Eight-part chorus (SATB/SATB). This Latin setting of the Nunc Dimittis for eight-part chorus was commission by Southern Cathedrals Festival as a counterpart to Charles Villiers Stanford's 1918 Magnificat (also in Latin and for eight-part chorus). It was premiered under the direction of Andrew Lumsden at the Festival Evensong on 19 July, 2008 in Winchester Cathedral by the combined Choirs of Winchester, Chichester and Salisbury Cathedrals. / SATB

Pour choeur SATB non accompagné, à partir Magnificat and Nunc dimittis.Cette oeuvre a été commandée par les choeurs nationaux de la jeunesse de la Grande-Bretagne. Première représentation le 9 Avril 2012, à la Royal Albert Hall, Londres, dirigé par Mike Brewer. / Choeur SATB

Setting of the Nunc Dimmitis in Latin. For SSAATTBB Choir A Cappella. Although written for Richard Terry in 1915, the first concert peformance of this work was given in June 1974. Desmond Ratcliffe has prepared a keyboard reduction for rehearsal purposes only. / Chant Et Piano

Ivor Novello Award winner and double Grammy Award winner Paul Phoenix teams up with a cappella ensemble Apollo5 and orchestra to share tracks on the latest recording from Edition Peters Sounds.Paul Phoenix, famous as a choirboy, former member of The King's Singers and founder of Purple Vocals presents some of his favourite tracks, including Nunc Dimittis the theme-tune from BBC TV's Tinker, Tailor, Soldier, Spy which propelled him to stardom in 1979. Other tracks include Pie Jesu by John Brunning and U2's MLK, important pieces on his musical path. The Journey continues with the newly composed folksong arrangement Oh You Wide Steppe on this recording.Apollo5 has been praised for its engaging and entertaining performances. With repertoire ranging from retro jazz and pop arrangements to classical they are accomplished performers on the concert platform. A part of the VCM Foundation with their home at the Gresham Centre in London, they regularly collaborate with Paul Phoenix.With Andrea Haines, soprano- Craig Burnett, trumpet- Nicholas Riddle, organ- the British Film Orchestra, conducted by Barnaby Smith. / Tout Instrument

An unusual setting of the Magnificat And Nunc Dimittis by Tarik O'Regan written for a double chorus with Cello or Soprano Saxophone. The works were commissioned separately by Timothy Brown for the Choir of Clare College Cambridge. The Magnificat was premièred at the 2000 Spitalfields Winter Festival while the Nunc Dimittis was composed for a BBC broadcast in 2001. The full work is a large-scale setting designed to stand as a concert work in it's own right and feature an adaptation of the Renaissance technique of alternating between chant and polyphony.Separate parts for Cello and Soprano Saxophone are available from this site using item codes NOV200310-01 andNOV200310-02 respectively.

Magnificat de John Casken et Nunc dimittis a été commandée à l'occasion du retour des Evangiles de Lindisfarne au Nord-Est de l'Angleterre, où Casken vie. Le livre, datant du 7ème siècle, est l'un des plus beaux exemples d'anglo-saxon de Northumbrie manuscrit enluminé, contenant le plus vieux survivant traduction des Evangiles en langue anglaise. Le manuscrit a été produit dans un monastère sur l'île de Lindisfarne, mais est normalement logé à la British Library de Londres, et son exposition spéciale dans le Palace Green Library à Durham sera marquée par un été de célébration de la créativité. Magnificat de Casken et Nunc dimittis est réglé en anglais. / Choeur Mixte Et Orgue

Urban Loth (?1636): Canticum Simeonis-Nunc dimittis/Ego sum pastor bonus/Surrexit Christus hodie Nunc dimittis (Basso solo) /Ego sum pastor bonus (Tenore solo) /Surrexit Christus hodie (Tenore solo e coro misto)

Collegium Sancti Johannis Cantabrigiense- Magnificat & Nunc Dimittis is one of the 20 evening canticles written by Herbert Howells for the choir of St John's College Cambridge in 1957. This sheet music is arranged for SATB Choir and Organ accompaniment. Herbert Howells was a renowned English composer of church music in the Anglican evensong tradition best known for his 'Hymnus Paradisi' and as a teacher at the Royal College of Music. His lesser-known evening canticles include this piece: a calm and atmospheric choral song whose divine and soaring melodies have inspired audiences for years. The interplay of the bass/tenor and soprano/alto melodiescombined with the powerful organ chords create a stirring and uplifting piece that builds to a glorious climax at its conclusion. The acoustics of Magnificat & Nunc Dimittis in a church or cathedral are second-to-none and your audience is guaranteed to be left stunned by this little-known masterpiece of choral church music.

Herbert Howells's Magnificat and Nunc Dimittis for the Gloucester service is one of his most popular choral settings. This sheet music is arranged for SATB Choir and Organ.Herbert Howells was a renowned English composer of church music in the Anglican evensong tradition, best known for his 'Hymnus Paradisi' and as a teacher at the Royal College of Music. His lesser-known evening canticles include this piece: with its famous treble duet opening the work, it calmly progresses to an affirmation of the glory of heaven through distinctive Lydian harmony and soaring highs. Each individual voice has its own part to play in this piece, with melodies that rise to uplifting highs and fall to booming lows, the combination of voices blends and binds to create a gliding and soaring unity of harmony. This Magnificat and Nunc Dimittis sheet music is the most accurate transcription available of an awe-inspiring piece that is acclaimed by fans of choral music for its beautiful composition and wondrous voicing. / Choeur Mixte (SATB) Et Orgue

Paperback-William Denis Browne's Magnificat And Nunc Dimittis In A for SATB Choir and Organ.Written in 1911 while Browne was at Cambridge the work is kept in a mainly homophonic style with the Organ supporting. Tenors and basses sing four phrases in unison starting with 'He hath showed strength with his arm' and a soprano solo takes the phrase 'He rememb'ring his mercy'. The Gloria returns to the music of the opening and builds to a fine climax as does the Nunc dimittis.

The issue of the Magnificat and Nunc Dimittis by Thomas Tallis is a vexed one for scholars as the only surviving manuscript is incomplete. In this manifestation the editors have set the Magnificat and Nunc Dimittis to Gregorian ‘tones’ and employed verses by Thomas Tallis with faux bourdon. The notation is partially in Gregorian neumes on a four-line staff and partially in modern notation.The work alternates between chanted unison phrases and five part SSATB Choral verse.