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SSA/PFA::SSA, Accompagnement Piano (1)
STR ORCH/WIND INST(6)::Orchestre De Cordes/Instrum… (1)
GLOC/VIB/XYLOPHONE/MAR::Glockenspiel, Vibraphone, … (1)
Chœur Mixte [SATB] et Orchestre à Cordes (1)
3 Flûtes à bec (trio) (1)
Alto (Viole) (1)
Chorale SSAATTBB (1)
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Violoncelle et Orchestre ou Violoncelle et Piano (1)
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Charles E. Ives: Symphony No. 3: Orchestra: Score
32.50
Charles E. Ives: Symphony No. 3: Orchestra: Score
Orchestre
Associated
Score-Charles Ives' Third Symphony ‘The Camp Meeting’ is the most ...
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Score-Charles Ives' Third Symphony ‘The Camp Meeting’ is the most concisely-scored of his five symphonies. Containing only Strings a few Winds Horns and Trombone this is a clear and uncluttered reminiscence of nineteenth centuryAmerica as viewed through some of its traditional hymn tunes and in doing so evokes the old 'camp meetings' which were such a feature of pioneer life. The first movement ‘Old Folks' Gatherin'’ is a patchwork of hymntunes drifting through an unpredictable constantly changing harmonic orientation. After a climax is reached a quiet passage opens with oboe and flute over hushed distant strings. Ives reintroduces part of the middle section and settles down to a quiet coda ending the movement almost imperceptibly. The second movement ‘Children's Day’ opens with strings in two parts over Haydnesque eighth notes in the horns. ‘There is a Fountain Filled withBlood’ ‘Happy Land’ ‘Naomi’ and ‘There's Music in the Air’ all are heard. As this is a movement depicting children at play Ives is playful himself weaving hymn tunes into one another in a somewhat tongue-in-cheek manner. Thethird movement ‘Communion’ is darker in tone than the others and provides a psychologically satisfactory close to the work as a whole. This is the 1990 edition of the Score The Charles Ives Society Critical Edition edited byKenneth Singleton and reprinted in 2001. It contains substantial notes on Ives and this work.
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Michael Daugherty: Lex: Orchestra: Score
32.50
Michael Daugherty: Lex: Orchestra: Score
Orchestre
Peermusic Classical
(1991)Since its premiere by the Baltimore Symphony in 1994 at Carnegie Hall the...
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(1991)Since its premiere by the Baltimore Symphony in 1994 at Carnegie Hall the GRAMMY®-winning Metropolis Symphony has entered the orchestral repertoire and been performed by orchestras all over the world.Metropolis Symphony is a five-movement musical response to the world of Superman and Lex derives its title from one of Superman's most vexing foes the super-villain Lex Luthor. Marked“Diabolical” in the score this movement features a virtuoso violin soloist (Lex) who plays a fiendishly difficult fast triplet motive in perpetual motion pursued by the orchestration and a percussion section thatincludes four referee whistles placed quadraphonically on stage. Duration - ca. 10:00
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Lalo Schifrin: Mission: Impossible Theme: String Orchestra: Score & Parts
39.99
Lalo Schifrin: Mission: Impossible Theme: String Orchestra: Score & Parts
Orchestre à Cordes
Hal Leonard
With this new arrangement for younger players your young orchestra can perform ...
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With this new arrangement for younger players your young orchestra can perform one of the best-known TV and movie themes of all time. All beginning players love to play a rhythmic ?riff ? and this one gives you achance to teach 5/4 meter in a fun way. With lots of unisons appropriate changes to the melody and infectious percussion parts (optional) this one is a program winner.
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Mark Williams: Fiddles on Fire: String Orchestra: Instrumental Work
46.95
Mark Williams: Fiddles on Fire: String Orchestra: Instrumental Work
Orchestre à Cordes
Alfred Publishing
Rosin up the bow call out the fire department and let's go! This lively energ...
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Rosin up the bow call out the fire department and let's go! This lively energetic piece gives students a chance to show off their newly learned C natural (on the A string) in a modal display of beginning virtuosity. Students will want to play this one again and again. (Grade 1 - Correlates with Strictly Strings Book 1 page 30) This title is available in SmartMusic.
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Carl Maria von Weber: Concert 01 F Op.73: Orchestra: Miniature Score
7.99
Carl Maria von Weber: Concert 01 F Op.73: Orchestra: Miniature Score
Orchestre
Eulenburg
German composer Carl Maria Von Weber was the quintessential romantic turning hi...
