Who Knows how Near is My Last Hour, BWV 27. By Johann Sebastian Bach. Arranged by Hans Grischkat. (Study Score). Schott. 40 pages. Published by Eulenburg.

To God I Give My Heart and Soul, BWV 92. By Johann Sebastian Bach. Arranged by Arnold Schering. (Study Score). Schott. 48 pages. Published by Eulenburg.

Arranged by Barrie Carson Turner. For Piano. Book; Piano Collection; Piano Supplemental; Solo. Faber Edition. Radio. Beginner. Published by Faber Music

Piano - Level 4

SKU: BA.SM02885

Composed by Gerhard Frommel. Edited by Johann Peter Vogel. Stapled. Performance score. Composed 1951. Suddeutscher Musikverlag #SM02885_00. Published by Suddeutscher Musikverlag (BA.SM02885).

ISBN 9790202118726. 30 x 23 cm inches. Key: E-flat major.

Gerhard Frommel, a composer performed and much admired by Furtwangler, viewed his seven piano sonatas as a microcosmtraversing the various stages of my compositional evolutiorm.

Organ (Organ)

SKU: HL.48184798

Composed by Johann Sebastian Bach. Leduc. Classical. Softcover. 6 pages. Alphonse Leduc #AL28005. Published by Alphonse Leduc (HL.48184798).

UPC: 888680846664. 9.0x12.0x0.052 inches.

Written by J. S. Bach and arranged by Maurice Durufle for Organ, ?Chorale: Jesus bleibet meine Freude? (Jesus, que ma joie demeure) is the tenth movement extract of the ?Rejoice yourself, my soul?, the cantata BWV 147. Part of the expanded version composed for the feast of Visitation, it was added to the main Cantata in 1923. This religious piece is quite difficult and features the use of: - Swell: Oboe 8? - Choir: Bourdons 16? 8? Principal 8? Octave 4? Fifteen 2? Mixture - Great: Bourdon 8? - Pedals: Bourdons 16? 8? .

Organ

SKU: HL.48184601

Composed by Johann Sebastian Bach. Leduc. Baroque. Softcover. 86 pages. Alphonse Leduc #AL27723. Published by Alphonse Leduc (HL.48184601).

UPC: 888680853914. 9.0x12.0x0.288 inches.

Part of the Organ collection by J. S. Bach, this Volume IX Eighteen Chorals of Leipzig (BWV 651-668) was composed between 1740 and 1750, in Leipzig. This volume is now translated in English and French and features the annotation of Marcel Dupre, a French organist, to help the performer getting the most of the music sheet. This ninth book contains a set of eighteen religious preludes: 1. Come, Holy Ghost 2. Come, Holy Ghost 3. By the rivers of Babylon 4. Deck thyself, o my soul 5. Lord Jesus Christ, unto us turn 6. O stainless Lamb of God 7. Now thank we all our God 8. From God I will not turn 9. Come now, Saviour of the Heathen 10. Come now, Saviour of the Heathen 11. Come now, Saviour of the Heathen 12. Glory to God on high 13. Glory to God on high 14. Glory to God on high 15. Jesus Christ, our Saviour 16. Jesus Christ, our Saviour 17. Come, God, Creator, Holy Ghost 18. Before thy Throne, I now appear Some of this prelude contains toccatas, sarabandes, fugues, ritornellos and many ornaments. Quite varied, they can also be either joyful or full of lamentations. The preface of these Eighteen Chorals of Leipzig is well written, with explanations of the comments and descriptions of the techniques to use for a good interpretation of this work. .

(1.1.2.1/2.0.0.0,timp,str ,low voice)

SKU: TM.02315XSC

Composed by Johannes Brahms. Arranged by Max Reger. Score. Lucks Music Library #A7593. Published by Lucks Music Library (TM.02315XSC).

Faint and Fainter is my Slumber; E (modulating to Db); Sc in set.

For tuba. Classical/Standards/Jazz. Instrumental Solo Part and CD. Published by Music Minus One

(str=1-1-1.1-1.1.1)

SKU: TM.11094SC

Composed by Johann Kusser. Arranged by Osthoff. Score. Lucks Music Library #A7124. Published by Lucks Music Library (TM.11094SC).

English text appears in preface of Vocal Score. Cantata for the Feast of Visitation B.V. M. (Now my soul exalts the Lord).

