus 17: Violin: Instrumental Work
Violon
Alfred Lengnick
Idylle Opus 17
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Chant du Monde
Par KOECHLIN CHARLES. Charles Kœ chlin: Idylle pour 2 clarinettes ou pour ...
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Par KOECHLIN CHARLES. Charles Kœ chlin: Idylle pour 2 clarinettes ou pour violon et alto./ Répertoire / 2 Clarinettes ou Violon et Alto
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6.60
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Billaudot
La référence GB2016 de l'éditeur Billaudot dont l'auteur célèbre est Mignio...
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La référence GB2016 de l'éditeur Billaudot dont l'auteur célèbre est Mignion René, qui a pour titre IDYLLE PRINTANIERE, a été écrite et composée pour Flûte Traversière et plus particulièrement pour Flûte Et Piano. Cette partition musicale appartient à la catégorie Classique. / Flûte Et Piano / Partition
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Leduc, Alphonse
La référence AL22803 de l'éditeur Leduc dont l'auteur célèbre est Bozza Eug...
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La référence AL22803 de l'éditeur Leduc dont l'auteur célèbre est Bozza Eugène, qui a pour titre Idylle, a été écrite et composée pour Clarinette et plus particulièrement pour Clarinette En Sib Et Piano. Cette partition musicale appartient à la catégorie Classique. / Clarinette En Sib Et Piano / Partition
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Vanessa Paradis: Best Of
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Après le succès de l?album « divine idylle », voici pour les fêtes de fin d...
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Après le succès de l?album « divine idylle », voici pour les fêtes de fin d?année et en complète corrélation avec la sortie CD, le premier best of de Vanessa Paradis
Retrouvez 32 succès dans ce songbook intégralement retranscrit en Piano Voix et diagrammes d?accords guitare. / Variétés / Partition /
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Satie, Eric : Avant-dernières Pensées
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Fidèle à son habitude, Satie opposa de manière humoristique au mythe des «dernières pensées» des grands maîtres ses «Avant-dernières pensées».
Comme il est d?usage dans ses ?uvres pour piano datant d?après 1912, Satie insère, dans la partition de ces trois pièces raffinées et pour le moins originales, une petite histoire bizarre, plus ou moins en lien avec la musique.
Il choisit de dédier ses «Avant-dernières pensées» à trois de ses illustres contemporains: son ami Claude Debussy (n° 1, «Idylle»), Paul Dukas, dont il admirait la musique (n° 2, «Aubade»), et Albert Roussel, son ancien professeur de contrepoint à la Schola Cantorum (n° 3, «Méditation»). / Classique / Partition / Agrafé /
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Vladimir Rebikov: Mélomimiques: Träumerei und Idylle op.17: Piano: Instrumental
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Classical Soft & Slow Collection for Piano: Piano
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This collection of Piano transcriptions for the intermediate player (Grade 3-5) ...
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This collection of Piano transcriptions for the intermediate player (Grade 3-5) features 11 arrangements of quiet lusciously melodic pieces from ballets operas and other large works. Classical Soft And Slowincludes Cantique de Jean Racine (Fauré) Che gelida manina from La Bohème (Puccini) E lucevan le stelle from Tosca (Puccini) Liebestod from Tristan and Isolde (Wagner) Love theme fromRomeo and Juliet (Tchaikovsky) Meditation from Tha s (Massenet) Du mein Holder from Tannhäuser (Wagner) Mio babbino caro from Gianni Schicchi (Puccini) Siegfried Idyll (Wagner) Soave sia il vento from Cosi Fan Tutte (Mozart) and The swan from Carnival of the Animals (Saint-Saëns).
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Siegfried-Idyll Wwv 103 (WAGNER RICHARD)
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Siegfried-Idyll Wwv 103 (WAGNER RICHARD)
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George Nicholson: Along Upon: Chamber Ensemble: Score
::
[Partition]
University Of York Music Press
For Soprano Flute Clarinet Vibraphone Piano Violin Viola Cello.Along upon...
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For Soprano Flute Clarinet Vibraphone Piano Violin Viola Cello.Along upon is one of a series of eight chamber works inspired by the writings of Thomas Hardy and known collectively as Wessex Heights. The pieces maybe performed separately or in any combination. When the complete set is played the following order of performance is recommended:Embers — Shailing and wambling — Volte-face — Groundswell — Catch — Idyll — For Tess — AlonguponThe duration of Wessex Heights is about an hour.
