Par ZEUTSCHNER TOBIAS. Kantaten, Psalmen, deutsch - Langue : Allemand/ Répertoire / Choeur SATB, 2 Violons et Basse Continue, (Solo T)

Aus: Psalmen Davids. Par SCHUTZ HEINRICH. Tonalité : dorisch - Horn, Paul (Arr.) - Lunn, Jean (Trad.) - SWV 44 (op. 2 #23) / Psaumes / Répertoire / Petit Choeur T, Grand Choeur SATB, (SATB), 4 Corne

Par BACH JOHANN MICHAEL. Gattungen: Motetten, Psalmen, deutsch - Verwendung / Anlässe: Trauer, Tod - Langue : Allemand/Anglais/ Répertoire / Choeur SATTB et Basse Continue

This version of Carl F. Mueller's song 'Create in me a clean Heart O God' - a setting of Psalm 51 - is arranged by Dick Averre for SAB and Organ/Piano.

This short a capella motet a setting of Psalm 51 requires a five-part chorus (SATBB). Edited by John Finley Williams the motet can be performed in English or German and includes a piano reduction for rehearsal only.

Uses: General Lent Ash Wednesday Holy WeekScripture: I John 1:9; Psalm 51:10-12; Hebrews 8:12From the pages of concert music repertoire comes an adaptation that incorporates the power of theoriginal masterwork with the impact of a new sacred text. Contemplative in nature the cry for forgiveness and mercy rises like a prayer from the luxurious textures of the choral sonority. Linear voice leading gives thisthrough-composed anthem an organic quality flowing with emotion and religious devotion. A noble orchestration crowns the whole with dignity and nobility. Available separately: SATB Orchestration StudioTrax CD. (Orchestrationinstrumentation: Score & parts for flute 1&2 oboe clarinet 1&2 bassoon horn 1&2 trumpets 1-3 trombone 1-3 tuba timpani percussion 1&2 harp piano violin 1&2 viola cello double bass). Duration: ca. 4:47.

Carl F. Mueller's Create In Me A Clean Heart O God for SAB choir with Organ accompaniment. This work features text from Psalm 51: 10-13.

O God create in me a clean heart-This short contemplative anthem serves as an ideal introit for church services or as a short meditation piece at Communion during Lent. This contemporary setting presents the text of Psalm 51 'Create in me a clean heart' with lush and spacious harmonies. An English singing translation is included.

Create in Me. Nick Strimple has composed a set of three easy anthems, and lacking in difficulty is absolutely true. But elegant and distinguished also describes these settings of familiar texts. This setting of Psalm 51 is for unison choir or solo voice and organ accompaniment.

Psalm 51-Adapted and arranged for English use by Ivor Atkins. Organ for rehearsal only.

Miserere was written in 1989 for the soundtrack of the film The Cook The Thief His Wife & Her Lover. It is a setting of the Latin text of Psalm 51. Originally scored for solo Treble and mixedChoir this arrangement by the composer for solo Soprano and String Quartet was completed in 1993. Michael Nyman (b.1944) is an English composer and pianist who is one of the most sought-after composers of filmsoundtracks. He studied under Thruston Dart at the Royal Academy of Music and has since compsed several operas as well as music for countless films and TV shows.

A paraphrase of Psalm 51:10 “Create in me a clean heart O God ” is the text for this original anthem by Keith Christopher. The flowing lines and warm harmonies carry this lyric well providing a meaningful anthemsuitable for placement at most any time in the worship service. A ChoirTrax and Instrument Pak (strings/harp) provide additional rehearsal and/or performance options. Available separately: SATB ChoirTrax CD. Score and Parts forStrings available digitally (88442/harp). Duration: ca: 3:00.

Uses: General LentScripture: Psalm 51A meaningful passage from Psalms is offered in an emotive setting for SATB voices. The piano accompaniment wafts above a flowing melody providing support andvariety to this compelling call for forgiveness. For Lenten services and moments of decision and assurance this sensitive choice will be well received. Duration: ca. 3:30.

Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn’s setting of Psalm 98 was written in a few weeks to satisfy a commission in his new position as general music director of Prussia and was premiered by the Berlin Cathedral Choir on 1 January 1844. As he neither released the work forpublication nor produced a vocal score, his psalm setting did not appear in print until after his death. For this edition the authoritative Mendelssohn specialist John Michael Cooper drew primarily on the autograph score with its many subsequent corrections and amendments. In this way it differs from many other editions, which tend to treat theautograph as a subordinate source. Rounding off the edition are an informative Foreword and a detailed Critical Commentary. The piano reduction is based on the first printed edition, published by F. Kistner and Evers & Co. in 1851. - Urtext edition of Mendelssohn’s last orchestral psalm - Bilingual Foreword (Ger/Eng) and Critical Commentary (Eng) - Words underlaid in both German and English - Piano reduction based on the first printed edition Features of the Barenreiter Urtext edition of Mendelssohn ’s setting of Psalm 98 (Singet Dem Herrn / Sing To The Lord) : Bilingual Foreword (Ger/Eng) and Critical Commentary (Eng) Words underlaid in both German and English Piano reduction based on the first printed edition Full score, performance material (BA9076) and vocal score (BA9076-90) available for sale Mendelssohn composed his setting of Psalm 98 (Singet Dem Herrn / Sing To The Lord) in the space of just a few weeks to satisfy a commission in his new position as general musicdirector of Prussia. The work was premiered by the Berlin Cathedral Choir on 1 January 1844. As Mendelssohn neither released the work for publication nor produced a vocal score, his psalm setting did not appear in print until after his death. For this edition the authoritative Mendelssohn specialist John Michael Cooper drew primarily on the autograph score with its many subsequent corrections and amendments. In this way, it differs from many other editions, which tend to treat the autograph as a subordinate source. Rounding off the edition are an informative Foreword and a detailed Critical Commentary. The Piano reduction is based on the first printed edition, which was published by F. Kistner and Evers & Co. in 1851./ Répertoire / Solistes, Choeur Mixte et Orchestre