Violin 2 (choir: SATB - 2.2.2.2. - 4.2.0.0. - timp - str)

SKU: BR.OB-14670-16

Urtext based on the new Complete Edition (G. Henle Verlag). Composed by Ludwig van Beethoven. Edited by Armin Raab. Stapled. Orchester-Bibliothek (Orchestral Library). The study score (Studien-Edition) is available at G. Henle Verlag. Classical period. Part. 4 pages. Duration 10'. Breitkopf and Haertel #OB 14670-16. Published by Breitkopf and Haertel (BR.OB-14670-16).

ISBN 9790004337936. 10 x 12.5 inches.

In his op. 112 Beethoven sets the two poems by Johann Wolfgang von Goethe Meeresstille (Calm Sea) and Gluckliche Fahrt (Prosperous Voyage). Several sketches reveal that Beethoven had already begun to take an interest in the poems by the end of 1814. The composer conducted the premiere at a benefit concert for the Viennese Citizens' Hospital Fund in 1815. As the publication of this work was long in coming, the dedicatee Goethe received a copy of the score only in May 1822. A few months later Beethoven inquired of him: [...] how lovely would it be to know, if I appropriately united my harmonies with yours. Also enlightenment on what is to be seen as truth, would be dearly appreciated, as I love the latter above all, and never shall be said: Veritas odium parit.The old but commendable Breitkopf material has now been definitively replaced by the new edition based on the Complete Beethoven-Edition, save for the tried and true piano reduction by Carl Reinecke, which boasts more than simply historical merits. Its existence is assured by the revised and simplified form in which it appears in the new piano reduction. It will no doubt long continue being a much appreciated aid at choral rehearsals. In the piano vocal score the articulation and dynamics were adapted to the music text of the Complete Edition.The sun recently began shining from a cloudless sky on Beethoven's Meeres Stille und Gluckliche Fahrt (Calm Sea and Prosperous Voyage) after the publication of the piano reduction and choral score which signalize the completion of the performance material based on the new Beethoven Complete Edition. (Singende Kirche).

Basso (cello/double bass) (solo: db - 0.2.0.1(ad lib.) - 2.0.0.0 - harps - str)

SKU: BR.OB-15143-26

Urtext. Composed by Johann Baptist Vanhal. Edited by Tobias Glockler. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). In Cooperation with G. Henle Verlag. Solo concerto; Early classical; Classical. Part. 8 pages. Duration 20'. Breitkopf and Haertel #OB 15143-26. Published by Breitkopf and Haertel (BR.OB-15143-26).

ISBN 9790004342039. 10 x 12.5 inches.

The unbroken popularity of Vanhal's sole double bass concerto in competitions and for practice and concert purposes is reason enough for us to publish the work in Breitkopf Urtext. The edition profits from Tobias Glockler's experience of many years. As with the other great double-bass concertos of the classical Viennese repertoire (Dittersdorf, Hoffmeister), Glockler arrives at convincing solutions. He began by filtering out a solid musical text from the source (which was not always free of contradictions) that was supplied with many additions. The disposition of the solo part required detailed knowledge of performance practice, since the work was written in the historical Viennese double bass tuning, and a few passages cannot be played without difficulty on a modern instrument. As with Dittersdorf and Hoffmeister, the piano reduction makes it possible to use three different double-bass tunings (solo, orchestral and Viennese). Moreover, it contains the editor's virtuoso cadenzas as well.I have performed the Vanhal in Viennese tuning and it was my thesis topic so I am thrilled to see an edition that makes this tuning so accessible. I highly recommend this all-encompassing edition. (Marian Heckenburg, Stringendo).

Score and Parts Cello

SKU: HL.51481469

For Violoncello and Piano. Composed by Richard Strauss. Edited by Peter Jost. Henle Music Folios. Classical. Softcover. 64 pages. G. Henle #HN1469. Published by G. Henle (HL.51481469).

UPC: 840126989649. 9.0x12.0x0.258 inches.

Fingering Michael Korstick; fingering & bowing for cello Johannes Moser Aside from the Piano Quartet op. 13 and the Violin Sonata op. 18, the Cello Sonata numbers among the most mature works of chamber music from Strauss' early oeuvre. The influences of Mendelssohn, Schumann, and Brahms are noticeable, while leaving sufficient space for a very personal tonal language, often with surprising rhythmic and harmonic turns of phrase. Strauss subjected the first version completed in early 1881 to a radical revision over the winter of 1882/83; the opening movement was thoroughly reworked, the two subsequent movements rewritten completely. It was worth it, because after the premiere in Dresden, the composer wrote to his mother, “My sonata garnered extraordinary acclaim, the applause was enormous, congratulations came to me from all sides.”.