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The Banks Of Green Willow (BUTTERWORTH GEORGE)
103.00
The Banks Of Green Willow (BUTTERWORTH GEORGE)
Ensemble de cuivres
[Conducteur et Parties séparées]
-
Intermédiaire/avancé
Fentone Music
Idyll. Par BUTTERWORTH GEORGE. George Butterworth (1885-1916) est un compositeur...
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Idyll. Par BUTTERWORTH GEORGE. George Butterworth (1885-1916) est un compositeur anglais est décédé très jeune et ne laissant derrière lui que peu de compositions. L’un de ses morceaux les plus connus et interprétés est The Banks of Green Willow. Des connaisseurs de son oeuvre honorent son potentiel qui aurait prospéré sans sa mort prématurée. L’arrangement de Duncan Wilson permet à tout le monde d’accéder à l’imagination de Butterworth ! / Niveau : 4 / Classique / Date parution : 1905-07-01/ Répertoire / Brass Band
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L'Enfance Du Christ (Die Kindheit Christi)
182.30
L'Enfance Du Christ (Die Kindheit Christi)
Solistes STBarB, Choeur SATB, 2 Flûtes Traversière
[Partition]
Carus Verlag
Trilogie Sacrée. Par BERLIOZ HECTOR. The history of the composition of the orat...
(+)
Trilogie Sacrée. Par BERLIOZ HECTOR. The history of the composition of the oratorio is odd: the kernel of this three-part work were the movements from the middle section, the “Flight to Egypt, ” which Berlioz composed on a whim in 1850 and which he passed off as the work of a baroque composer whose existence he himself had invented. In 1854 the triptych, which was completed with the parts entitled “The dream of Herodes” and “The arrival at Sais, ” had its celebrated first performance. Starting from the Gospel of St. Matthew, with the visit of the astrologer to Herodes and the flight of the Holy Family to Egypt, Berlioz chose to relate the story of the events of Christmas from another angle, other than as it is almostalways depicted, after the Gospel of Luke. This skillful dramatisation, with impressive instrumental sections, such as the independent trio for two flutes and harp as well as the effective choruses with local color, make this “sacred trilogy” a genuine alternative for performance at Christmas time. The score, published in 1855, contained a second singing text in German which had been translated from the French by Peter Cornelius. The critical edition by Carus presents a new translation by Klaus Kreuser which, as opposed to the text by Cornelius, adheres more closely to the French original and avoids becoming an embellished idyll. / Oratorio / Répertoire / Solistes STBarB, Choeur SATB, 2 Flûtes Traversière
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George Nicholson: Volte-face: Chamber Ensemble: Score
::
[Partition]
University Of York Music Press
For Soprano Flute Oboe and Violin.Volte-face is one of a series of eight cham...
(+)
For Soprano Flute Oboe and Violin.Volte-face is one of a series of eight chamber works inspired by the writings of Thomas Hardy and known collectively as Wessex Heights. The pieces may be performed separately or in anycombination. When the complete set is played the following order of performance is recommended:Embers — Shailing and wambling — Volte-face — Groundswell — Catch — Idyll — For Tess — Along uponThe durationof Wessex Heights is about an hour.
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L'Enfance Du Christ (Die Kindheit Christi)
3.20
L'Enfance Du Christ (Die Kindheit Christi)
Solistes STBarB, Choeur SATB, 2 Flûtes Traversière
[Partition]
Carus Verlag
Trilogie Sacrée. Par BERLIOZ HECTOR. The history of the composition of the orat...
(+)
Trilogie Sacrée. Par BERLIOZ HECTOR. The history of the composition of the oratorio is odd: the kernel of this three-part work were the movements from the middle section, the “Flight to Egypt, ” which Berlioz composed on a whim in 1850 and which he passed off as the work of a baroque composer whose existence he himself had invented. In 1854 the triptych, which was completed with the parts entitled “The dream of Herodes” and “The arrival at Sais, ” had its celebrated first performance. Starting from the Gospel of St. Matthew, with the visit of the astrologer to Herodes and the flight of the Holy Family to Egypt, Berlioz chose to relate the story of the events of Christmas from another angle, other than as it is almostalways depicted, after the Gospel of Luke. This skillful dramatisation, with impressive instrumental sections, such as the independent trio for two flutes and harp as well as the effective choruses with local color, make this “sacred trilogy” a genuine alternative for performance at Christmas time. The score, published in 1855, contained a second singing text in German which had been translated from the French by Peter Cornelius. The critical edition by Carus presents a new translation by Klaus Kreuser which, as opposed to the text by Cornelius, adheres more closely to the French original and avoids becoming an embellished idyll. / Oratorio / Répertoire / Solistes STBarB, Choeur SATB, 2 Flûtes Traversière
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Grow As A River for Flute Choir (COHEN JONATHAN)
32.20
Grow As A River for Flute Choir (COHEN JONATHAN)
Ensemble de Flûtes
Alry Publications
Par COHEN JONATHAN. Grow As A River for Flute Choir, by Jonathan Cohen. Composed...
