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Short Flûte Pieces Davies Hywel
22.40
Short Flûte Pieces Davies Hywel
Flûte traversière et Piano
[Partition]
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Facile
Chester
Une collection de 26 popular tunes spécialement aménagé comme pièces courtes...
(+)
Une collection de 26 popular tunes spécialement aménagé comme pièces courtes pour flûtistes de grades 2 à 3, avec une simple accomaniments de piano. Une occasion rêvée pour construire un répertoire de favoris tandis que toujours dans les premiers stades de l'apprentissage de l'instrument / Flûte Traversière / 72 pages / Partition
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Simon Holt: Darling Eve in the Evil Garden: Piano: Instrumental Work
14.99
Simon Holt: Darling Eve in the Evil Garden: Piano: Instrumental Work
Piano seul
[Partition]
Chester
POD-Darling Eve In The Evil Garden is a sequence of five pieces for Piano by S...
(+)
POD-Darling Eve In The Evil Garden is a sequence of five pieces for Piano by Simon Holt. The work was commissioned by Joseph Houston and first performed by him on 10th December 2015 at St John'sSmith Square London. A full performance lasts around 8 minutes. ‘This is not music for the faint hearted and perhaps only the most super-charged of pianistic virtuosos could have any hope of bringing it offconvincingly in performance. In between the two outer movements come a pair of uneasy miniatures ('Evil Garden' has strikingly explosive flourishes for both hands whilst 'Vile Danger' makes the most of augmented and diminishedtriads in percussive triads at the extreme tessituras). Perhaps most striking of all is the 'Raven Glide ' marked sempre pianissimo and requiring the utmost control and deftness of touch from any pianist brave enough to attemptits shimmering 32nd-note atonal passagework. Challenging bold and impressive music of our time.’ - Murray McLachlan International Piano
14.99 GBP - vendu par Musicroom GB
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Complete Chord Songbook Revised Edition 2009 (OASIS)
29.30
Complete Chord Songbook Revised Edition 2009 (OASIS)
Paroles et Accords
[Partition]
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Facile
Amsco Wise Publications
Par OASIS. Fully revised and expanded, this new edition of the best-selling Oasi...
(+)
Par OASIS. Fully revised and expanded, this new edition of the best-selling Oasis Complete Chord Songbook has been updated to include all the material from their #1 2008 album Dig Out Your Soul , plus b-sides, bonus tracks and songs drawn from special editions, digital-only releases, compilations and cover versions - a whopping 132 songs in total. Every single Oasis song since their debut single Supersonic is included here with chord symbols, Guitar chord boxes and complete lyrics. This new edition includes a fully-revised UK discography and exclusive photo section. / Niveau : Assez Facile / Rép International / Recueil / Chant et Guitare
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100 Ultimate Blues Riffs (GORDON ANDREW D)
33.60
100 Ultimate Blues Riffs (GORDON ANDREW D)
2 Pianos, 4 mains
[Partition + Accès audio]
ADG Productions
Par GORDON ANDREW D.. It has been over 20 years since I released the first volum...
