Par VINITSKY ALEXANDER. L'interprétation exacte du rythme swing est l'élément le plus important dans la musique jazz. Cette collection de 7 etudes jazz et 11 exercices pour guitare solo donne la pratique de l'étudiant en jouant ce schéma rythmique ainsi que sur les autres compétences importantes. Les etudes sont écrites en notation uniquement dans différents styles de jazz : Swing, Latino, Bossa Nova, Blues et Jazz Rock. Ces etudes développent la capacité de la main droite au son comme si les deux ou trois instruments jouent simultanément. Toutes les etudes ont des mélodies brillantes et riche harmonie jazz. Ce sont des intermédiaires en difficulté. Les exercices comportent de nombreuses compétences, y compris le Swing style, walking bass, style Latin, vitesse de doigt, diverses combinaisons rythmiques et lignes brisées. / Niveau : Intermédiaire / Classic - Solos / Recueil / Guitare Classique

Par WILKINS JACK. This collection of jazz etudes with an accompanying CD gives students a fun and effective way to learn to play jazz style blues lines. The CD tracks provide a professional rhythm section (piano, bass, drums) to play along with, plus recordings of professional jazz musicians playing each etude. The recordings help to provide a model for the student\'s stylistic development, and an opportunity to play with a great band! Each of the 12 etudes provides a new challenge to master. / Niveau : Débutant à Intermédiaire / Jazz and Blues - Improvisation / Recueil / Saxophone Ténor

Par WILKINS JACK. This collection of jazz etudes with accompanying CD gives students a fun and effective way to learn to play jazz style blues lines. The CD tracks provide a professional rhythm section (piano, bass, drums) to play along with, plus recordings of professional jazz musicians playing each etude. The recordings help to provide a model for the student's stylistic development, and an opportunity to play with a great band! Each of the 12 etudes provides a new challenge to master. / Niveau : Débutant à Intermédiaire / Jazz and Blues - Improvisation / Recueil / Violon

In Varying Styles From Baroque To Funk. Par RAE JAMES. In this challenging new set of studies, '18 Concert Etudes” for solo clarinet, James Rae aims to help develop good technique and to nurture musicianship from grade 6 through to college level. As might be expected from James Rae, there are swing, funk and jazz etudes but other musical styles, right back to the baroque period, are not neglected. Not only can the serious clarinet student use them for warm-ups and practice but they are also quite suitable to be programmed as concert pieces in their own right, alongside accompanied works of all styles./ Répertoire / Clarinette

Etudes and Familiar Chord Progressions for Two Guitars. Par FISCHER TIM / FLYNN WILLIAM. Jazz Guitar Duets takes you on an exploration of the entire range of the fretboard through 10 duets over standard jazz progressions. Each duet is written in standard notation and is accompanied by audio recordings and in-depth analysis. / Niveau : Intermédiaire / Recueil / Guitare Jazz ou 2 Guitares

for young virtuosos with small hands. Par ROSENBLATT ALEXANDER. Piano teachers (as well as pupils) know about the problem of the 'adult' concert repertoire: there is a lack of literature for young, talented and virtuoso pianists, when the hands are in the process of growth but still small. This moment creates serious difficulties in the process of teaching gifted children who want to prove themselves in a full-scale concert repertoire, as most of the classical and romantic pieces contain octaves, wide chords and interval sequences that require an adult hand. Rosenblatt’s '8 Etudes in Jazz Style' are the result of his cooperation with the pianist Michael Bischoffberger. All pieces are devoted to the development of the pianist’s basic technical skills: with scales, arpeggios, double notes, chord technique, cantilena and sustain pedaling skill. However, the pieces only use intervals smaller than the octave, the septima is the largest interval. The pieces are excellent for teaching and they sound absolutely 'adult', bright and “fresh” because of the Jazz based style of the music. Excellent pieces for concert, teaching and competition. / Niveau : Intermédiaire / Études et exercices / Etude / Piano

A unique set of jazz etudes for the contemporary trumpet player, featuring a CD with etudes played by Dave Douglas, Ingrid Jensen, Scott Wendholt,Terell Stafford, Nicholas Marchione and author Cameron Pearce. Featuring recorded performances of each etude by some of the greatest jazz trumpeters in the world today, Modern Etudes for Solo Trumpet is a twenty-first century contribution to the lineage of musical studies for trumpet like Brandt and Charlier. A book of challenging yet highly enjoyable etudes that apply to the technical and musical needs of both the aspiring and the accomplished player in today's jazz trumpet arena. Includes new compositions for solo trumpet as well as new melodies over popular standards such as But Not for Me, All the Things You Are and Honeysuckle Rose. Combines a variety of stylistic elements ranging from the very early stages of Jazz to the newer harmonic and intervallic concepts yielding a very creative and beautiful set of studies. A collection of inventive etudes that provide a unique contribution to the solo trumpet repertoire.