About Henle Urtext

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Double bass and orchestra (solo: db - 0.2.0.1(ad lib.) - 2.0.0.0 - harps - str)

SKU: BR.PB-15144-07

Urtext. Composed by Johann Baptist Vanhal. Edited by Tobias Glockler. Orchestra; stapled. Partitur-Bibliothek (Score Library).

In Cooperation with G. Henle Verlag

Solo concerto; Early classical; Classical. Study Score. 28 pages. Duration 20'. Breitkopf and Haertel #PB 15144-07. Published by Breitkopf and Haertel (BR.PB-15144-07).

ISBN 9790004215968. 6.5 x 9 inches.

The unbroken popularity of Vanhal's sole double bass concerto in competitions and for practice and concert purposes is reason enough for us to publish the work in Breitkopf Urtext. The edition profits from Tobias Glockler's experience of many years. As with the other great double-bass concertos of the classical Viennese repertoire (Dittersdorf, Hoffmeister), Glockler arrives at convincing solutions. He began by filtering out a solid musical text from the source (which was not always free of contradictions) that was supplied with many additions. The disposition of the solo part required detailed knowledge of performance practice, since the work was written in the historical Viennese double bass tuning, and a few passages cannot be played without difficulty on a modern instrument. As with Dittersdorf and Hoffmeister, the piano reduction makes it possible to use three different double-bass tunings (solo, orchestral and Viennese). Moreover, it contains the editor's virtuoso cadenzas as well.I have performed the Vanhal in Viennese tuning and it was my thesis topic so I am thrilled to see an edition that makes this tuning so accessible. I highly recommend this all-encompassing edition. (Marian Heckenburg, Stringendo).

Guitars solo (original scoring: org)

SKU: BR.EB-8225

Composed by Johann Sebastian Bach. Edited by Ansgar Krause. Arranged by Ansgar Krause. Solo instruments; Softcover. Edition Breitkopf. Sonata; Baroque. Score. 24 pages. Breitkopf and Haertel #EB 8225. Published by Breitkopf and Haertel (BR.EB-8225).

ISBN 9790004175620. 9 x 12 inches.

This Trio Sonata has been drawn from the collection of six sonatas a 2 Clav. et Ped. BWV 525 - 530, which are generally considered as organ works. The work is not only well suited for a guitar transcription because of its charming concertante elements, but also because of the many harmonic and chordal figures that are so idiomatic to the guitar. (...) My aim in this arrangement was to produce a guitar piece in which the individual parts are, as much as possible, autonomous and of equal value. (...) Krefeld, Fall 1989 Ansgar Krause.

Piano/Organ Accompaniment (No CD). Curnow Play-Along Book. Play Along. Size 9x12 inches. 60 pages. Published by Curnow Music.

Vocal and Piano - Grade 3

SKU: HL.14023416

Composed by Per Norgard. Music Sales America. Vocal Score. Composed 2012. 16 pages. Edition Wilhelm Hansen #WH29121. Published by Edition Wilhelm Hansen (HL.14023416).

ISBN 9788759876701. International (more than one language).

6 Songs From Opus 14 with Danish and English Words - to texts by Danish poets: 1.Vinternat/Winter Night (Jens August Schade) 2. Pa Himmelbjerget/On the Himmelberg (Jens August Schade) 3. Landskab/Landscape (Thoger Larsen) 4. Min sjael er som en enlig baek/My soul is like a lonely brook (Thoger Larsen) 5. Tordenbygen/The Thunderstorm (Thoger Larsen) 6. Den jyske blaest/The Jutland wind(Johannes V. Jensen) Note: All original 9 songs of Opus 14 (Danish texts only) are available under the title 9 Danske Sange. Opus 14 (WH31612) .

(0.2.0.0/0.1.0.0,cem,org, str,SATB solo,SATB chorus)

SKU: TM.09114SET

Composed by Johann Sebastian Bach. Set Type: A. Set of parts. Lucks Music Library #A4489. Published by Lucks Music Library (TM.09114SET).

English text appears in preface of Vocal Score. Cantata for the Feast of Visitation B.V. M. (Now my soul exalts the Lord).

Chorus (with soloists) and orchestra (choir: SATB - 2.2.2.2. - 4.2.0.0. - timp - str)

SKU: BR.CHB-14670-02

Urtext based on the new Complete Edition (G. Henle Verlag). Composed by Ludwig van Beethoven. Edited by Armin Raab. Choir; stapled. Chor-Bibliothek (Choral Library). Classical period. Choral score. 12 pages. Duration 10'. Breitkopf and Haertel #ChB 14670-02. Published by Breitkopf and Haertel (BR.CHB-14670-02).