(+)
Par GORDON ANDREW D.. It has been over 20 years since I released the first volume of “100 Ultimate Blues Riffs for Piano/Keyboards” in 1996, my most popular selling book. One of the constants has been the continued popularity of my Blues music instructional books for not only piano/keyboards but also Saxophone, Flute and Guitar. With developments in music software, faster internet download speeds for downloading mp3 audio files, (over 5 hours of downloadable audio backing tracks for this book) I felt it was time to author a 2nd. volume that uses newer software for improved sound quality, . Also, it is the 50th. anniversary since I started to learn to play Blues piano in 1968. I rememberthe wonderful feeling I had when I started to learn from the first two Blues piano books I bought from a music shop along the Charing Cross Road in London, I still have both books “Just Blues” a compilation of Blues, Jazz and Boogie-Woogie songs and “How To Play Blues Piano” by Junior Mance. I have again created 100 Blues riffs with many of them having elements of Rock, Funk, Country, Jazz, Boogie-Woogie, Gospel and Latin styles. The riffs are in the order that I composed them, giving you the learner an element of surprise as to what the next riff is going to sound like. Each of the 100 riffs have been recorded twice, the 1st. time, the piano part with a rhythm backing track and the 2nd. time a rhythm backing track to practice playing along with. I have also created a separate play-a-long track that consists of 10 choruses of the 12 Bar Blues progression. I would hope that you will use each riff to build your own Blues “song” through the 12 Bar Blues progression. It has been over 20 years since I released the first volume of “100 Ultimate Blues Riffs for Piano/Keyboards” in 1996, my most popular selling book. One of the constants has been the continued popularity of my Blues music instructional books for not only piano/keyboards but also Saxophone, Flute and Guitar. With developments in music software, faster internet download speeds for downloading mp3 audio files, (over 5 hours of downloadable audio backing tracks for this book) I felt it was time to author a 2nd. volume that uses newer software for improved sound quality. Also, it is the 50th. anniversary since I started to learn to play Blues piano in 1968. I rememberthe wonderful feeling I had when I started to learn from the first two Blues piano books I bought from a music shop along the Charing Cross Road in London, I still have both books “Just Blues” a compilation of Blues, Jazz and Boogie-Woogie songs and “How To Play Blues Piano” by Junior Mance. I have again created 100 Blues riffs with many of them having elements of Rock, Funk, Country, Jazz, Boogie-Woogie, Gospel and Latin styles. The riffs are in the order that I composed them, giving you the learner an element of surprise as to what the next riff is going to sound like. Each of the 100 riffs have been recorded twice, the 1st. time, the piano part with a rhythm backing track and the 2nd. time a rhythm backing track to practice playing along with. I have also created a separate play-a-long track that consists of 10 choruses of the 12 Bar Blues progression. I would hope that you will use each riff to build your own Blues “song” through the 12 Bar Blues progression./ Recueil / 2 Pianos
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Fifties The - Easy Keyboard Library
16.30
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Piano, Voix
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Faber Music Limited
Easy Keyboard Library, The Fifties arranged for keyboard. Songs include, Cry Me ...
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Easy Keyboard Library, The Fifties arranged for keyboard. Songs include, Cry Me A River, High Hopes, I've Grown Accustomed To Her Face, Whatever Will Be Will Be and more. / Niveau : Facile / Recueil / Clavier Electronique et Ligne Mélodique
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16.90
Pop Piano Solos
Piano seul
[Partition]
Hal Leonard
26 chansons à succès, arrangés pour piano / Piano / 144 pages / Partition
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Clarinette
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Amsco Wise Publications
Une grande sélection de chansons à succès d'Abba, Blondie, Dido, Coldplay, De...
(+)
Une grande sélection de chansons à succès d'Abba, Blondie, Dido, Coldplay, Delta Goodrem, David Gray, Norah Jones, George Michael, Kylie Minogue, Elvis Presley, Justin Timberlake, U2 et beaucoup, beaucoup plus graphique-topping artistes. Tout arrangé pour solo de clarinette, par Jack Long. / Clarinette / 112 pages / Partition
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Amsco Wise Publications
100 chansons de pop spéciallement arrangées pour saxophone Eb et Bb par Jack L...
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100 chansons de pop spéciallement arrangées pour saxophone Eb et Bb par Jack Long paroles et accords. / Saxophone / Partition
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Blues Piano Practice Session V (GORDON ANDREW D)
33.60
Blues Piano Practice Session V (GORDON ANDREW D)
Piano seul
[Partition + Accès audio]
ADG productions
Par GORDON ANDREW D.. I have created various Blues riffs and has transposed them...
