Par MILHAUD DARIUS. Duo Concertante, Op. 351 by Darius Milhaud was composed in 1956 for the Paris Conservatoire Contest. Many influences can be recognised in this piece: from the Provence where he was born, to Jazz and other melodies of South America. Lasting approximately 7 minutes, Duo Concertante, Op. 351 is started by a fanfare with a strong energy reminiscent of the South of France, followed by a simple and moderate Clarinet partly joined by Piano chords. The initial theme is then repeated one last time for the finale. Darius Milhaud (1892-1974) was a French modernist composer and a teacher. He wasalso part of the Les Six and was strongly influenced by Jazz. His opus list ended at 443./ Répertoire / Clarinette et Piano

Par MILHAUD DARIUS. First of the series of ; Quatre Visages by Darius Milhaud, I - La Californienne is a short piece for Viola and Piano. With some difficulties, it requires some intermediate technique of the instrument and some theory knowledge to read in different keys. The book includes the score for Viola and Piano and the part for Viola only. The music has moderate tempo and is quite expressive. It is supposed to represent an American girl from California. She is part of the four faces with: II. The Wisconsonian, III. La Bruxelloise and IV. La Parisienne. Darius Milhaud (1892-1974) was a French modernistcomposer and a teacher. He was also part of Les Six and was strongly influenced by Jazz. His opus list ended at 443./ Répertoire / Alto et Piano

Par MILHAUD DARIUS. Composed by Darius Milhaud, Quatrains Valaisans is a piece for SATB a cappella, based on poems by Rainer Maria Rilke. This piece features five different parts, each one from a poem, whose lyrics are inspired by the Valais area in Switzerland. The composition includes polytonality and polyrhythms that make it highly lyrical, cheerful and nice to sing. The five poems selected are: 1. Pays, arrête a mi-chemin / 'Country that stops half-way. . . ' 2. Rose de lumiere / 'Rose of Light' 3. L'annee tourne / 'The year revolves' 4. Chemins qui ne menent nulle part / 'Paths that take younowhere' 5. Beau papillon / 'Lovely butterfly' Darius Milhaud (1892-1974) was a composer and a teacher who was also known to be part of Les Six. His composition were known to use polytonality and to include some characteristics drawns from the jazz genre./ Répertoire / 4 Voix Mixtes a Cappella

Par MILHAUD DARIUS. Darius Milhaud's La Mort D'Un Tyran./ Répertoire / Choeur Mixte a Cappella, Petite Flûte Traversière

À la fin de l'année 1922, Milhaud compte à son actif une dizaine d''uvres de chambre mais cette année-là est particulièrement productive. La Sonatine pour flûte et piano, op. 76, émerge au sein de ce bouillonnement fécond. Milhaud l'écrit à Aix-en-Provence et elle sera créée par les deux dédicataires, Louis Fleury et Jean Wiéner, au Théâtre des Champs-Élysées, le
18 janvier 1923, dans le cadre du Cinquième Concert Jean Wiéner. / Partitions variété - pop - rock / Variété internationale / Vents / DURAND

Réduction pour Sax Alto en mi b & piano. Par MILHAUD DARIUS. Darius Milhaud 's Scaramouche suite for Alto Saxophone with a Piano reduction of the orchestral material. 2015 edition. / Niveau : Avancé / Répertoire / Saxophone Alto et Piano

Composed by Darius Milhaud  Quatrains Valaisans is a piece for SATB a cappella based on poems by Rainer Maria Rilke. This piece features five different parts each one from a poem whose lyrics are inspired by the Valais area in Switzerland. The composition includes polytonality and polyrhythms that make it highly lyrical cheerful and nice to sing. The five poems selected are: 1. Pays arrêté a mi-chemin / 'Country that stops half-way...' 2. Rose de lumiere / 'Rose of Light' 3. L'année tourne / 'The year revolves' 4. Chemins qui ne menent nulle part / 'Paths that take younowhere' 5. Beau papillon / 'Lovely butterfly' Darius Milhaud (1892-1974) was a composer and a teacher who was also known to be part of Les Six. His composition were known to use polytonality and to include some characteristics drawns from the jazz genre.

Third of the series of “Quatre Visages” by Darius Milhaud III. La Bruxelloise is a short piece for Alto and Piano. Easy to play it still requires some technique of the instrument and some theory knowledge to read in different keys. The book includes the parts for Viola and Piano and for Viola only. The music quite slow is really delicate and is supposed to represent a Belgian girl coming from Brussels. She is part of the four faces with: I. The Californian girl II. The Wisconsonian and IV. The Parisian girl. Darius Milhaud (1892-1974) was a French modernist composer and a teacher. Hewas also part of Les Six and was strongly influenced by Jazz. His opus list ended at 443.

This title is taken from the compilation French Songs And Choruses For Mixed-Voice Choir (NOV165198) Both O Magnum Mysterium and Beata Viscera Mariae (AL30764) are taken from Milhaud's /i> 5 Prières for Voice and Organ (or Piano) Op. 231c. Arranged by Rupert Jeffcoat. Though the Cinq Prières were originally composed for solo voice and organ Jeffcoat has happily resisted the temptation to adapt Milhaud's short but distinctive works beyond what is necessary to transfer the music effectively to mixed voices. - Geoffrey Webber of choirandorgan.com 

This title is taken from the compilation French Songs And Choruses For Mixed-Voice Choir (NOV165198) Both Beata Viscera Mariae and O Magnum Mysterium (AL30765) are taken from Milhaud's 5 Prières for Voice and Organ (or Piano) Op. 231c. Arranged by Rupert Jeffcoat. Though the Cinq Prières were originally composed for solo voice and organ Jeffcoat has happily resisted the temptation to adapt Milhaud's short but distinctive works beyond what is necessary to transfer the music effectively to mixed voices. - Geoffrey Webber of choirandorgan.com 

Duo Concertante Op. 351 by Darius Milhaud was composed in 1956 for the Paris Conservatoire Contest. Many influences can be recognised in this piece: from the Provence where he was born to Jazz and other melodies of South America. Lasting approximately 7 minutes Duo Concertante Op. 351 is started by a fanfare with a strong energy reminiscent of the South of France followed by a simple and moderate Clarinet partly joined by Piano chords. The initial theme is then repeated one last time for the finale. Darius Milhaud (1892-1974) was a French modernist composer and a teacher. He wasalso part of the Les Six and was strongly influenced by Jazz. His opus list ended at 443.

Darius Milhaud fut un des compositeurs les plus reconnus du XXème siècle; universellement apprécié, il eut la satisfaction de voir ses oeuvres interprétées dans les salles de concert et sur les scènes lyriques du monde entier. Grand ensemblier du Groupe des Six, il a gardé jusqu'à leur disparition l'amitié admirative de Poulenc et d'Honnegger.

Pourtant, sa musique n'est pas parvenue de nos jours à un très large public, peut-être à cause du caractère révolutionnaire de son langage musical.

Cet ouvrage a pour objectif de familiariser le lecteur avec un compositeur dont l'inspiration, d'une étonnante diversité, s'étend des folklores du monde à la mythologie gréco-latine en passant par les foires et les jazz parties des Années folles à Montparnasse. L'unité de son oeuvre est assurée par deux éléments puissants : un humanisme sincère et profond, une invention mélodique inépuisable. / LIVRE /