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German composer Carl Maria Von Weber was the quintessential romantic turning his hand to many art forms including poetry composing as well as virtuosic playing. This is typified by his 1811 Concerto No.1 for Clarinet and Orchestra in F Minor and demonstrates his understanding of the instruments of the orchestra particularly the Clarinet. It is more serious and less playful than his earlier concertino but dramatic and with expressive passages creating a superb showpiece. This Eulenberg Edition is a celebrated and highly authoritative miniature score serving as the definitive reference source for study performance preparation or simply for those with alove of the great orchestral works.
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Fiddlers Three: String Orchestra: Score & Parts
44.99
Fiddlers Three: String Orchestra: Score & Parts
Orchestre à Cordes
Hal Leonard
Heres a winning recipe that features three violinists staged in front of the or...
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Heres a winning recipe that features three violinists staged in front of the orchestra creating a refreshing musical number thats ideal for school orchestras. The musical style is geared toward young players...a contemporary fiddling stylecombined with sense of adventure.
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Danzas for Orchestra: Orchestra: Score
Orchestre
Lauren Keiser Music Publishing
Danzas is a suite inspired by the music of Latin America. It is a great choice f...
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Danzas is a suite inspired by the music of Latin America. It is a great choice for a Pops or an outdoor concert and is playable by amateur and student ensembles as well as professional orchestras. The work consists of three movements each devoted to the musicalculture of a different country: 1. Argentina 2. Brazil 3. Cuba. It may be performed as a whole or individual movements may be played instead as an opener/ closer.
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Peter Maxwell Davies: Chat Moss: Orchestra: Score
17.99
Peter Maxwell Davies: Chat Moss: Orchestra: Score
Orchestre
[Partition]
Chester
Orchestral work for school orchestraA short tone-poem which will let a school or...
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Orchestral work for school orchestraA short tone-poem which will let a school orchestra glow. Characteristically Davies finds ways to engage and stretch young players while staying within the bounds of what is practical forthem. And as so often the result is a piece in which he thinks youthfully. This is vividly dramatic music. Score. Duration c. 7mins.
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Concerto for Orchestra (BENJAMIN GEORGE)
66.20
Concerto for Orchestra (BENJAMIN GEORGE)
Orchestre
Faber Music Limited
Par BENJAMIN GEORGE. Dedicated to the memory of Oliver Knussen, George Benjamin?...
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Par BENJAMIN GEORGE. Dedicated to the memory of Oliver Knussen, George Benjamin?s 2021 Concerto for Orchestra premiered at the BBC proms by the Mahler Chamber Orchestra. Benjamin said that the piece attempts ?to conjure a trace of the energy, humour, and spirit? of Knussen. It is varied and dynamic across its unbroken 18-minute span ? skittish lines play against still, suspended ones ? and full of star turns for its various instrumental protagonists. Available here as a full score. Parts available to hire from September 2022. ?A terrific 18-minute tour de force, clearly inspired by the virtuosity of the Mahler CO players, but far from being merely a glittering showcase.? The Times (Richard Morrison), August 2021 / Date parution : 2022-05-31/ Répertoire / Orchestre
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Per Nørgård: Symphony No.1 'Sinfonia Austera' Op.13: Orchestra: Score
Orchestre
[Partition]
Wilhelm Hansen
Per Nørgård's Symphony No.1 ' Sinfonia Austera ' Op.13 (1953-55) revised 1956...
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Per Nørgård's Symphony No.1 ' Sinfonia Austera ' Op.13 (1953-55) revised 1956 edition in full score. Programme Note: Although my first symphony plays for 30 minutes 2/3 of my third symphony the time for composing the work was the same: 3 years from 1953 to 1955 (Symphony No. 3: 1973-1975). One of the reasons probably was the challenge of a “symphonic work” for a 21 year old composer. And all the afterthoughts following every – more spontaneous sudden – bright idea in the long progress of forming thework. Important for the slow working process I remember that every section of the symphony came to me at strange moments in a ´complete vision´ like a sounding vision in time. The problem was in detail to analyze and notate my what I had actually had heard. For instance: with the polyphonic woodwind section in the first movement (with the “Tapiola”-birdcry a greeting to Jean Sibelius) I only knew in the beginning that it should be music in the high register and only for woodwinds. But of what they should play…I had no idea at all. The severe character of the symphony (sinfonia austere) is with no doubt very juvenile. But as many things in both life and music has elements of youthfulness I think that my serious young symphony should live and stay the way it was composed in 1953-1955. Per Nørgård
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Lord Berners: A Wedding Bouquet (Full Score): Orchestra: Score
Orchestre
[Partition]
Chester
A Wedding Bouquet was the idea of Lord Berners who wanted Frederick Ashton to m...
