SKU: JU.GOPD00102
UPC: 029156072242. English.
A wonderful intermediate level arrangement of the famous Pachelbel Canon for organ/piano duet. Each performer is given an opportunity with the melody, and the play between the parts makes this piece fun for both performers and listeners. Suitable for church or recital use, this is a must for pianists and organists.
SKU: HL.48183155
UPC: 888680984397. 9.0x12.0x0.09 inches.
“Sona ta in F is a piece for Saxophone duet by Jean-Marie Leclair. Arranged and adapted by Jean-Marie Londeix, this sonata is perfect for intermediate players and is a great piece to play in a recital. It lasts 11?30 minutes and is divided in four parts: Andante, Allegro, Largo and Allegro ma non troppo. More lyrical than the first one, the second part contains two repeat signs and the third one is surely the shortest. The piece is very cheerful and really nice to listen to. The book features score and parts. Jean-Marie Londeix is a musician who studied the Saxophone and the Piano. He also had some strong knowledge of chamber music, harmonies and of music history and obtained a First Prize and a Prize of Honour at the Paris Conservatoire.â€.
SKU: BA.BA11544
ISBN 9790260108912. 31 x 24.3 cm inches.
This album includes over sixty compositions, taking players on a musical journey through the Middle Ages, Renaissance and Baroque period right up until our time. The pieces include works by old masters such as Vivaldi, Bach, Hotteterre, Dowland and Telemann, as well as folk songs and thirteen original compositions by British flautist Alan Davis. A variety of styles including blues, jazz, and Latin are covered.The pieces of medium technical difficulty were selected by renowned Czech flautist Jan Kvapil who is known for his recorder school methods. They are suitable for recorder solo, recorder with accompaniment (guitar, piano/harpsichord) and can also be played with 2-3 recorders. Free supplementary materials are available for this edition: There are 32 audio examples which can be downloaded. One can listen to the pieces unaccompanied or accompanied by various instruments (harpsichord, piano, lute, viola da gamba, percussion) and in various tempos.
SKU: HL.50601273
7.75x10.5 inches.
This single-movement setting of the Vesper psalm Laetatus sum was discovered by Michael Talbot in the spring of 2017 among the online collection of digitized scores of sacred music held by the SLUB in Dresden. Four works by Vivaldi deliberately misattributed to Baldassare Galuppi by the Venetian copyist Iseppo Baldan had already been uncovered in the previous decades, and it was during anexploratory examination of scores sharing a paper type and copyist (Baldan himself) with them that this fifth such work came to light. Vivaldi's single movement pieno settings (for choir alone without soloists) form an important subset of his sacred vocal music, and this new setting is the most elaborate and expansive of any of them. It features effective musical contrasts, and its many felicitous examples of word-painting show what a complete master of vocal composition he had become by the 1730s, the decade from which this setting clearly originates. As usual in Vivaldi's choral compositions the ever-changing relationship between the vocal and instrumental components constantly fascinates, as each in turn captures the listener's attention. This previously unknown Laetatus sum promises to become a much-performed work.
SKU: BR.BV-374
ISBN 9783765103742. 6.5 x 9.5 inches.
Besetzung, Bearbeitung und Auffuehrungspraxis bei Johann Sebastian Bach - Klaus Hofmann zum 65. Geburtstag Die vorliegende Ausgabe stutzt sich auf die bei Breitkopf & Hartel erschienene Gesamtausgabe Johannes Brahms Samtliche Werke der Gesellschaft der Musikfreunde Wien.
,,Wieder ist das Neuerscheinen der Studienpartitur einer Brahms-Sinfonie zu melden diesmal der Nr. 2 in D-Dur op. 73. Und wieder muss der klare Druck und die geschickte Seitenaufteilung geruhmt werden. (Das Liebhaberorchester)
Cover design by Doris Jausly, illustrations by Dorothea Lindenberg
SKU: CY.CC3064
ISBN 9790530110416. 8.5 x 11 in inches.
Purcell's Trio Sonatas of 1683 are a blend or hybrid of French and Italian Baroque 17th Century musical styles. The six Sonatas of Volume 2 alternate between major and minor keys. Each work consists of several short movements, ranging between melancholy and joyous. Volume 2 is a continuation of the six sonatas from volume one, with more surprises and enjoyment for performers and listeners alike. Especially delightful are the dissonances that the composer intersperses throughout each work. Each Sonata is about 6-7 minutes in length and they are an absolute delight to perform. Part three may also be performed on Tuba. For advanced performers.