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Par GORDON ANDREW D.. I have created various Blues riffs and has transposed them into all 12 keys along with backing tracks to practice with giving you the student a fun way of learning how to play in all keys. We all learned how to play our scales in all 12 keys so I have taken that concept and applied it to learning to play the Blues so that you can try to become equally adept at playing in as many keys as possible. I have heard from teachers who have used my ?100 Ultimate Blues Riffs? book who will only allow a student to move on to the next riff once they have mastered playing the riff they are working on in all 12 keys, certainly a great but challenging musical exercise. Each of the riffs are either 2 or 4 measures in length that are notated and recorded around the cycle of 4th.s Also, there is a notation page whereby the riff is being used in a 12 bar blues progression so that you can see how to apply the riff to a real world situation. Each riff has been recorded 4 times: 1. Piano with rhythm tracks recorded around the cycle of 4th.s 2. Rhythm tracks recorded around the cycle of 4th.s to practice with 3. Piano with rhythm tracks recorded in a 12 bar blues progression in a designated key. 4. Rhythm tracks recorded in a 12 bar blues progression in the same key. Reasons for practicing in all 12 keys. Often a singer cannot reach certain notes in the key that you have learned the song in, therefore you will probably be asked to change the key of the song which you can do with confidence knowing all 12 keys. Having the knowledge of playing in all 12 keys, it will then become easier to learn new songs, whatever key they are in. Blues often use the keys of C, F, G, Bb, Eb, Guitar music often uses the keys of E, A, D, by learning as many keys as possible will enable you to adapt to the musical situation you are playing in. Taking riffs, chord progressions etc. through all 12 keys is a great ear training tool relying on your ears to play in keys that you are not used to before the muscle memory sets in. Practicing in all 12 keys is a great exercise for the brain, it is obviously hard work but the more you do it the benefits will become apparent. By practicing in all 12 keys you will start to see various musical patterns evolve that will help you speed up the process of learning music. It is my hope that as you practice playing in the various keys you will eventually not need the music and be able to transpose in your head. / Date parution : 2022-09-07/ Etude / Piano
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John McCabe: String Quartet No.7 - Summer Eves: String Quartet: Score
24.99
John McCabe: String Quartet No.7 - Summer Eves: String Quartet: Score
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Novello & Co Ltd.
Commissioned by the Presteigne Festival of Music and the Arts Limited with fund...
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Commissioned by the Presteigne Festival of Music and the Arts Limited with funds provided by the Arts Council of Wales for premiere in August 2012 by the Carducci String Quartet in St. Andrew?s Church Presteigne.Composer's Note'Some years ago I noted down the opening theme of what I anticipated would be a relatively Classical string quartet ?Classical? in the sense of the forms adopted plus perhaps a predominantly lyrical tone of voice. The commission for this work from the Presteigne Festival for their 30th anniversary in 2012 gave me the opportunity of putting into practice this long-held idea. It isdedicated to the Festival and to the Carducci Quartet whose career as much-admired friends and colleagues I have greatly enjoyed.The only break with ?classical? tradition is that there are five movements instead of four with two Scherzi as the second and third though both these are very short and contrasting. I found myself listening to Haydn?s string quartets a lot before and during the composition of this work and I hope the spirit of his delight in writing for this medium is echoed in my own music. The opening movement is in sonata form unusually for me and lyricism is I hope the basis of it though there is a good deal of activity at times. The Scherzo light and marked by frequently-changing rhythms is followed by an equally short but ferocious Perpetuum mobile marked Wild und rasch (one of my favourite German tempo markings). The fourth movement is an intense Adagio in which a single phrase uttered strongly in unison is gradually transformed into gentle diatonic chords before the close intermingled with cadenzas for cello for viola and for the two violins together. The finale (a Rondo) resumes the classical tone of the first movement but apart from one dance-like episode it builds up a fair head of steam towards a final Presto which however ascends slows and quietens towards a gentle summer sky at dusk.'
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John McCabe: String Quartet No.7 - Summer Eves (Parts): String Quartet: Parts
29.99
John McCabe: String Quartet No.7 - Summer Eves (Parts): String Quartet: Parts
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Novello & Co Ltd.
Commissioned by the Presteigne Festival of Music and the Arts Limited with fund...
