This fourth compilation album from Sir Paul features nearly 40 songs from throughout the icons unrivaled career, and our matching songbook features all of them in easy piano arrangements. Songs include: Another Day - Band on the Run - Dance Tonight - Ebony and Ivory - Goodnight Tonight - Jet - Let Em In - Let Me Roll It - Listen to What the Man Said - Live and Let Die - Maybe Im Amazed - Mull of Kintyre - My Love - No More Lonely Nights - Say Say Say - Silly Love Songs - Uncle Albert/Admiral Halsey - With a Little Luck - and many more. / Piano

This volume contains 11 of the Piano Man's best, arranged by Phillip Keveren for solo Piano.Billy Joel For Classical Piano contains the favourites: And So It Goes - C'Etait Toi (You Were The One) - Honesty - If Only I Had The Words (To Tell You) - An Innocent Man - It's Still Rock And Roll To Me - Leningrad - Lullabye (Goodnight, My Angel) - Piano Man and Uptown Girl.'Billy Joel's songs are exquisite works of art, well-suited in every way for Classical Piano treatments. The most difficult decision is deciding what shade of classical is best for the song - Baroque, Romantic, Impressionist, or...? I hope that, upon playing each piece, you will enjoy the musical journey'- Phillip Keveren / Piano

A Multicultural Holiday Musical-'A Multicultural Celebration of the Season.' Staging by John Jacobson. Orchestrated by John Higgins. Celebrate the wonder the joy...and the diversity of the month of December with this imaginative 30-minute all-school revue forelementary or middle school performers by Roger Emerson. A group of young people while collecting canned goods for a food bank discovers holiday traditions of other cultures. Through their experiences they grow to understandeach other better and learn that peace joy and hope are holiday traditions that can be shared by all. Available: Teacher's Manual Singer's Edition (5-Pak) Preview CD (full performance only) Performance/Accompaniment Cassetteand CD. Performance Time: 30 minutes. For gr. 1-8.

At First Light was commissioned by Eric Bruskin a resident of Philadelphia USA in memory of his mother. Eric had a longstanding enthusiasm for my work and I was touched to be the person he approached for a task which is both a privilege and a daunting responsibility. In a sense no music can ever measure up to the weight of love or the hope of consolation vested in it under such circumstances – but in memory I carry the deaths of both my own parents and I was able to draw upon that. Eric’s fondness for my Cello Sonata (itself written in memoriam) led him to ask that I include a solo ‘cello part in the new work – but his attachment also to my polyphonic sacred choral writing meant that he wanted a centrepiece which would be both a showcase of that approach and the celebration of a life well lived. Therefore the seven movements of At First Light arrange themselves as a series of slow meditations surrounding an exuberant 9-minute motet in which the lamenting cello falls temporarily silent. Eric’s Jewish faith meant that approaching an agnostic humanist brought up within the Anglican tradition was hardly free of problems! Gradually though I was able to win his approval for a collated mosaic of texts. This embraces some liturgical Latin (necessary for the motet) as the shared preserve of broad western culture in general but balances it with a secular approach to loss celebration remembrance and the many shades of our mourning those whom we see no longer. Eric was adamant that he did not want the title Requiem; but what has emerged is still a form of semi-secular Requiem in all but name taking its title instead from a phrase in the poem by Thomas Blackburn set as the third movement. This seemed to suggest succinctly how the loss of one very close to us is an awakening into an unfamiliar world where everything is changed. Following the exuberant central movement the texts by the Lebanese-born Kahlil Gibran and the US Kentuckian poet Wendell Berry first address the departed loved one directly then place us within an imaginary funeral cortège where the perennial and universal in human experience become personal without subscribing explicitly to any particular faith (or lack of it). The final text of all is a translation of a Hebraic prayer requested and provided by Eric Bruskin which serves to mirror its Latin counterpart heard at the outset. Throughout the lamenting cello represents a commentary on the experience articulated in the text. It evokes and in a sense tries to embrace and sanctify the individual existential journeys of the bereft as they in turn seek to make their own sense of what the short-lived Second World War poet Alun Lewis called ‘the unbearable beauty of the dead’ (movement 5). In a modern world hostage to ever greater menace displacement bloodshed and anguish I hope fervently that this music not only brings a measure of solace to the person who commissioned it but also makes its own small contribu