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A Wedding Bouquet was the idea of Lord Berners who wanted Frederick Ashton to make a ballet pantomime out of one of Gertrude Stein's plays and who both wrote the music and designed the 'decor' and costumes. The name ofthe play was 'They must be Wedded to Their Wife' but this was thought too long for advertising and was changed to A Wedding Bouquet. Lord Berners went to visit Gertrude Stein in Bilignin and she liked the idea and he foundin her house a carpet which gave him the pattern for the backcloth for the ballet.The ballet was first spoken of as a choral ballet and the opera chorus did sing or chant the words at the early performances but it was entirelyunlike any other choral ballet before or since. The words explained the action introduced the characters made utterly irrelevant comments worked themselves into a frenzied rhythmical accompaniment or injected on occasional aptphrase that devastated dancers and audience alike. Not all of the words have ever been really intelligible but gradually the audience got to know certain phrases by heart and the ballet has a devoted public although inevitably ithas always been a rather special one and to this day there are people who detest the whole affair don't 'understand' it and think it an absurd waste of time and talent.
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William Walton: Crown Imperial - Score/Parts: Orchestra: Score and Parts
60.00
William Walton: Crown Imperial - Score/Parts: Orchestra: Score and Parts
Orchestre
[Partition]
Goodmusic Publishing
This arrangement has been made from the original orchestration for full orchestr...
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This arrangement has been made from the original orchestration for full orchestra and incorporates the cuts authorized by the composer in 1963. The piano duet part is optional unless no wind is available. The brass parts are fully cued in both string and woodwind parts. The minimum wind required is 1 flute 1 oboe and 2 clarinets. This has recently been re-typeset by Goodmusic so is clearer than the original OUP printing but no musical changes have been made and the new edition is fully compaible with the old one.Duration: 7 minutes Orchestration2 Flutes 2 Oboes 2 Clarinets in Bb Bassoon 2 Horns in F 2 Trumpets in Bb 3 Trombones Timpani Percussion (3 players - Cymbals Triangle Bass drum Tenor drum Glockenspiel Tubular bell in C Side drum Large gong) Strings (Violin 1 Violin 2 Viola Cello Bass) Piano duet (optional) (Part included in Pack)
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Edvard Grieg: Piano Concerto In A Minor Op.16: Orchestra: Miniature Score
14.50
Edvard Grieg: Piano Concerto In A Minor Op.16: Orchestra: Miniature Score
Orchestre
Eulenburg
Grieg composed this Concerto for Piano and Orchestra in 1868 for himself to play...
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Grieg composed this Concerto for Piano and Orchestra in 1868 for himself to play however Edmund Neupert played the first public performance in Copenhagen on April 3 1869. The music is rife with Scandinavian influences including traits of Schumann and Mendelssohn and Norwegian folk dance elements and rhythms. It is a dramatic and dynamic work that is never flat using constant development flourishes and crescendo from the first movement to the last. Eulenberg's celebrated and highly authoritative miniature score is the definitive reference source for study performance preparation or simply for those with a love of the great orchestral works.
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Tchaikovsky Nutcracker Suite - Orchestra
24.50
Tchaikovsky Nutcracker Suite - Orchestra
Orchestre
[Partition]
Dover Publications
Description One of the most popular pieces ever created for ballet, displayin...
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Description One of the most popular pieces ever created for ballet, displaying the composer's virtuosity in creating varied orchestral colours. Authoritative edition.
24.50 EUR - vendu par Woodbrass
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William Boyce: 8 Symphonies Op. 2: Orchestra: Miniature Score
Orchestre
Eulenburg
New Urtext Edition study score of William Boyce's 8 Symphonies Op. 2. The 8 Symp...
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New Urtext Edition study score of William Boyce's 8 Symphonies Op. 2. The 8 Symphonies are perhaps the best known of all of William Boyce's works. Adapted in the main from the instrumental movements of his numerous odes and theatrical works the Symphonies combine the French overture and Italian sinfonia styles displaying tuneful engaging melodies and sprightly rhythms.
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Jeffrey Frizzi: Goblin Boogie: String Orchestra: Score & Parts
39.99
Jeffrey Frizzi: Goblin Boogie: String Orchestra: Score & Parts
Orchestre à Cordes
Hal Leonard
Its spooky bluesy fun for beginners with Jeff Frizzis newest tune thats terrifi...
