SKU: WD.080689673023
UPC: 080689673023.
Song of the Lamb extends an invitation to join a journey; it's a journey from despair to hope and from death to life, and it all begins with a Lamb. Veteran arranger Marty Parks has woven classic hymns, modern worship songs and inspirational favorites into a 39-minute work of timeless beauty. Featuring accessible vocal and piano parts and two solos, this offering from Simply Word is ideal for groups with limited rehearsal time. Churches may choose between a poignant, Scripture-based narration or an optional dramatic script, making Song of the Lamb flexible enough to meet a wide variety of performance and worship needs for the Easter season and beyond. The invitation still stands: Come join the journey, and help deliver eternity's message to your church and congregation this Easter. Accessible vocal and piano parts for churches with limited rehearsal time. Conceived for the small to mid-size church. Includes narration AND an optional dramatic script. Veteran arranger Marty Parks.
SKU: WD.080689751721
UPC: 080689751721.
SKU: CF.FAS110F
ISBN 9781491151785. UPC: 680160909285. 9 x 12 inches.
Featuring long phrases in a slow tempo, Interlude Nightfall is a?perfect composition to teach musicianship with young students using dramatic harmonies. Yukiko Nishimura's musical imagery provides a great opportunity for string orchestras to showcase their musical phrasing and expression.This work features long phrases in slow tempo, and the harmonies are very dramatic. The music should not be too square. Conductors must pay special attention to how the orchestra expresses these long phrases and harmony changes. The intonations of each phrases are important as well. This work consists of three sections, the first of which starts at m. 5. It should be played with confident feeling, like risoluto. The second section from m. 29 is a kind of chorale, so all parts should sound well-combined, like an organ. The third section is virtually identical to the first section but can be played with greater emotion. Please enjoy the thick harmonies.This work features long phrases in slow tempo, and the harmonies are very dramatic. The music should not be too square. Conductors must pay special attention to how the orchestra expresses these long phrases and harmony changes. The intonations of each phrases are important as well. This work consists of three sections, the first of which starts at m. 5. It should be played with confident feeling, like arisoluto.a The second section from m. 29 is a kind of achorale,a so all parts should sound well-combined, like an organ. The third section is virtually identical to the first section but can be played with greater emotion. Please enjoy the thick harmonies.This work features long phrases in slow tempo, and the harmonies are very dramatic. The music should not be too square. Conductors must pay special attention to how the orchestra expresses these long phrases and harmony changes. The intonations of each phrases are important as well. This work consists of three sections, the first of which starts at m. 5. It should be played with confident feeling, like arisoluto.a The second section from m. 29 is a kind of achorale,a so all parts should sound well-combined, like an organ. The third section is virtually identical to the first section but can be played with greater emotion. Please enjoy the thick harmonies.This work features long phrases in slow tempo, and the harmonies are very dramatic. The music should not be too square. Conductors must pay special attention to how the orchestra expresses these long phrases and harmony changes. The intonations of each phrases are important as well. This work consists of three sections, the first of which starts at m. 5. It should be played with confident feeling, like risoluto. The second section from m. 29 is a kind of chorale, so all parts should sound well-combined, like an organ. The third section is virtually identical to the first section but can be played with greater emotion. Please enjoy the thick harmonies.This work features long phrases in slow tempo, and the harmonies are very dramatic. The music should not be too square. Conductors must pay special attention to how the orchestra expresses these long phrases and harmony changes. The intonations of each phrases are important as well.This work consists of three sections, the first of which starts at m. 5. It should be played with confident feeling, like “risoluto.†The second section from m. 29 is a kind of “chorale,†so all parts should sound well-combined, like an organ. The third section is virtually identical to the first section but can be played with greater emotion.Please enjoy the thick harmonies.
SKU: WD.080689826221
UPC: 080689826221.
SKU: CF.FAS110
ISBN 9781491151419. UPC: 680160908912. 9 x 12 inches. Key: G minor.
SKU: WD.080689550362
UPC: 080689550362.
SKU: HL.49006204
ISBN 9790001067454. 9.25x12.0x1.015 inches. German - English - Italian - Spanish.
