Three arrangements including Ave Verum Corpus and the Lacrimosa from the Requiem.During the year 1771 when Mozart was 15 years old he and his father Leopold were touring Italy which was at that time the most formidable citadel of the music world. In the following four years the young Mozart was received at the homes and villas of Italy's aristocracy. He met the most famous musicians of the time including Niccolo Piccinni operatic rival to Gluck and Padre Martini from whom he was to benefit from studies in counterpoint. He also met many noted male soprano singers and for one the celebrated Venanzio Rauzzini he wrote in 1773 the motet Exsultate Jubilate from whichcomes the well known Alleluia.At the end of his life only 19 years later in Vienna 1791 Mozart was very ill and working on a number of massive works such as the operas The Magic Flute and Titus also the Requiem. Titus was completed in 18 nerve-shattering days as it had to be performed in Prague in September 1791. At its premiere it was a complete flop. This affected the now overworked almost penniless composer's spirit and he returned to Vienna suffering from mental and physical exhaustion. Rest was denied him. The Magic Flute had to be finished for its premier on September 30th 1791. The task of the Requiem still faced him. In this weakened state Mozart thought that he was in fact writing his own requiem reading evil omens into the commissioning of the work. He thought someone had calculated the precise time of his death and was thus troubled with sombre thoughts. He completed the first two of the twelve parts. The next six parts were in an unfinished state and his manuscript ceased at the Lacrimosa. Süssmayer who was working closely with Mozart at the time was given the task of finishing the Requiem.Ave Verum Corpus is also one of his final works. It is a setting of an anonymous hymn written as a motet for Anton Stoll the choirmaster at Baden in June 1791.Mozart was a composer of great genius who

The compositions in Easy Piano Pieces For Children have all been carefully selected for the beginner pianist. Over 100 selections in this songbook are progressively graded, with editorial markings and suggested fingering, allowing beginner children to learn with specially selected songs that they will enjoy playing.As an addition to the bestselling Everybody's Favorite series, these attractive and original pieces are easy to play and will allow young pianists to have fun while improving various aspects of their technique.This large songbook includes classic favourites by Mozart, Debussy and Grieg, Piano miniatures by Schumann, Arensky and Türk, as well as selections from Bartók's For Children, among many others. Each piece is graded with a star to indicate difficulty, while a glossary of music symbols and a keyboard chart are included to help early students with note and key recognition. / Piano

for Violin and Orchestra. Par MOZART WOLFGANG AMADEUS. Mozart composed the majority of his works for solo String Instruments and Orchestra during the years 1773–1779. Especially important are the years 1773 and 1775, which witnessed the creation of the five concertos for Violin and Orchestra as well as several single movements for the same scoring. The reasons for this flourish of activity are partly that Mozart, who still occupied the post of concertmaster to the Prince-Archbishop, was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility of experimenting with all the new compositional techniques acquiredduring his third trip to Italy and his stay of several months in Vienna from July to September 1773. Urtext of the New Mozart Edition. Full score and performance material (BA4712), Violin and Piano reduction (BA4712-90) and study score format 22. 5 x 16. 5cm (TP20) available for sale. The new Urtext performing editions to Mozart ’s Violin concertos nos. 1-5 contain new easy to play Piano reductions. They offer in addition to the Urtext solo Violin part, an extra Violin part prepared with bowings and fingerings by M. Wulfhorst. A brochure with cadenzas, lead-ins and fermata embellishments by Joseph Joachim, Sam Franko, Leopold Auer, Eugène Ysaye and Martin Wulfhorst is also included./ Répertoire / Partition de Poche

Arr. Henk Hogestein. Par MOZART WOLFGANG AMADEUS. Salzburg, birthplace of Wolfgang Amadeus Mozart, inspired Dutch composer Henk Hogestein to write this musical tribute. Mozart was born in this charming Austrian town in January 1756. He was a musical prodigy - at the age of four he began receiving lessons from his father Leopold and at the age of six he was composing smart minuets and other short pieces. The composition Charming Salzburg is based on a theme from Mozart's opera Die Zauberflöte, which he completed in 1791. The greatest composer of his day - the greatest of all time according to some - the brilliant Mozart wrote some of the world's best operas with Die Zauberflöte was his last. / Niveau : 2 / Musique pour célébration / Répertoire / Concert Band ou Harmonie

Ein Klavier Erzählt. Par VOLKERS ELISABETH. Thekla, le piano portable de la famille Mozart, maintenant collecte de poussières dans un loft sombre et se rappeler le passé - et mieux - times, a beaucoup à dire : quand Wolfgang fait ses premières tentatives de composition au piano et le père Leopold faite les premières grande tournées avec Wolfgang et sa Nannerl soeur dans un entraîneur, sur les performances de concert des enfants avant l'impératrice Maria Theresia à Vienne (1762), sur le voyage à Paris et le passage à niveau brut en Angleterre et, enfin, sur le retour à Salzbourg en 1766. Mozart est décrit comme un garçon qui a des problèmes tout à fait ordinaires, qui obtient homesick sur ses voyages et qui désire pour l'amitié. En outre, le livre donne un court aperçu de son oeuvre musicale plu.Nombreuses photos - parfois pleine pages-, mais aussi une histoire illustrée de sa vie peindre un portrait coloré de Mozart. Avec l'aide d'une carte, le lecteur peut même suivre itinéraire de voyage de Mozart./ Recueil / Divers

Par MOZART LEOPOLD. Gattungen: Messen, lateinisch - Reihen bei Carus: Salzburger Kirchenmusik - Langue : Latin / Messe / Répertoire / Solistes SATB, Choeur SATB, Flûte Traversière, 2 C

Par MOZART LEOPOLD. Gattungen: Messen, lateinisch - Reihen bei Carus: Salzburger Kirchenmusik - Langue : Latin / Messe / Répertoire / Solistes SATB, Choeur SATB, Flûte Traversière, 2 C

Par MOZART LEOPOLD. Gattungen: Hymnen, Kantaten - Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Verwendung / Anlässe: Marienfeste, Marianische Gesänge - Langue : Latin / Date parution : 1991-11-01/ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 3

Par MOZART LEOPOLD. Gattungen: Messen, lateinisch - Reihen bei Carus: Salzburger Kirchenmusik - Langue : Latin/ Répertoire / Solistes SATB, Choeur SATB, Flûte Traversière, 2 C

Par MOZART LEOPOLD. Gattungen: Messen, lateinisch - Reihen bei Carus: Salzburger Kirchenmusik - Langue : Latin / Messe / Répertoire / Solistes SATB, Choeur SATB, Flûte Traversière, 2 C

Par MOZART LEOPOLD. Gattungen: Hymnen, Kantaten - Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Verwendung / Anlässe: Marienfeste, Marianische Gesänge - Langue : Latin / Hymnes et chorals / Date parution : 1991-07-01/ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 3