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Its spooky bluesy fun for beginners with Jeff Frizzis newest tune thats terrific for most any first- or second-year performance. Everybody gets to play the E minor rock riff and theres a good mix of pizzicato and arcoplaying for all sections.(Grade 2)
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Thunder And Lightning Polka Op.324: Orchestra: Score and Parts
42.50
Thunder And Lightning Polka Op.324: Orchestra: Score and Parts
Orchestre
Bosworth
This Orchestral score and instrumental parts have been arranged by Frank Naylor ...
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This Orchestral score and instrumental parts have been arranged by Frank Naylor for school and amateur Orchestras. This set includes a conductor’s score and instrumental parts as well as Piano accompaniment elementary Violin Alto and Tenor Saxophone and 3rd Violin. With the composition of the Thunder and Lightning Polka Johann Strauss completed the elevation of the polka from an Eastern European peasant romp to a dance form embraced by Vienna’s most fashionable circles. The ‘Waltz King’ was also a prolific composer other dance music: gallops and polkas marches and quadrilles. His sparkling dazzling Thunder and Lightning quick polka has become such a favourite in therepertoire that it is played every year along with The Blue Danube in the Vienna Philharmonic’s New Year’s Day Concert. The programmatic scoring evokes elemental weather events through the extensive use of timpani and the clashing of cymbals szforzandi and dramatic accents. The piece ends with as much excitement and energy as it begins not flagging for a second.
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Remo Giazotto Tomaso Albinoni: Adagio: String Orchestra: Score and Parts
44.99
Remo Giazotto Tomaso Albinoni: Adagio: String Orchestra: Score and Parts
Orchestre à Cordes
[Conducteur et Parties séparées]
Hal Leonard
The beloved Adagio from Albinoni has long been a concert favorite everywhere. Ja...
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The beloved Adagio from Albinoni has long been a concert favorite everywhere. Jamin Hoffman's new version is set in E minor and arranged to fit the musical and technical levels of today's string orchestras. It includes a keyboard part that can be played on organ (as the original) and solo violin appropriately arranged to feature your best soloist.
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Geoffrey Burgon: A Vision (7 Songs): Orchestra: Score
28.99
Geoffrey Burgon: A Vision (7 Songs): Orchestra: Score
Orchestre
[Partition]
Chester
A Vision was written for the tenor Anthony Rolfe Johnson and commissioned by the...
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A Vision was written for the tenor Anthony Rolfe Johnson and commissioned by the London Mozart Players. The first performance was at the Gregynog Festival in June 1991. Geoffrey Burgon has set 7 poems of John Clare (1793-1846)and the poems that Burgon has chosen were all written whilst Clare was in Northampton Asylum. The work is scored for tenor and string orchestra. There is a prominent part for solo violin which reflects Clare’s love of thatinstrument and upon which he would play folk tunes and dances.
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Concert Piece For Four Horns And Orchestra Op. 86
42.40
Concert Piece For Four Horns And Orchestra Op. 86
Quatuor de cuivres: 4 cors
G. Henle
'Something quite curious, I believe? - it was thus that Robert Schumann describe...
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'Something quite curious, I believe? - it was thus that Robert Schumann described the Concert Piece for four Horns and large orchestra in a letter, and he did indeed break new ground with this work as far as the scoring and treatment of the instruments was concerned. When it was composed in 1849, the French horn was still fairly new, enabling players to play previously unheard-of runs and free modulations, a fact which Schumann made the most of, particularly with his scoring for four horns. Even today the Concert Piece is the romantic work for horn par excellence and a benchmark for all soloists. / 4 Cors Et Piano
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Tarik O'Regan: After Rain (Petrichor) - Full Score: SATB: Score
16.99
Tarik O'Regan: After Rain (Petrichor) - Full Score: SATB: Score
Mixed Choir (SATB), Clarinet, Percussion, Harp and String Orchestra
Novello & Co Ltd.
For SATB chorus Clarinet in Bb Percussion Harp and String Orchestra.Commissi...