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Par COHEN JONATHAN. Grow As A River for Flute Choir, by Jonathan Cohen. Composed for DCFlutes in celebration of their 10th Anniversary. This piece describes the life of a river from inception to maturity. It begins with tenuous drops from melting ice, slowly forming into a brook that playfully dances around rocks and over bumps until it becomes a majestic and peaceful flow. The idyll is shattered by a raging waterfall, the erratic motion and anarchy and terror are gradually replaced by the exhilaration and then peace of motion and arrival. Finally, there is proud celebration in the power and accomplishment and future of the fully mature river. / Date parution : 2022-11-29/ Répertoire / Ensemble de Flûtes
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Per Nørgård: 4 Latin Motets: SATB: Vocal Score
8.99
Per Nørgård: 4 Latin Motets: SATB: Vocal Score
Chorale SATB
[Vocal Score]
-
Intermédiaire/avancé
Wilhelm Hansen
Four Latin motets (1991) for mixed choir SSATB (SSA) by Per Nørgård. Edited by...
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Four Latin motets (1991) for mixed choir SSATB (SSA) by Per Nørgård. Edited by Ivan Hansen. 1 Ne obsurdescas mihi (SSA/SAT) 2 Ad te Domine clamabo (SSATB) 3 Quam dilecta tabernacula tua (SSA/SAT) 4 Exultavit in Deum (SSATB) Programme note All four motets are based on the first motets´ simple pentatonic initial motif. Like the polarities of the hymn texts between lamentation and jubilation the motif appears in various disguises from a gloomy Japanese (death-) mode (first and second motet) to the lighter celebratory forms inthe familiar Chinese pentatonic scale and the Indonesian “pelog” scale (third and fourth motet). The mood-creating scales weave (like the text sections) in and out of each other ; just a few changes in notes change grief to joy from idyll to catastrophe. The latin version of the motets (originally with Danish text 1991) was made in 1998 by Per Nørgård and Ivan Hansen. Ivan Hansen
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L'Enfance Du Christ (Die Kindheit Christi)
104.10
L'Enfance Du Christ (Die Kindheit Christi)
Solistes STBarB, Choeur SATB, 2 Flûtes Traversière
Carus Verlag
Trilogie Sacrée. Par BERLIOZ HECTOR. The history of the composition of the orat...
(+)
Trilogie Sacrée. Par BERLIOZ HECTOR. The history of the composition of the oratorio is odd: the kernel of this three-part work were the movements from the middle section, the “Flight to Egypt, ” which Berlioz composed on a whim in 1850 and which he passed off as the work of a baroque composer whose existence he himself had invented. In 1854 the triptych, which was completed with the parts entitled “The dream of Herodes” and “The arrival at Sais, ” had its celebrated first performance. Starting from the Gospel of St. Matthew, with the visit of the astrologer to Herodes and the flight of the Holy Family to Egypt, Berlioz chose to relate the story of the events of Christmas from another angle, other than as it is almostalways depicted, after the Gospel of Luke. This skillful dramatisation, with impressive instrumental sections, such as the independent trio for two flutes and harp as well as the effective choruses with local color, make this “sacred trilogy” a genuine alternative for performance at Christmas time. The score, published in 1855, contained a second singing text in German which had been translated from the French by Peter Cornelius. The critical edition by Carus presents a new translation by Klaus Kreuser which, as opposed to the text by Cornelius, adheres more closely to the French original and avoids becoming an embellished idyll. / Oratorio / Répertoire / Solistes STBarB, Choeur SATB, 2 Flûtes Traversière
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George Nicholson: Along Upon: Chamber Ensemble: Parts
::
[Partition]
University Of York Music Press
For Soprano Flute Clarinet Vibraphone Piano Violin Viola Cello.Along upon...
