Bärenreiter's new scholarly-critical edition of Gabriel Fauré's evergreen, the Pavane op. 50, has been edited by Robin Tait as part of the 'Complete Works of Gabriel Fauré?.The popularity of the work is mostly attributed to its many arrangements but the original version for orchestra is being published here for the first time. Shortly after completing the orchestral work, Fauré began work on a version for choir, which was actually premiered before the orchestral version.This new Bärenreiter edition offers conductors and orchestras a reliable Urtext edition of the 'Pavane's? original orchestral version which will surely enhance symphonic concert programmes everywhere.- First edition of the original version for orchestra- Urtext based on the 'Complete Works of Gabriel Fauré?- Large format orchestral parts (25.5 x 32.5 cm) / Violoncelle

Bärenreiter's new scholarly-critical edition of Gabriel Fauré's evergreen, the Pavane op. 50, has been edited by Robin Tait as part of the 'Complete Works of Gabriel Fauré?.The popularity of the work is mostly attributed to its many arrangements but the original version for orchestra is being published here for the first time. Shortly after completing the orchestral work, Fauré began work on a version for choir, which was actually premiered before the orchestral version.This new Bärenreiter edition offers conductors and orchestras a reliable Urtext edition of the 'Pavane's? original orchestral version which will surely enhance symphonic concert programmes everywhere.- First edition of the original version for orchestra- Urtext based on the 'Complete Works of Gabriel Fauré?- Large format orchestral parts (25.5 x 32.5 cm) / Contrebasse

Par FAURE GABRIEL. This volume of 'oeuvres complètes de Gabriel Fauré” contains Fauré's four secular choral works in their orchestral arrangements, namely 'Les Djinns”, 'La Naissance de Vénus”, 'Madrigal”, and 'Pavane”. These works were composed between 1876 and 1887 - thereafter Fauré wrote choral compositions based only on sacred texts. The first three works are presented here for the first time in a full score edition, previously having been published only in their versions with piano accompaniment. This edition is therefore the first to present the works with an authoritative musical text based on the careful study of the sources. 'Les Djinns” (1876-76) for mixed choir and orchestra is based on the famous poem by Victor Hugo first published in the collection 'Les Orientales”, while 'La Naissance de Vénus” (1882) for soloists, choir and orchestra is based on a text by Paul Collin. 'Madrigal”, the orchestral version of which cannot be dated with certainty (around 1891, for a quartet of soloists or choir) has been composed after a poem by Armand Silvestre, and the famous 'Pavane”, originally composed for orchestra and only later supplemented with a text by Symbolist poet Robert de Montesquiou, is presented here in an elegant, graceful version with mixed choir. / Date parution : 2019-06-20/ Répertoire / Chant et Orchestre

Bärenreiter's new scholarly-critical edition of Gabriel Fauré's evergreen, the Pavane op. 50, has been edited by Robin Tait as part of the 'Complete Works of Gabriel Fauré?.The popularity of the work is mostly attributed to its many arrangements but the original version for orchestra is being published here for the first time. Shortly after completing the orchestral work, Fauré began work on a version for choir, which was actually premiered before the orchestral version.This new Bärenreiter edition offers conductors and orchestras a reliable Urtext edition of the 'Pavane's? original orchestral version which will surely enhance symphonic concert programmes everywhere.- First edition of the original version for orchestra- Urtext based on the 'Complete Works of Gabriel Fauré?- Large format orchestral parts (25.5 x 32.5 cm) / Violon I

Available for the first time: easy to advanced solo works from the Rubank archives with online performance and accompaniment recordings, printable piano accompaniments, and PLAYBACK audio tools. This new collection of 13 Rubank solos includes many that have long been unavailable. All are suitable for contest and festival performance (grades 2-4). Purchase includes exceptional performance tracks (recorded by pro players), accompaniment tracks for practice, and PDF piano accompaniments for use at contest. Includes: Adoration (Borowski) - Allegro from Sonata in Bb Major (Koepke) - Alleluja (Mozart) - Barcarole, Op. 30, No. 3 (Köhler) - The Dance of Elizabeth (Hurrell) - Meadowlark (Koepke) - Pavane pour une Infante Defunte (Ravel) - Poplars in the Wind (Koepke) - Sakura, Sakura (Cherry Blossoms) (folk song) - Serenade (Saint-Saëns) - Sonata in F Major (Telemann) - Three Aquarelles (Koepke) - Wind in the Pines (Johnson). / Flûte Traversière

Available for the first time: easy to advanced solo works from the Rubank archives with online performance and accompaniment recordings, printable piano accompaniments, and PLAYBACK audio tools. This new collection of 13 Rubank solos includes many that have long been unavailable. All are suitable for contest and festival performance (grades 2-4). Purchase includes exceptional performance tracks (recorded by pro players), accompaniment tracks for practice, and PDF piano accompaniments for use at contest. Includes: Adoration (Borowski) - American Patrol (Meacham) - Andante and Allegro from Sonata in G (Marcello) - Ave Maria (Schubert) - Concertino, Op. 26 (Weber) - Menuetto (Mozart) - Non tanto adagio (Platti) - Pavane pour une Infante Defunte (Ravel) - Presto from Concerto in E Minor, Op. 102 (Gurewich) - Presto from Suite for Alto Saxophone (Ostransky) - Recitative and Rondino (Koepke) - Sarabande and Gigue (Corelli) - Slavonic Fantasy (Heumann). / Saxophone Alto