A must have for all pianists seeking a creative approach to developing left and right hand coordination. The exercises and solos (based on the chord changes to well-known standards) are rhythmic, colorful, and fun to play. The chapters cover six specific areas of left hand development and left/right hand integration, with practical application from standard jazz tunes in the form of musical solo piano pieces. This book will definitely be an essential part of your practice routine. Besides improving your hand coordination, it will challenge you to think differently about it. All of the concepts are easily applicable to the real world. Highly endorsed! Pianist Emiko Hayashi has written a very comprehensive, challenging yet very accessible method book. With exercises designed for left hand alone and exercises designed to develop interplay between the hands, I wholeheartedly recommend this book. I\'ve already started practicing! - Kenny Barron In Etudes for Jazz Piano Emiko Hayashi illuminates a challenge that faces scores of jazz pianists at all levels; that of integrating the left hand in improvisation in a meaningful way, not only as an accompanist, but as an integral part of the whole. By taking various jazz standards and creating etudes specifically for the left hand as well as for developing coordination and the conversational aspects between the left and right hands, Ms. Hayashi illustrates many possibilities for expanding one�s technical and expressive range. I would think this set of etudes would be extremely useful to jazz pianists at any stage of development since the obvious outcome of the study will improve one�s ability to play melodically and expressively throughout the keyboard, without regard to the traditional roles of the left and right hands. - Todd Coolman It is understood that all musicians must play piano. Emiko\'s book fills a void for non-pianists addressing specific technical problems which will help towards being able to use the piano to improve and enlarge one\'s playing and composing, no matter what instrument you play. This is a hands-on book directed towards immediate results. - David Liebman

This collection of ten jazz etudes with accompanying audio provides intermediate to advanced tenor sax students with a fun and effective way to learn to play in the specific odd meters: 3/4, 5/4, 7/4, and 9/4. Each etude is based on the chord progression of a different jazz standard, and includes an in-depth analysis of the melodic, harmonic, and rhythmic devices used. The addition of the odd-time ingredient, along with completely original melodies and improv lines, converts what would be mere academic etudes to a delightful jazz listening and playing experience.If you want to improve your fluency in reading, performing, and improvising in odd time signatures, this is the book for you! A generous number of preparatory exercises gradually introduce the student to not only reading music, but also 'hearing how phrases land within a measure” of odd time. Play-along audio tracks featuring a professional rhythm section (piano, bass, and drums) minus the sax track allow you to play as the soloist. Includes access to online audio. / Niveau : Intermédiaire à Avancé / Jazz / Etude / Saxophone Ténor

This collection of jazz etudes with accompanying CD gives students a fun and effective way to learn to play jazz style blues lines. The CD tracks provide a professional rhythm section (Piano Bass Drums) to play along with plus recordings of professional jazz musicians playing each etude.The recordings help to provide a model for the student's stylistic development and an opportunity to play with a great band. Each of the 12 etudes providesa new challenge to master.

This collection of ten jazz etudes with accompanying audio provides intermediate to advanced tenor sax students with a fun and effective way to learn to play in the specific odd meters: 3/4, 5/4, 7/4, and 9/4. Each etude is based on the chord progression of a different jazz standard, and includes an in-depth analysis of the melodic, harmonic, and rhythmic devices used. The addition of the odd-time ingredient, along with completely original melodies and improv lines, converts what would be mere academic etudes to a delightful jazz listening and playing experience.If you want to improve your fluency in reading, performing, and improvising in odd time signatures, this is the book for you! A generous number of preparatory exercises gradually introduce the student to not only reading music, but also ?hearing how phrases land within a measure? of odd time. Play-along audio tracks featuring a professional rhythm section (piano, bass, and drums) minus the sax track allow you to play as the soloist. Includes access to online audio.

Par CHRISTIANSEN COREY. Les exercices et les etudes dans ce livre aidera les élèves à acquérir la technique nécessaire pour exécuter les grandes lignes de jazz. Un mélange de constructeurs technique et etudes sont tous conçus pour donner des guitaristes de jazz un entraînement quotidien. Tous les exercices dans cet ouvrage sont écrits avec les guitaristes plectre à l'esprit, mais cela ne signifie pas que fingerstyle guitaristes ne peuvent bénéficier de l'exerce aussi bien. / Niveau : Intermédiaire / Jazz - Technic / Recueil / Guitare