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For Soprano Flute Clarinet Vibraphone Piano Violin Viola Cello.Along upon is one of a series of eight chamber works inspired by the writings of Thomas Hardy and known collectively as Wessex Heights. The pieces maybe performed separately or in any combination. When the complete set is played the following order of performance is recommended:Embers — Shailing and wambling — Volte-face — Groundswell — Catch — Idyll — For Tess — AlonguponThe duration of Wessex Heights is about an hour.
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L'Enfance Du Christ (Die Kindheit Christi)
13.40
L'Enfance Du Christ (Die Kindheit Christi)
Solistes STBarB, Choeur SATB, 2 Flûtes Traversière
[Partition]
Carus Verlag
Trilogie Sacrée. Par BERLIOZ HECTOR. The history of the composition of the orat...
(+)
Trilogie Sacrée. Par BERLIOZ HECTOR. The history of the composition of the oratorio is odd: the kernel of this three-part work were the movements from the middle section, the “Flight to Egypt, ” which Berlioz composed on a whim in 1850 and which he passed off as the work of a baroque composer whose existence he himself had invented. In 1854 the triptych, which was completed with the parts entitled “The dream of Herodes” and “The arrival at Sais, ” had its celebrated first performance. Starting from the Gospel of St. Matthew, with the visit of the astrologer to Herodes and the flight of the Holy Family to Egypt, Berlioz chose to relate the story of the events of Christmas from another angle, other than as it is almostalways depicted, after the Gospel of Luke. This skillful dramatisation, with impressive instrumental sections, such as the independent trio for two flutes and harp as well as the effective choruses with local color, make this “sacred trilogy” a genuine alternative for performance at Christmas time. The score, published in 1855, contained a second singing text in German which had been translated from the French by Peter Cornelius. The critical edition by Carus presents a new translation by Klaus Kreuser which, as opposed to the text by Cornelius, adheres more closely to the French original and avoids becoming an embellished idyll. / Oratorio / Répertoire / Solistes STBarB, Choeur SATB, 2 Flûtes Traversière
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George Nicholson: Groundswell: Chamber Ensemble: Score
21.00
George Nicholson: Groundswell: Chamber Ensemble: Score
::
[Partition]
University Of York Music Press
For 10 players (Clarinet French Horn 3 Percussionists Vibraphone Piano Viol...
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For 10 players (Clarinet French Horn 3 Percussionists Vibraphone Piano Violin Viola Cello).Groundswell is one of a series of eight chamber works inspired by the writings of Thomas Hardy and known collectively asWessex Heights. The pieces may be performed separately or in any combination. When the complete set is played the following order of performance is recommended: Embers — Shailing and wambling — Volte-face — Groundswell —Catch — Idyll — For Tess — Along upon The duration of Wessex Heights is about an hour.
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L'Enfance Du Christ (Die Kindheit Christi)
13.00
L'Enfance Du Christ (Die Kindheit Christi)
Solistes STBarB, Choeur SATB, 2 Flûtes Traversière
[Partition]
Carus Verlag
Trilogie Sacrée. Par BERLIOZ HECTOR. The history of the composition of the orat...
(+)
Trilogie Sacrée. Par BERLIOZ HECTOR. The history of the composition of the oratorio is odd: the kernel of this three-part work were the movements from the middle section, the “Flight to Egypt, ” which Berlioz composed on a whim in 1850 and which he passed off as the work of a baroque composer whose existence he himself had invented. In 1854 the triptych, which was completed with the parts entitled “The dream of Herodes” and “The arrival at Sais, ” had its celebrated first performance. Starting from the Gospel of St. Matthew, with the visit of the astrologer to Herodes and the flight of the Holy Family to Egypt, Berlioz chose to relate the story of the events of Christmas from another angle, other than as it is almostalways depicted, after the Gospel of Luke. This skillful dramatisation, with impressive instrumental sections, such as the independent trio for two flutes and harp as well as the effective choruses with local color, make this “sacred trilogy” a genuine alternative for performance at Christmas time. The score, published in 1855, contained a second singing text in German which had been translated from the French by Peter Cornelius. The critical edition by Carus presents a new translation by Klaus Kreuser which, as opposed to the text by Cornelius, adheres more closely to the French original and avoids becoming an embellished idyll. / Oratorio / Répertoire / Solistes STBarB, Choeur SATB, 2 Flûtes Traversière
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George Butterworth: Banks of Green Willow: Orchestra: Score and Parts
28.00
George Butterworth: Banks of Green Willow: Orchestra: Score and Parts
Orchestre
Goodmusic Publishing
George Butterworth was born in London on July 12th 1885 to a well-to-do family....
