Vingt-deux célèbres chansons de jouer, chacun avec seulement trois chords avec trois Chord Tricks : The Red Book, peut-être la plus facile guitar songbook jamais ! Ces arrangements sans complication moyenne il y a seulement trois accords simples à apprendre pour chaque chanson et, avec des chansons dans différentes clés, vous serez rapidement étendre vos compétences de la corde et la liste des chansons. Chacune des chansons classiques dans ce livre a chaque changement de corde clairement montré ci-dessus les paroles faisant jouer aussi facile que 1-2-3 ! Ainsi, ramasser votre guitare et découvrez de simple à quel point il peut être de strum ou de choisir ces favoris de tous les temps. / Chant Et Guitare / 48 pages / Partition

The Old Chevalier (2005) - A Gothic Tale for Bass Trombone and Ensemble. Piano reduction: WH30854 Version for Tenor Trombone available: WH30941 Programme note The Old Chevalier for Trombone and Ensemble is the second of a series of seven compositions named after Karen Blixen's collection of short stories Seven Gothic Tales. My musical gothic tales are written for very different ensembles - THE SUPPER AT ELSINORE is a saxophone quartet - but they all share musical material in a criss-cross of contextual references reminiscent of Blixen's narrative complexity: Themesand motivsfrom one piece appears in others in new and surprising shapes and combinations. Karen Blixens The Old Chevalier begins with an old man talking to a youth about obl igation and passion. The old man tells a story about a beautiful woman who wanted tomake her husband jealous and cheated on him with a young man who admired him. Afterdiscovering the truth the young man meets a prostitute on her very first job. The girl is an innocent trading favors for shelter. The young man falls in love but she remains obliviousto his passion. She leaves after their encounter without emotional involvement. Many years later the young man - the old man telling the tale - recognizes the girl in a beautifulskull he's holding in his hand. The Old Chevalier isn't 'about' anything. The music is inspired by the artistic content of Blixen's short story - it's emotionalism dramatic construction atmosphere period and setting - but unfolds in time and musical space in ways that are completelyindependent of the story's narrative progression... except one might say that the trombone makes love to the piano and at the very end - just like the old man in the story is left contemplating its remains. The piece is written for the trombonist Jens Vind.

Piano reduction and solo Bass Trombone part for The Old Chevalier (2005) - A Gothic Tale for Bass Trombone and Ensemble. Full score: WH30942 Version for Tenor Trombone available: WH30941 Programme note The Old Chevalier for Trombone and Ensemble is the second of a series of seven compositions named after Karen Blixen's collection of short stories Seven Gothic Tales. My musical gothic tales are written for very different ensembles - THE SUPPER AT ELSINORE is a saxophone quartet - but they all share musical material in a criss-cross of contextual referencesreminiscent of Blixen's narrative complexity: Themes and motivsfrom one piece appears in others in new and surprising shapes and combinations. Karen Blixens The Old Chevalier begins with an old man talking to a youth about obl igation and passion. The old man tells a story about a beautiful woman who wanted tomake her husband jealous and cheated on him with a young man who admired him. Afterdiscovering the truth the young man meets a prostitute on her very first job. The girl is an innocent trading favors for shelter. The young man falls in love but she remains obliviousto his passion. She leaves after their encounter without emotional involvement. Many years later the young man - the old man telling the tale - recognizes the girl in a beautifulskull he's holding in his hand. The Old Chevalier isn't 'about' anything. The music is inspired by the artistic content of Blixen's short story - it's emotionalism dramatic construction atmosphere period and setting - but unfolds in time and musical space in ways that are completelyindependent of the story's narrative progression... except one might say that the trombone makes love to the piano and at the very end - just like the old man in the story is left contemplating its remains. The piece is written for the trombonist Jens

Par ARMAN HOWARD. Howard Arman, director of the Bavarian Radio Choir, has been actively engaged with international Christmas carols through various Christmas-related CD productions of his choir in the past years. This has resulted in a number of original arrangements for four- to eight-part mixed choir a cappella, shedding new light on well-known classics such as O du fröhliche [O, you joyful], Stille Nacht [Silent Night] and Lasst uns froh und munter sein [Let us be happy and cheerful]. The first volume includes five Christmas carols from the German-speaking regions. They range from simple but harmonically intriguing settings such as Lieb Nachtigall, wach auf [Dear nightingale, wake up] to eight-part sound paintings with bell-like chimes as in O du fröhliche and classical double choir settings such as Resonet in laudibus . The second volume includes five Christmas spirituals with English texts, forming a contrast to the solemn and festive character of the first. The choir can prove its swing and jazz qualities here; the stirring arrangements are a gain for classical Christmas concerts, too. Following the tradition of the spiritual, some settings also require soloists, which can, however, also be recruited from the choir if adequate singers are available. The first piece combines the spirituals It?s a Birthday and Wasn?t That a Mighty Day to form a medley, Ain?t That a Rockin? gives a moment of tranquility before the likewise rousing spirituals Mary Had a Baby and Little David conclude the volume. In both volumes, Howard Arman provides a short preface in German and English, explaining the background of each piece and giving advice on performance. / Date parution : 2022-07-20/ Recueil / Choeur Mixte a Cappella