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Commissioned by the Presteigne Festival of Music and the Arts Limited with funds provided by the Arts Council of Wales for premiere in August 2012 by the Carducci String Quartet in St. Andrew?s Church Presteigne.Composer's Note.'Some years ago I noted down the opening theme of what I anticipated would be a relatively Classical string quartet ?Classical? in the sense of the forms adopted plus perhaps a predominantly lyrical tone of voice. The commission for this work from the Presteigne Festival for their 30th anniversary in 2012 gave me the opportunity of putting into practice this long-held idea. It isdedicated to the Festival and to the Carducci Quartet whose career as much-admired friends and colleagues I have greatly enjoyed.The only break with ?classical? tradition is that there are five movements instead of four with two Scherzi as the second and third though both these are very short and contrasting. I found myself listening to Haydn?s string quartets a lot before and during the composition of this work and I hope the spirit of his delight in writing for this medium is echoed in my own music. The opening movement is in sonata form unusually for me and lyricism is I hope the basis of it though there is a good deal of activity at times. The Scherzo light and marked by frequently-changing rhythms is followed by an equally short but ferocious Perpetuum mobile marked Wild und rasch (one of my favourite German tempo markings). The fourth movement is an intense Adagio in which a single phrase uttered strongly in unison is gradually transformed into gentle diatonic chords before the close intermingled with cadenzas for cello for viola and for the two violins together. The finale (a Rondo) resumes the classical tone of the first movement but apart from one dance-like episode it builds up a fair head of steam towards a final Presto which however ascends slows and quietens towards a gentle summer sky at dusk.'
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Low(Er!) Etudes For Tuba (SNEDECOR PHIL)
29.30
Low(Er!) Etudes For Tuba (SNEDECOR PHIL)
Trompette
-
Intermédiaire/avancé
Art of Sound Music
Par SNEDECOR PHIL. Many years ago, on a suggestion from Marine Band tubist John ...
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Par SNEDECOR PHIL. Many years ago, on a suggestion from Marine Band tubist John Cradler, I wrote a quirky collection of tunes set in the lower register of the tuba That book, published in 1991, 'mimics to be popular beyond my wildest dreams with players of all age levels and ability. Its success exposed a void in studies with actual music in the extreme lower part of the tuba range, a part of the instrument that is so important in the music of Prokofiev, Wagner and other composers. The ability to read notes (on sight!) of 4 and 5 ledger lines had only been previously addressed with repetitive exercises and academic method books. The embarrassing gap between that first volume and today's long-awaited and requested second book is only the fault of yours truly, who until recently didn't think there was a sincere desire for a second book. When I did decide to start writing, I was conflicted over which direction to go: Low Vol. 2? Low(er!) Etudes? Higher Lyrical? Orchestral Excerpt-Based Etudes? Duets? I finally decided on this combination of Lou/(er!) Etudes with accompanying duets that give the player a break from the ultra low writing, and provide a chance to revisit the well-loved tunes of the first book with fresh harmonies. I hope you enjoy what I've finally come up with and accept my apologies for taking so long to do it! My sincere thanks to tubists everywhere for making these tunes part of your music-making over the years. This long-awaited Low(er!) Etudes for Tuba includes more of the melodies Phil Snedecor is known for composing. Always harmonically fresh and melodically surprising, these tunes pose challenges beyond the ultra low notes and offer new discoveries upon each reading. Also included are companion duets to the original Low Etudes for Tuba. A great book to keep on the music stand in your studio! / Niveau : 4 / Etudes et exercices / Etude / Trompette
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Treasured Hymn Favorites
13.90
Treasured Hymn Favorites
Piano seul
Santorella Publications
Treasured Hymn Favorites is a collection of well-known Hymns arranged for easy T...
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Treasured Hymn Favorites is a collection of well-known Hymns arranged for easy Tri-Chord piano and includes an instructional Play-Along CD. This new sacred title, featuring some of the most recognizable hymns arranged for a beginning student, uses just three (I-IV-V) chords. Praise and worship in song and jubilation. This fantastic assortment, only available from Santorella Publications, will make a wonderful addition to your sacred repertoire. / Piano
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101 Songs For Easy Guitar Vol.5
36.90
101 Songs For Easy Guitar Vol.5
Guitare
-
Facile
Amsco Wise Publications
The popular series of chart-favourites for easy guitar reaches its fifth volume!...
