Une collection de neuf mambos haut de la page pour créer cette grande sensation de latine. Chacun d'eux a été aménagé pour voix et piano avec boîtes de corde de guitare./ Recueil / Piano, Chant et Guitare

The composer says: Several musical threads led to my writing this piece of music to celebrate my friend Matanya Ophee's (AKA MO) 80th birthday - a life lived with the guitar. Jelly Roll Morton once asserted: 'In fact, if you can't manage to put tinges of Spanish in your tunes, you will never be able to get the right seasoning; I call it, for jazz.' Over the last couple of years I moved back to Jelly Roll Morton's city: New Orleans, home of my adolescence and reacquainted myself with the tinges of Spanish in its rich musical heritage. One of these pieces was the Mardi Gras Mambo, an iconic song frequently played during Mardi Gras and, in David Newman's reworking of the lyrics, at the New Orleans Saints football games as the Super Bowl Mambo. Uncited sources on both Wikipedia and Essortment say the word Mambo means 'conversation with the gods' in Kikongo, the language spoken by Central African slaves taken to Cuba where it became the name for a musical form and a dance style that developed originally in Cuba in the able hands of Cachao's (Bassist Orestes Lopez) tune: Danzon Mambo. This rhythmic style became famous in the 1950's following its use in dance bands in Mexico and through New Orleans to the United States. The infectiousness of the New Orleans re-interpretation of the Mambo's ostinato bass line and the reaction of people who are readily moved to dance when they hear it spoke to me of dance and celebration. This led me to choose some of this piece's characteristics and title for this piece: Mambo for MO. As we have progressed on the instrument, some of us may have encountered the four-chord descending minor chord progression known as the Andalusian cadence: i - VII - VI - V in many different genres and guises. After all, it appears in Ray Charles' Hit the Road, Jack, the verse on Good Vibrations by The Beach Boys, Walk, Don't Run by The Ventures, Runaway by Del Shannon and in that great work arranged and embraced by the Guitar: J.S. Bach's Chaconne from the Partita in D minor for solo violin, BWV 1004. This bass line derived from a Latin American musical style as reinterpreted in New Orleans, a chord progression that evokes the Flamenco Music of Spain, and my impressions of the sinuous lines of people dancing the Second Line in the streets of New Orleans at Mardi Gras led me to this synthesis as a tribute to a man who has contributed so much in his lifelong efforts for the guitar, its history and lore on the occasion of his birthday! Happy Birthday, Matanya! Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare's Twelfth Night, and played incidental music for their production of Bertold Brecht's The Good Woman of Sichuan. He has performed Carulli's Guitar Concerto in A, Leonard Bernstein's West Side Story and Marvin Hamlish's A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony's co-production of George Gershwin's Opera Porgy and Bess.

Mambo Americano a été écrit en hommage aux compositeurs de l?âge d?or du mambo. Des compositions comme celles de Pérez Prado ou comme Mambo tiré de West Side Story de Leonard Bernstein des années 1950 sont désormais établis dans notre monde de musique contemporain ? et c?est précisément cette époque qui est évoquée pour le public dans Mambo Americano !

Mambo Merengue provides an introduction to the world of jazz; it's rhythms harmony and melodic shapes. The pieces demonstrate a variety of jazz styles: Latin blues bebop modal swing and modern. 'Mambo' is believed to be a Haitian Creole word literally meaning 'to talk'. Now 'mambo' is a type of dance derived from the Cuban rumba. Consequently the word combines two of the most appealing aspects of jazz musical conversation and physical movement.

Soliste de laiton latin par Gabriel Rosati fournit une vaste étude sur les divers styles de trompette et trombone notamment : Salsa, Mambo, Merengue, Calypso, Cha Cha et plus encore ! Ces 50 exemples passionnants aura vous dépenser beaucoup d'heures agréables apprendre les subtilités des cuivres Latin jouer. Le livre est transcrit note pour note du CD audio superbement enregistré. Chaque exemple est enregistré deux fois, la première version avec cuivres, piano, basse et percussions et la deuxième version avec basse juste piano et percussions afin que le joueur de laiton peut pratiquer avec la section rythmique. Tous les morceaux sont arrangés pour trompette Bb ou Trombone (bass clef), donc il n'y a quelque chose pour tout le monde ! The licks sont suffisamment courts pour être facilement transposable à d'autres instruments. / Trompette / 36 pages / Partition Cd

Par HOSAY JAMES L.. This light hearted fun arrangement starts out in a mellow, jazzy mambo - rock ballad and then goes into a sizzling hot, driving mambo that will give your audience, and maybe even your band, dancing in their seats. / Niveau : 2.5 / Répertoire / Concert Band ou Harmonie

La Pantera Mambo-What do you get if you combine the Pink Panther theme with a hot Latin beat? La Pantera Mambo! Vocal jazz choirs pop choirs all choirs will love to perform this sizzling salsa setting! A fabulous hook for a concert!

Mambo #5 - Ran Kan Kann - Sway (Qien Sera) - Mambo Jambo. / Niveau : 4 / Musique latine / Répertoire / Concert Band ou Harmonie

18 hot hits, including: Amor - Bésame Mucho (Kiss Me Much) - Brazil - Cumaná - Desafinado (Off Key) - Frenesí - Love Me with All Your Heart (Cuando Caliente El Sol) - Mambo #5 (A Little Bit Of...) - Perfidia - Spanish Eyes - Tango in D - Wave - and more. Includes lyrics in Spanish and English where applicable. / Piano

Whether you're teaching about Latin music or you just want to have some fun Papa Loves Mambo (from the Gallina's hit musical The Knight the Castle Rocked) is the piece for you! Written for two-part treble voices withchoreography by Greg Gilpin included in the choral. Let's mambo!!

Ce livre est idéal pour l'introduction de joueurs en développement à différentsles styles de jazz, y compris Swing, Mambo, latino, gospel, bossaNouvelle et Dixie. Colin Cowles a 'jazzés' favoris anciens etles airs entrecoupés spécialement écrite. Toutes les pièces ontdirectives de performance et le CD play-along vous permettra deles exécuter sans avoir besoin d'un accompagnateur. Titre comprennentBach-A-Jazz, La Ballade de Beethoven, un mambo mozartien, Frankieet Johnny et beaucoup plus. / Saxophone Alto / 40 pages / niveau : Elémentaire - Moyen / Partition Cd

Par NORTON CHRISTOPHER. Avec ce recueil de 14 Latin Preludes d'origine, tous inspirés des styles et rythmes d'Amérique latine, le créateur de Microjazz vous embarque dans un passionnant voyage. Plongez-vous avec la samba et la bossa-nova dans l'atmosphère trépidante du carnaval brésilien, pénétrez dans les clubs et salles de danse de Cuba pour découvrir les rythmes effervescents du mambo et de l'ardente rumba, puis détendez-vous aux sonorités de la biguine des Caraïbes - grâce à ces compositions d'Amérique latine, à la fois caractéristiques et innovantes, qui ont inspiré Christopher Norton. Les pièces, pour des pianistes de niveau avancé, sont idéales pour un concert mais représentent aussi un remarquable ajout pédagogique. Des enregistrements supplémentaires comprenant d?élégantes interprétations jouées par Iain Farrington sont disponibles en ligne. / Date parution : 2022-02-15/ Recueil / Piano