for Concert Band-If you have a large percussion section Credo might be a perfect piece for your young band. It is very carefully scored and cross-cued so that almost any size band can perform it. Composed in sonatina form it is highly energetic and tuneful and the bass instruments have lots of fun easy things to play. Like Prairie Winds Festival Credo is very safely scored with Piccolo 2nd Oboe 2nd Bassoon Contra-Alto Clarinet 3rd Trombone and Double Bass parts optional. Ranges are very reasonable: the only sixteenth notes in the piece are in the snare drum.

Music Minus One Piano-As might be expected from this master composer and pianist Mendelssohn's D-major trio is graceful and pianistic the piano part integrated well with the strings. This is without a doubt one of the high-points in Romantic chamber music. Magical! Includes a complete high-quality printed music score and a compact disc containing a complete performance with soloist then performed again with accompaniments only minus you the soloist. Performed by Neill Eisenstein piano Accompaniment: The Classic Piano Trio

17 Duet Arrangements For Middle Grade Players From Ireland, Scotland And Brittany. These duet arrangements of traditional music from Scotland and Ireland with a few original pieces by Florian Bramböck himself will make excellent concert performance material for intermediate clarinet players and beyond. Exciting arrangements of famous traditional music from Scotland, Ireland and Brittany Learn typical styles including reels, jigs, hornpipes and polkas/ Recueil / 2 Bassons

Alfred's Greatest Hits series has overwhelmingly been accepted by students and teachers. This series combines just the right combination of hits from Broadway, Hollywood, television and recordings! As you might expect from Alfred, this series offers a rare combination of great music arranged with care and creativity. Your adult students can savor the excitement of playing pop music and reap the benefits from making practicing more fun and rewarding.

Another slow-rock 50's style holiday number from Jay Althouse this time telling a story of a Christmas Eve so snowy and cold ('Our car has a disease called frozen anti-freeze.') that Santa might not make it through. (Of course he does.) Great fun for choirs of all ages. Very singable. (P.S. The 2-Part/SSA edition is super for your girls or young choirs. InstruPax includes: director's score 2 alto saxes tenor sax baritone sax rhythm.

Par HANNICKEL MIKE. Will the evil villain steal away with the beautiful youngheroine? Can the train robbery be stopped? Will the sherrif’sposse capture the thieving band of cattle rustlers? Will ourhero find true love? For the answer to all these questions, be sure to tune in to Masters of the Silent Screen. Featuringarrangements of authentic music written to accompanysilent movies and including a free videotape, your bandbecomes the “Mighty Wurlitzer” as it accompanies classicscenes from silent movies in Mike Hannickel’s innovativeMasters of the Silent Screen. / Niveau : 3 / Répertoire / Concert Band

Par HANNICKEL MIKE. Will the evil villain steal away with the beautiful youngheroine? Can the train robbery be stopped? Will the sherrif’sposse capture the thieving band of cattle rustlers? Will ourhero find true love? For the answer to all these questions, be sure to tune in to Masters of the Silent Screen. Featuringarrangements of authentic music written to accompanysilent movies and including a free videotape, your bandbecomes the “Mighty Wurlitzer” as it accompanies classicscenes from silent movies in Mike Hannickel’s innovativeMasters of the Silent Screen. / Niveau : 3 / TV, Film, Comédie musicale / Recueil / Concert Band

Feature your drummer on brushes with this classy chart on a well-known standard. The ensemble plays mostly tutti rhythms with solo fills provided by the drums. A great concept on a wonderful tune. Also included is a trumpet solo.

Par OASIS. Twenty-two Of Oasis's greatest hits in easy melody line arrangements for all electronic keyboards. Ideal for the beginner, each song has chord symbols, lyrics, suggested registration, rhythm and tempo. Easy-to-follow Keyboard diagrams are grouped together at the start of each song and show all the left-gand chord voicings used. / Niveau : Facile / Rép International / Recueil / Clavier