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The popular series of chart-favourites for easy guitar reaches its fifth volume! Something for everyone and a lot more! Packed full to the limits with 101 of the hottest guitar anthems and pop classics from the likes of Travis, McFly, Badly Drawn Boy, Franz Ferdinand and Paul Simon , this is one collection simply not to be missed. All the songs are arranged for easy guitar, so you can get your hands around them in no time. Songs include 20th Century Boy , Molly's Chambers , American Pie , Light My Fire and Muscle Museum . / Guitare
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Nate Sabat: Dirt Simple Upright Bass: Double Bass Solo: Instrumental Tutor
13.99
Nate Sabat: Dirt Simple Upright Bass: Double Bass Solo: Instrumental Tutor
Contre Basse
[Partition + Accès audio]
Mel Bay
Dirt Simple Upright Bass. Although designed for newcomers to the upright bass an...
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Dirt Simple Upright Bass. Although designed for newcomers to the upright bass and bluegrass music in general, this unique approach to creating basslines has something for everyone! The first half focuses on bass-playing essentials, giving the reader a solid technical footing with the instrument. Then, using his own baritone voice and the classic bluegrass song, 'Going Down the Road Feeling Bad,' author Nate Sabat reveals his creative process in crafting effective basslines from the song's melody and chord progression. The second half focuses on bass playing within the specific context of complementing bluegrass vocals. Well beyond what you might expect from an introductory method, Nate tastefully guides the reader by presenting multiple composed bassline options for each of five well-known bluegrass songs: Rabbit in the Log, Don't this Road Look Rough and Rocky\', Long Journey Home, I Am a Pilgrim, and Angel Band.Nate's warm, pitch-perfect vocals can be heard on virtually every track, giving this method an undeniable musicality. A lightly accompanied vocal track with no bass is also provided, so you can be the sole upright or electric bassist in the band. You'll not only want to back Nate up'but sing harmony with him too! The impulse to sing can't help but influence your bass playing in a natural and positive way. Nate provides notated versions of the eight major scales most commonly used in bluegrass. Once you get them under your fingers, you'll soon be able to play along with the book's 50 companion online recordings.With its simple harmonic palette and repetitive nature, bluegrass music offers bassists the perfect opportunity to become musically literate. If you've hesitated to learn to read music, this is the time and place to eliminate that drawback. Working through these 46 pages will provide the tools and confidence needed to create your own engaging and musical basslines and hopefully, you'll be inspired to continue your bluegrass bass journey for years to come. Includes access to online audio.
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John Jacobson Roger Emerson: December 'Round the World: Mixed Choir: Parts
19.99
John Jacobson Roger Emerson: December 'Round the World: Mixed Choir: Parts
Chorale SATB
Hal Leonard
An International Holiday Celebration-CELEBRATE December traditions center stage ...
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An International Holiday Celebration-CELEBRATE December traditions center stage this holiday season as 'round the world we go! DISCOVER the special preparations for Chinese New Year Germany's St. Nicholas Day tradition of a hidden pickle in the Tannenbaum the sevenprinciples of Kwanzaa from our African ancestors the miracle and lights of Jewish Hanukkah the festive atmosphere of Mexico's Las Posadas and Christmas American-style! SHARE the universal messages of peace hope and goodwill inyour school and community all year long. Ideal for upper elementary to middle school performers this 40-minute holiday revue features seven original songs for unison voices with some optional harmony connecting narration easilyadapted to casts of varying sizes and John Jacobson's choreography and production tips. Available: Teacher Edition Singer Edition 5-Pak Preview Pak (1 Singer book 1 Preview CD) Preview CD (with vocals only) Performance/Accompaniment CD Performance Kit/CD (Teacher 20 Singer books P/A CD). Performance Time: Approx. 40 min. For Grades 4-8.
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John Jacobson Roger Emerson: December 'Round the World: Children's Choir:
Hal Leonard
An International Holiday Celebration-CELEBRATE December traditions center stage ...