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For SATB chorus Clarinet in Bb Percussion Harp and String Orchestra.Commissioned by the Barlow Endowment for Music Composition at Brigham Young University the Dale Warland Singers Commission Award presented by Chorus America and funded by the American Composers Forum and Utah Chamber Artists.First performed 30 April 2012 at the Libby Gardner Concert Hall University of Utah Salt Lake City by Utah Chamber Artists conducted by Barlow Bradford.InstrumentationSATB chorus with divisionssolo soprano(optional soprano alto tenor & bass soli) Clarinet in Bb offstagePercussion (1player): Tubular Bells Glockenspiel large Bass Drum large Suspended CymbalHarpString orchestra (minimum 6.6.4.4.2 players)
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Thea Musgrave: Space Play: Orchestra: Study Score
23.99
Thea Musgrave: Space Play: Orchestra: Study Score
Orchestre
[Conducteur d'étude / Miniature]
Novello & Co Ltd.
This piece is to be performed without a conductor with an emphasis of the solois...
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This piece is to be performed without a conductor with an emphasis of the soloistic qualities of a group of players.Space Play was commissioned by the Serge Kossevizky Music Foundation in the Library of Congress and is dedicated to the memory of Serge and Natalie Koussevitzky. It was First performed at the Queen Elizabeth Hall by the London Sinfonietta in October 1974.
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Manuel de Falla: Pantomime And Ritual Fire Dance: Orchestra: Score
28.99
Manuel de Falla: Pantomime And Ritual Fire Dance: Orchestra: Score
Orchestre à Cordes
[Partition]
-
Intermédiaire/avancé
Chester
The two existing manuscripts (1915 and 1926) of these extracts 'arranged' by Fal...
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The two existing manuscripts (1915 and 1926) of these extracts 'arranged' by Falla himself correspond to the very beginning and end of a long period during which El Amor Brujo can be seen in a series of different states.They demonstrate the care which the composer generally brought to the task of instrumentation and more particularly the aptness and validity of this piece in his own eyes as chamber music. It is clear that Falla's art oforchestration (and notably his feeling for instrumental idiom) gives his score a profound sense of balance. Score. Piano player reads from full score string parts available separately.
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Fugue From Requiem In D Min (S/O)
64.20
Fugue From Requiem In D Min (S/O)
Orchestre à Cordes
Alfred Publishing
Mozart's Requiem in D Minor is a sublime work. The Kyrie is a masterful lesson i...
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Mozart's Requiem in D Minor is a sublime work. The Kyrie is a masterful lesson in fugal writing, requiring the students to 'count like crazy.' Every section of the orchestra plays the syncopated entries, tied rhythms, and running sixteenth note passages. The tempo can be slightly adjusted to suit the technical ability of the ensemble. Eighth notes should be slightly separated, whilst 16th notes are played detaché. This arrangement would make an interestingly contrasted concert item with Loreta Fin's arrangement of the beautiful 'Lacrymosa' from the same Requiem (76-44507). / Orchestre A Cordes
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Bryce Dessner: Aheym For Chamber Orchestra: Chamber Ensemble: Score
24.99
Bryce Dessner: Aheym For Chamber Orchestra: Chamber Ensemble: Score
Orchestre
-
Avancé
Chester
This is the full score of Aheym For Orchestra composed by Bryce Dessner best k...
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This is the full score of Aheym For Orchestra composed by Bryce Dessner best known as the guitarist of The National but also an acclaimed composer in his own right. If sodesired this work can be performed with Strings alone: the Wind and Percussion instruments are optional. Composed in 2009 for the Kronos Quartet for their performance in Brooklyn's Prospect Park for the CelebrateBrooklyn! festival Aheym (meaning 'homeward' in Yiddish) was directly inspired by his parents' migration to Brooklyn. The score in this edition was first performed by the London Sinfonietta at the Southbank Centre in London onthe 9th of October 2012. The work lasts around 8 minutes and is filled with dynamic tempo changes a mix of staccato and smooth playing and all-round excitement. It's a fantastic piece to play and the genius composition will keepaudiences on their toes.
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Carl Maria von Weber: Great Overtures In Full Score: Orchestra: Score
18.30
Carl Maria von Weber: Great Overtures In Full Score: Orchestra: Score
Orchestre
Dover Publications
This convenient playing and study edition marks the first single-volume publicat...
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This convenient playing and study edition marks the first single-volume publication of five great staples of the orchestral repertoire: Jubilee Overture overture to the play Preciosa and overtures to the operas Der Freischütz Euryanthe and Oberon.One of the Romantic school's first composers of note Carl Maria von Weber devised novel conceptions of orchestration and subject matter that helped to lay the foundations for nineteenth-century opera. Marschner Meyerbeer and Wagner were influenced by Weber's works as well as latter-day composers such as Hindemith Mahler Stravinsky and Debussy who remarked that the sound of the Weber orchestra derived from thecomposer's scrutiny of the soul of each instrument.Reprint of 'Preciosa' from a Breitkopf and Härtel Leipzig n.d. edition. All others from Overtüren für Orchester von C.M. von Weber C. F. Peters Leipzig n.d.