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George Butterworth was born in London on July 12th 1885 to a well-to-do family. Eton School was followed by university at Trinity College Oxford where he met Vaughan Williams and Cecil Sharp. He taught for a while at Radley studied for a short time at the Royal College of Music then concentrated more or less full time on collecting folk songs sometimes with Vaughan Williams. When the First World War started in 1914 he joined the Durham Light Infantry as a Lieutenant. In the trenches he was mentioned in dispatches for outstanding courage and won the Military Cross. He led a successful raid on August 15th 1916 in the Battle of the Somme but during the raidButterworth was killed by a sniper's bullet.Much of his music is influenced by folk-song. The idyll 'Banks of Green Willow' is one of his best works and perfectly captures the nature of the English countryside. It is almost as if the music occurred naturally and Butterworth just discovered it.This pack comprises one full score string parts 4/4/3/4/2 and any wind brass and percussion parts.Orchestration:2 Flutes 2 Oboes 2 Clarinets in A or Bb 2 Bassoons2 Horns in F Trumpet in Bb Harp Strings (Violin 1 Violin 2 Viola Cello Double Bass)
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L'Invisible (REIMANN ARIBERT)
71.40
L'Invisible (REIMANN ARIBERT)
Orchestre
Schott
Par REIMANN ARIBERT. Aribert Reimann?s ?Trilogie lyrique? is based on three play...
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Par REIMANN ARIBERT. Aribert Reimann?s ?Trilogie lyrique? is based on three plays by Maurice Maeterlinck: In L? Intruse, a family is sitting at the table with their blind grandfather. They are waiting for the doctor to arrive and tend to his daughter who is lying ill in bed after having given birth: her new-born son has not yet made a single sound. The old man senses that something is wrong due to the uneasy atmosphere in the room. ?Who is sitting in our midst'? he asks. He is the only one who can see the presence of death. Intérieur: Once again a family is gathered round the table in the evening, but this time we observe the action from outside, looking through the window with the grandfather and a stranger: no sound can be heard. Outside the house, the stranger reports that the eldest daughter has drowned and that he has pulled her out of the river. Although the corpse is already being carried through the village to the family, the grandfather cannot bring himself to destroy this idyll. La Mort de Tintagiles: The young Tintagiles is told a story about a mysterious castle and the aged queen who has all potential heirs to the throne murdered. His siblings sense that Tintagiles has been summoned to the castle to be murdered, but nobody openly expresses this fact. It is the sinister messengers of death from the interludes, now visible as the queen?s servants, who ful'l her demand and snatch the sleeping boy from his sisters? arms. / Date parution : 2022-07-20/ Répertoire / Orchestre
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George Nicholson: Volte-face: Chamber Ensemble: Parts
::
[Partition]
University Of York Music Press
For Soprano Flute Oboe and Violin.duration: 3'30'Volte-face is one of a serie...
(+)
For Soprano Flute Oboe and Violin.duration: 3'30'Volte-face is one of a series of eight chamber works inspired by the writings of Thomas Hardy and known collectively as Wessex Heights. The pieces may be performedseparately or in any combination. When the complete set is played the following order of performance is recommended:Embers — Shailing and wambling — Volte-face — Groundswell — Catch — Idyll — For Tess — AlonguponThe duration of Wessex Heights is about an hour.Parts.
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Antonín Dvo?ák: Works For Cello And Piano: Cello: Instrumental Work
27.99
Antonín Dvo?ák: Works For Cello And Piano: Cello: Instrumental Work
Violoncelle, Piano
-
Intermédiaire/avancé
Wiener Urtext
Besides the famous Concerto in B minor Op. 104 Dvorák's ?uvre includes four sm...
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Besides the famous Concerto in B minor Op. 104 Dvorák's ?uvre includes four smaller chamber music compositions for Cello and Piano: the Polonaise in A major the Rondo in G minor Op. 94 an arrangement of the well-known Slavonic Dance in G minor from Opus 46 and the mood piece Woodland Idyll (Klid). For the preparation of this edition the Dvorák expert Klaus Döge has studied original manuscripts alongside corrected proofs and first editions supported by reference to the Orchestral and Piano scores. Documented comments by the composer himself have provided an additional source of authenticsuggestions for interpretation.
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