This original cantata for SSA choir and soloists tells the story of St. Augustine and his mission to introduce Christianity to the British people. Featuring 19 memorable songs The Conversion Job offers a lighthearted depiction of Augustine's eventful journey as he departs from Rome accompanied by an eager band of forty fellow monks in an attempt to share the word of God with the Kentish King Ethelbert and his Pagan subjects. How will Augustine and his Roman monks cope with the English weather? What will Queen Bertha make of their unusual clothes? And will her husband tree-worshipping King Ethelbert allow them to stay? The Conversion Job tells the incredible story as originally told in the writings of The Venerable Bede (673-735) with the welcome addition of music and a good dose of humour. This compelling cantata contains parts for the following main characters: Speaking Only: The Venerable Bede (Narrator) Acting/Singing: Gregory Augustine The Monks Acting Only: Ethelbert The King of Kent and Bertha The Queen of Kent Whilst the first performance of The Conversion Job included a cast of over 300 children other performances presented in a variety of creative ways have since been given by much smaller groups with equal success. The work can be easily adapted to suit the number of performers and their individual strengths. All vocal harmony parts (SS/SA) are optional and in some of the songs verses may be omitted at the director's discretion. This wonderful story of friendship and fear courage and glory would make a perfect end of year show for high school pupils. We hope you have fun performing it! Watch a preview of The Conversion Job on Youtube:

One hundred and one chansons pour les parties, les mariages, les anniversaires, les Noël et les autres occasions spéciales. / Chant Et Guitare / Partition

35 gospel favorites for Organ: 'Amazing Grace' 'Blessed Assurance' 'Higher Ground' 'I Love to Tell the Story' 'In the Garden' 'Just a Closer Walk with Thee' 'Nearer My God to Thee' 'The Old Rugged Cross' 'Precious Memories' 'Rock of Ages' 'Shall We Gather at the River'' 'Sweet By and By' 'What a Friend We Have in Jesus' 'Whispering Hope' 'Wonderful Peace ' and many more.

Ray of light was composed for the 75th anniversary of the Royal Wind Band (De Heidegalm Berkenbos). The mining environment of Berkenbos (Heusden-Zolder B) is a proof of what used to be one of the most flourishing industries inLimburg viz. the Mining Industry. Going down the shaft in the elevator for the first time was a sensational experience for every miner: the noise of the closing doors the shock experienced when the lift cage started moving tofall down whizzingly into the deep at a speed of 30 km an hour. The opening theme of Ray of Light doesn’t only reflect the bravery of the descending miners but also their anxiety their doubt and insecurity. In the solo passage the anxiety during the long walk in the dark through the mine corridors with only headlamps and mine lamps is clearly audible. Working in the mines wasn’t without any danger. The very flammable and at times explosive mine gasesalways posed a hidden threat. Apart from that there was always the continuous danger of collapse. The beautiful choral movements are therefore an ode to the miners that left their lives in the mine. The eastern scale refers tothe multicultural character of the mining environment of Berkenbos with its many commercial shops and different types of housing inherent in mining architecture. The mining profession is still a very dangerous job but at the endof the dark corridor the miners still see a beam of light as a sign of hope.

Guitar Play-Along Volume 103-The Guitar Play-Along Series will help you play your favorite songs quickly and easily! Just follow the tab listen to the CD to hear how the guitar should sound and then play along using the separate backing tracks. The melody and lyrics are also included in the book in case you want to sing or to simply help you follow along. The audio CD is playable on any CD player. For PC and Mac computer users the CD is enhanced so you can adjust the recording to any tempo without changing pitch! This collection features 8 Switchfoot hits including: Dare You To Move · Learning to Breathe · Meant to Live · New Way to Be Human · Only Hope · Spirit · Stars · You Already Take Me There.

Par . 50 magnifiques ballades pour pianistes débutants / Date parution : 2022-11-08/ Recueil / Piano

A Choral Cycle. Par CHASE DAVID. Perfect for International Women's Month performances! Washington Women is a collection of musical settings of speeches opinions and interviews of sixteen remarkable women from all across the political spectrum and throughout U.S. history from Abigail Adams to Kamala Harris. The composers took their words and set them to music with the hopes that performers and their audiences will learn more about these women and discover why they spoke those words when they did. Women featured include: Abigail Adams Madeleine Albright Barbara Bush Laura Bush Shirley Chisholm Hillary Rodham Clinton Betty Ford Ruth Bader Ginsburg Kamala Harris Elena Kagan Sandra Day O'Connor Michelle Obama Nancy Pelosi Condoleeza Rice Eleanor Roosevelt and Margaret Chase Smith. / Date parution : 2023-01-24/ Recueil / Choeur Mixte SATB

I Can Only Imagine-Songs include: If You Could See Me Now I Can Only Imagine and Your Faithfulness

Une collection de 26 popular tunes spécialement aménagé comme pièces courtes pour flûtistes de grades 2 à 3, avec une simple accomaniments de piano. Une occasion rêvée pour construire un répertoire de favoris tandis que toujours dans les premiers stades de l'apprentissage de l'instrument / Flûte Traversière / 72 pages / Partition