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An International Holiday Celebration-CELEBRATE December traditions center stage this holiday season as 'round the world we go! DISCOVER the special preparations for Chinese New Year Germany's St. Nicholas Day tradition of a hidden pickle in the Tannenbaum the sevenprinciples of Kwanzaa from our African ancestors the miracle and lights of Jewish Hanukkah the festive atmosphere of Mexico's Las Posadas and Christmas American-style! SHARE the universal messages of peace hope and goodwill inyour school and community all year long. Ideal for upper elementary to middle school performers this 40-minute holiday revue features seven original songs for unison voices with some optional harmony connecting narration easilyadapted to casts of varying sizes and John Jacobson's choreography and production tips. Available: Teacher Edition Singer Edition 5-Pak Preview Pak (1 Singer book 1 Preview CD) Preview CD (with vocals only) Performance/Accompaniment CD Performance Kit/CD (Teacher 20 Singer books P/A CD). Performance Time: Approx. 40 min. For Grades 4-8.
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John Jacobson Roger Emerson: December 'Round the World: Mixed Choir: Score
22.50
John Jacobson Roger Emerson: December 'Round the World: Mixed Choir: Score
Hal Leonard
An International Holiday Celebration-CELEBRATE December traditions center stage ...
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An International Holiday Celebration-CELEBRATE December traditions center stage this holiday season as 'round the world we go! DISCOVER the special preparations for Chinese New Year Germany's St. Nicholas Day tradition of a hidden pickle in the Tannenbaum the sevenprinciples of Kwanzaa from our African ancestors the miracle and lights of Jewish Hanukkah the festive atmosphere of Mexico's Las Posadas and Christmas American-style! SHARE the universal messages of peace hope and goodwill inyour school and community all year long. Ideal for upper elementary to middle school performers this 40-minute holiday revue features seven original songs for unison voices with some optional harmony connecting narration easilyadapted to casts of varying sizes and John Jacobson's choreography and production tips. Available: Teacher Edition Singer Edition 5-Pak Preview Pak (1 Singer book 1 Preview CD) Preview CD (with vocals only) Performance/Accompaniment CD Performance Kit/CD (Teacher 20 Singer books P/A CD). Performance Time: Approx. 40 min. For Grades 4-8.
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Accordion Pieces Easy To Play
25.90
Accordion Pieces Easy To Play
Accordéon
[Sheet music]
Ashley Publications
Environ 100 de mélodies les plus populaires de tous les temps, arrangé pour l'...
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Environ 100 de mélodies les plus populaires de tous les temps, arrangé pour l'accordéon, y compris : Aloha Oe · Ave Maria · Blue Danube Waltz · Fantasie Impromptu · Pierre et le loup · Vallée de la rivière Rouge · Le · vers luisants La Rose jaune du Texas · Mariage de la · vents et plus encore. / Accordéon / 48 pages / Partition
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Eva Fock: Musik Omkring Os: History
27.49
Eva Fock: Musik Omkring Os: History
Wilhelm Hansen
'The music around us' (Book) - This book aims to provide music teachers with a b...
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'The music around us' (Book) - This book aims to provide music teachers with a basic knowledge of music from Turkey Pakistan and Morocco. These three countries represent each one corner of the North Africa-Middle East-West Asian region which is next door to Europe and with which we have long historical relationships. Moreover all three represent significant music historical tradition at the same time related while clearly different from each other. This justifies these musical culture's placement in Danish music education. In addition all three countries have supplied Denmark with immigrants from 1960 onwards. In this context the book therefore also makes musicteachers able to teach music in relation to the three immigrant groups. At the same time the book hopefully makes teachers able to insert the music that immigrants from those countries are carrying with them the music the young people with that background are listening to and what teachers may experience themselves in these countries into a broader perspective. Therefore the book is not only about the small musical universe that migrants and migrant youth actually are engaged in in this country. The Danish conditions only play a minor role. This choice should be seen as an attempt to challenge the very unfortunate tendency in the Danish public wherethe immigrants are made ??the primary reason to engage other cultures in our (music) education. It is unfortunate because there are many other and far more important reasons to expand the musical horizons. The resident migrants from the three countries often give a very one-sided and narrow view of the (music) culture in their countries of origin. This is mainly because of the immigrant's backgrounds both geographically and socially. In order to increase understanding and respect for other parts of the world it is important that we all understand that the culture of these countries including the music is part of a long historical development and part of a varied mosaic of contemporary trends.
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