Picc. * 1 * Altfl. * Bengal. Fl. * Inkafl. * Lotosfl. (oder Klar. in A) * 2 Bambusfl. * 1 * Engl. Hr. * 2 Blfl. * 1 * Es-Klar. * Bassklar. * Bassetthr. * 1 * Kfg. - 1 * 1 * 1 * 1 - P. S. (hg. Beck. * Hi-Hat * Tamt. * Gongs * Tamb. * kl. Tr. * Bong. * Trinidad Steel Drum * gr. Tr. * Boo-bams * Log Drums * Marimba * Mar. * Guiro * Matraca * Reibetr. * Woodbl. * Kette * Marimbula [chrom.] * Vibr. * Bassmetallophon * hg. Glasstabe * Shell chimes * versch. Donnerbleche * Handgl. * Dobaci * Kuhgl. * Rohrengl.) - Mand. * Git. * E-Git. * Tenorbanjo * Cel. * Klav. * Akk. * Hammondorg. * Mundharm. * Okarina (oder Blockfl. mit Kontaktmikr.) * Glaserspiel * Glasharfe * Maultr. * Zinnpfeifchen * Rugbypfeife - 4 Verstarker - Str. (1 [auch Va.] * 0 * 1 [auch Vl. u. Va. d'am.] * 1 * 1)Das Instrumentarium ist auf 15 Spieler verteilt.Picc. * 1 * Altfl. * Bengal. Fl. * Inkafl. * Lotosfl. (oder Klar. in A) * 2 Bambusfl. * 1 * Engl. Hr. * 2 Blfl. * 1 * Es-Klar. * Bassklar. * Bassetthr. * 1 * Kfg. - 1 * 1 * 1 * 1 - P. S. (hg. Beck. * Hi-Hat * Tamt. * Gongs * Tamb. * kl. Tr. * Bong. * Trinidad Steel Drum * gr. Tr. * Boo-bams * Log Drums * Marimba * Mar. * Guiro * Matraca * Reibetr. * Woodbl. * Kette * Marimbula [chrom.] * Vibr. * Bassmetallophon * hg. Glasstabe * Shell chimes * versch. Donnerbleche * Handgl. * Dobaci * Kuhgl. * Rohrengl.) - Mand. * Git. * E-Git. * Tenorbanjo * Cel. * Klav. * Akk. * Hammondorg. * Mundharm. * Okarina (oder Blockfl. mit Kontaktmikr.) * Glaserspiel * Glasharfe * Maultr. * Zinnpfeifchen * Rugbypfeife - 4 Verstarker - Str. (1 [auch Va.] * 0 * 1 [auch Vl. u. Va. d'am.] * 1 * 1)Das Instrumentarium ist auf 15 Spieler verteilt.
SKU: PR.11540187C
UPC: 680160020164.
SKU: EC.1.5109_PIANO
.
SKU: TM.14706SET
Sc pg 72 (end of Act I) - 87 (beginning of Act II). 98 bars before Scene II.
SKU: TM.14707SET
Sc pg 152-160.
SKU: TM.14707SC
SKU: TM.14706SC
SKU: CF.C448F
UPC: 680160920778.
SKU: BT.9780008394714
ISBN 9780008394714. English.
Continue your musical journey on the ukulele with More Ukulele Magic: Tutor Book 2 the fun and approachable method that children and teachers love. Whether you’re in the classroom, at home or playing with friends, this accessible tutor offers the great tunes, clear guidance and all the resources you need to make Ukulele Magic! Fully supported with audio performances and backings, this second book builds on the learning in Book 1 with new chords, scales, finger-picking and strumming patterns as well as opportunities for composing, improvising and ensemble playing across a wide variety of musical styles. Lead sheets and TAB are available online to download and print. This teacher's edition includes a downloadable whiteboard e-book with embedded audio and video demos, making it ideal for whole-class teaching.
SKU: BT.9780008394721
ISBN 9780008394721. English.
Continue your musical journey on the ukulele with More Ukulele Magic: Tutor Book 2 the fun and approachable method that children and teachers love. Whether you’re in the classroom, at home or playing with friends, this accessible tutor offers the great tunes, clear guidance and all the resources you need to make Ukulele Magic! Fully supported with audio performances and backings, this second book builds on the learning in Book 1 with new chords, scales, finger-picking and strumming patterns as well as opportunities for composing, improvising and ensemble playing across a wide variety of musical styles. Lead sheets and TAB are available online to download and print. The teacher's edition (ISBN 978-0-00-839471-4) includes a downloadable whiteboard e-book with embedded audio and video demos, making it ideal for whole-class teaching.
SKU: HL.48180908
UPC: 888680984274. 9.0x12.0x0.15 inches.
This first volume of Twelve Pieces by Gaston Litaize is a set of six pieces for organ. With a difficulty that would fit the skills of upper intermediate players, these pieces require the use of pedals. This first tome includes: 1. Prelude, dedicated to Lauret Bolli, his friend 2. Double Fugue 3. Lied, dedicated to Guy Lambert 4. Intermezzo Pastoral, dedicated to Miss Line Zilgien 5. Final, dedicated to his professor Marcel Dupre 6. Lamento, dedicated to his friend Maurice Dalphin. And the second tome consists of: 7. Scherzo 8. Toccata sur le veni creator 9. Priere 10. Jeux de rythmes 11. Interlude 12. Variations sur un Noel angevin. This piece is quite famous among Gaston Litaize's compositions. Gaston Litaize (1909-1991) was a French organist and composer, blind since his youth. Considered as one of the organ masters of his times, he toured and worked on many recordings. He was also a good professor, and composed many pieces for solo organ and for organ with other instruments.