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Ensemble For Strings - Full Score: Orchestra: Score
Orchestre
Rubank Publications
String teachers have long turned to Ensembles for Strings to fulfill the need fo...
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String teachers have long turned to Ensembles for Strings to fulfill the need for easy to intermediate ensemble pieces for student string players. Familiar classical melodies are arranged here for 2 3 4 or moreplayers - even string orchestra. Each piece is scored to be playable in first position and in such a manner that maximum results will be achieved regardless of the instrumentation employed. All of the material has been carefullyedited and bowed and was performance tested by the string faculty at San José State University.
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Kaija Saariaho: Lumière et Pesanteur: Orchestra: Score
19.99
Kaija Saariaho: Lumière et Pesanteur: Orchestra: Score
Orchestre
[Partition]
Chester
Orchestral Score. Instrumentation. 3 Flutes (3=Piccolo) 2 Oboes 2 Cla...
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Orchestral Score. Instrumentation. 3 Flutes (3=Piccolo) 2 Oboes 2 Clarinets in B - 2 Bassoons(2=Contrabassoon) 4 Horns in F 2 Trumpets in C 2 Trombones Tuba Timpani (1 set) Percussion (3 players) TamtamCrotales Vibraphone Glass Chimes Bass Drum Tamtam Bass Drum Marimba 3 Gongs (G+ A B) Harp Celesta Strings The score is transposed.Crotales sound two octaves higher than writtenDuration: c. 6 minutesOrchestral parts areavailable on hire from the publisher
19.99 GBP - vendu par Musicroom GB
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Team Recorder
16.30
Team Recorder
Flûte à Bec
-
Facile
Faber Music Limited
Arrangeur: Richard Duckett. The 'Team' series is suitable for use with both indi...
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Arrangeur: Richard Duckett. The 'Team' series is suitable for use with both individuals or as a group tutor encouraging students to try ensemble playing from the very early stages. All of the books in the series are fully integrated allowing students using 'Team Recorder' to play in ensembles with students using 'Team Woodwind', 'Team brass', 'Team Percussion' and 'Team Strings'. Team Recorder is a flexible and adaptable course ideal for beginner recorder players. The tutor can be tailored to suit the specific needs of each student. Each piece is carefully graded to ensure a logical progression at a sensible pace and students are introduced to a wide variety of musical styles throughout the book.Imaginative piano accompaniments have been provided as well as some untuned percussion accompaniments to add variety in performance. Introduces simple-part playing through the use of rounds, ensemble parts for treble recorder and there are a number of duets that can be expanded into classroom, orchestra or wind band performances with the use of supplementary parts. This volume includes audio downloads of backing tracks designed to add a third dimension to practice sessions or performance when an accompanist is not available. The 'Team' series is suitable for use with both individuals or as a group tutor encouraging students to try ensemble playing from the very early stages. All of the books in the series are fully integrated allowing students using 'Team Recorder' to play in ensembles with students using 'Team Woodwind', 'Team brass', 'Team Percussion' and 'Team Strings'. Team Recorder is a flexible and adaptable course ideal for beginner recorder players. The tutor can be tailored to suit the specific needs of each student. Each piece is carefully graded to ensure a logical progression at a sensible pace and students are introduced to a wide variety of musical styles throughout the book.Imaginative piano accompaniments have been provided as well as some untuned percussion accompaniments to add variety in performance. Introduces simple-part playing through the use of rounds, ensemble parts for treble recorder and there are a number of duets that can be expanded into classroom, orchestra or wind band performances with the use of supplementary parts. This volume includes audio downloads of backing tracks designed to add a third dimension to practice sessions or performance when an accompanist is not available. / Niveau : Facile / Recueil / Flûte à Bec
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Ludwig van Beethoven: 6 Ländlerische Tänze D-Dur: String Orchestra: Score
12.99
Ludwig van Beethoven: 6 Ländlerische Tänze D-Dur: String Orchestra: Score
Orchestre à Cordes
Schott
Not well-known are the numerous small pieces composed by Beethoven almost ?on th...
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Not well-known are the numerous small pieces composed by Beethoven almost ?on the side? for musical use in everyday life.The ?Ländlerische Tänze? are intended to be -orchestral representing welcome playing ma-terial for small orchestras.
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