ISBN 9790004412466. 7.5 x 10.5 inches.

In his op. 112 Beethoven sets the two poems by Johann Wolfgang von Goethe Meeresstille (Calm Sea) and Gluckliche Fahrt (Prosperous Voyage). Several sketches reveal that Beethoven had already begun to take an interest in the poems by the end of 1814. The composer conducted the premiere at a benefit concert for the Viennese Citizens' Hospital Fund in 1815. As the publication of this work was long in coming, the dedicatee Goethe received a copy of the score only in May 1822. A few months later Beethoven inquired of him: [...] how lovely would it be to know, if I appropriately united my harmonies with yours. Also enlightenment on what is to be seen as truth, would be dearly appreciated, as I love the latter above all, and never shall be said: Veritas odium parit.The old but commendable Breitkopf material has now been definitively replaced by the new edition based on the Complete Beethoven-Edition, save for the tried and true piano reduction by Carl Reinecke, which boasts more than simply historical merits. Its existence is assured by the revised and simplified form in which it appears in the new piano reduction. It will no doubt long continue being a much appreciated aid at choral rehearsals. In the piano vocal score the articulation and dynamics were adapted to the music text of the Complete Edition.The sun recently began shining from a cloudless sky on Beethoven's Meeres Stille und Gluckliche Fahrt (Calm Sea and Prosperous Voyage) after the publication of the piano reduction and choral score which signalize the completion of the performance material based on the new Beethoven Complete Edition. (Singende Kirche).

Double bass and orchestra (solo: db - 0.2.0.1(ad lib.) - 2.0.0.0 - harps - str)

SKU: BR.PB-15144

Urtext. Composed by Johann Baptist Vanhal. Edited by Tobias Glockler. Orchestra; stapled. Partitur-Bibliothek (Score Library). Solo concerto; Early classical; Classical. Study Score. Duration 20'. Breitkopf and Haertel #PB 15144. Published by Breitkopf and Haertel (BR.PB-15144).

ISBN 9790004215968. 6.5 x 9 inches.

The unbroken popularity of Vanhal's sole double bass concerto in competitions and for practice and concert purposes is reason enough for us to publish the work in Breitkopf Urtext. The edition profits from Tobias Glockler's experience of many years. As with the other great double-bass concertos of the classical Viennese repertoire (Dittersdorf, Hoffmeister), Glockler arrives at convincing solutions. He began by filtering out a solid musical text from the source (which was not always free of contradictions) that was supplied with many additions. The disposition of the solo part required detailed knowledge of performance practice, since the work was written in the historical Viennese double bass tuning, and a few passages cannot be played without difficulty on a modern instrument. As with Dittersdorf and Hoffmeister, the piano reduction makes it possible to use three different double-bass tunings (solo, orchestral and Viennese). Moreover, it contains the editor's virtuoso cadenzas as well.I have performed the Vanhal in Viennese tuning and it was my thesis topic so I am thrilled to see an edition that makes this tuning so accessible. I highly recommend this all-encompassing edition. (Marian Heckenburg, Stringendo).

Violin 1 (solo: db - 0.2.0.1(ad lib.) - 2.0.0.0 - harps - str)

SKU: BR.OB-15143-15

Urtext. Composed by Johann Baptist Vanhal. Edited by Tobias Glockler. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). In Cooperation with G. Henle Verlag. Solo concerto; Early classical; Classical. Part. 8 pages. Duration 20'. Breitkopf and Haertel #OB 15143-15. Published by Breitkopf and Haertel (BR.OB-15143-15).

ISBN 9790004342008. 10 x 12.5 inches.

The unbroken popularity of Vanhal's sole double bass concerto in competitions and for practice and concert purposes is reason enough for us to publish the work in Breitkopf Urtext. The edition profits from Tobias Glockler's experience of many years. As with the other great double-bass concertos of the classical Viennese repertoire (Dittersdorf, Hoffmeister), Glockler arrives at convincing solutions. He began by filtering out a solid musical text from the source (which was not always free of contradictions) that was supplied with many additions. The disposition of the solo part required detailed knowledge of performance practice, since the work was written in the historical Viennese double bass tuning, and a few passages cannot be played without difficulty on a modern instrument. As with Dittersdorf and Hoffmeister, the piano reduction makes it possible to use three different double-bass tunings (solo, orchestral and Viennese). Moreover, it contains the editor's virtuoso cadenzas as well.I have performed the Vanhal in Viennese tuning and it was my thesis topic so I am thrilled to see an edition that makes this tuning so accessible. I highly recommend this all-encompassing edition. (Marian Heckenburg, Stringendo).

