Features of the Barenreiter Urtext edition of Mendelssohn’s setting of Psalm 98 (Singet Dem Herrn / Sing To The Lord):Bilingual Foreword (Ger/Eng) and Critical Commentary (Eng)Words underlaid in both German and EnglishPiano reduction based on the first printed editionFull score performance material (BA9076) and vocal score (BA9076-90) available for saleMendelssohn composed his setting of Psalm 98 (Singet Dem Herrn / Sing To The Lord) in the space of just a few weeks to satisfy a commission in his new position as general musicdirector of Prussia. The work was premiered by the Berlin Cathedral Choir on 1 January 1844. As Mendelssohn neither released the work for publication nor produced a vocal score his psalm setting did not appear in print until after his death.For this edition the authoritative Mendelssohn specialist John Michael Cooper drew primarily on the autograph score with its many subsequent corrections and amendments. In this way it differs from many other editions which tend to treat the autograph as a subordinate source. Rounding off the edition are an informative Foreword and a detailed Critical Commentary. The Piano reduction is based on the first printed edition which was published by F. Kistner and Evers & Co. in 1851.

Features of the Barenreiter Urtext edition of Mendelssohn’s setting of Psalm 98 (Singet Dem Herrn / Sing To The Lord):Bilingual Foreword (Ger/Eng) and Critical Commentary (Eng)Words underlaid in both German and EnglishPiano reduction based on the first printed editionFull score performance material (BA9076) and vocal score (BA9076-90) available for saleMendelssohn composed his setting of Psalm 98 (Singet Dem Herrn / Sing To The Lord) in the space of just a few weeks to satisfy a commission in his new position as general musicdirector of Prussia. The work was premiered by the Berlin Cathedral Choir on 1 January 1844. As Mendelssohn neither released the work for publication nor produced a vocal score his psalm setting did not appear in print until after his death.For this edition the authoritative Mendelssohn specialist John Michael Cooper drew primarily on the autograph score with its many subsequent corrections and amendments. In this way it differs from many other editions which tend to treat the autograph as a subordinate source. Rounding off the edition are an informative Foreword and a detailed Critical Commentary. The Piano reduction is based on the first printed edition which was published by F. Kistner and Evers & Co. in 1851.

Features of the Barenreiter Urtext edition of Mendelssohn’s setting of Psalm 98 (Singet Dem Herrn / Sing To The Lord):Bilingual Foreword (Ger/Eng) and Critical Commentary (Eng)Words underlaid in both German and EnglishPiano reduction based on the first printed editionFull score performance material (BA9076) and vocal score (BA9076-90) available for saleMendelssohn composed his setting of Psalm 98 (Singet Dem Herrn / Sing To The Lord) in the space of just a few weeks to satisfy a commission in his new position as general musicdirector of Prussia. The work was premiered by the Berlin Cathedral Choir on 1 January 1844. As Mendelssohn neither released the work for publication nor produced a vocal score his psalm setting did not appear in print until after his death.For this edition the authoritative Mendelssohn specialist John Michael Cooper drew primarily on the autograph score with its many subsequent corrections and amendments. In this way it differs from many other editions which tend to treat the autograph as a subordinate source. Rounding off the edition are an informative Foreword and a detailed Critical Commentary. The Piano reduction is based on the first printed edition which was published by F. Kistner and Evers & Co. in 1851.

Let There Be Jubilant Praise practically sings itself and makes a great call to worship or anthem selection. This general praise song is immediately engaging and is as pleasing to hear as it is to sing. A real winner! Includedon LiteTrax Accompaniment CD (MD5619). Supports: Psalm 68:25 Psalm 149:3 Psalm 150 1 Chronicles 13:8

Kantate Zum 15. Sonntag Nach Trinitatis. Par BACH JOHANN SEBASTIAN. Tonalité : C-Dur - BWV 51/ Répertoire / Solo S, Trompette, Instruments à Cordes et Orgue

Kantate Zum 15. Sonntag Nach Trinitatis. Par BACH JOHANN SEBASTIAN. Tonalité : C-Dur - BWV 51/ Répertoire / Solo S, Trompette, Instruments à Cordes et Orgue

Kantate Zum 15. Sonntag Nach Trinitatis. Par BACH JOHANN SEBASTIAN. Tonalité : C-Dur - BWV 51/ Répertoire / Solo S, Trompette, Instruments à Cordes et Orgue

Kantate Zum 15. Sonntag Nach Trinitatis. Par BACH JOHANN SEBASTIAN. Tonalité : C-Dur - BWV 51/ Répertoire / Solo S, Trompette, Instruments à Cordes et Orgue

Kantate Zum 15. Sonntag Nach Trinitatis. Par BACH JOHANN SEBASTIAN. Tonalité : C-Dur - BWV 51/ Répertoire / Solo S, Trompette, Instruments à Cordes et Orgue

Uses: GeneralScripture: Psalm 27:4; Psalm 23The essence of devotion speaks through this reflective anthem based on Scripture. After a brief introduction quoting I Love Thy Church O God asteady flowing theme develops a heartfelt prayer: “This is my heart's desire let me dwell in the house of the Lord let me sing God's praise let me live in peace.” A well balanced approach to unison singing and fullfour-part harmony is achieved and the optional flute part adds a precious touch.

This is an interesting treatment of Psalm 150. Each of three sections starts very quietly and builds the middle section is done in counterpoint with the lines of the psalm over and against a constant rhythmic 'praise Him praise Him praise Him'. It is a stirring anthem for any season! Also available in TTBB (HMC1257)|||||| HL08763537|Lively original work by Mark Hayes this would be a great stand by for any choir.|||||| HL08763538|Great for a moderately advanced children's choir_x000D_In choosing William Wordsworth Robert Herrick and Robert Browning Jean Coulthard has provided a wonderful opportunity for great artistic expression. While the piano accompaniment does work it is much more effective if performed with string orchestra'.-Jean Ashworth Bartle.

The call of the river the psalm of the skies notes of its melody. This wonderful text celebrates each of us: school bus driver clerk policeman neighbors children everyone in our lives and the river of life and love flowing through us all. Set as an inspirational ballad with optional percussion this is a stunning selection for concert and festival. The call of the river the psalm of the skies notes of its melody. This wonderful text celebrates each of us: school bus driver clerk policeman neighbors children everyone in our lives and the river of life and love flowing through us all. Set as an inspirational ballad with optional percussion this is a stunning selection for concert and festival.

Anthem. Par PURCELL HENRY. The Anthem, in the post-Reformation church music of England was initially the term given to a choral work with an English biblical text. By the end of the 17th century it begins to take on Italian stylistic elements and becomes a cantata for solo voices, choir and orchestra. The anthem 'O sing unto the Lord' presented here, based on words of the 96th Psalm, is a particularly beautiful example of the transformation of the traditional and the modern style into a unified whole. Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed choir (SATB), Strings, Basso continuo Full score, choral score and parts (BA2901) available for sale/ Répertoire / SATB, 4 Parties Mixtes et Instruments à Cordes