SKU: BP.HB657
Written for 3 to 5 octave handbell choir and optional 3 octaves of handchimes. Level 4. This original work by Kerry Johnston will showcase the musicality and technique of advanced ensembles and provide a moving journey for listeners. An opening Baroque-inspired motif progresses through various iterations and permutations before a slower, more understated and lyrical sections ensues. The energy grows once more near the end for a triumphant return of the opening ideas, this time in a glorious major key before bringing the piece to a satisfying conclusion.
SKU: CA.3912249
ISBN 9790007245092. Key: G major. Language: German/English.
As one of the three canticles from the New Testament, the Magnificat - the Canticle of Mary - has at all times held a prominent position in church music. Telemann's setting of Luther's German translation of the text bears eloquent witness both to the composer's rich imagination and to his ability to mold a variety of musical shapes into a coherent formal Baroque architecture. Four solo movements with colorfully contrasting instrumentation are juxtaposed with four emphatically homogeneous choral movements; all of the latter are in 6/8 meter and in motet setting with instruments doubling colla parte. Particularly the choral movements are characterized by lively text portrayal and a wealth of at times dramatic imagery. A work of exceptional magnetism for both listeners and choir singers! Score and part available separately - see item CA.3912200.
SKU: HL.49018957
ISBN 9783795759568. UPC: 196288125617. 9.0x12.0x0.194 inches. Andreas Schuermann.
25 easy pieces from the Baroque, Classical and Romantic eras, playable in the first three finger patterns in the first position, for violin pupils from the second year of learning. Apart from lesser known works, this edition also contains many popular pieces, such as themes from Vivaldi's Four Seasons, Handel's Fireworks Music and Water Music, Mozart's Magic Flute or Beethoven's Symphony No. 9. This volume's intention is to grant access to classical masterpieces of concert literature with the help of such easy arrangements and spread the joy of classical music.The approach to the pieces is made easier by the accompanying CD which, on the one hand, offers the opportunity to listen to and get to know the pieces beforehand, and, on the other hand, thanks to the separate piano accompaniments, provides first experience in ensemble playing and conveys the vivid joy of music-making.When the CD was recorded by Prof. Benjamin Bergmann, violin, and Leonid Dorfman, piano, they deliberately decided in favour of moderate tempos to make it easier for the young violinists to play along with the piano part. A treasure trove for auditions at schools and music schools.
SKU: HL.49045771
0.15 inches.
My fascination with the culture of the Navajo Native Americans and their healing ceremonies based on harmony and beauty motivated meto listen to ethnographic recordings of their songs, which are customarily accompanied by rattles and drums. A number of these songsinspired me to create two works for different instrumental ensembles for students at the Conservatoire de Versailles. Both pieces represent miniature versions of ceremonial events. Thierry Pecou.
SKU: SU.29110060
1. Sidestep Reel - In 19th Century America, the Afro-Celtic fiddle style was the centerpiece of many a dance. Reels and hornpipes were very popular forms. Their repetitive, even-metered rhythms were easy and fun to dance to, and their infectious singable melodies stayed in the mind and on the tongue. More adventurous fiddlers were given to syncopating on these forms by accenting off beats and by embellishing melodies with oddmetered note groupings. Syncopation is a fundamental rhythmic attitude of jazz and this movement is a celebration of that art. The melodic language is a home-grown concoction of commonality between traditional reels and hornpipes and the Baroque, Ragtime and the quartal concepts of Modern Jazz. 2. As the Wind Goes - the wistful late night song of a lullabye, a campfire song, a ballad...a spiritual. It is sung as if on the wind, yearning to experience once again that which will only ever again live as memory. 3. Jones’ Jig - the Irish Jig, the African 6/8 bell pattern, the shuffle rhythm of jazz and the drum style of Elvin Jones all play around with the relationship of 3 in the time-space of 2. The juxtaposition, negotiation and reconciliation of these opposing rhythmic perspectives create interesting musical relationships all over the globe. 4. Nicola’s Strathspey - In the traditional Strathspey, improvised embellishments, syncopated dotted rhythms and the use of space between notes create expectation, momentum and surprise. These same elements and their effect on the listener are the same in the blues. It seems like a natural marriage. 5. Bye Bye Breakdown - This is good ol’, Saturday night barn dance, hoedown fiddling. It revels in the whining cry of open double stops, in all types of musical onomatopoeia from train sounds to animal calls to country whistling, and in the steady 2/4 rhythm that is as basic as walking. The harmonic framework of several popular fiddle and folk tunes provide a practical grid for the cutting of challenging melodic and rhythmic figures. It is designed to tire fiddler and dancers out. Then we stomp our way home in varying states of delight and disrepair.Solo Violin Duration: 24' Composed: 2018 Published by: Wynton Marsalis (administered by Skayne's Music).