Ed. Maitland-Squire, Rev. Dover Edition. Famous early 17th century collection of keyboard music. 300 works by Morley, Byrd, Bull, Gibbons, etc. Modern notation. 469 pages. 'The most remarkable, and in many respects the most valuable collection of Elizabethan keyboard music' (Grove's Dictionary of Music and Musicians). The close to 300 airs, variations, fantasies, toccatas, pavanes, galliards, allemandes and courantes in these two volumes include some of the finest examples of Elizabethan and Jacobean Music: Morley, Gibbons, Farnaby, Warrock, Ferdinando Richardson, Peter Phillips, Tomkins and practically every other composer of the virginalistic school. John Bull and William Byrd, two of England's greatest composers are represented by over 100 works. The pieces herein, while composed for the virginal, can be played without difficulty on thepiano or any other keyboard instrument. Maitland and Squire set the music into modern notation, preserving faithfully the intent of the composers./ Recueil / Piano

Littérature pour saxophone alto et orgue est rare. Dans sa pièce, le compositeur Enjott Schneider de Munich examine un thème du 16ème siècle: Le compositeur catalan et vihuela joueur Luis de Milán (1500-1561) est l'un des plus importants compositeurs de la Renaissance Spanisch. Sa collection 'El Maestro' de 1536 a été la première publication de la musique vihuela dans l'histoire de la musique, la vihuela est un archétype de la guitare. Les six pavanes qui y sont contenues incarner la danse processionnelle cérémonie. Selon la dérivation étymologique de 'pavo' (espagnol / latin: 'paon'), on peut même parfois entendre dans cette danse du paon le cri typique de cet oiseau qui peut être réalisé très librement et naturaliste par le joueur de saxophone. / Saxophone Alto Et Orgue

The Pavane for a Dead Princess is considered to be one of Ravel's most popular works. The solemn and stately court dance strutting along in an even pulse turns into a melancholic, yet not sombre dirge.This Pavane is dedicated to the Princess of Polignac. Trying to put a stop to rampant poetic interpretations of the composition's title, Ravel made a point of stating that ?When I phrased the title, I was merely interested in having the fun of creating a pun. Pavane pour une Infante Défunte - the alliterations can hardly be ignored.' The arrangement on hand is in line with the orchestral version written by Ravel himself in 1910 and constitutes part of the series Ravel for Saxophone Quartet including publications of, among others, Ma Mère L'Oye (Mother Goose), Trois Chansons (Three Songs) and Le Tombeau de Couperin. / 4 Saxophones (SATBar)

Part of the series “Les Soirées Intimes” for Violin or Cello with Piano accompaniment Pavane Op. 50 is a piece written by Gabriel Fauré. It was transcribed by Henri Busser and requires an upper-intermediate / advanced technique to be played perfectly. Really lyrical this work starts with an Introduction on an “Andante molto moderato” tempo. It is followed by alternating of pizzicato sections and bow sections. The piece also finishes on some notes in pizzicato. This fantastic work is perfect as part of a concert and will amaze the audience. Gabriel Fauré was aFrench Composer Organist Pianist and teacher. He is one of the most important composers of his generation with pieces such as 'Pavane' or 'Requiem'.

Par FAURE GABRIEL. Fauré?s ?Pavane? was composed for orchestra in 1887, followed by a version for chorus and orchestra in that same year. Three decades later Serge Diaghilev had it choreographed for his Ballets russes ? a sign of its great popularity. ?Pavane? exudes the spirit of Paris?s fêtes galantes at the turn of the century. A version for solo piano appeared in 1889; it was most likely prepared by Fauré himself, who performed it several times and even recorded it for player piano. Our Urtext edition is based on the musical text from ?Gabriel Fauré ?uvres complètes?. The editor has drawn in particular on the original solo piano print while also consulting the autograph of the orchestral version and Fauré?s second recording of the piano version. Elegant engraving and practical page-turns invite players to study this popular piece. - Urtext edition based on the ?Gabriel Fauré ?uvres complètes? - Musical text at the cutting edge of scholarship incorporating all the sources, including Fauré?s recordings - Informative introduction, notes on performance (Fr/Eng/Ger) and Critical Commentary (Eng) / Date parution : 2022-07-30/ Répertoire / Piano

The delightful Pavane Op.50 by Gabriel Faure expertly arranged by Jack Gently for Flute and Piano.The Pavane is a stately Renaissance dance that was common in Europe during the 16th Century and Faure’s processional alludes to these origins. His characteristic alluring harmonies are complimented by a meandering languid and somnambular rhythm and have led to its popularity. A widely played and well known orchestral piece in a beautiful and effective setting for Flute and Piano.

“Musique française” est une collection conçue pour les étudiants, les professeurs et les interprètes professionnels. Les volumes, qui présentent une analyse des chefs-d’œuvre de la musique française, offrent de précieux conseils d’interprétation et des commentaires de caractère historique et stylistique rédigés par de grands professeurs. Maurice Ravel (1875–1937) écrivit la Pavane pour une infante défunte au début de l’année 1899, à Paris. La dédicataire est l’épouse du Prince Edmond de Polignac, en réalité Winnaretta Singer (1875–1943), fille du fabricant américain de machines à coudre de la marque Singer. La popularité de la Pavane fut immédiate et tenace. Les nombreux arrangements qu’elle engendra témoignent de l’intérêt d’un public musicien. / Piano / Durand

Based upon Pavane pour une infante defunte-Absolutely beautiful! Pat Liebergen has arranged Ravel’s timeless masterpiece 'Pavane pour une infante défunte' for choir and adapted Ravel’s orchestration for oboe and strings as optional accompaniment. Jean Anne Shafferman has added a Christmas text that is simply stunning: 'On a silent starry night Christus natus est.' Certain to be the highlight of school seasonal concerts and Christmas worship it is available in three voicings for singers of all ages.