(1.1.2.1/2.0.0.0,timp,str ,low voice)

SKU: TM.02315SET

Composed by Johannes Brahms. Arranged by Max Reger. Set Type: C. Set of parts. Lucks Music Library #A7593. Published by Lucks Music Library (TM.02315SET).

Faint and Fainter is my Slumber; E (modulating to Db); Sc in set.

Continuo realization (solo: db - 0.2.0.1(ad lib.) - 2.0.0.0 - harps - str)

SKU: BR.OB-15143-12

Urtext. Composed by Johann Baptist Vanhal. Edited by Tobias Glockler. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). In Cooperation with G. Henle Verlag. Solo concerto; Early classical; Classical. Part. 12 pages. Duration 20'. Breitkopf and Haertel #OB 15143-12. Published by Breitkopf and Haertel (BR.OB-15143-12).

ISBN 9790004342169. 10 x 12.5 inches.

The unbroken popularity of Vanhal's sole double bass concerto in competitions and for practice and concert purposes is reason enough for us to publish the work in Breitkopf Urtext. The edition profits from Tobias Glockler's experience of many years. As with the other great double-bass concertos of the classical Viennese repertoire (Dittersdorf, Hoffmeister), Glockler arrives at convincing solutions. He began by filtering out a solid musical text from the source (which was not always free of contradictions) that was supplied with many additions. The disposition of the solo part required detailed knowledge of performance practice, since the work was written in the historical Viennese double bass tuning, and a few passages cannot be played without difficulty on a modern instrument. As with Dittersdorf and Hoffmeister, the piano reduction makes it possible to use three different double-bass tunings (solo, orchestral and Viennese). Moreover, it contains the editor's virtuoso cadenzas as well.I have performed the Vanhal in Viennese tuning and it was my thesis topic so I am thrilled to see an edition that makes this tuning so accessible. I highly recommend this all-encompassing edition. (Marian Heckenburg, Stringendo).

By Gritton. For Choral Collection: Mixed Choir. Published by Oxford University Press.

Violin 1 (choir: SATB - 2.2.2.2. - 4.2.0.0. - timp - str)

SKU: BR.OB-14670-15

Urtext based on the new Complete Edition (G. Henle Verlag). Composed by Ludwig van Beethoven. Edited by Armin Raab. Stapled. Orchester-Bibliothek (Orchestral Library). The study score (Studien-Edition) is available at G. Henle Verlag. Classical period. Part. 4 pages. Duration 10'. Breitkopf and Haertel #OB 14670-15. Published by Breitkopf and Haertel (BR.OB-14670-15).

ISBN 9790004337929. 10 x 12.5 inches.

In his op. 112 Beethoven sets the two poems by Johann Wolfgang von Goethe Meeresstille (Calm Sea) and Gluckliche Fahrt (Prosperous Voyage). Several sketches reveal that Beethoven had already begun to take an interest in the poems by the end of 1814. The composer conducted the premiere at a benefit concert for the Viennese Citizens' Hospital Fund in 1815. As the publication of this work was long in coming, the dedicatee Goethe received a copy of the score only in May 1822. A few months later Beethoven inquired of him: [...] how lovely would it be to know, if I appropriately united my harmonies with yours. Also enlightenment on what is to be seen as truth, would be dearly appreciated, as I love the latter above all, and never shall be said: Veritas odium parit.The old but commendable Breitkopf material has now been definitively replaced by the new edition based on the Complete Beethoven-Edition, save for the tried and true piano reduction by Carl Reinecke, which boasts more than simply historical merits. Its existence is assured by the revised and simplified form in which it appears in the new piano reduction. It will no doubt long continue being a much appreciated aid at choral rehearsals. In the piano vocal score the articulation and dynamics were adapted to the music text of the Complete Edition.The sun recently began shining from a cloudless sky on Beethoven's Meeres Stille und Gluckliche Fahrt (Calm Sea and Prosperous Voyage) after the publication of the piano reduction and choral score which signalize the completion of the performance material based on the new Beethoven Complete Edition. (Singende Kirche).

Soprano Voice and Piano

SKU: HL.14003036

Composed by Johann Sebastian Bach. Music Sales America. Classical. Book [Softcover]. Music Sales #NOV290458. Published by Music Sales (HL.14003036).

Soprano Aria From Cantata No. 21 'My Spirit Was In Heaviness'.